BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Smashing Times - ECPv6.17.0//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Smashing Times
X-ORIGINAL-URL:https://smashingtimes.ie
X-WR-CALDESC:Events for Smashing Times
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/Dublin
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:IST
DTSTART:20210328T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20211031T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:IST
DTSTART:20220327T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20221030T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:IST
DTSTART:20230326T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20231029T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:IST
DTSTART:20240331T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20241027T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:IST
DTSTART:20250330T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20251026T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:IST
DTSTART:20260329T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20261025T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:IST
DTSTART:20270328T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20271031T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260526T093000
DTEND;TZID=Europe/Dublin:20260528T140000
DTSTAMP:20260514T112051Z
CREATED:20260508T104144Z
LAST-MODIFIED:20260514T112051Z
UID:10000685-1779787800-1779976800@smashingtimes.ie
SUMMARY:Belonging: Three-Day Creative Arts Workshop
DESCRIPTION:Belonging: Three-Day Creative Arts Workshop\n\n\n\n\n\n\n\n\n\n\n\nWorkshop: Tuesday 26 May\, 9.30am-12.30pm; Wednesday 27 May\, 11am-2pm; Thursday 28 May\, 11am-2pm. Open to all female-identifying\, registration required.  \n\n\nBook Your Place\n\n\n\nSmashing Times never want ticket price to be a barrier to participation. Email admin@smashingtimes.ie to book a free place. \n\n\n\n\n\n\n\n\n\nArtists\n\n\n\nMary Moynihan\, award-winning author of novels\, poetry\, films and plays\, and a creator of art and photography \n\n\n\nFull Event Details\n\n\n\nEnjoy a three-day Creative Arts Workshop to meet with other women; to explore themes of nature\, belonging and a shared European identity and to take part in an open ‘Poetry Day’ at the Smashing Times Visual Art Gallery to celebrate Poetry Day Ireland. The workshop runs on Tuesday 26 May\, 9.30-12.30\, Wednesday 27 May 11-2pm and Thursday 28 May 11-2pm (3 hours per day)\, with the third day presented as an Open Poetry Session and Artist talk titled Belonging and open to the public.  \n\n\n\nGuided by methods and artworks on display from Smashing Times International Centre for the Arts and Equality\, Dublin\, Ireland and Théâtre & Réconciliation\, Brussels\, Belgium\, participants share reflections on identity\, migration and belonging\, engage in poetical expression in celebration of Poetry Day Ireland\, and create a space for shared experiences and diverse voices to connect. On days one and two\, the workshop involves drama games and exercises\, discussion and chat. Wear practical clothing for active participation. No experience necessary.  On the third and final day\, we present Belonging\, an open session of poetry readings and artist talk by Mary Moynihan\, for the Poetry Day Ireland celebrations.   Workshop participants attend the open poetry event and can become involved as a ‘Welcome Guide’ inviting people into the space or can read a poem (to be confirmed as part of the workshop process) or simply attend and enjoy the celebrations. See further details on the public event below. \n\n\n\nAs part of the workshop participants have the opportunity to meet with international theatre and arts practitioner Frédérique Lecomte\, founder\, CEO and artistic director of Théâtre et Réconciliation located in Brussels\, Belgium. Frédérique is an award-winning internationally recognised artist and creator who has developed her own theatrical techniques for over 40 years. She has worked with vulnerable populations both in conflict zones (the Great Lakes region of Africa) and in Belgium. Her Théâtre et Réconciliation method\, named after the theatre