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DTSTART;TZID=Europe/Dublin:20260607T100000
DTEND;TZID=Europe/Dublin:20261031T170000
DTSTAMP:20260925T144119Z
CREATED:20260529T155621Z
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UID:10000696-1780826400-1793466000@smashingtimes.ie
SUMMARY:Kerry Arts and Human Rights Festival: Eternal Rebels - Irish Women Changemakers in History Exhibition
DESCRIPTION:Min El Mai Lal Mai – From Water to Water\n\n\n\n\n\n\n\n\n\n\n\nThree-Day Palestinian Cultural Day Festival (25–27 September 2026)\, celebrating Palestinian culture through art\, music\, food\, education and community events  \n\n\nTwelve storyboard artworks combine photography\, poetry and storytelling to celebrate extraordinary women who transformed Irish history\, including  Constance Markievicz (1868-1927)\, Eva Gore-Booth (1870-1926)\, Hanna Sheehy-Skeffington (1877-1946)\, and Kerry women Mary O’Connell (1778–1836)\, Helen Blackburn (1842-1903)\,  Maude Jane Delap (1866-1953) and Janie McCarthy (1885-1964) \n\n\n\nBook Your Place\n\n\n\nAvailable to view as part of the Old Barracks Heritage Centre self-guided tour. More info here. \n\n\n\nExhibition Credits\n\n\n\nArtist: Mary Moynihan\, Writer\, Poet\, Creator of Art and Photography \n\n\n\nCurator: Mary Moynihan \n\n\n\nProducers: Freda Manweiler\, Ciara Hayes\, Smashing Times International Centre for the Arts and Equality \n\n\n\nGraphic Design: EM Creative  \n\n\n\nFraming: Appletons Picture Framers Film Editing: High Wire Ltd \n  \n\n\n\n \n\n\n\nFull Event Details\n\n\n\nThe Barracks Heritage Centre is a three-storey museum and visitor experience featuring immersive exhibitions\, historical artefacts\, and panoramic turret views that tell the story of the Royal Irish Constabulary\, the Fenian Rising\, Daniel O’Connell—known as The Liberator—and the local people who helped shape Irish history. Integrated throughout the museum is Eternal Rebels: Irish Women Changemakers\, a visual art exhibition by artist Mary Moynihan. Blending photography\, poetry\, and storytelling\, Eternal Rebels comprises twelve storyboard artworks that appear throughout the heritage centre\, each celebrating the life and legacy of an extraordinary woman who transformed Irish history. The exhibition is included with the standard admission ticket to The Barracks Heritage Centre. \nThe stories include Constance Markievicz (1868-1927)\, Irish politician\, revolutionary nationalist\, suffragette and socialist; Eva Gore-Booth (1870-1926)\, poet\, writer\, trade unionist\, feminist\, a campaigner for equality and social justice and Hanna Sheehy-Skeffington (1877-1946)\, radical activist\, feminist\, pacifist\, human rights campaigner and one of Ireland’s foremost suffragettes. Two of the women are from Valentia Island –  Helen Blackburn (1842-1903)\, Writer\, Suffragist and Feminist Campaigner for Women’s Rights and Worker’s Rights; and Maude Jane Delap (1866-1953)\, a pioneering Marine Biologist who had a sea anemone named after her\, the ‘Edwardsia delapiae’\, which she discovered in shallow sea waters on Valentia Island’s shores. \nTwo new stories are added for this year’s annual Kerry Arts and Human Rights festival – Mary O’Connell and Janie McCarthy. Mary O’Connell (1778–1836) born in Tralee\, was an Irish woman and practical force behind the O’Connell household\, raising a large family often under difficult financial circumstances. She acted at times as the family estate manager\, family matriarch\, and trusted political confidante whose management of the O’Connell household and correspondence helped sustain one of the most influential political careers in nineteenth-century Ireland. Her surviving letters reveal an intelligent\, resilient woman whose emotional support and organisational abilities underpinned one of Ireland’s greatest political movements. Janie McCarthy (1885-1964) from Killarney\, Ireland lived in Paris during World War II and became involved in the French Resistance.  She managed to evade capture and survived the war. Her area of specialisation was in rescue work\, saving a number of lives including members of the allied intelligence services and armies. \nMary Moynihan (she/her) is an award-winning writer\, poet\, theatre and film-maker and  a creator of art and photography. Mary is Artistic Director of Smashing Times International Centre for the Arts and Equality\, and Artistic Curator for the annual Dublin Arts and Human Rights festival supported by The Arts Council. \nPresented for the Kerry Arts and Human Rights Festival 18-19 July 2026 and for the annual international Irish Arts and Human Rights Festival 9-18 October 2026 \nInformation at 087 2214245 or admin@smashingtimes.ie \n\n\n\nSpeaker Biographies:\n\n\n\n\n\n\n\n\n\n\n\nMary Moynihan\, MA\, she/her\, is an award-winning author of novels\, plays\, poetry and films\, originally from Dublin\, Ireland. Mary has an honours BA in Drama and Theatre Studies from Trinity College Dublin and an honours Masters in Film Production from TU Dublin.  Mary embarked upon her award-winning career as a writer in theatre and film and has garnered much acclaim for her plays\, poetry and short film scripts and for creating inter-disciplinary artworks combining writing and photography presented in galleries and online.  She established and became Artistic Director of Smashing Times International Centre for the Arts and Equality and is Artistic Curator for the annual Dublin Arts and Human Rights festival. \n\n\n\nAfter raising four children\, now all adults\, and following her recovery from serious illness\, Mary dedicated her time to becoming a writer. She writes fiction for young people and adults featuring stories of courage\, laughter\, tragedy\, happiness\, love\, death and action-packed adventures. Mary is the author of a young adult fantasy novel series Amergin and the Warriors of Zen. In her adult fiction\, Mary’s characters are clever\, fearless\, vulnerable\,  crazy\, and strong\, looking for love\, fun\, success and happiness. Her work promises enthralling plots\, dramatic lives\, lots of laughs\, serious flirting and sexual intrigue and insights into love\, happiness\, creativity and meaning in life. \n\n\n\nMary pens a series of articles and Creative Musings on Arts\, Creativity\, Leadership and Self-Esteem which appears in the Smashing Times International Centre for the Arts and Equality newsletter and on Mary’s website marymoynihan.ie \n\n\n\nIn her free time Mary loves to spend time with her four adult children\, hang out with friends and swims in the sea all year round.  She loves the ocean\, sky and moon and has a spiritual connection to the Atlantic Ocean and Irish Sea\, to the environs of Dublin bay and to the mystical landscapes of Valentia Island and the surrounding Iveragh peninsula in County Kerry\, her spiritual home. She is a big fan of the Dublin GAA Gaelic football and hurling teams. \n  \n\n\n\n\n\n\n\n\n\n \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/eternal-rebels-irish-women-changemakers-exhibition/
LOCATION:Old Barracks Heritage Centre\, Cahersiveen\, Co Kerry\, Cahersiveen\, Kerry\, V23VR62\, Ireland
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2023/07/eternalrebels.jpg
ORGANIZER;CN="Smashing Times International Centre for the Arts and Equality":MAILTO:info@smashingtimes.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260718T100000
DTEND;TZID=Europe/Dublin:20261031T170000
DTSTAMP:20260706T150100Z
CREATED:20260529T160422Z
LAST-MODIFIED:20260706T150100Z
UID:10000697-1784368800-1793466000@smashingtimes.ie
SUMMARY:Kerry Arts and Human Rights Festival: Landscapes of the Soul Visual Art Exhibition
DESCRIPTION:Min El Mai Lal Mai – From Water to Water\n\n\n\n\n\n\n\n\n\n\n\nThree-Day Palestinian Cultural Day Festival (25–27 September 2026)\, celebrating Palestinian culture through art\, music\, food\, education and community events  \n\n\nBook Your Place\n\n\n\nAvailable to view as part of the Old Barracks Heritage Centre self-guided tour. More information here. \n\n\n\nExhibition Credits\n\n\n\nArtist: Mary Moynihan\, Writer\, Poet\, Creator of Art and Photography \n\n\n\nArtist: Hina Khan\, Visual Artist \n\n\n\nCurators: Mary Moynihan and Hina Khan \n\n\n\nProducers: Freda Manweiler\, Ciara Hayes\, Smashing Times International Centre for the Arts and Equality \n\n\n\nGraphic Design: EM Creative  \n\n\n\nFraming: Appletons Picture Framers \n\n\n\nFilm Editing: High Wire Ltd \n\n\n\nFull Event Details\n\n\n\nLandscapes of the Soul is a powerful exhibition featuring the work of Irish artists Mary Moynihan and Hina Khan. The exhibition features visual art\, photography\, poetry and film\, mapping physical landscapes of nature to landscapes of the soul\, reflecting on ways to hold on to the courage to be who we truly are and to let ourselves shine. In homage to the human spirit\, the exhibition brings together visual imagery\, poetry and film to reflect on meaning-making and pathways of expression\, mapping physical landscapes and seascapes to human emotions from grief and longing to inner peace\, spirituality and love.  Landscapes of the Soul by Mary Moynihan runs at The Barracks Heritage Centre\, Cahersiveen\, from Saturday 18 July to Saturday 31 October 2026\, and is open Monday to Sunday 10am-5pm from June to September and 10am-3pm from March to May and October. \n\n\n\nVisitors are invited to step into a space of reflection and self-expression\, exploring the delicate boundaries between the natural world of landscapes and seascapes and the human spirit. The original exhibition premiered at Rathfarnham Castle\, Dublin in 2024 and was commissioned by Smashing Times International Centre for the Arts and Equality for the annual international Irish Arts and Human Rights Festival in partnership with Rathfarnham Castle and the Office of Public Works.  Eight artworks and one poem film installation are created by Mary Moynihan and four artworks are created by Hina Khan. \n\n\n\nMary Moynihan (she/her) is an award-winning writer\, poet\, theatre and film-maker and  a creator of art and photography. Mary is Artistic Director of Smashing Times International Centre for the Arts and Equality\, and Artistic Curator for the annual Dublin Arts and Human Rights festival supported by The Arts Council. \nHina Khan was born in born in Pakistan in 1980 and completed an MFA\, majoring in Miniature Painting from Pakistan. Hina uses  miniature in her work as the  intricacy and delicacy of the brush work has a unique identity. Hina’s work began as a mixture of traditional and contemporary miniature and her practice has now expanded to include small and large-scale installation\, videos and 3D. \nPresented for the Kerry Arts and Human Rights Festival 18-19 July 2026 and for the annual international Irish Arts and Human Rights Festival 9-18 October 2026 \nInformation at 087 2214245 or admin@smashingtimes.ie \n\n\n\nSpeaker Biographies:\n\n\n\n\n\n\n\n\n\n\n\nMary Moynihan\, MA\, she/her\, is an award-winning author of novels\, plays\, poetry and films\, originally from Dublin\, Ireland. Mary has an honours BA in Drama and Theatre Studies from Trinity College Dublin and an honours Masters in Film Production from TU Dublin.  Mary embarked upon her award-winning career as a writer in theatre and film and has garnered much acclaim for her plays\, poetry and short film scripts and for creating inter-disciplinary artworks combining writing and photography presented in galleries and online.  