BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Smashing Times - ECPv6.18.0//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://smashingtimes.ie
X-WR-CALDESC:Events for Smashing Times
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/Dublin
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:IST
DTSTART:20250330T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20251026T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:IST
DTSTART:20260329T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20261025T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:IST
DTSTART:20270328T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20271031T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260918T100000
DTEND;TZID=Europe/Dublin:20261016T180000
DTSTAMP:20260925T144210Z
CREATED:20260916T115653Z
LAST-MODIFIED:20260925T144210Z
UID:10000744-1789725600-1792173600@smashingtimes.ie
SUMMARY:September: An exhibition without borders
DESCRIPTION:From the Forest to the Ocean One-Day Only Pop-Up Solo Visual Art Exhibition by Mary Moynihan\n\n\n\n\n\n\n\n\n\n\n\nA one-day showing of Mary Moynihan’s solo exhibition combining photography\, poetry and film inspired by physical landscapes and seascapes and their connection to landscapes of the soul and the deep interconnectedness of life — from forests to the ocean.  \n\n\nThe exhibition emphasises the value of open borders and open minds\, bringing together multiple artistic perspectives and worldviews. Artists are Kirstin Arndt\, Alan Butler\, Brian Hegarty\, Tom Hunter\, Július Koller\, Scott Lyall\, Niamh McCann\, Nigel Rolfe and Nil Yalter. \n\n\n\nBook Your Place\n\n\n\nAdmission free\, no booking required \n\n\n\nArtists\n\n\n\nKirstin Arndt \n\n\n\nAlan Butler \n\n\n\nBrian Hegarty \n\n\n\nTom Hunter \n\n\n\nJúlius Koller \n\n\n\nScott Lyall \n\n\n\nNiamh McCann \n\n\n\nNigel Rolfe \n\n\n\nNil Yalter \n\n\n\nFull Event Details\n\n\n\nGreen On Red Gallery is delighted to announce September an exhibition of new and existing works by gallery artists plus new artists. \n\n\n\nNew to the gallery are Drogheda-based artist and curator Brian Hegarty and the late Slovakian artist and stalwart of Eastern European avant-garde from the 1960’s on\, Július Koller (d. 2007). Gallery artists include Kirstin Arndt (drawings)\, Alan Butler (deskscapes)\, Tom Hunter\, Scott Lyall (painting)\, Niamh McCann (polished brass silkscreen) Nigel Rolfe (photoworks) and Nil Yalter (video). \n\n\n\nSeptember is a cross-section of artists working in a wide variety of media and from many different cultures\, partly to emphasise the beauty of open borders and open minds. \n\n\n\nThere isn’t a fixed theme to September but the show will allow the artists’ works to set the conversation and to create an open dialogue between multiple worldviews from different eras. September – An Exhibition without Borders runs at the Green on Red Gallery Dublin from 18 September to 16 October 2026\, 10am-6pm\, Monday to Friday weekly. Green on Red Gallery is situated at Park Lane\, Spencer Dock\, Dublin 1\, D01 Y821. \n\n\n\nGreen on Red Gallery \n\n\n\nThe Green On Red Gallery began in 1992 and has since become one of Ireland’s most dynamic and exciting galleries. We represent some of the best contemporary work on the market\, both Irish and international. The programme is based on 6-7 solo exhibitions and 2-3 group or thematic exhibitions per year.  Green On Red Gallery participates in international art fairs and the gallery’s artists regularly exhibit abroad in both private and public venues. \n\n\n\nAlong with our programme of exhibitions at home and abroad\, the gallery offers a consultancy service tailored to individual needs:  \n\n\n\n          Building individual private collections  \n\n\n\n          Consulting with companies and organisations to supply artwork for their collections  \n\n\n\n          Finding the right piece for a particular location  \n\n\n\n          Advising on outdoor or public art projects \n\n\n\nVisit the Green on Red website \n\n\n\n \n\n\n\nSpeaker Biographies:\n\n\n\nBrian Hegarty \n\n\n\nHegarty’s practice sits somewhere between painting\, sculpture\, and assemblage\, and resists settling into any one of them. Working with found and everyday materials\, mainly paper and  card he builds layered surfaces through accumulation\, alteration\, and repair. \n\n\n\nRather than hiding how the works are made\, they are self-explanatory.    