company\, she founded\, brings together creative and methodological tools for developing theatrical productions quickly\, enabling her to achieve results in a short space of time\, thanks in particular to her unique technique of live staging. For her work\, she received the 2018 Woman of Peace Award in Belgium. Frédérique Lecomte has given numerous training courses\, masterclasses and lectures at universities across Europe and around the world. \n\n\n\nThe three-day workshop is facilitated by artist Mary Moynihan\, a writer\, poet and creator of art and photography. Mary is a professional artist and Artistic Director of Smashing Times International Centre for the Arts and Equality and Artistic Curator for the annual international Irish Arts and Human Rights festival. \n\n\n\nPresented as part of the European project WE AREurope\, exploring shared European values of human dignity\, freedom\, democracy\, equality\, diversity\, human rights\, gender equality\, and peace. \n\n\n\n\n\n\n\n\n\nSpeaker Biographies:\n\n\n\n\n\n\n\n\n\n\n\nMary Moynihan\, MA\, she/her\, is an award-winning author of novels\, poetry\, films and plays\, and a creator of art and photography. Mary is from Dublin\, Ireland. Mary embarked upon her award-winning career as a writer in theatre and film and has garnered much acclaim for her plays\, poetry and short film scripts\, and for creating interdisciplinary artworks combining writing and photography presented in galleries and online. She established and became Artistic Director of Smashing Times International Centre for the Arts and Equality and is Artistic Curator for the annual Dublin Arts and Human Rights festival. Mary has an honours BA in Drama and Theatre Studies from Trinity College Dublin and an honours Masters in Film Production from TU Dublin. \n\n\n\nAfter raising four children\, now adults\, Mary dedicated her time to writing and creating art and photography. She writes fiction for young people and adults featuring stories of courage\, laughter\, tragedy\, happiness\, love\, death and action-packed adventures. Mary is the author of a young adult fantasy novel Amergin and the Warriors of Zen. In her adult fiction\, Mary’s characters are clever\, fearless\, vulnerable\, crazy\, strong\, and dangerous\, looking for love\, fun\, success and happiness. Her work promises enthralling plots\, dramatic lives\, lots of laughs\, serious flirting and sexual intrigue and insights into love\, happiness\, creativity and meaning in life. \n\n\n\nMary pens a series of articles titled Creative Reflections on Arts\, Creativity\, Leadership and Self-Esteem which appear in the Smashing Times International Centre for the Arts and Equality newsletter and on Mary’s website marymoynihan.ie \n\n\n\nMary is an interdisciplinary artist and  regularly creates artworks that fuse photographic imagery\, poetical texts and film\, many of which are inspired by landscapes and seascapes especially of the seas and oceans around Ireland. In her free time Mary loves to spend time with her four adult children and hang out with friends.  She swims in the sea all year round. She loves the ocean\, sky and moon and has a spiritual connection to the Atlantic Ocean and Irish Sea\, to the environs of Dublin bay and to the mystical landscapes of Valentia Island and the surrounding Iveragh peninsula in County Kerry\, her spiritual home. She is a big fan of the Dublin Gaelic football and hurling teams. \n  \n\n\n\n\n\nWE AREurope: Theatre\, Identity and European Values\n\n\n\nThe WE AREurope – Women Empowering\, Allying\, and Reinventing Europe on Stage project – funded by Erasmus+\, is a collaborative initiative between Smashing Times International Centre for the Arts and Equality\, Dublin\, Ireland and Théâtre & Réconciliation\, Brussels\, Belgium that uses theatre and creative arts to support the inclusion and empowerment of women from migrant communities across Europe. The project raises awareness of shared European values\, identifies recommendations and modes of action to facilitate the inclusion of women from migrant and ethnic minority communities in Europe\, and promotes learning opportunities for all citizens and generations through creativity\, the arts and culture. Read more about the project here. \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/belonging-three-day-creative-arts-workshop-2/