She established and became Artistic Director of Smashing Times International Centre for the Arts and Equality and is Artistic Curator for the annual Dublin Arts and Human Rights festival. \n\n\n\nAfter raising four children\, now all adults\, and following her recovery from serious illness\, Mary dedicated her time to becoming a writer. She writes fiction for young people and adults featuring stories of courage\, laughter\, tragedy\, happiness\, love\, death and action-packed adventures. Mary is the author of a young adult fantasy novel series Amergin and the Warriors of Zen. In her adult fiction\, Mary’s characters are clever\, fearless\, vulnerable\,  crazy\, and strong\, looking for love\, fun\, success and happiness. Her work promises enthralling plots\, dramatic lives\, lots of laughs\, serious flirting and sexual intrigue and insights into love\, happiness\, creativity and meaning in life. \n\n\n\nMary pens a series of articles and Creative Musings on Arts\, Creativity\, Leadership and Self-Esteem which appears in the Smashing Times International Centre for the Arts and Equality newsletter and on Mary’s website marymoynihan.ie \n\n\n\nIn her free time Mary loves to spend time with her four adult children\, hang out with friends and swims in the sea all year round.  She loves the ocean\, sky and moon and has a spiritual connection to the Atlantic Ocean and Irish Sea\, to the environs of Dublin bay and to the mystical landscapes of Valentia Island and the surrounding Iveragh peninsula in County Kerry\, her spiritual home. She is a big fan of the Dublin GAA Gaelic football and hurling teams. \n  \n\n\n\n\n\n\n\n\n\n\n\n\n\nHina was born in Born in Pakistan in 1980 and completed an MFA\, majoring in Miniature Painting from Pakistan. Hina’s work uses a mixture of traditional and innovative techniques in Miniatures. She portrays social issues\, immigration\, humanitarian crises like prostitution\, gender discrimination\, gender restrictions\, trauma\, child abuse and killing etc in her work. \n\n\n\nHina has chosen Miniature because of its intricacy and delicacy of brush work which has a unique identity. Most of Hina’s work is a mixture of traditional and contemporary miniature. My work is the constant search for the best way to interpret the ideas expresses my own ideologies through symbolism. Shifting my practice to installation\, videos\, 3D. \n\n\n\nAccording to Hina ‘I am creating a dialogue through my art. My art is a reflection of inner connection\, and how immigrants and nomadic artists are a part of this land. Migration is deeply rooted in my blood. I have carried two cultures\, one from where I was born and the other is this culture where I am trying to re-root myself. Sometimes a situation is not in our control\, but life always takes us on different voyages. This journey has built up a constant transition in my art\, personality\, experimentation\, enabling me to evolve my art practice.’ \n\n\n\nHina has participated in number of groups shows in Pakistan from 2002 to 2011. Hina came to Ireland in 2015 and participated in a number of exhibitions in Dublin\, Laois\, Mayo\, and Cork. Hina was awarded several residencies with Fire Station Arts Center\, Create Ireland\, West Cork Art Center and Cow House Studio and has displayed solo exhibition at Ballina Art Center\, Mayo\, and Stradbally Art house\, Laois. \n\n\n\nHina’s next solo exhibition will be exhibited in the coming months.  Her art pieces are also in the permanent collection of Arts Council Ireland. She is the recipient of several Awards from Arts Council Ireland\, Create Ireland\, and different counties. \n\n\n\nHina says that\, ‘as an artist\, I am inspired by Sadequain\, Michelangelo\, Picasso\, Frida Kahlo\, Shahzia Sikander and Anselm Kiefer.’ \n  \n\n\n\n\n\n\n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/from-the-forest-to-the-ocean-visual-art-exhibition/
LOCATION:Old Barracks Heritage Centre\, Cahersiveen\, Co Kerry\, Cahersiveen\, Kerry\, V23VR62\, Ireland
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2026/05/Rathfarnham-3-Oct-2024-DB8_4467-c-Declan-Brennan.jpg
ORGANIZER;CN="Smashing Times International Centre for the Arts and Equality":MAILTO:info@smashingtimes.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260718T100000
DTEND;TZID=Europe/Dublin:20261031T170000
DTSTAMP:20260706T150222Z
CREATED:20260622T150717Z
LAST-MODIFIED:20260706T150222Z
UID:10000702-1784368800-1793466000@smashingtimes.ie
SUMMARY:Kerry Arts and Human Rights Festival: Old Barracks Heritage Centre Exhibition
DESCRIPTION:Min El Mai Lal Mai – From Water to Water\n\n\n\n\n\n\n\n\n\n\n\nThree-Day Palestinian Cultural Day Festival (25–27 September 2026)\, celebrating Palestinian culture through art\, music\, food\, education and community events  \n\n\nBook Your Place\n\n\n\nBook here \n\n\n\n\n\n\n\nFull Event Details\n\n\n\nDiscover what life was like for the Royal Irish Constabulary stationed here in the 19th century\, learn about the Fenian Rising of 1867 which began in Cahersiveen\, and explore the technology behind the transatlantic telegraph cable that connected Europe to America. Watch an animated film about the building’s origins\, meet historical figures through interactive displays\, and enjoy stunning views of the surrounding bay from the turret. \n\n\n\nOn the top floor\, dive into the architectural story of the barracks and its designer\, Enoch Trevor Owen\, before stepping into the Daniel O’Connell Room\, where the legacy of “The Liberator” is brought vividly to life. \nJoin a free guided tour at 11am or 2pm most days and let our knowledgeable team bring the stories of The Old Barracks to life. Prefer to explore at your own pace? Complimentary audio guides are available throughout the day\, providing fascinating insights as you move through the building. \nHighlights of Your Visit \n\nImmersive exhibitions across three historic floors\nFree guided tours and audio-guided self-tours\nHands-on experiences like the photo-fit fugitive test\nRare historical artefacts and interactive storytelling\nAccess to the turret for panoramic views of Cahersiveen and Valentia Island\nA dedicated Daniel O’Connell Room\, celebrating “The Liberator”\n\n\n\n\n\n\n\n\n \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/old-barracks-heritage-centre-exhibitions/
LOCATION:Old Barracks Heritage Centre\, Cahersiveen\, Co Kerry\, Cahersiveen\, Kerry\, V23VR62\, Ireland
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2026/06/barracks12.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260718T190000
DTEND;TZID=Europe/Dublin:20271231T193000
DTSTAMP:20260831T100852Z
CREATED:20260716T155418Z
LAST-MODIFIED:20260831T100852Z
UID:10000711-1784401200-1830281400@smashingtimes.ie
SUMMARY:Edition VII of Tintreach: The Smashing Times Arts and Literary Journal
DESCRIPTION:Min El Mai Lal Mai – From Water to Water\n\n\n\n\n\n\n\n\n\n\n\nThree-Day Palestinian Cultural Day Festival (25–27 September 2026)\, celebrating Palestinian culture through art\, music\, food\, education and community events  \n\n\nBuy Your Copy\n\n\n\n \n\n\n\n\n\n\n\n\n\nEdition VII of Tintreach: The Smashing Times Arts and Literary Journal\n\n\n\nEdition VII of Tintreach: The Smashing Times Arts and Literary Journal was published on Saturday\, 18 July 2026\, in The Barracks Heritage Centre\, Cahersiveen\, as part of Smashing Times’ inaugural Kerry Arts and Human Rights Festival. This is a special bilingual edition themed ‘Muintearas: Macallaí Uíbh Ráthaigh/Belonging: Echoes of Iveragh’\, incorporating both Irish and English\, and publishing six artists with a connection to Uíbh Ráthach/Iveragh in County Kerry. This is a digital edition. \n\n\n\nThe contributing artists are Paddy Bushe (poetry) and Dominika Piekarska (visual art) – who make up this edition’s Featured Artists – as well as June O’Sullivan (short fiction)\, John Goode (poetry)\, Marie O’Shea (non-fiction)\, and Ita Ryan (short fiction). The edition’s themes include belonging\, identity\, history\, place\, community\, art\, the Irish language\, nature\, and more. \n\n\n\n \n\n\n\nWe have also included some work by Bonus Artists\, which includes an excerpt from one of the region’s – and indeed Ireland’s – most famous poems: ‘Caoineadh Airt Uí Laoghaire’ by Eibhlín Dubh Ní Chonaill. This section also contains two poems by Mary Moynihan\, a writer\, poet\, and creator of art and photography\, and Artistic Director of Smashing Times\, who has been visiting Valentia Island for nearly two decades. Furthermore\, this edition holds an Arts in the Community Profile and Interview with the eco-social artist\, researcher\, and educator\, Dr Anita McKeown. \n\n\n\nWe would like to offer sincere thanks to our funders: Cumas Ceantar Uíbh Ráthaigh\, Kerry County Council\, and Fáilte Ireland. \n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWhen you purchase your copy of Tintreach\, it will be emailed to you within 48 hours\, Monday – Friday \n\n\n\n\n\n\n\n\n\nTintreach: The Smashing Times Arts and Literary Journal is a new publication in the Irish arts scene. Published quarterly in digital format\, it features works from across the artistic spectrum and combines up-and-coming voices with those of more established artists. Each edition of Tintreach includes three or four artworks by a Featured Artist\, a Featured Artist Interview\, work by three other artists (usually with multiple artworks by each)\, and occasionally an article contribution by Mary Moynihan\, Smashing Times Artistic Director and a writer and creator of art and photography. The journal appears in January\, April\, July\, and October. Tintreach is edited by writer Féilim James. \n\n\n\nTintreach was established as a continuation and major expansion of the Tintreach section of the monthly Smashing Times Newsletter. Previous contributors to Tintreach: The Smashing Times Arts and Literary Journal and the Tintreach section of our newsletter include poets Jessica Traynor\, Mary O’Malley\, and Annemarie Ní Churreáin; Senator Lynn Ruane; 2023 Nobel Peace Prize-winner Narges Mohammadi; director and playwright Dijana Milošević; rapper-singer Saint Levant; and many more. \n\n\n\n‘Tintreach’ is the Irish word for lightning\, which for us symbolises the spark that animates art\, making it striking and engaging. What sets Tintreach apart as a publication? Firstly\, we are open to all artforms that can be read or viewed in page format. Secondly\, each artist selected for publication will have multiple pieces included\, unless their contribution is a short story\, non-fiction essay\, or novel extract. The purpose of this is to offer artists\, especially emerging artists\, more exposure than a journal publication would normally offer. \n\n\n\nTintreach ISSN: ISSN 3088-7070 \n\n\n\nAddress: Smashing Times International Centre for the Arts and Equality\, 30 Sandycove Road\, Sandycove\, Dublin\, A96 V9P1 \n  \n  \n\n\n\n \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/edition-vii-of-tintreach-the-smashing-times-arts-and-literary-journal/
LOCATION:Online
ATTACH;FMTTYPE=image/png:https://smashingtimes.ie/wp-content/uploads/2026/05/Tintreach-online-logo.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260918T100000
DTEND;TZID=Europe/Dublin:20261016T180000
DTSTAMP:20260925T144210Z
CREATED:20260916T115653Z
LAST-MODIFIED:20260925T144210Z
UID:10000744-1789725600-1792173600@smashingtimes.ie
SUMMARY:September: An exhibition without borders