Visible seams\, exposed edges\, runny glue\, the evidence of the hand are all apparent and exposed. Cutting\, folding\, layering\, and gluing are both method and meaning — structures built provisionally\, likely to fail\, not built to last. This instability isn’t separate from the work’s meaning; it is the meaning\, mirroring an existential unease the work doesn’t resolve\, only makes visible\, and briefly\, holds together. \n\n\n\nBrian Hegarty is an artist based in Drogheda County Louth. He was born in Dublin in 1970 and graduated from D.I.T. College of Fine Art in 1994. He has exhibited widely both nationally and internationally. He runs thirtythree-45\, a multi-platform arts project working independently and in collaboration with other artists\, musicians\, and arts organisations. Most recently he initiated The KIOSK Project Art Space\, a small artist-run project space on Narrow West Street in Drogheda. \n\n\n\n\n\nJúlius KollerDelving beyond art as a practice\, Koller’s work explores art as a medium of cultural action. In a bid to investigate communications and actions beyond their institutional and political definitions his work hones its focus on everyday gestures and rituals. In doing so he creates the concept of “‘cultural institutions”. \n\n\n\nIn late 1980s Czechoslovakia\, Koller found himself deeply concerned with the Czechoslovakian Spring liberation. This event saw Warsaw troops invade Czechoslovakia in a bid to suppress the Spring liberation process within the region. At the same time\, there was an exponential growth in the economic shift to a globally driven free market society. This period of change prompted much reflection  – specifically the contradiction of Utopia and real life. Here his series U.F.O.-naut J.K. was conceived. An almost life-long series of self-portraits released annually\, many pieces feature Koller himself using ironic gestures and using wildly various symbols and everyday objects like nets\, tennis rackets\, table-tennis bats\, his own head of hair\, and so on. \n\n\n\nThe (otznik) question mark recurs throughout his work. As the collection evolves so does the question mark. He weaves the symbol in throughout a wide variety of materials and formats. The symbol serves not only as a reference and prompt to question politics\, society and environment but also as a universal term: it stood for openness\, willingness to explore\, uncertainty and doubt. In his work Meditacia / Meditation (U.F.O.)  1983 Július is pictured with his head perched and eyes closed\, holding only a piece of paper. The piece of paper contains a small pencil illustration – a circle drawn unsteadily. This sketch encapsulates the spirit of the man. Here too\, the subject of free expression has become an inquiry\, one that is not only focused on social conditions but on one’s own capacity for action.  \n\n\n\nFor an Irish equivalent\, think the late Maurice O’Connell\, an art rogue\, a performer\, a wanderer and a unique presence in the Irish art world of the 1990s. He took part in the first Manifesta ( 1996 )\, Europe’s only Nomadic Biennial of Contemporary Art. He had a solo exhibition The Last Great Buffalo Hunt in Green on red Gallery in 1997. \n\n\n\n\n\nNil Yalter \n\n\n\nBorn in Cairo and raised in Istanbul\, Nil Yalter is a pioneering Turkish artist whose work has been shaped by her experiences across different cultures\, traditions and political landscapes. Drawing on her Anatolian heritage while embracing the experimental possibilities of contemporary art\, Yalter has developed a practice that spans more than five decades. \n\n\n\nHer work explores migration\, identity\, feminism and social justice through the stories of those often overlooked. Combining visual art\, performance\, technology and traditions drawn from oral and visual cultures\, Yalter examines the resilience and complexity of human experience while giving voice to marginalised communities and questioning the social and political structures that shape their lives. \n\n\n\nIn Lord Byron Meets the Shaman Woman (2009)\, Nil