LOCATION:Smashing Times International Centre for the Arts and Equality\, Visual Art Gallery and Centre for the Arts and Human Rights\, 30 Sandycove Road\, Dublin A96V9P1\, 30 Sandycove Road\, Sandycove\, Dublin\, A96V9P1
CATEGORIES:Multidisciplinary,Poetry,Theatre,Workshop
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2026/05/weareeurope-feat.jpg
ORGANIZER;CN="Smashing Times International Centre for the Arts and Equality":MAILTO:info@smashingtimes.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260418T190000
DTEND;TZID=Europe/Dublin:20260418T200000
DTSTAMP:20260414T155705Z
CREATED:20260408T103509Z
LAST-MODIFIED:20260414T155705Z
UID:10000684-1776538800-1776542400@smashingtimes.ie
SUMMARY:The Art of Trees
DESCRIPTION:Belonging: Three-Day Creative Arts Workshop\n\n\n\n\n\n\n\n\n\n\n\nWorkshop: Tuesday 26 May\, 9.30am-12.30pm; Wednesday 27 May\, 11am-2pm; Thursday 28 May\, 11am-2pm. Open to all female-identifying\, registration required.  \n\n\nBook Your Place\n\n\n\n087 2214245 or email freda@smashingtimes.ie. Booking Essential. \n\n\n\nArtists\n\n\n\nMary Moynihan\, Writer \n\n\n\nElizabeth Moynihan\, Director \n\n\n\nAoife Kavanagh\, Actor \n\n\n\nAnna Fitzgerald\, Actor \n\n\n\nCiara Hayes\, Producer \n\n\n\nFreda Manweiler\, Producer \n\n\n\nFull Event Details\n\n\n\nThe Art of Trees by Mary Moynihan is a live\, immersive\, environmental performance blending theatre\, poetry\, and music to celebrate and reflect on the beauty of trees and forests\, the importance of biodiversity\, and our deep connections to nature. Each show is followed by a town-hall style community meet-up to discuss creative ways to protect the environment and human rights. The guest speaker is environmental expert Elis Martinelli from Sea Synergy Marine Awareness Centre. The shows are presented for The Art of Nature: Protecting our Forests and Oceans\, implemented by Smashing Times International Centre for the Arts and Equality in partnership with Acard and The Barracks Heritage Centre\, Cahersiveen\, supported by South Kerry Development Partnership CLG\, Leader Programme 2023-2027. \n\n\n\nEnjoy a magical performance\, as we regale you with storytelling\, poetry and music reflecting on trees and forests\, the importance of biodiversity and our connections to nature. Join us as we celebrate the beauty of trees\, nature\, biodiversity and the interconnectedness of the world around us. Brigid of Kildare\, patron saint of Ireland has returned. She invites us to join her in the forest and enter the world of trees. Brigid takes us on a journey through the history of trees from the Ice Age to present times\, exploring how forests have changed over thousands of years. \n\n\n\nListen to stories about the ancient\, sacred trees of Ireland such as oak\, ash\, birch\, hazel and hawthorn and explore the wonders of a Celtic tradition of trees and forests where magic can happen. The Art of Trees invites us to explore why tree cover in Ireland has fallen so low and to reflect on the role trees play in our ecosystem.  What can be done to save our sacred trees and ancient woods and take action in the fight against climate change? The show is a theatrically staged fusion of theatre\, poetry\, story\, and music and is a dazzling storytelling performance suitable for all ages that is fun\, magical and sparking. \n  \n  \n\n\n\nSpeaker Biographies:\n\n\n\n\n\n\n\n\n\n\n\nMary Moynihan MA \n\n\n\nWriter of Novels\, Poetry\, Films\, Plays \n\n\n\nCreator of Art and Photography \n\n\n\nCreative Reflections on Arts\, Creativity\, Equality\, Leadership and Self-Esteem \n\n\n\nMary Moynihan\, MA\, she/her\, is an award-winning author of novels\, poetry\, films and plays\, and a creator of art and photography. Mary is from Dublin\, Ireland. Mary embarked upon her award-winning career as a writer in theatre and film and has garnered much acclaim for her plays\, poetry and short film scripts\, and for creating interdisciplinary artworks combining writing and photography