DESCRIPTION:Min El Mai Lal Mai – From Water to Water\n\n\n\n\n\n\n\n\n\n\n\nThree-Day Palestinian Cultural Day Festival (25–27 September 2026)\, celebrating Palestinian culture through art\, music\, food\, education and community events  \n\n\nThe exhibition emphasises the value of open borders and open minds\, bringing together multiple artistic perspectives and worldviews. Artists are Kirstin Arndt\, Alan Butler\, Brian Hegarty\, Tom Hunter\, Július Koller\, Scott Lyall\, Niamh McCann\, Nigel Rolfe and Nil Yalter. \n\n\n\nBook Your Place\n\n\n\nAdmission free\, no booking required \n\n\n\nArtists\n\n\n\nKirstin Arndt \n\n\n\nAlan Butler \n\n\n\nBrian Hegarty \n\n\n\nTom Hunter \n\n\n\nJúlius Koller \n\n\n\nScott Lyall \n\n\n\nNiamh McCann \n\n\n\nNigel Rolfe \n\n\n\nNil Yalter \n\n\n\nFull Event Details\n\n\n\nGreen On Red Gallery is delighted to announce September an exhibition of new and existing works by gallery artists plus new artists. \n\n\n\nNew to the gallery are Drogheda-based artist and curator Brian Hegarty and the late Slovakian artist and stalwart of Eastern European avant-garde from the 1960’s on\, Július Koller (d. 2007). Gallery artists include Kirstin Arndt (drawings)\, Alan Butler (deskscapes)\, Tom Hunter\, Scott Lyall (painting)\, Niamh McCann (polished brass silkscreen) Nigel Rolfe (photoworks) and Nil Yalter (video). \n\n\n\nSeptember is a cross-section of artists working in a wide variety of media and from many different cultures\, partly to emphasise the beauty of open borders and open minds. \n\n\n\nThere isn’t a fixed theme to September but the show will allow the artists’ works to set the conversation and to create an open dialogue between multiple worldviews from different eras. September – An Exhibition without Borders runs at the Green on Red Gallery Dublin from 18 September to 16 October 2026\, 10am-6pm\, Monday to Friday weekly. Green on Red Gallery is situated at Park Lane\, Spencer Dock\, Dublin 1\, D01 Y821. \n\n\n\nGreen on Red Gallery \n\n\n\nThe Green On Red Gallery began in 1992 and has since become one of Ireland’s most dynamic and exciting galleries. We represent some of the best contemporary work on the market\, both Irish and international. The programme is based on 6-7 solo exhibitions and 2-3 group or thematic exhibitions per year.  Green On Red Gallery participates in international art fairs and the gallery’s artists regularly exhibit abroad in both private and public venues. \n\n\n\nAlong with our programme of exhibitions at home and abroad\, the gallery offers a consultancy service tailored to individual needs:  \n\n\n\n          Building individual private collections  \n\n\n\n          Consulting with companies and organisations to supply artwork for their collections  \n\n\n\n          Finding the right piece for a particular location  \n\n\n\n          Advising on outdoor or public art projects \n\n\n\nVisit the Green on Red website \n\n\n\n \n\n\n\nSpeaker Biographies:\n\n\n\nBrian Hegarty \n\n\n\nHegarty’s practice sits somewhere between painting\, sculpture\, and assemblage\, and resists settling into any one of them. Working with found and everyday materials\, mainly paper and  card he builds layered surfaces through accumulation\, alteration\, and repair. \n\n\n\nRather than hiding how the works are made\, they are self-explanatory.    Visible seams\, exposed edges\, runny glue\, the evidence of the hand are all apparent and exposed. Cutting\, folding\, layering\, and gluing are both method and meaning — structures built provisionally\, likely to fail\, not built to last. This instability isn’t separate from the work’s meaning; it is the meaning\, mirroring an existential unease the work doesn’t resolve\, only makes visible\, and briefly\, holds together. \n\n\n\nBrian Hegarty is an artist based in Drogheda County Louth. He was born in Dublin in 1970 and graduated from D.I.T. College of Fine Art in 1994. He has exhibited widely both nationally and internationally. He runs thirtythree-45\, a multi-platform arts project working independently and in collaboration with other artists\, musicians\, and arts organisations. Most recently he initiated The KIOSK Project Art Space\, a small artist-run project space on Narrow West Street in Drogheda. \n\n\n\n\n\nJúlius KollerDelving beyond art as a practice\, Koller’s work explores art as a medium of cultural action. In a bid to investigate communications and actions beyond their institutional and political definitions his work hones its focus on everyday gestures and rituals. In doing so he creates the concept of “‘cultural institutions”. \n\n\n\nIn late 1980s Czechoslovakia\, Koller found himself deeply concerned with the Czechoslovakian Spring liberation. This event saw Warsaw troops invade Czechoslovakia in a bid to suppress the Spring liberation process within the region. At the same time\, there was an exponential growth in the economic shift to a globally driven free market society. This period of change prompted much reflection  – specifically the contradiction of Utopia and real life. Here his series U.F.O.-naut J.K. was conceived. An almost life-long series of self-portraits released annually\, many pieces feature Koller himself using ironic gestures and using wildly various symbols and everyday objects like nets\, tennis rackets\, table-tennis bats\, his own head of hair\, and so on. \n\n\n\nThe (otznik) question mark recurs throughout his work. As the collection evolves so does the question mark. He weaves the symbol in throughout a wide variety of materials and formats. The symbol serves not only as a reference and prompt to question politics\, society and environment but also as a universal term: it stood for openness\, willingness to explore\, uncertainty and doubt. In his work Meditacia / Meditation (U.F.O.)  1983 Július is pictured with his head perched and eyes closed\, holding only a piece of paper. The piece of paper contains a small pencil illustration – a circle drawn unsteadily. This sketch encapsulates the spirit of the man. Here too\, the subject of free expression has become an inquiry\, one that is not only focused on social conditions but on one’s own capacity for action.  \n\n\n\nFor an Irish equivalent\, think the late Maurice O’Connell\, an art rogue\, a performer\, a wanderer and a unique presence in the Irish art world of the 1990s. He took part in the first Manifesta ( 1996 )\, Europe’s only Nomadic Biennial of Contemporary Art. He had a solo exhibition The Last Great Buffalo Hunt in Green on red Gallery in 1997. \n\n\n\n\n\nNil Yalter \n\n\n\nBorn in Cairo and raised in Istanbul\, Nil Yalter is a pioneering Turkish artist whose work has been shaped by her experiences across different cultures\, traditions and political landscapes. Drawing on her Anatolian heritage while embracing the experimental possibilities of contemporary art\, Yalter has developed a practice that spans more than five decades. \n\n\n\nHer work explores migration\, identity\, feminism and social justice through the stories of those often overlooked. Combining visual art\, performance\, technology and traditions drawn from oral and visual cultures\, Yalter examines the resilience and complexity of human experience while giving voice to marginalised communities and questioning the social and political structures that shape their lives. \n\n\n\nIn Lord Byron Meets the Shaman Woman (2009)\, Nil Yalter draws on her longstanding interest in shamanism\, nomadic cultures and the cultural histories of Anatolia to revisit the figure of the female shaman. Combining performance\, costume\, archival imagery and text\, the work pays tribute to women who occupied significant spiritual\, social and intellectual roles within their communities. By staging an imagined encounter between the shaman woman and Lord Byron\, Yalter brings together different histories and cultural perspectives\, questioning how identities and traditions have been represented and understood. \n\n\n\n \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/september-an-exhibition-without-borders/
LOCATION:Green on Red Gallery\, Park Lane\, Spencer Dock\, Dublin\, D01 Y821
CATEGORIES:Exhibition,Multidisciplinary
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260930T130000
DTEND;TZID=Europe/Dublin:20261129T180000
DTSTAMP:20260929T093451Z
CREATED:20260915T112149Z
LAST-MODIFIED:20260929T093451Z
UID:10000723-1790773200-1795975200@smashingtimes.ie
SUMMARY:Voices of Peace Visual Art Exhibition reflecting on Peace\, Equality + Human Rights
DESCRIPTION:Min El Mai Lal Mai – From Water to Water\n\n\n\n\n\n\n\n\n\n\n\nThree-Day Palestinian Cultural Day Festival (25–27 September 2026)\, celebrating Palestinian culture through art\, music\, food\, education and community events  \n\n\nFeaturing work by writer Féilim James and visual artists Jessica Rodrigues\, Gillian Lambe\, Viktoriia Yevsiukova\, Hina Khan\, Aman Walayat\, Iqra Iqbal\, and Mary Moynihan\, the exhibition explore peace and human rights\, sparking dialogue and new visions for the future. Supported by the dlr County Council Universal Grant Scheme and the Dún Laoghaire-Rathdown County Council Arts Office. \n\n\n\nBook Your Place\n\n\n\nAdmission free\, no booking necessary \n\n\n\nArtists\n\n\n\nJessica Rodrigues\, Multidisciplinary Artist \n\n\n\nGillian Lambe\, Visual Artist \n\n\n\nViktoriia Yevsiukova\, Visual Artist \n\n\n\nHina Khan\, Visual Artist \n\n\n\nAmna Walayat\, Visual Artist \n\n\n\nIqra Iqbal\, Visual Artist \n\n\n\nFeilim James\, Write and Poet\, Editor of Tintreach: The Smashing Times Arts and Literary Journal \n\n\n\nMary Moynihan\, Writer\, Poet\, Creator of Art and Photography \n\n\n\nFull Event Details\n\n\n\nVoices of Peace is a multidisciplinary visual art exhibition reflecting on peace\, equality and human rights through powerful contemporary artistic expression\, sparking dialogue and new visions for the future.  The exhibition features a range of visual and multidisciplinary art works showcasing outstanding and inspiring art works by artists who use their creative practice to promote peace\, equality and human rights. \n\n\n\nThe Voices of Peace multidisciplinary visual art exhibition is on show at the Smashing Times Visual Art Gallery\, 30 Sandycove Road\, Sandycove\, Dublin\, A96V9P1 from Wednesday 23 September to Sunday 29 November 2026\, Wednesday to Friday 1-6pm; Saturday 10am-6pm and Sunday 12-6pm. Free admission\, no booking required. The exhibition is supported by dlr County Council Universal Grant Scheme. Voices of Peace – The Gathering\, an interactive live event to accompany the exhibition takes place at the Smashing Times Visual Art Gallery\, 30 Sandycove Road\, Sandycove\, Dublin\, A96V9P1 on Sunday 11 October 2026 at 7pm. Tickets €10. Booking required. \n\n\n\nParticipating Artists \n\n\n\nThe artists are Jessica Rodrigues\, a multidisciplinary artist exploring dreamscapes\, inner worlds\, and symbolic imagery through fine art and custom tattoos; Gilliam Lambe\, a creator of paintings\, ceramics and sculptures; Viktoriia Yevsiukova\, visual artist; Hina Khan\, visual artist; Amna Walayat\, Visual Artist; Iqra Iqbal\, Visual Artist; Féilim James\, novelist\, poet\, playwright and  Editor of Tintreach: The Smashing Times Arts and Literary journal and Mary Moynihan\, Writer\, Poet\, Creator of Art and Photography (Smashing Times resident artist). \n\n\n\nSelected artists for this exhibition become Voices of Peace Artists with their work featured in the visual art exhibition titled Voices of Peace\, presented for the annual international Irish Arts and Human Rights festival in 2026; and in Tintreach: The Smashing Times Arts and Literary Journal\, and on the Smashing Times Arts and Human Rights radio show on Dublin South FM. The artists are all living or have worked in the Dun Laoghaire-Rathdown area and each artist displays a series of artworks exploring themes of peace\, equality and human rights through contemporary artistic expression. \n\n\n\nThis exhibition is supported by the Dlr Universal Grants Scheme. \n\n\n\n \n\n\n\nSpeaker Biographies:\n\n\n\n\n\n\n\n\n\n\n\nJessica Rodrigues is a Brazilian-Irish multimedia artist based in Dublin\, creating strange worlds shaped by dreams\, nature\, memories\, and old tales. Working across fine art\, tattoos\, videos\, and murals\, the artist employs a surrealist language infused with magical realism to create visual stories that blur the limits between reality and myth. \n\n\n\nJessica spent eleven years as a tattoo artist\, a period that permanently shaped her understanding of narrative. In that role\, stories were entrusted and inscribed\, a collaborative act that demanded integrity and a focus on the body as the first site for a visual tale. This experience remains the quiet anchor for all her