Yalter draws on her longstanding interest in shamanism\, nomadic cultures and the cultural histories of Anatolia to revisit the figure of the female shaman. Combining performance\, costume\, archival imagery and text\, the work pays tribute to women who occupied significant spiritual\, social and intellectual roles within their communities. By staging an imagined encounter between the shaman woman and Lord Byron\, Yalter brings together different histories and cultural perspectives\, questioning how identities and traditions have been represented and understood. \n\n\n\n \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/september-an-exhibition-without-borders/
LOCATION:Green on Red Gallery\, Park Lane\, Spencer Dock\, Dublin\, D01 Y821
CATEGORIES:Exhibition,Multidisciplinary
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2026/09/NilYalter_HommageAuMarquis_1989_Video1322Minsdetail-3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260930T130000
DTEND;TZID=Europe/Dublin:20261129T180000
DTSTAMP:20260929T093451Z
CREATED:20260915T112149Z
LAST-MODIFIED:20260929T093451Z
UID:10000723-1790773200-1795975200@smashingtimes.ie
SUMMARY:Voices of Peace Visual Art Exhibition reflecting on Peace\, Equality + Human Rights
DESCRIPTION:From the Forest to the Ocean One-Day Only Pop-Up Solo Visual Art Exhibition by Mary Moynihan\n\n\n\n\n\n\n\n\n\n\n\nA one-day showing of Mary Moynihan’s solo exhibition combining photography\, poetry and film inspired by physical landscapes and seascapes and their connection to landscapes of the soul and the deep interconnectedness of life — from forests to the ocean.  \n\n\nFeaturing work by writer Féilim James and visual artists Jessica Rodrigues\, Gillian Lambe\, Viktoriia Yevsiukova\, Hina Khan\, Aman Walayat\, Iqra Iqbal\, and Mary Moynihan\, the exhibition explore peace and human rights\, sparking dialogue and new visions for the future. Supported by the dlr County Council Universal Grant Scheme and the Dún Laoghaire-Rathdown County Council Arts Office. \n\n\n\nBook Your Place\n\n\n\nAdmission free\, no booking necessary \n\n\n\nArtists\n\n\n\nJessica Rodrigues\, Multidisciplinary Artist \n\n\n\nGillian Lambe\, Visual Artist \n\n\n\nViktoriia Yevsiukova\, Visual Artist \n\n\n\nHina Khan\, Visual Artist \n\n\n\nAmna Walayat\, Visual Artist \n\n\n\nIqra Iqbal\, Visual Artist \n\n\n\nFeilim James\, Write and Poet\, Editor of Tintreach: The Smashing Times Arts and Literary Journal \n\n\n\nMary Moynihan\, Writer\, Poet\, Creator of Art and Photography \n\n\n\nFull Event Details\n\n\n\nVoices of Peace is a multidisciplinary visual art exhibition reflecting on peace\, equality and human rights through powerful contemporary artistic expression\, sparking dialogue and new visions for the future.  The exhibition features a range of visual and multidisciplinary art works showcasing outstanding and inspiring art works by artists who use their creative practice to promote peace\, equality and human rights. \n\n\n\nThe Voices of Peace multidisciplinary visual art exhibition is on show at the Smashing Times Visual Art Gallery\, 30 Sandycove Road\, Sandycove\, Dublin\, A96V9P1 from Wednesday 23 September to Sunday 29 November 2026\, Wednesday to Friday 1-6pm; Saturday 10am-6pm and Sunday 12-6pm. Free admission\, no booking required. The exhibition is supported by dlr County Council Universal Grant Scheme. Voices of Peace – The Gathering\, an interactive live event to accompany the exhibition takes place at the Smashing Times Visual Art Gallery\, 30 Sandycove Road\, Sandycove\, Dublin\, A96V9P1 on Sunday 11 October 2026 at 7pm. Tickets €10. Booking required. \n\n\n\nParticipating Artists \n\n\n\nThe artists are Jessica Rodrigues\, a multidisciplinary artist exploring dreamscapes\, inner worlds\, and symbolic imagery through fine art and custom tattoos; Gilliam Lambe\, a creator of paintings\, ceramics and sculptures; Viktoriia Yevsiukova\, visual artist; Hina Khan\, visual artist; Amna Walayat\, Visual Artist; Iqra Iqbal\, Visual Artist; Féilim James\, novelist\, poet\, playwright and  Editor of Tintreach: The Smashing Times Arts and Literary journal and Mary Moynihan\, Writer\, Poet\, Creator of Art and Photography (Smashing Times resident artist). \n\n\n\nSelected artists