presented in galleries and online. She established and became Artistic Director of Smashing Times International Centre for the Arts and Equality and is Artistic Curator for the annual Dublin Arts and Human Rights festival. Mary has an honours BA in Drama and Theatre Studies from Trinity College Dublin and an honours Masters in Film Production from TU Dublin. \n\n\n\nAfter raising four children\, now adults\, Mary dedicated her time to becoming a writer. She writes fiction for young people and adults featuring stories of courage\, laughter\, tragedy\, happiness\, love\, death and action-packed adventures. Mary is the author of a young adult fantasy novel Amergin and the Warriors of Zen. In her adult fiction\, Mary’s characters are clever\, fearless\, vulnerable\, crazy\, strong\, and dangerous\, looking for love\, fun\, success and happiness. Her work promises enthralling plots\, dramatic lives\, lots of laughs\, serious flirting and sexual intrigue and insights into love\, happiness\, creativity and meaning in life. \n\n\n\nMary pens a series of articles titled Creative Reflections on Arts\, Creativity\, Leadership and Self-Esteem which appear in the Smashing Times International Centre for the Arts and Equality newsletter and on Mary’s website marymoynihan.ie \n\n\n\nIn her free time Mary loves to spend time with her four adult children and hang out with friends.  She swims in the sea all year round. She loves the ocean\, sky and moon and has a spiritual connection to the Atlantic Ocean and Irish Sea\, to the environs of Dublin bay and to the mystical landscapes of Valentia Island and the surrounding Iveragh peninsula in County Kerry\, her spiritual home. She is a big fan of the Dublin Gaelic football and hurling teams. \n\n\n\nSmashing Times \n\n\n\nMary is Artistic Director of Smashing Times International Centre for the Arts and Equality working collaboratively with artists and over fifty organisations across Ireland\, Northern Ireland\, Europe and internationally\, using the arts to promote rights and values for all. Company patrons are Sabina Higgins; Joan Freeman\, founder of Pieta House; Ger Ryan\, actor and Tim Pat Coogan\, writer and historian. Founding patrons were writers Maeve Binchy and Brian Friel. \n\n\n\nMary is Artistic Curator for the annual\, international Dublin Arts and Human Rights festival implemented by Smashing Times and Front Line Defenders with Amnesty International\, Fighting Words\, ICCL\, NWCI\, Irish Modern Dance Theatre\, Trócaire\, Poetry Ireland and Irish Pen\, and funded by The Arts Council. The festival highlights the extraordinary work of human rights defenders in Ireland and around the world\, past and present\, and the role of the arts and artists in promoting human rights today. \n\n\n\nAwards \n\n\n\nMary’s work has won a number of awards\, including the Allianz Business to Arts Special Judges DAA Arts Award at Bord Gáis Energy Theatre\, the international and prestigious #ArtsAgainstCovid award from the Arts in Health International Foundation and an Arts Council Agility Award. Mary was awarded a Project Award from The Arts Council to write a new work with a range of collaborators titled The Feeling Soul\, inspired by stories of women poets from ancient and modern Ireland.    \n\n\n\nWriter of Novels\, Poetry\, Films and Plays \n\n\n\nMary is the author of the epic spoken word poem  ‘Ode to a Coolock Queen’’\, written from a female perspective and exploring identity\, gender\, violence\, passion\, self-destruction and possible redemption. An attempt as Sylvia Plath says  ‘to be true to my own weirdnesses’. It is an oral storytelling narrative that is about a broader reflection on what it is to be born out of a working class environment.  