work. \n\n\n\nJessica now builds worlds across painting\, murals\, and video\, drawing from a well of dreams and old folklore to create images that feel both familiar and strangely new. The curiosity that guided her hand on skin now guides her interdisciplinary practice. It is a practice of genuine exploration\, evidenced by an Artist in the Community Scheme grant for collaborative public work and features in 10 group exhibitions\, including the group show Voice of Dreams for Visionary Arts. \n\n\n\nJessica’s work has been featured in Tintreach: The Smashing Times Arts and Literary Journal \n\n\n\nSee Jessica’s Instagram @artbyjroiz \n\n\n\n\n\n\n\n\n\n\n\n\n\nGillian Lambe is a visual artist whose practice explores how we experience\, carry and remember the people and places that shape us and how this can influence our sense of belonging. \n\n\n\nShe is especially drawn to the tension between opposing states: connection and separation\, containment and openness\, permanence and change. \n\n\n\nShe uses colour and gesture\, texture and form to research and explore these themes. She gives space to the viewers to bring their own memories\, associations and experiences to the work and to find their own points of connection within it. \n\n\n\nOriginally from Cavan\, Gillian is currently based in Dublin. She has studied drawing\, sculpture and ceramics at NCAD (CEAD) and works across different materials to explore emotion\, connection and environment within her work. \n\n\n\nCurrent and recent exhibitions include the 3rd Annual Exhibition\, An Chéad Tine Art Gallery 3rd\, Kilkenny (selected by Maurice Quillinan)\, ‘Threshold’ The Market House\, Dunleer\, The Easter Competition\, Glebe Gallery (OPW)\, Donegal\, ‘Chrysalis’ & ‘Emerging Perspectives’\, Reynold’s Gallery\, Dublin\, ‘Beyond Words: Art & the Unknown’\, Herman’s Auctioneer’s Modern & Contemporary\, Dublin\, Smashing Times Gallery ‘Solstice Light’\, Dublin and Signal Arts Centre Members show in Wicklow. \n\n\n\n\n\n\n\n\n\n\n\n\n\nViktoriia was  born in 2005 in Kharkiv\, Ukraine. Viktoriia  studied at the Kharkiv Professional Higher Art College of Kharkiv Regional Council\, earning a Professional Junior Bachelor degree (2020–2024)\, and continued her studies at the Cavan Institute (QQI Level 5 in Art\, Craft and Design\, 2024–2025). Viktoriia’s work explores inner tension and quiet disquiet\, capturing fleeting moments of stillness and anticipation. \n\n\n\nViktoriia was selected for the Cavan Arts Awards 2025 and has exhibited in the Summer Showcase Exhibition 2025 in Bailieborough and an exhibition for Culture Night 2025. Viktoriia currently lives and works in Cavan\, County Cavan. \n\n\n\n\n\n\n\n\n\n\n\n\n\nHina Khan was born in born in Pakistan in 1980 and completed an MFA\, majoring in Miniature Painting from Pakistan. Hina uses miniature in her work as the intricacy and delicacy of the brush work has a unique identity. Hina’s work began as a mixture of traditional and contemporary miniature and her practice has now expanded to include small and large-scale installation\, videos and 3D. \n\n\n\nAccording to Hina ‘My work is a constant search for the best way to interpret ideas and to express my own ideologies through symbolism.  I am creating a dialogue through my art. My art is a reflection of inner connection\, and how immigrants and nomadic artists are a part of this land. Migration is deeply rooted in my blood. I have carried two cultures\, one from where I was born and the other is this culture where I am trying to re-root myself. Sometimes a situation is not in our control\, but life always takes us on different voyages. This journey has built up a constant transition in my art\, personality\, and in terms of experimentation\, enabling me to evolve my artistic practice.’ \n\n\n\nHina has participated in a number of groups shows in Pakistan from 2002 to 2011. Hina came to Ireland in 2015 and participated in a number of exhibitions in Dublin\, Laois\, Mayo\, and Cork. Hina was awarded several residencies with Fire Station Arts Center\, Create Ireland\, West Cork Art Center and Cow House Studio and has displayed solo exhibitions at Ballina Art Center\, Mayo\, and Stradbally Art house\, Laois. \n\n\n\nHina’s art pieces are held in the permanent collection of The Arts Council of Ireland. She is the recipient of several awards from The Arts Council of Ireland\, Create Ireland\, and from different counties. She is the recipient of an R&D award from Create Ireland in collaboration with Tomasz Madajezak under the mentorship of Jesse Jones and is also collaborating with filmmaker David Bickley. Hina’s art pieces were commissioned for State of the Art: The Nation State as both Violator and Protector of Human Rights (2022) and for States of Independence (2023). Both projects were f presented by Smashing Times International Centre for the Arts and Equality and funded by The Arts Council. \n\n\n\nHina says that ‘as an artist\,  I am inspired by Sadequain\, Michelangelo\, Picasso\, Frida Kahlo\, Shahzia Sikander and Anselm Kiefer.’ \n\n\n\n\n\n\n\n\n\n\n\n\n\nAmna is a Cork-based Pakistani born visual artist and Associate Member of Sample-Studios\, Art Nomads\, Smashing Times and Angelica Network. She has recently been awarded the Cork County Council Creative Producer Residency\, The Arts Council Agility Award and has been invited to exhibit her new work in IMMA\, having exhibited her work recently in IMMA online and in Cork County Council’s online exhibition space. In addition to her active practice\, she has worked as Programme Organizer with the Pakistan National Council of the Arts; Curator with Alhamra Arts Council and PhD studio-based researcher with PURAF\, University of the Punjab (2004-2007). She recently established the Ireland-Pakistan Arts Exchange (IPAE) to bring both art communities together through creating opportunities for networking and exchange. She is a recipient of Arts Council Ireland Visual Artist Bursary Award\, Professional Development Award 2020 and Dilkusha Award 2020. \n\n\n\n\n\n\n\n\n\n\n\n\n\nIqra is a multidisciplinary artist currently undertaking a Master’s in Art and the Contemporary World at the National College of Art and Design (NCAD)\, Dublin. Working primarily with acrylic painting and neo-miniature as a visual language\, she also experiments with glass and other materials. \n\n\n\nHer practice explores identity\, displacement\, belonging and coexistence\, with particular interest in how people carry cultural histories while forming new relationships with the places and communities they inhabit. Drawing on her experience of moving between cultural spaces\, she questions inherited systems of thought and the cultural frameworks that shape how we understand ourselves\, others and difference. \n\n\n\nThrough symbolism\, pattern\, architectural forms and inherited visual languages\, Iqra explores the process of unlearning and reconsidering ideas that can appear fixed or universal. Rather than rejecting cultural inheritance\, her work seeks to question and reinterpret it\, opening possibilities for alternative ways of seeing\, knowing and belonging. \n\n\n\nHer recent work considers peace through coexistence\, equality and the possibility of sharing space while allowing difference and individuality to remain visible. \n\n\n\n\n\n\n\n\n\n\n\n\n\nFéilim James is a novelist\, poet\, and playwright from Dublin\, Ireland. In 2024\, his poem ‘Dream of an Atrocity’ was shortlisted for the New Irish Writing: Best Poetry category at the Irish Book Awards. He has been funded by the Arts Council of Ireland on three occasions\, including for his novel\, Flower of Ash. Dublin City Arts Office granted him an Arts Bursary in 2021 to finish his poetry collection\, I was a river\, lost. He is the editor of Tintreach: The Smashing Times Arts and Literary Journal. \n\n\n\nFéilim’s fiction\, non-fiction\, and poetry have appeared in the Irish Independent’s New Irish Writing\, Acumen\, The Honest Ulsterman (upcoming)\, Abridged\, The High Window\, The Fiction Pool\, Icarus\, TOWER\, The Galway Review\, A New Ulster\, Trinity Journal of Literary Translation\, Pendemic\, Rant and Rave\, Vox Galvia\, the Smashing Times Newsletter\, and Tales From the Forest. He has had four plays and two short films produced. Féilim’s work has been performed or exhibited in locations such as Áras an Uachtaráin\, Dublin (the residency of the President of Ireland); Dublin Castle; the European Court of Human Rights\, Strasbourg; and Jean Monnet House\, Paris\, for an event by the European Observatory on Memories. \n\n\n\nFéilim’s play Sole Flower\, Spidered Soul (2023)\, about the relationship between James and Lucia Joyce\, had its premiere run in the Pumphouse\, Dublin Port\, in October 2023\, as part of Smashing Times’ Dublin Arts and Human Rights Festival. Its director was Patrick Joseph Byrnes\, who again directed when it had its second run\, this time in The New Theatre\, Dublin in June 2024\, as part of Bloomsday Festival. In 2025\, Sole Flower\, Spidered Soul was added to the archive of the Zurich James Joyce Foundation. Féilim’s play At Summer’s End (2019)\, about Ettie Steinberg\, a real-life Jewish-Irish woman facing the horrors of the Holocaust\, has been toured by Smashing Times to places such as Paris\, Northern Ireland\, and Áras an Uachtaráin\, the residency of the President of Ireland. \n\n\n\nFéilim’s Irish language writing\, under the surname Ó Brádaigh\, has won seven Oireachtas na Gaeilge literary awards\, including one for a collection of poetry. These awards are the most prestigious in Irish language literature. His work through Irish has appeared in Comhar\, Feasta\, Trinity Journal of Literary Translation\, Comhar Óg\, Tuathal\, and An Scríbhneoir Óg. Additionally\, he has twice been selected for Fóras na Gaeilge’s Tutor Scheme. \n\n\n\nFéilim graduated from the BA in English Literature and Psychology in Trinity College\, Dublin in 2017. In 2020\, he completed the MA in Writing in the University of Galway\, studying under the likes of Mike McCormack and Arnold Thomas Fanning\, and receiving a first-class honour. Visit his website here. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMary Moynihan\, MA\, she/her\, is an author of novels\, poetry\, films and plays\, from Dublin\, Ireland. Mary embarked upon her award-winning career as a writer in theatre and film and has garnered much acclaim for her plays\, poetry and short film scripts\, and for creating interdisciplinary artworks combining writing\, poetry and photography presented in galleries and online. She established and became Artistic Director of Smashing Times International Centre for the Arts and Equality and is Artistic Curator for the annual international Arts and Human Rights festival. \n\n\n\n\n\n\n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/voices-of-peace-visual-art-exhibition-reflecting-on-peace-equality-human-rights/
LOCATION:Smashing Times International Centre for the Arts and Equality\, 30 Sandycove Road\, Sandycove\, Dublin\, A96V9P1\, 30 Sandycove Road\, Sandycove\, Dublin\, A96V9P1
CATEGORIES:Exhibition,Multidisciplinary
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2025/09/VoicesOfPeace-copy.jpg
ORGANIZER;CN="Smashing Times International Centre for the Arts and Equality":MAILTO:info@smashingtimes.ie
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BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20261009T090000
DTEND;TZID=Europe/Dublin:20261018T170000
DTSTAMP:20260925T144721Z
CREATED:20260916T163008Z
LAST-MODIFIED:20260925T144721Z
UID:10000757-1791536400-1792342800@smashingtimes.ie
SUMMARY:Céad Míle Collection