for this exhibition become Voices of Peace Artists with their work featured in the visual art exhibition titled Voices of Peace\, presented for the annual international Irish Arts and Human Rights festival in 2026; and in Tintreach: The Smashing Times Arts and Literary Journal\, and on the Smashing Times Arts and Human Rights radio show on Dublin South FM. The artists are all living or have worked in the Dun Laoghaire-Rathdown area and each artist displays a series of artworks exploring themes of peace\, equality and human rights through contemporary artistic expression. \n\n\n\nThis exhibition is supported by the Dlr Universal Grants Scheme. \n\n\n\n \n\n\n\nSpeaker Biographies:\n\n\n\n\n\n\n\n\n\n\n\nJessica Rodrigues is a Brazilian-Irish multimedia artist based in Dublin\, creating strange worlds shaped by dreams\, nature\, memories\, and old tales. Working across fine art\, tattoos\, videos\, and murals\, the artist employs a surrealist language infused with magical realism to create visual stories that blur the limits between reality and myth. \n\n\n\nJessica spent eleven years as a tattoo artist\, a period that permanently shaped her understanding of narrative. In that role\, stories were entrusted and inscribed\, a collaborative act that demanded integrity and a focus on the body as the first site for a visual tale. This experience remains the quiet anchor for all her work. \n\n\n\nJessica now builds worlds across painting\, murals\, and video\, drawing from a well of dreams and old folklore to create images that feel both familiar and strangely new. The curiosity that guided her hand on skin now guides her interdisciplinary practice. It is a practice of genuine exploration\, evidenced by an Artist in the Community Scheme grant for collaborative public work and features in 10 group exhibitions\, including the group show Voice of Dreams for Visionary Arts. \n\n\n\nJessica’s work has been featured in Tintreach: The Smashing Times Arts and Literary Journal \n\n\n\nSee Jessica’s Instagram @artbyjroiz \n\n\n\n\n\n\n\n\n\n\n\n\n\nGillian Lambe is a visual artist whose practice explores how we experience\, carry and remember the people and places that shape us and how this can influence our sense of belonging. \n\n\n\nShe is especially drawn to the tension between opposing states: connection and separation\, containment and openness\, permanence and change. \n\n\n\nShe uses colour and gesture\, texture and form to research and explore these themes. She gives space to the viewers to bring their own memories\, associations and experiences to the work and to find their own points of connection within it. \n\n\n\nOriginally from Cavan\, Gillian is currently based in Dublin. She has studied drawing\, sculpture and ceramics at NCAD (CEAD) and works across different materials to explore emotion\, connection and environment within her work. \n\n\n\nCurrent and recent exhibitions include the 3rd Annual Exhibition\, An Chéad Tine Art Gallery 3rd\, Kilkenny (selected by Maurice Quillinan)\, ‘Threshold’ The Market House\, Dunleer\, The Easter Competition\, Glebe Gallery (OPW)\, Donegal\, ‘Chrysalis’ & ‘Emerging Perspectives’\, Reynold’s Gallery\, Dublin\, ‘Beyond Words: Art & the Unknown’\, Herman’s Auctioneer’s Modern & Contemporary\, Dublin\, Smashing Times Gallery ‘Solstice Light’\, Dublin and Signal Arts Centre Members show in Wicklow. \n\n\n\n\n\n\n\n\n\n\n\n\n\nViktoriia was  born in 2005 in Kharkiv\, Ukraine. Viktoriia  studied at the Kharkiv Professional Higher Art College of Kharkiv Regional Council\, earning a Professional Junior Bachelor degree (2020–2024)\, and continued her studies at the Cavan Institute (QQI Level 5 in Art\, Craft and Design\, 2024–2025). Viktoriia’s work explores inner tension and quiet disquiet\, capturing fleeting moments of stillness and anticipation. \n\n\n\nViktoriia was selected for the Cavan Arts Awards 2025 and has exhibited in the Summer Showcase Exhibition 2025 in Bailieborough and an exhibition for Culture Night 2025. Viktoriia currently lives and works in Cavan\, County Cavan. \n\n\n\n\n\n\n\n\n\n\n\n\n\nHina Khan was born in born in Pakistan in 1980 and completed an MFA\, majoring in Miniature Painting from Pakistan. Hina uses miniature in her work as the intricacy and delicacy of the brush work has a unique identity. Hina’s work began as a mixture of traditional and contemporary miniature and her practice has now expanded to include small and large-scale installation\, videos and 3D. \n\n\n\nAccording to Hina ‘My work is a constant search for the best way to interpret ideas and to express my own ideologies through symbolism.  