This poem is in homage to all people from working-class communities who find their strength and become their own kings and queens like warriors from an ancient past. \n\n\n\nMary is the author of a young adult fantasy novel Amergin and the Warriors of Zen. As a playwright\, Mary’s work includes the highly acclaimed The Woman is Present: Women’s Stories of WWII co-written with Paul Kennedy\, Fiona Thompson and Féilim James; Memorial Monologues: The Path of Memory; Tales of Love and Loss featuring two monologues selected by President Michael D Higgins for performance at Áras an Uachtaráin\, Constance and Her Friends and Grace and Joe for performance in 2023; In One Breath from the award-winning Testimonies(co-written with Paul Kennedy); Shadow of My Soul and May Our Faces Haunt You. \n\n\n\nPlays for children and young people include Gathering on the Pond\, a comedy play on the environment by Mary Moynihan and Aoife Reilly;  Love the Earth by Mary Moynihan – A Change-Makers Storytelling session for ages 5 to 12 years adapted from three stories – The Water Princess\, The Hummingbird\, and The Salmon of Knowledge – from Goal’s Global Citizenship Education Resource; and Four Great Plays for Young Children\, a series of short plays suitable for performance by children ages 5 to 12 years – The Children of Lir\, The Three Bears\, The Princess Play and Legend of the Dragon Kings \n\n\n\nMary has a focus on using historical memory in her artistic practice as inspiration for the creation of original artworks. A number of her writings highlight stories of ordinary yet extraordinary women who stood up for the rights of others with a focus on the Holocaust\, WWII and the revolutionary period in Irish history. \n\n\n\nMary’s documentary film work includes The Shoah: A Survivor’s Memory – The World’s Legacy\, adapted from the writings of French woman Simone Veil (1927-2017)\, a French lawyer\, politician and feminist\, Holocaust survivor and first female President of the European Parliament; the creative documentary Women in an Equal Europe; the short film Letter to a Human Rights Defender based on words by Mary Lawlor\, a Human Rights Defender\, founder of Front Line Defenders and UN Ambassador on Human Rights Defenders; the hour-long documentary Stories from the Shadows reflecting on the arts in peacebuilding in Northern Ireland (co-directed with Mark Quinn);  You Matter\, a filmed interview with social justice campaigner Dil Wickremasinhge and the short documentary Acting for the Future on the role of the arts to promote positive mental health and well-being and suicide prevention for Travellers in Ireland. \n\n\n\nKeep in touch with Mary on: \n\n\n\nTel: + 00 353 (0) 87 7438722 \n\n\n\nEmail: marymoynihanarts@gmail.com \n\n\n\nWebsite: MaryMoynihan.ie \n\n\n\nFollow Mary on Facebook\, Instagram and LinkedIn \n  \n  \n\n\n\n\n\n\n\n\n\n\n\n\n\nAnna Fitzgerald is a creative writer\, performer\, drama teacher and accountant! She attended the Audrey Meredith School of Drama and completed the Irish Board of Speech and Drama Grade Exams\, Associate and the Licentiate Teaching Diplomas. In 2023\, she founded ‘Drama at the Harold’ and ‘Drama at Glasthule’. She is a member of Shifting Stages\, a newly founded collective of mothers and theatre makers\, dedicated to supporting each other’s practices. The collective evolved from ‘Waking the Feminists’ (WTF) movement in 2015 where artists questioned the role of women in Theatre in Ireland and ‘Mother Artist Makers’ (MAM) a collective of mothers in Irish theatre who advocate for career supports for creative practitioners with caring responsibilities and to promote family friendly arts practices.  She is working on her Irish Goddess collection of stories since developing the concept for her professional diploma in Innovation\, Creativity and Leadership in UCD in 2019. She performed original pieces from the Goddess Series during Culture Night 2023 and 2025 in the DLR Mill Theatre and the Lab\, Dublin City Arts Offices\, Foley Street.  \n\n\n\n\n\n\n\n\n\n\n\n\n\nAoife Kavanagh is an actor based in Dublin and Kildare working throughout film and theatre. She graduated from Trinity College Dublin in 2025 which a First Class Honours Degree in Drama and Theatre. Her love for performance has developed over many years\, from starting speech and drama classes at six years old\, as well as training in ballet and various other forms of dance. Her performance credits include Better Out Than In Campaign (Belong To Youth Services\, 2025)\, Evoe (Samuel Beckett Theatre\, 2025)\, CHAOS (Samuel Beckett Theatre\, 2024)\, Pinstripe (Samuel Beckett Theatre\, 2024)\, Until Death (Virgin Media\, 2022) and Hall of Healing (Kill Musical & Dramatic Society\, 2022). Aoife also has experience in stage management and costume design. Her costume credits include costume designer of No Exit (Samuel Beckett Theatre\, 2025)\, The Contest (Samuel Beckett Theatre\, 2024) and assistant costume on Uncanny Valley (Samuel Beckett Theatre\, 2023). Her stage management credits include Sell By Date (Samuel Beckett Theatre\, 2025)\, Anna (Samuel Beckett Theatre\, 2024) and This Too Shall Pass (Samuel Beckett Theatre\, 2023). \n\n\n\n\n\nThe Art of Nature: Protecting our Forests and Oceans\n\n\n\nCreative Approaches to the Environment\, Sustainability and Social Justice \n\n\n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/the-art-of-trees-9/
LOCATION:St John the Baptist Church\, Valentia Island\, Co Kerry\, Knightstown\, Valentia Island\, Kerry\, Ireland
CATEGORIES:Performance,Theatre
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2026/04/The-Art-of-Trees-1.jpg
ORGANIZER;CN="Smashing Times International Centre for the Arts and Equality":MAILTO:info@smashingtimes.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20260417T200000
DTEND;TZID=Europe/Dublin:20260417T210000
DTSTAMP:20260408T104806Z
CREATED:20260408T095629Z
LAST-MODIFIED:20260408T104806Z
UID:10000683-1776456000-1776459600@smashingtimes.ie
SUMMARY:The Art of Trees
DESCRIPTION:Belonging: Three-Day Creative Arts Workshop\n\n\n\n\n\n\n\n\n\n\n\nWorkshop: Tuesday 26 May\, 9.30am-12.30pm; Wednesday 27 May\, 11am-2pm; Thursday 28 May\, 11am-2pm. Open to all female-identifying\, registration required.  \n\n\nBook Your Place\n\n\n\nCall 066 9478956. Admission Free. Booking Essential. \n\n\n\nArtists\n\n\n\nMary Moynihan\, Writer \n\n\n\nElizabeth Moynihan\, Director \n\n\n\nAoife Kavanagh\, Actor \n\n\n\nAnna Fitzgerald\, Actor \n\n\n\nCiara Hayes\, Producer \n\n\n\nFreda Manweiler\, Producer \n\n\n\nFull Event Details\n\n\n\nThe Art of Trees by Mary Moynihan is a live\, immersive\, environmental performance blending theatre\, poetry\, and music to celebrate and reflect on the beauty of trees and forests\, the importance of biodiversity\, and our deep connections to nature. Each show is followed by a town-hall style community meet-up to discuss creative ways to protect the environment and human rights. The guest speaker is environmental expert Elis Martinelli from Sea Synergy Marine Awareness Centre. The shows are presented for The Art of Nature: Protecting our Forests and Oceans\, implemented by Smashing Times International Centre for the Arts and Equality in partnership with Acard and The Barracks Heritage Centre\, Cahersiveen\, supported by South Kerry Development Partnership CLG\, Leader Programme 2023-2027. \n\n\n\nEnjoy a magical performance\, as we regale you with storytelling\, poetry and music reflecting on trees and forests\, the importance of biodiversity and our connections to nature. Join us as we celebrate the beauty of trees\, nature\, biodiversity and the interconnectedness of the world around us. Brigid of Kildare\, patron saint of Ireland has returned. She invites us to join her in the forest and enter the world of trees. Brigid takes us on a journey through the history of trees from the Ice Age to present times\, exploring how forests have changed over thousands of years. \n\n\n\nListen to stories about the ancient\, sacred trees of Ireland such as oak\, ash\, birch\, hazel and hawthorn and explore the wonders of a Celtic tradition of trees and forests where magic can happen. The Art of Trees invites us to explore why tree cover in Ireland has fallen so low and to reflect on the role trees play in our ecosystem.  