DESCRIPTION:Min El Mai Lal Mai – From Water to Water\n\n\n\n\n\n\n\n\n\n\n\nThree-Day Palestinian Cultural Day Festival (25–27 September 2026)\, celebrating Palestinian culture through art\, music\, food\, education and community events  \n\n\nA new Céad Míle Collection will be unveiled at a public launch event in Dublin bringing together fashion\, art and activism in a celebration of a modern Ireland defined not by who it excludes\, but by who it welcomes. \n\n\n\nBook Your Place\n\n\n\nNo Booking Necessary \n\n\n\nArtists\n\n\n\nFarouk858\, Multidisciplinary Artist and Art Director \n\n\n\nHelen Steele\, Award-Winning Irish Fashion Designer and Artist \n\n\n\nFull Event Details\n\n\n\nThe Céad Míle Collection will reimagine Ireland’s flag as a statement of belonging\, solidarity and Céad Míle Fáilte at a time when national symbols are increasingly being used to divide. GOAL NextGen\, with the support of their creative agency THINKHOUSE\, is reclaiming the Irish flag as a symbol of welcome with the launch of the Céad Míle Collection\, a new creative collaboration with Irish fashion designers Farouk Alao and Helen Steele. The venue will be announced in the coming days. \n\n\n\nInspired by Ireland’s reputation of Céad Míle Fáilte\, a hundred thousand welcomes\, the collection asks a simple question: what should the Irish flag represent? For GOAL NextGen and the designers\, the answer is clear: welcome\, belonging\, solidarity and community. \n\n\n\nAt a time when national symbols are increasingly being used to create division\, exclusion and fear\, the Céad Míle Collection seeks to reclaim one of Ireland’s most recognisable symbols for what it should represent\, an Ireland that is open\, compassionate and welcoming to all. \n\n\n\nThe need for that welcome is increasingly urgent. Recent research found that 66% of non-white people in Ireland experienced racism in the past 12 months [1]. While research conducted by GOAL NextGen and Thinkhouse (2024) found that 80% agree that all people who call Ireland home deserve to feel like they belong here\, and 82% agree that creative culture helps people to connect with each other and overcome differences. Against this backdrop\, the collection challenges the idea that national pride and inclusion are opposing forces\, and instead celebrates an Ireland where the two belong together. \n\n\n\nCombining Farouk Alao’s contemporary design approach with Helen Steele’s bold artistic style\, the Céad Míle Collection will transform the colours and symbolism of the Irish flag into a one-of-a-kind fashion statement celebrating global solidarity in a modern\, diverse and inclusive Ireland. \n\n\n\nMore than a fashion collection\, it is a visual act of reclamation\, demonstrating how creativity can challenge division\, start conversations and offer a different vision of what Irish identity can look like. \n\n\n\nVictoria Walshe\, Head of Global Citizenship\, GOAL Global\, said: \n\n\n\n“We don’t want to surrender the Irish flag to anyone who uses it to say who belongs here and who doesn’t. The Irish flag belongs to all of us\, and its message should be Céad Míle Fáilte. At GOAL NextGen\, we believe creativity has the power to start conversations that politics often can’t. Through this collection\, we want to remind people that Irish identity doesn’t have to be about exclusion. It can be about welcome\, belonging and community\, values that are at the heart of GOAL’s work and Ireland at its best. As part of a global humanitarian organisation\, we see every day the importance of standing in solidarity with communities facing conflict\, displacement and crisis. This collection is a reminder that empathy\, compassion and human connection should guide how we relate to one another\, both at home and around the world.” \n\n\n\nFarouk Alao said: \n\n\n\n“You can travel to the far corners of the globe and people can still sense that you’re Irish before you’ve said a word. That’s what clothing does too\, it speaks identity before language gets the chance. I’m excited to build something with Helen that puts Céad Míle at the centre of what that identity means.” \n\n\n\nHelen Steele added: \n\n\n\n“There’s something deeply sad about seeing the Irish flag and immediately assuming it represents hostility rather than pride. Our national flag should be a symbol that makes people feel welcome\, not wary. Collaborating with Farouk on this collection gives us the chance to reclaim that symbol and reimagine it as a reflection of the Ireland so many of us believe in: one built on kindness\, hospitality and shared humanity. I hope it encourages people to see the flag\, and what it means to belong here\, in a different light.” \n\n\n\nThe Céad Míle Collection will be unveiled at a public launch event in Dublin this autumn\, bringing together fashion\, art and activism in a celebration of a modern Ireland defined not by who it excludes\, but by who it welcomes. Visit the GOAL wesbite for information on the upcoming campaign launch. \n\n\n\nFollow the campaign @GOALNextGen \n\n\n\nSpeaker Biographies:\n\n\n\n\n\n\n\n\n\n\n\nFarouk858\, Multidisciplinary Artist and Art Director \n\n\n\nFarouk858 is a multidisciplinary artist and art director working across installation\, digital\, fashion\, and community. His practice is about creating spaces\, objects\, and experiences that question how we see ourselves and each other – always curious\, always evolving. Through 858\, the artist has built projects that move between art and culture: from exhibitions at Tate\, IMMA\, Outernet\, and Temple Bar Gallery + Studios\, to collaborations with brands like Google\, Guinness\, Peloton\, and JD Sports. The artist runs 858 Art Club\, a weekly creative community that brings people together to learn\, make\, and show art. \n\n\n\nThe work of Farouk858 balances play and purpose. Whether it’s a public artwork\, an immersive installation\, a brand campaign\, or a piece of clothing\, the goal is the same: make moreArt\, make moreNoise. He is a creative ambassador of Limerick. \n\n\n\n\n\n\n\n\n\n\n\n\n\nHelen Steele\, Award-Winning Irish Fashion Designer and Artist \n\n\n\nHelen Steele is a highly acclaimed award-winning Irish fashion designer and artist based in Monaghan. She has combined her mastery of her craft and the use of colour theory to create a unique style of wearable art in luxurious fabrics and signature prints. \n\n\n\n\n\n\n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/cead-mile-collection/
CATEGORIES:Launch
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2026/09/images-3.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20261011T150000
DTEND;TZID=Europe/Dublin:20261011T180000
DTSTAMP:20260925T150217Z
CREATED:20260917T115014Z
LAST-MODIFIED:20260925T150217Z
UID:10000764-1791730800-1791741600@smashingtimes.ie
SUMMARY:Workshop on Feminist Utopias – Imagining Alternative Futures
DESCRIPTION:Min El Mai Lal Mai – From Water to Water\n\n\n\n\n\n\n\n\n\n\n\nThree-Day Palestinian Cultural Day Festival (25–27 September 2026)\, celebrating Palestinian culture through art\, music\, food\, education and community events  \n\n\nEkaterina Schalmann\, theatre artist\, drama teacher and researcher\, and Evdokia Romanova (aka Dunia)\, an intersectional Feminist\, Community Artist\, and Human Rights Activist invite participants to imagine alternative feminist futures centred on care\, solidarity\, equality\, ecological and social justice and collective liberation\, using creative practices to question existing systems and rehearse more just futures. Presented by FemLink\, a Queer\, Feminist\, Migrant Collective\, based in Vienna\, Austria \n\n\n\nBook Your Place\n\n\n\nTickets free\, but recommended donation of €15/€20 on the day \n\n\n\n\n\n\n\n\n\nArtists\n\n\n\nEkaterina Schalmann\, Theatre Artist\, Drama Teacher\, Researcher \n\n\n\nEvdokia Romanova (aka Dunia)\, Intersectional Feminist\, Community Artist\, and Human Rights Activist \n\n\n\nFull Event Details\n\n\n\nIn a world marked by the rise of authoritarianism\, catastrophic climate change\, ongoing wars\, political violence\, and multiple intersecting crises\, it can become increasingly difficult to imagine a future beyond survival. We are constantly confronted with narratives of collapse\, uncertainty\, and fear. These realities can disconnect us from one another\, fragment our communities\, and make it difficult to believe that other ways of living are possible. Yet\, in moments of crisis\, the ability to imagine becomes a radical and necessary community practice. \n\n\n\nWhat if we allowed ourselves to dream? What might our futures look like if we placed care\, solidarity\, equality\, pleasure\, ecological and social justice\, and collective liberation at their centre? \n\n\n\nThe workshop Feminist Utopias places these questions at the forefront. Through applied theatre\, embodied practices\, and other interactive and creative formats\, participants are invited to step into alternative feminist futures and explore the worlds that could exist beyond the present. Rather than understanding utopia as a perfect or fixed destination\, we approach it as a creative process\, a time travel to explore a shared rehearsal for the possible. Feminist utopics offers permission to challenge what we have been taught to consider inevitable. They enable us to question dominant systems of power and to imagine societies organised around different values. \n\n\n\nTogether\, we will experiment with the so-called unrealistic realities\, magical characters\, queer relationships\, far away spaces\, and forms of collective life we are yet to discover. Through play and performance\, we will ask not only what kind of world do we want? But what would become possible if gendered hierarchies\, patriarchal structures\, racism\, exploitation\, and extractive relationships with the Earth no longer defined our everyday lives? The workshop is an invitation to reimagine\, rewrite\, and rehearse the contemporary world. It is a space for collective dreaming\, but also for critical reflection: to recognise that imagining another future is itself a political act. \n\n\n\nWe invite you to bring your experiences\, questions\, desires\, contradictions\, and wildest visions. Together\, we will create fragments of feminist futures and develop our own proposals for worlds that have not yet come into being. \n\n\n\nThe workshop promotes a human rights agenda by creating a participatory space to imagine societies grounded in equality\, dignity\, freedom\, care\, solidarity\, and collective liberation. The workshop also understands the right to participate\, to express oneself\, to be heard\, and to collectively shape visions of the future as essential dimensions of human rights. Its inclusive and creative methodology encourages participants to bring diverse experiences\, identities\, desires\, and perspectives into a shared process of reflection and dialogue. \n\n\n\nAll in all\, the workshop frames imagination as a form of civic and political participation: a way to challenge what is presented as inevitable and to rehearse more just\, inclusive\, feminist\, and sustainable futures. \n\n\n\nThis event is presented by FemLink Collective AT \n\n\n\nFemLink is a queer feminist migrant collective dedicated to challenging oppression and discrimination. We create inclusive\, horizontal spaces—virtual\, physical\, and public—where diverse identities come together to heal\, connect\, and foster solidarity.  Rooted in creativity and care\, we envision a future where queer\, feminist\, migrant\, and curious individuals can move from othering to belonging\, bridging communities and empowering each other to simply be. We are active in exploring the fields of collective care\, craftivism and feminist resistance. \n\n\n\nFemLink are a visiting collective attending the Irish Arts and Human Rights Festival 2026. They are based in Vienna\, Austria. \n\n\n\n\n\n\n\nSpeaker Biographies:\n\n\n\nEkaterina Schalmann works at the intersection of art\, activism\, and community organising. Since 2020\, she is a participatory theater artist and co-directs the theater collective Resilient Revolt. At Theater of the Oppressed Vienna she works as a drama teacher in schools and as a researcher in applied theater projects. She studied political economy\, international relations and social ecology in Germany\, the UK and Austria. \n\n\n\nEvdokia Romanova (aka Dunia) is an intersectional feminist\, community artist\, and human rights activist. Her practice brings together artivism\, theatre\, collective care\, and social justice\, exploring how creative and participatory practices can become tools for resistance\, connection\, and social change. She has worked extensively on sexual and reproductive health and rights\, queer feminist resistance\, and the sustainability of radical activist communities. Her artistic practice is particularly rooted in theatre-based approaches. Dunia currently coordinates the Women in Development Europe network (WIDE Austria) and is a co-founder of the FemLink collective. \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/workshop-on-feminist-utopias-2/