I am creating a dialogue through my art. My art is a reflection of inner connection\, and how immigrants and nomadic artists are a part of this land. Migration is deeply rooted in my blood. I have carried two cultures\, one from where I was born and the other is this culture where I am trying to re-root myself. Sometimes a situation is not in our control\, but life always takes us on different voyages. This journey has built up a constant transition in my art\, personality\, and in terms of experimentation\, enabling me to evolve my artistic practice.’ \n\n\n\nHina has participated in a number of groups shows in Pakistan from 2002 to 2011. Hina came to Ireland in 2015 and participated in a number of exhibitions in Dublin\, Laois\, Mayo\, and Cork. Hina was awarded several residencies with Fire Station Arts Center\, Create Ireland\, West Cork Art Center and Cow House Studio and has displayed solo exhibitions at Ballina Art Center\, Mayo\, and Stradbally Art house\, Laois. \n\n\n\nHina’s art pieces are held in the permanent collection of The Arts Council of Ireland. She is the recipient of several awards from The Arts Council of Ireland\, Create Ireland\, and from different counties. She is the recipient of an R&D award from Create Ireland in collaboration with Tomasz Madajezak under the mentorship of Jesse Jones and is also collaborating with filmmaker David Bickley. Hina’s art pieces were commissioned for State of the Art: The Nation State as both Violator and Protector of Human Rights (2022) and for States of Independence (2023). Both projects were f presented by Smashing Times International Centre for the Arts and Equality and funded by The Arts Council. \n\n\n\nHina says that ‘as an artist\,  I am inspired by Sadequain\, Michelangelo\, Picasso\, Frida Kahlo\, Shahzia Sikander and Anselm Kiefer.’ \n\n\n\n\n\n\n\n\n\n\n\n\n\nAmna is a Cork-based Pakistani born visual artist and Associate Member of Sample-Studios\, Art Nomads\, Smashing Times and Angelica Network. She has recently been awarded the Cork County Council Creative Producer Residency\, The Arts Council Agility Award and has been invited to exhibit her new work in IMMA\, having exhibited her work recently in IMMA online and in Cork County Council’s online exhibition space. In addition to her active practice\, she has worked as Programme Organizer with the Pakistan National Council of the Arts; Curator with Alhamra Arts Council and PhD studio-based researcher with PURAF\, University of the Punjab (2004-2007). She recently established the Ireland-Pakistan Arts Exchange (IPAE) to bring both art communities together through creating opportunities for networking and exchange. She is a recipient of Arts Council Ireland Visual Artist Bursary Award\, Professional Development Award 2020 and Dilkusha Award 2020. \n\n\n\n\n\n\n\n\n\n\n\n\n\nIqra is a multidisciplinary artist currently undertaking a Master’s in Art and the Contemporary World at the National College of Art and Design (NCAD)\, Dublin. Working primarily with acrylic painting and neo-miniature as a visual language\, she also experiments with glass and other materials. \n\n\n\nHer practice explores identity\, displacement\, belonging and coexistence\, with particular interest in how people carry cultural histories while forming new relationships with the places and communities they inhabit. Drawing on her experience of moving between cultural spaces\, she questions inherited systems of thought and the cultural frameworks that shape how we understand ourselves\, others and difference. \n\n\n\nThrough symbolism\, pattern\, architectural forms and inherited visual languages\, Iqra explores the process of unlearning and reconsidering ideas that can appear fixed or universal. Rather than rejecting cultural inheritance\, her work seeks to question and reinterpret it\, opening possibilities for alternative ways