What can be done to save our sacred trees and ancient woods and take action in the fight against climate change? The show is a theatrically staged fusion of theatre\, poetry\, story\, and music and is a dazzling storytelling performance suitable for all ages that is fun\, magical and sparking. \n  \n\n\n\nArtist Biographies:\n\n\n\n\n\n\n\n\n\n\n\nMary Moynihan MA \n\n\n\nWriter of Novels\, Poetry\, Films\, Plays \n\n\n\nCreator of Art and Photography \n\n\n\nCreative Reflections on Arts\, Creativity\, Equality\, Leadership and Self-Esteem \n\n\n\nMary Moynihan\, MA\, she/her\, is an award-winning author of novels\, poetry\, films and plays\, and a creator of art and photography. Mary is from Dublin\, Ireland. Mary embarked upon her award-winning career as a writer in theatre and film and has garnered much acclaim for her plays\, poetry and short film scripts\, and for creating interdisciplinary artworks combining writing and photography presented in galleries and online. She established and became Artistic Director of Smashing Times International Centre for the Arts and Equality and is Artistic Curator for the annual Dublin Arts and Human Rights festival. Mary has an honours BA in Drama and Theatre Studies from Trinity College Dublin and an honours Masters in Film Production from TU Dublin. \n\n\n\nAfter raising four children\, now adults\, Mary dedicated her time to becoming a writer. She writes fiction for young people and adults featuring stories of courage\, laughter\, tragedy\, happiness\, love\, death and action-packed adventures. Mary is the author of a young adult fantasy novel Amergin and the Warriors of Zen. In her adult fiction\, Mary’s characters are clever\, fearless\, vulnerable\, crazy\, strong\, and dangerous\, looking for love\, fun\, success and happiness. Her work promises enthralling plots\, dramatic lives\, lots of laughs\, serious flirting and sexual intrigue and insights into love\, happiness\, creativity and meaning in life. \n\n\n\nMary pens a series of articles titled Creative Reflections on Arts\, Creativity\, Leadership and Self-Esteem which appear in the Smashing Times International Centre for the Arts and Equality newsletter and on Mary’s website marymoynihan.ie \n\n\n\nIn her free time Mary loves to spend time with her four adult children and hang out with friends.  She swims in the sea all year round. She loves the ocean\, sky and moon and has a spiritual connection to the Atlantic Ocean and Irish Sea\, to the environs of Dublin bay and to the mystical landscapes of Valentia Island and the surrounding Iveragh peninsula in County Kerry\, her spiritual home. She is a big fan of the Dublin Gaelic football and hurling teams. \n\n\n\nSmashing Times \n\n\n\nMary is Artistic Director of Smashing Times International Centre for the Arts and Equality working collaboratively with artists and over fifty organisations across Ireland\, Northern Ireland\, Europe and internationally\, using the arts to promote rights and values for all. Company patrons are Sabina Higgins; Joan Freeman\, founder of Pieta House; Ger Ryan\, actor and Tim Pat Coogan\, writer and historian. Founding patrons were writers Maeve Binchy and Brian Friel. \n\n\n\nMary is Artistic Curator for the annual\, international Dublin Arts and Human Rights festival implemented by Smashing Times and Front Line Defenders with Amnesty International\, Fighting Words\, ICCL\, NWCI\, Irish Modern Dance Theatre\, Trócaire\, Poetry Ireland and Irish Pen\, and funded by The Arts Council. The festival highlights the extraordinary work of human rights defenders in Ireland and around the world\, past and present\, and the role of the arts and artists in promoting human rights today. \n\n\n\nAwards \n\n\n\nMary’s work has won a number of awards\, including the Allianz Business to Arts Special Judges DAA Arts Award at Bord Gáis Energy Theatre\, the international and prestigious #ArtsAgainstCovid award from the Arts in Health International Foundation and an Arts Council Agility Award. Mary was awarded a Project Award from The Arts Council to write a new work with a range of collaborators titled The Feeling Soul\, inspired by stories of women poets from ancient and modern Ireland.    \n\n\n\nWriter of Novels\, Poetry\, Films and Plays \n\n\n\nMary is the author of the epic spoken word poem  ‘Ode to a Coolock Queen’’\, written from a female perspective and exploring identity\, gender\, violence\, passion\, self-destruction and possible redemption. An attempt as Sylvia Plath says  ‘to be true to my own weirdnesses’. It is an oral storytelling narrative that is about a broader reflection on what it is to be born out of a working class environment.  