LOCATION:Smashing Times International Centre for the Arts and Equality\, 30 Sandycove Road\, Sandycove\, Dublin\, A96V9P1\, 30 Sandycove Road\, Sandycove\, Dublin\, A96V9P1
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2026/09/IMG_9747-Fem-Link.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20261011T190000
DTEND;TZID=Europe/Dublin:20261011T210000
DTSTAMP:20260929T093441Z
CREATED:20260915T142745Z
LAST-MODIFIED:20260929T093441Z
UID:10000729-1791745200-1791752400@smashingtimes.ie
SUMMARY:In Conversation: Voices of Peace – The Gathering: Interactive Event with Poetry\, Storytelling and Curated Artist Talks
DESCRIPTION:Min El Mai Lal Mai – From Water to Water\n\n\n\n\n\n\n\n\n\n\n\nThree-Day Palestinian Cultural Day Festival (25–27 September 2026)\, celebrating Palestinian culture through art\, music\, food\, education and community events  \n\n\nFeaturing poetry\, storytelling\, curated artist talks and audience Q&A\, the event explores creative journeys\, artistic practice and the role of the arts in promoting equality\, human rights and diversity. \n\n\n\nBook Your Place\n\n\n\n \n\n\n\n\n\n\n\n\n\nArtists\n\n\n\nJessica Rodrigues\, Multidisciplinary Artist \n\n\n\nGillian Lambe\, Visual Artist \n\n\n\nViktoriia Yevsiukova\, Visual Artist \n\n\n\nHina Khan\, Visual Artist \n\n\n\nFeilim James\, Write and Poet\, Editor of Tintreach: The Smashing Times Arts and Literary Journal \n\n\n\nMary Moynihan\, Writer\, Poet\, Creator of Art and Photography \n\n\n\nAmna Walayat\, Visual Artist \n\n\n\nIqra Iqbal\, Visual Artist \n\n\n\nFull Event Details\n\n\n\nVoices of Peace – The Gathering is an interactive event bringing together artists and audiences for discussion\, reflection\, and an exploration of shared perspectives on peace\, equality and human rights through contemporary artistic expression. Join us for an entertaining in-conversation event titled Voices of Peace – The Gathering featuring discussion\, poetry\, storytelling\, and curated artist talks\, with artists presenting on their artistic practice and artworks on display at the Smashing Times Visual Art Gallery\, followed by and a Q and A session with the audience. Voices of Peace – The Gathering takes place on Sunday 11 October\, 7-9pm at the Smashing Times Visual Art Gallery\, 30 Sandycove Road\, Sandycove\, Dublin A96V9P1. \n\n\n\nThis event features creative presentations by Voices of Peace Artists as they reflect on their creative journeys\, the inspirations behind their work\, and the theme of Voices of Peace\, exploring the role of the arts in promoting equality\, human rights\, and diversity worldwide.  \n\n\n\nVoices of Peace Artists are creators whose work highlights or touches on themes of peace\, equality and human rights through powerful artistic expression\, sparking dialogue and new visions for the future.  The Voices of Peace Visual Art Exhibition is currently on display at the Smashing Times Visual Art Gallery where our event takes place\, supported by dlr County Council Universal Grants Scheme. \n\n\n\nThe evening is facilitated by writer and poet Mary Moynihan who presents on her work with a poetry reading and talk about the origins of the Voices of Peace programme. Guest artists on the night include Jessica Rodriques\, multidisciplinary artist; Gillian Lambe\, visual artist;  Hina Khan\, Visual Artist; Viktoriia Yevsiukova\, visual artist; Amna Walayat\, Visual Artist; Iqra Iqbal\, Visual Artist\, and Féilim James\, writer\, poet and editor of Tintreach: The Smashing Times Arts and Literary Journal. Tintreach: The Smashing Times Arts and Literary Journal\, is an arts and literary journal that publishes creative work from across the artistic spectrum.  The journal is edited by Féilim James\, a writer and poet\, and produced by Smashing Times International Centre for the Arts and Equality. \n\n\n\nThis event is supported by the Dlr Universal Grants Scheme. \n\n\n\nHistory of the Voices of Peace Programme\n\n\n\nThe Voices of Peace Artist programme began in 2025 as part of the annual international Irish Arts and Human Rights festival.   In 2025\, Smashing Times International Centre for the Arts and Equality and the Irish Arts and Human Rights Festival issued an open call for submissions to Tintreach: The Smashing Times Arts and Literary Journal. This edition was themed Voices of Peace. From this open call\, four artists were selected to have their work featured in the July edition of Tintreach and to become the Voices of Peace Artists at the annual international Irish Arts and Human Rights Festival which ran from the 10 to the 19 October 2025. \n\n\n\nThe inaugural 2025 Voices of Peace Artists were Shreya Gupta\, a poet\, short story writer\, and neurodivergent woman; Jessica Rodrigues\, a multidisciplinary artist; Rowan Tate\, a Romanian poet and essayist and Noah Sex\, a visual artist. \n\n\n\nThe 2025 Voices of Peace Artists had their work featured in the July 2025 edition of Tintreach: The Smashing Times Arts and Literary Journal. They attended the Irish Arts and Human Rights festival launch on 10 October 2025; appeared at the Voices for Peace Artist Talk on Saturday 11 October 2025 and were interviewed about their work on the Smashing Times Arts and Human Rights Radio Show on Dublin South FM. \n\n\n\nThe four selected Voices of Peace Artists in 2025 were: \n\n\n\n\nShreya Gupta – Poet\, short story writer\, and neurodivergent woman whose work aims to spark dialogues on under-represented concerns and human relationships with the worlds we inhabit.\n\n\n\nJessica Rodrigues – Multidisciplinary artist exploring dreamscapes\, inner worlds\, and symbolic imagery through fine art and custom tattoos.\n\n\n\nRowan Tate – Romanian poet and essayist whose writing probes identity\, memory\, and the ways we construct reality.\n\n\n\nNoah Sex – Third-level Fine Art student from Dublin\, studying at NCAD\, whose emerging practice reflects a bold new voice in contemporary art.\n\n\n\n\nVoices of Peace Artists Biographies \n\n\n\nShreya Gupta\, a Dubliner\, is a poet\, short story writer\, and neurodivergent woman. Originally from India\, she has called Ireland home for five years now. She works in the tech industry by day and stretches her evenings finishing her second year of Oxford’s cross-genre creative writing diploma\, specialising in poetry and autofiction. She is interested in contextualising human lives and connections within their sociopolitical systems\, technological advancements\, and psychological mindscapes. Inspired by women writers who challenge the status quo\, her work aims to spark dialogues on under-represented concerns and human relationships with the worlds we inhabit. Visit her Instagram profile here. \n\n\n\nJessica Rodrigues is a multidisciplinary artist exploring dreamscapes\, inner worlds\, and symbolic imagery through fine art and custom tattoos. Her work blends tactile intimacy with public-facing art\, translating personal iconography into evocative visual narratives. Click here for her Instagram profile and here for her website. \n\n\n\nRowan Tate is a Romanian poet and essayist whose work probes identity\, memory\, and the ways we construct reality. Inspired by the rawness of history and the narratives often left unheard\, her poetry examines the fragile intersections of truth and storytelling\, with her writing appearing in The Stinging Fly\, The Shore\, Josephine Quarterly\, Meniscus\, and elsewhere. \n\n\n\nNoah Sex is a third-level student from Dublin\, studying Fine Art in the National College of Art and Design (NCAD). His achievements include the Royal Hibernian Academy Access Grant 2025 and the Sights of Polykites Exhibition\, NCAD Gallery\, 2024. Visit his Instagram profile here. \n\n\n\nVoices of Peace 2025 Artists featured in Edition Three of Tintreach: The Smashing Times Arts and Literary Journal \n\n\n\nThe third edition of Tintreach: The Smashing Times Arts and Literary Journal showcases the works the 2025 Voices of Peace artists. The journal highlights the work of Featured Artist Shreya Gupta\, in addition to Jessica Rodrigues\, Rowan Tate\, and Noah Sex. The theme is Voices of Peace. The introduction by editor Féilim James lists a number of actions the Irish government could take to put pressure on Israel to stop the genocide in Gaza\, before giving his thoughts on the role of artists in responding to atrocities. Following this are three poems by Featured Artist Shreya Gupta\, which address the intersection of war\, economic hardship\, religious and ethnic conflict\, and the struggle for peace. Shreya also gives an in-depth Featured Artist Interview where she outlines her creative process with regard to the three poems\, her influences\, what peace means to her\, and more. This is followed by two colourful and striking paintings by Jessica Rodrigues\, which frame peace not just as an absence of conflict\, but as resilience transformed. Two poems by Rowan Tate then explore how political violence is processed by those who bear its brunt. Finally\, two paintings by Noah Sex grapple with the psychology of war and the compassion it prevents us from accessing until it is too late. Click here to read Tintreach Edition Three \n\n\n\nVoices of Peace 2025 Artists featured on the Smashing Times Arts and Human Rights Radio Show \n\n\n\nThe Smashing Times Arts and Human Rights Radio show podcast (original broadcast dates 3 and 10 September 2025) features an a feature artist interview with the Voices of Peace artist Jessica Rodrigues and  lively chat and debate by co-hosts Mary Moynihan and Freda Manweiler on the opening of the new Smashing Times International Centre for the Arts and Equality at 30 Sandycove Road\, Dublin\, A96V9P1. The new venue features a visual art gallery and event space and the inaugural exhibition is Landscapes of the Soul which runs from Friday 5 September to Sunday 28 September 2025\, Wednesday to Sunday 1-6pm daily. Landscapes of the Soul is a stunning multi-disciplinary exhibition by artist Mary Moynihan featuring beautiful visual art\, photography\, poetry and film mapping physical landscapes of nature to landscapes of the soul\, reflecting on ways to hold on to the courage to be who we truly are and to let ourselves shine.     \n\n\n\nThe feature artist interview on the radio show is with the Voices of Peace artist Jessica Rodrigues. Jessica is a multidisciplinary artist exploring dreamscapes\, inner worlds\, and symbolic imagery through fine art and custom tattoos. Jessica’s work blends tactile intimacy with public-facing art\, translating personal iconography into evocative visual narratives. Enjoy a fascinating interview with Jessica as she talks about her work as a multidisciplinary artist in the areas of fine art and custom tatoos and how the ‘magic happens’\, discussing her creative approaches to Glitter tatoos\, studio Ghibli tatoos and Capybara. Two of Jesscia’s artworks were selected through an open call and are showcased in the July edition of  Tintreach: The Smashing Times Arts and Literary Journal\, edited by Féilim James\, poet and writer\, out now at \n\n\n\nhttps://smashingtimes.ie/wp-content/uploads/2025/07/OFFICIAL-Tintreach-Edition-Three-July-2025.pdf \n\n\n\nThe Smashing Times Arts and Human Rights Radio show is broadcast every Wednesday 6-7pm with Dublin South FM with each episode available as a podcast. The show is hosted by Mary Moynihan\, writer\, poet\, creator of art and photography and Artistic Director\, Smashing Times along with co-host Freda Manweiler\, Producer\, Smashing Times.  