of seeing\, knowing and belonging. \n\n\n\nHer recent work considers peace through coexistence\, equality and the possibility of sharing space while allowing difference and individuality to remain visible. \n\n\n\n\n\n\n\n\n\n\n\n\n\nFéilim James is a novelist\, poet\, and playwright from Dublin\, Ireland. In 2024\, his poem ‘Dream of an Atrocity’ was shortlisted for the New Irish Writing: Best Poetry category at the Irish Book Awards. He has been funded by the Arts Council of Ireland on three occasions\, including for his novel\, Flower of Ash. Dublin City Arts Office granted him an Arts Bursary in 2021 to finish his poetry collection\, I was a river\, lost. He is the editor of Tintreach: The Smashing Times Arts and Literary Journal. \n\n\n\nFéilim’s fiction\, non-fiction\, and poetry have appeared in the Irish Independent’s New Irish Writing\, Acumen\, The Honest Ulsterman (upcoming)\, Abridged\, The High Window\, The Fiction Pool\, Icarus\, TOWER\, The Galway Review\, A New Ulster\, Trinity Journal of Literary Translation\, Pendemic\, Rant and Rave\, Vox Galvia\, the Smashing Times Newsletter\, and Tales From the Forest. He has had four plays and two short films produced. Féilim’s work has been performed or exhibited in locations such as Áras an Uachtaráin\, Dublin (the residency of the President of Ireland); Dublin Castle; the European Court of Human Rights\, Strasbourg; and Jean Monnet House\, Paris\, for an event by the European Observatory on Memories. \n\n\n\nFéilim’s play Sole Flower\, Spidered Soul (2023)\, about the relationship between James and Lucia Joyce\, had its premiere run in the Pumphouse\, Dublin Port\, in October 2023\, as part of Smashing Times’ Dublin Arts and Human Rights Festival. Its director was Patrick Joseph Byrnes\, who again directed when it had its second run\, this time in The New Theatre\, Dublin in June 2024\, as part of Bloomsday Festival. In 2025\, Sole Flower\, Spidered Soul was added to the archive of the Zurich James Joyce Foundation. Féilim’s play At Summer’s End (2019)\, about Ettie Steinberg\, a real-life Jewish-Irish woman facing the horrors of the Holocaust\, has been toured by Smashing Times to places such as Paris\, Northern Ireland\, and Áras an Uachtaráin\, the residency of the President of Ireland. \n\n\n\nFéilim’s Irish language writing\, under the surname Ó Brádaigh\, has won seven Oireachtas na Gaeilge literary awards\, including one for a collection of poetry. These awards are the most prestigious in Irish language literature. His work through Irish has appeared in Comhar\, Feasta\, Trinity Journal of Literary Translation\, Comhar Óg\, Tuathal\, and An Scríbhneoir Óg. Additionally\, he has twice been selected for Fóras na Gaeilge’s Tutor Scheme. \n\n\n\nFéilim graduated from the BA in English Literature and Psychology in Trinity College\, Dublin in 2017. In 2020\, he completed the MA in Writing in the University of Galway\, studying under the likes of Mike McCormack and Arnold Thomas Fanning\, and receiving a first-class honour. Visit his website here. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMary Moynihan\, MA\, she/her\, is an author of novels\, poetry\, films and plays\, from Dublin\, Ireland. Mary embarked upon her award-winning career as a writer in theatre and film and has garnered much acclaim for her plays\, poetry and short film scripts\, and for creating interdisciplinary artworks combining writing\, poetry and photography presented in galleries and online. She established and became Artistic Director of Smashing Times International Centre for the Arts and Equality and is Artistic Curator for the annual international Arts and Human Rights festival. \n\n\n\n\n\n\n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/voices-of-peace-visual-art-exhibition-reflecting-on-peace-equality-human-rights/
LOCATION:Smashing Times International Centre for the Arts and Equality\, 30 Sandycove Road\, Sandycove\, Dublin\, A96V9P1\, 30 Sandycove Road\, Sandycove\, Dublin\, A96V9P1
CATEGORIES:Exhibition,Multidisciplinary
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2025/09/VoicesOfPeace-copy.jpg
ORGANIZER;CN="Smashing Times International Centre for the Arts and Equality":MAILTO:info@smashingtimes.ie
END:VEVENT
END:VCALENDAR