Enjoy an engaging hour of in-depth discussions focused on all things arts\, culture and human rights.    Tune in to Dublin South FM 93.9\, or listen online at www.dublinsouthfm.ie. \n\n\n\nListen to past shows here \n\n\n\nSpeaker Biographies:\n\n\n\n\n\n\n\n\n\n\n\nJessica Rodrigues is a Brazilian-Irish multimedia artist based in Dublin\, creating strange worlds shaped by dreams\, nature\, memories\, and old tales. Working across fine art\, tattoos\, videos\, and murals\, the artist employs a surrealist language infused with magical realism to create visual stories that blur the limits between reality and myth. \n\n\n\nJessica spent eleven years as a tattoo artist\, a period that permanently shaped her understanding of narrative. In that role\, stories were entrusted and inscribed\, a collaborative act that demanded integrity and a focus on the body as the first site for a visual tale. This experience remains the quiet anchor for all her work. \n\n\n\nJessica now builds worlds across painting\, murals\, and video\, drawing from a well of dreams and old folklore to create images that feel both familiar and strangely new. The curiosity that guided her hand on skin now guides her interdisciplinary practice. It is a practice of genuine exploration\, evidenced by an Artist in the Community Scheme grant for collaborative public work and features in 10 group exhibitions\, including the group show Voice of Dreams for Visionary Arts. \n\n\n\nJessica’s work has been featured in Tintreach: The Smashing Times Arts and Literary Journal \n\n\n\nSee Jessica’s Instagram @artbyjroiz \n\n\n\n\n\n\n\n\n\n\n\n\n\nGillian Lambe is a visual artist whose practice explores how we experience\, carry and remember the people and places that shape us and how this can influence our sense of belonging. \n\n\n\nShe is especially drawn to the tension between opposing states: connection and separation\, containment and openness\, permanence and change. \n\n\n\nShe uses colour and gesture\, texture and form to research and explore these themes. She gives space to the viewers to bring their own memories\, associations and experiences to the work and to find their own points of connection within it. \n\n\n\nOriginally from Cavan\, Gillian is currently based in Dublin. She has studied drawing\, sculpture and ceramics at NCAD (CEAD) and works across different materials to explore emotion\, connection and environment within her work. \n\n\n\nCurrent and recent exhibitions include the 3rd Annual Exhibition\, An Chéad Tine Art Gallery 3rd\, Kilkenny (selected by Maurice Quillinan)\, ‘Threshold’ The Market House\, Dunleer\, The Easter Competition\, Glebe Gallery (OPW)\, Donegal\, ‘Chrysalis’ & ‘Emerging Perspectives’\, Reynold’s Gallery\, Dublin\, ‘Beyond Words: Art & the Unknown’\, Herman’s Auctioneer’s Modern & Contemporary\, Dublin\, Smashing Times Gallery ‘Solstice Light’\, Dublin and Signal Arts Centre Members show in Wicklow. \n\n\n\n\n\n\n\n\n\n\n\n\n\nViktoriia was  born in 2005 in Kharkiv\, Ukraine. Viktoriia  studied at the Kharkiv Professional Higher Art College of Kharkiv Regional Council\, earning a Professional Junior Bachelor degree (2020–2024)\, and continued her studies at the Cavan Institute (QQI Level 5 in Art\, Craft and Design\, 2024–2025). Viktoriia’s work explores inner tension and quiet disquiet\, capturing fleeting moments of stillness and anticipation. \n\n\n\nViktoriia was selected for the Cavan Arts Awards 2025 and has exhibited in the Summer Showcase Exhibition 2025 in Bailieborough and an exhibition for Culture Night 2025. Viktoriia currently lives and works in Cavan\, County Cavan. \n\n\n\n\n\n\n\n\n\n\n\n\n\nHina Khan was born in born in Pakistan in 1980 and completed an MFA\, majoring in Miniature Painting from Pakistan. Hina uses miniature in her work as the intricacy and delicacy of the brush work has a unique identity. Hina’s work began as a mixture of traditional and contemporary miniature and her practice has now expanded to include small and large-scale installation\, videos and 3D. \n\n\n\nAccording to Hina ‘My work is a constant search for the best way to interpret ideas and to express my own ideologies through symbolism.  I am creating a dialogue through my art. My art is a reflection of inner connection\, and how immigrants and nomadic artists are a part of this land. Migration is deeply rooted in my blood. I have carried two cultures\, one from where I was born and the other is this culture where I am trying to re-root myself. Sometimes a situation is not in our control\, but life always takes us on different voyages. This journey has built up a constant transition in my art\, personality\, and in terms of experimentation\, enabling me to evolve my artistic practice.’ \n\n\n\nHina has participated in a number of groups shows in Pakistan from 2002 to 2011. Hina came to Ireland in 2015 and participated in a number of exhibitions in Dublin\, Laois\, Mayo\, and Cork. Hina was awarded several residencies with Fire Station Arts Center\, Create Ireland\, West Cork Art Center and Cow House Studio and has displayed solo exhibitions at Ballina Art Center\, Mayo\, and Stradbally Art house\, Laois. \n\n\n\nHina’s art pieces are held in the permanent collection of The Arts Council of Ireland. She is the recipient of several awards from The Arts Council of Ireland\, Create Ireland\, and from different counties. She is the recipient of an R&D award from Create Ireland in collaboration with Tomasz Madajezak under the mentorship of Jesse Jones and is also collaborating with filmmaker David Bickley. Hina’s art pieces were commissioned for State of the Art: The Nation State as both Violator and Protector of Human Rights (2022) and for States of Independence (2023). Both projects were f presented by Smashing Times International Centre for the Arts and Equality and funded by The Arts Council. \n\n\n\nHina says that ‘as an artist\,  I am inspired by Sadequain\, Michelangelo\, Picasso\, Frida Kahlo\, Shahzia Sikander and Anselm Kiefer.’ \n\n\n\n\n\n\n\n\n\n\n\n\n\nAmna is a Cork-based Pakistani born visual artist and Associate Member of Sample-Studios\, Art Nomads\, Smashing Times and Angelica Network. She has recently been awarded the Cork County Council Creative Producer Residency\, The Arts Council Agility Award and has been invited to exhibit her new work in IMMA\, having exhibited her work recently in IMMA online and in Cork County Council’s online exhibition space. In addition to her active practice\, she has worked as Programme Organizer with the Pakistan National Council of the Arts; Curator with Alhamra Arts Council and PhD studio-based researcher with PURAF\, University of the Punjab (2004-2007). She recently established the Ireland-Pakistan Arts Exchange (IPAE) to bring both art communities together through creating opportunities for networking and exchange. She is a recipient of Arts Council Ireland Visual Artist Bursary Award\, Professional Development Award 2020 and Dilkusha Award 2020. \n\n\n\n\n\n\n\n\n\n\n\n\n\nIqra is a multidisciplinary artist currently undertaking a Master’s in Art and the Contemporary World at the National College of Art and Design (NCAD)\, Dublin. Working primarily with acrylic painting and neo-miniature as a visual language\, she also experiments with glass and other materials. \n\n\n\nHer practice explores identity\, displacement\, belonging and coexistence\, with particular interest in how people carry cultural histories while forming new relationships with the places and communities they inhabit. Drawing on her experience of moving between cultural spaces\, she questions inherited systems of thought and the cultural frameworks that shape how we understand ourselves\, others and difference. \n\n\n\nThrough symbolism\, pattern\, architectural forms and inherited visual languages\, Iqra explores the process of unlearning and reconsidering ideas that can appear fixed or universal. Rather than rejecting cultural inheritance\, her work seeks to question and reinterpret it\, opening possibilities for alternative ways of seeing\, knowing and belonging. \n\n\n\nHer recent work considers peace through coexistence\, equality and the possibility of sharing space while allowing difference and individuality to remain visible. \n\n\n\n\n\n\n\n\n\n\n\n\n\nFéilim James is a novelist\, poet\, and playwright from Dublin\, Ireland. In 2024\, his poem ‘Dream of an Atrocity’ was shortlisted for the New Irish Writing: Best Poetry category at the Irish Book Awards. He has been funded by the Arts Council of Ireland on three occasions\, including for his novel\, Flower of Ash. Dublin City Arts Office granted him an Arts Bursary in 2021 to finish his poetry collection\, I was a river\, lost. He is the editor of Tintreach: The Smashing Times Arts and Literary Journal. \n\n\n\nFéilim’s fiction\, non-fiction\, and poetry have appeared in the Irish Independent’s New Irish Writing\, Acumen\, The Honest Ulsterman (upcoming)\, Abridged\, The High Window\, The Fiction Pool\, Icarus\, TOWER\, The Galway Review\, A New Ulster\, Trinity Journal of Literary Translation\, Pendemic\, Rant and Rave\, Vox Galvia\, the Smashing Times Newsletter\, and Tales From the Forest. He has had four plays and two short films produced. Féilim’s work has been performed or exhibited in locations such as Áras an Uachtaráin\, Dublin (the residency of the President of Ireland); Dublin Castle; the European Court of Human Rights\, Strasbourg; and Jean Monnet House\, Paris\, for an event by the European Observatory on Memories. \n\n\n\nFéilim’s play Sole Flower\, Spidered Soul (2023)\, about the relationship between James and Lucia Joyce\, had its premiere run in the Pumphouse\, Dublin Port\, in October 2023\, as part of Smashing Times’ Dublin Arts and Human Rights Festival. Its director was Patrick Joseph Byrnes\, who again directed when it had its second run\, this time in The New Theatre\, Dublin in June 2024\, as part of Bloomsday Festival. In 2025\, Sole Flower\, Spidered Soul was added to the archive of the Zurich James Joyce Foundation. Féilim’s play At Summer’s End (2019)\, about Ettie Steinberg\, a real-life Jewish-Irish woman facing the horrors of the Holocaust\, has been toured by Smashing Times to places such as Paris\, Northern Ireland\, and Áras an Uachtaráin\, the residency of the President of Ireland. \n\n\n\nFéilim’s Irish language writing\, under the surname Ó Brádaigh\, has won seven Oireachtas na Gaeilge literary awards\, including one for a collection of poetry. These awards are the most prestigious in Irish language literature. His work through Irish has appeared in Comhar\, Feasta\, Trinity Journal of Literary Translation\, Comhar Óg\, Tuathal\, and An Scríbhneoir Óg. Additionally\, he has twice been selected for Fóras na Gaeilge’s Tutor Scheme. \n\n\n\nFéilim graduated from the BA in English Literature and Psychology in Trinity College\, Dublin in 2017. In 2020\, he completed the MA in Writing in the University of Galway\, studying under the likes of Mike McCormack and Arnold Thomas Fanning\, and receiving a first-class honour. Visit his website here. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMary Moynihan\, MA\, she/her\, is an award-winning author of novels\, poetry\, films and plays\, and a creator of art and photography. Mary is from Dublin\, Ireland. Mary embarked upon her award-winning career as a writer in theatre and film and has garnered much acclaim for her plays\, poetry and short film scripts\, and for creating interdisciplinary artworks combining writing\, visual art and photography presented in galleries and online. \n\n\n\nMary established and became Artistic Director of Smashing Times International Centre for the Arts and Equality and is Artistic Curator for the annual international Irish Arts and Human Rights festival. Mary has an honours BA in Drama and Theatre Studies from Trinity College Dublin and an honours Masters in Film Production from TU Dublin. \n\n\n\nAfter raising four children\, now adults\, Mary dedicates her time to writing and creating photography and art (oils on canvas). Mary is a multidisciplinary artist and  regularly creates artworks that fuse painting\, photographic imagery\, poetical texts and film many of which are inspired by landscapes and seascapes especially of the seas and oceans around Ireland\, and a reflection on what it is to be human. Mary regularly shares stories from historical memory through her artistic practice particularly in relation to stories of people who stand up for the rights of others. \n\n\n\nAwards \n\n\n\nMary’s work has won a number of awards\, including the Allianz Business to Arts Special Judges DAA Arts Award at Bord Gáis Energy Theatre\, the international and prestigious #ArtsAgainstCovid award from the Arts in Health International Foundation\, a GSK Ireland Impact Award\, a Dublin Bus Community Spirit Award\, a National Lottery Good Cause Award\, an  Arts Council Agility Award and an Arts Council Project Award. Mary was awarded a Project Award from The Arts Council to write a new work titled The Feeling Soul\, inspired by stories of women poets from ancient and modern Ireland.    \n\n\n\n\n\n\n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/in-conversation-voices-of-peace-the-gathering/
LOCATION:Smashing Times International Centre for the Arts and Equality\, 30 Sandycove Road\, Sandycove\, Dublin\, A96V9P1\, 30 Sandycove Road\, Sandycove\, Dublin\, A96V9P1
CATEGORIES:Talk
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2025/09/VoicesOfPeace-copy.jpg
ORGANIZER;CN="Smashing Times International Centre for the Arts and Equality":MAILTO:info@smashingtimes.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20261011T200000
DTEND;TZID=Europe/Dublin:20261011T210000
DTSTAMP:20260925T150847Z
CREATED:20260916T135842Z
LAST-MODIFIED:20260925T150847Z
UID:10000745-1791748800-1791752400@smashingtimes.ie
SUMMARY:Cloud Study – Live Dance Performance by Irish Modern Dance Theatre
DESCRIPTION:Min El Mai Lal Mai – From Water to Water\n\n\n\n\n\n\n\n\n\n\n\nThree-Day Palestinian Cultural Day Festival (25–27 September 2026)\, celebrating Palestinian culture through art\, music\, food\, education and community events  \n\n\nUsing clouds as a metaphor for travel\, memory\, storms and home\, the performance explores movement\, communication and identity through English\, Arabic and Yorùbá. \n\n\n\nBook Your Place\n\n\n\nBook here \n\n\n\nArtists\n\n\n\nMufutau Yusuf\, dancer \n\n\n\nSalma Ataya\, dancer \n\n\n\nJohn Scott\, Artistic Director\, Irish Modern Dance Theatre \n\n\n\nFull Event Details\n\n\n\nCloud Study by John Scott\, with music by Ryan Vail\, is part dance\, part dream\, made for two compelling dancers. Mufutau Yusuf\, an Irish dancer born in Nigeria and Salma Ataya\, a Palestinian/ Irish dancer\, use the idea of clouds as a traveling dreamy mass that float above everything\, witnessing\, dissolving\, and carrying storms. The dancers are running to somewhere or to something\, speaking English\, Arabic and Yorùbá\, communicating with their bodies\, hand signs and dance\, chasing dreams\, memories and home. \n\n\n\nIrish Modern Dance Theatre – Pioneering Transformative Dance \n\n\n\nFounded in 1991 by dancer and choreographer John Scott\, Irish Modern Dance Theatre is one of the most original and responsive dance companies working in Ireland today. A Dublin-based ensemble\, Scott and international guest choreographers create distinctive dance works with diverse casts\, mixing virtuosic Irish and international dancers with African and Middle Eastern refugees and torture survivors. Key works include Lear\, Inventions\, Actions and Fall and Recover – all recognised for their intelligence\, honesty and humanity. The work of Irish Modern Dance Theatre crosses disciplines\, subverts expectations of dance and dancers and finds new ways to explore contemporary issues. Irish Modern Dance Theatre is Strategically funded by the Arts Council. \n\n\n\nFestival Racconti di Altre Danze\, Livorno\, Italy \n\n\n\nRacconti di Altre Danze was born in the February/May 2017 season\, a festival with a clearly contemporary focus\, dedicated to artistic realities both resident in the Livorno area and included in the national and international contemporary dance scene. In this new space\, choreographers and dancers have the opportunity to showcase their artistic and research journey to our city. Tales of Other Dances marked the beginning of a different approach to the promotion and dissemination of performance and entertainment activities that explore contemporary body languages\, engaging with the present\, and making the vision of contemporary dance in Livorno independent\, authoritative\, and contextualized. \n\n\n\nIn subsequent editions\, RAD broadened its vision of signature dance by inviting\, in addition to local artists by birth or adoption\, artists from the national and international scene\, who engaged with the city through both performances and actions and practices aimed at citizens. From this perspective\, the idea of ​​giving places an unusual presence\, redeveloping them through the presence of site-specific creations\, has become increasingly evident\, returning spaces to the city with a renewed perception\, making it possible to create new venues for culture and art. The festival has chosen to address the relationship between the different arts on the level of adjacency and proximity\, producing suggestions and shared aesthetics and creative processes that abandon the idea of ​​interdisciplinary teaching of performance\, to contribute to the growth of that creative humus that encourages dialogue with the now\, convinced that it is not enough to see dance; a reflection is necessary that accompanies the audience along the path traced by contemporary art. \n\n\n\nThus was born the Poetic Observatory\, a small group of interested observers\, poets\, and professionals in other arts\, who support the works of the festival’s guest choreographers throughout their development\, seeking to create a sentimental\, almost live\, chronicle\, to create a genuine perspective that supports the community acting for the community that enjoys it. In this place of elective affinities\, a protected territory has been created where dance can be shared with the community. \n\n\n\nThe collaboration between artists\, cultural associations\, and companies that work through the languages ​​of the body and dance\, who\, with different approaches and methods of intervention\, engage transversally with the cultural fabric of the city\, has established a network of relationships and exchanges with musicians and visual artists\, allowing the Festival to transcend the confines of spectacle and enter the very cultural connective tissue of the city. \n\n\n\nArtist Biographies:\n\n\n\n\n\n\n\n\n\n\n\nSalma Ataya is a performer and choreographer. Growing up in Ramallah\, she was first introduced to dance through Dabkeh (Palestinian traditional dance) and afterwards discovered contemporary dance through workshops delivered by international guest artists organised by Saryyet Ramallah Ramallah and the Ramallah Contemporary Dance Festival. Salma took part in local and international performances from 2012 to 2016. She has worked with Les ballets C de la B\, KVS\, A.M. Qattan Foundation\, performing and touring in Belgium. Soon after that she came to Ireland to study at the University of Limerick and in 2017 graduated with a MA in Contemporary Dance Performance. After that Salma worked with John Scott’s Irish Modern Dance Theatre\, Catherine Young Dance\, Séverine Chavrier\, Théâtre d’Orléans\, Paris\, Justine Doswell and Mary Nunan. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMufutau Yusuf is a Nigeria-born Irish choreographer\, performer\, and teacher based in Ireland and Brussels. His acclaimed works\, including Òwe and Impasse\, have toured across Ireland\, Europe\, the US\, and Nigeria.  In 2025\, Mufutau was elected to membership of Aosdána\, a body which honours artists whose work has made an outstanding contribution to the Arts in Ireland. He has worked with artists and companies such as Wim Vandekeybus/Ultima Vez\, Liz Roche Company\, Irish Modern Dance Theatre and Emma Martin/United Fall. Mufutau is a resident choreographer with Luail\, Ireland’s National Dance Company and shares his practice through teaching and improvisation internationally.  \n\n\n\n\n\n\n\n\n\n\n\n\n\nJohn Scott is a Dublin born choreographer\, performer\, founder and Artistic Director of Irish Modern Dance Theatre\, a founding board member of the Dancer from the Dance Festival and a member of Aosdána. He studied and performed at the Irish National College of Dance/Dublin City Ballet from 1982 to 1985 in works by Anton Dolin\, Anna Sokolow\, Pearl Gaden and Babil Gandara. \n\n\n\nJohn founded Irish Modern Dance Theatre in 1991 which is one of the most original and responsive dance companies working in Ireland today. A Dublin-based ensemble\, Irish Modern Dance Theatre features work by John and by international guest choreographers who create distinctive dance works with diverse casts\, mixing virtuosic Irish and international dancers with African and Middle Eastern refugees and torture survivors. \n\n\n\nJohn’s choreographic works include Divine Madness\, Inventions\, Cloud Study\, Everything Now\, Lear\, Fall and Recover\, Actions and Dances for Inside and Outside\, the latter  a cycle of dances\, large and small\, created for our times and presented in a range of venues including the Complex\, Dublin\, and for Culture Night and  Dance Limerick  with the work nationally and internationally recognised for its intelligence\, honesty and humanity. \n\n\n\nJohn’s work has appeared in the  Dublin Dance Festival\, Galway International Arts Festival\, Kilkenny Arts Festival\,  Dublin Fringe Festival and internationally at the John F Kennedy Center\, Washington  DC\, New York Live Arts\, La MaMa\, Danspace Project at St Mark’s Church\, PS  122\, New York and Dance Base\, Edinburgh\, Sounded Bodies Festival and Queer  Zagreb\, Croatia\, Les Hivernales\, Avignon\, Tanzmesse Dusseldorf\, Forum Cultural  Mundial\, Brazil. He danced in Oona Doherty’s Hard to be Soft\, Meredith Monk’s Quarry (Spoleto Festival) and for Yoshiko Chuma\, Sarah Rudner\, Anna Sokolow and Thomas Lehmen. He has collaborated with Pan Pan on Beckett’s QUAD. \n\n\n\nJohn was awarded African Refugee Network’s Culture Award for his work with Refugees and Survivors of Torture and is a subject of Sadlers Wells’ 52 Portraits by Jonathan Burrows\, Matteo Fargion and Hugo Glendinning. He has taught dance and choreography at the Irish World Academy\, University of Limerick; The Body in Performance\, Drama Department\, UCD; Drama Department NUIG; Drexel University\, Philidelphia; University of Colorado at Boulder\, USA and San Jose State University\, CA\, USA. \n\n\n\nJohn was a founding board member of Dublin Dance Festival and Dance Ireland. \n\n\n\n\n\n\n\n\n\n \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/cloud-study/
LOCATION:Festival Racconti di Altre Danze\, Livorno\, Italy
CATEGORIES:Dance
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