This poem is in homage to all people from working-class communities who find their strength and become their own kings and queens like warriors from an ancient past. \n\n\n\nMary is the author of a young adult fantasy novel Amergin and the Warriors of Zen. As a playwright\, Mary’s work includes the highly acclaimed The Woman is Present: Women’s Stories of WWII co-written with Paul Kennedy\, Fiona Thompson and Féilim James; Memorial Monologues: The Path of Memory; Tales of Love and Loss featuring two monologues selected by President Michael D Higgins for performance at Áras an Uachtaráin\, Constance and Her Friends and Grace and Joe for performance in 2023; In One Breath from the award-winning Testimonies(co-written with Paul Kennedy); Shadow of My Soul and May Our Faces Haunt You. \n\n\n\nPlays for children and young people include Gathering on the Pond\, a comedy play on the environment by Mary Moynihan and Aoife Reilly;  Love the Earth by Mary Moynihan – A Change-Makers Storytelling session for ages 5 to 12 years adapted from three stories – The Water Princess\, The Hummingbird\, and The Salmon of Knowledge – from Goal’s Global Citizenship Education Resource; and Four Great Plays for Young Children\, a series of short plays suitable for performance by children ages 5 to 12 years – The Children of Lir\, The Three Bears\, The Princess Play and Legend of the Dragon Kings \n\n\n\nMary has a focus on using historical memory in her artistic practice as inspiration for the creation of original artworks. A number of her writings highlight stories of ordinary yet extraordinary women who stood up for the rights of others with a focus on the Holocaust\, WWII and the revolutionary period in Irish history. \n\n\n\nMary’s documentary film work includes The Shoah: A Survivor’s Memory – The World’s Legacy\, adapted from the writings of French woman Simone Veil (1927-2017)\, a French lawyer\, politician and feminist\, Holocaust survivor and first female President of the European Parliament; the creative documentary Women in an Equal Europe; the short film Letter to a Human Rights Defender based on words by Mary Lawlor\, a Human Rights Defender\, founder of Front Line Defenders and UN Ambassador on Human Rights Defenders; the hour-long documentary Stories from the Shadows reflecting on the arts in peacebuilding in Northern Ireland (co-directed with Mark Quinn);  You Matter\, a filmed interview with social justice campaigner Dil Wickremasinhge and the short documentary Acting for the Future on the role of the arts to promote positive mental health and well-being and suicide prevention for Travellers in Ireland. \n\n\n\nKeep in touch with Mary on: \n\n\n\nTel: + 00 353 (0) 87 7438722 \n\n\n\nEmail: marymoynihanarts@gmail.com \n\n\n\nWebsite: MaryMoynihan.ie \n\n\n\nFollow Mary on Facebook\, Instagram and LinkedIn \n  \n\n\n\n\n\n\n\n\n\n\n\n\n\nAnna Fitzgerald is a creative writer\, performer\, drama teacher and accountant! She attended the Audrey Meredith School of Drama and completed the Irish Board of Speech and Drama Grade Exams\, Associate and the Licentiate Teaching Diplomas. In 2023\, she founded ‘Drama at the Harold’ and ‘Drama at Glasthule’. She is a member of Shifting Stages\, a newly founded collective of mothers and theatre makers\, dedicated to supporting each other’s practices. The collective evolved from ‘Waking the Feminists’ (WTF) movement in 2015 where artists questioned the role of women in Theatre in Ireland and ‘Mother Artist Makers’ (MAM) a collective of mothers in Irish theatre who advocate for career supports for creative practitioners with caring responsibilities and to promote family friendly arts practices.  She is working on her Irish Goddess collection of stories since developing the concept for her professional diploma in Innovation\, Creativity and Leadership in UCD in 2019. She performed original pieces from the Goddess Series during Culture Night 2023 and 2025 in the DLR Mill Theatre and the Lab\, Dublin City Arts Offices\, Foley Street.  \n\n\n\n\n\n\n\n\n\n\n\n\n\nAoife Kavanagh is an actor based in Dublin and Kildare working throughout film and theatre. She graduated from Trinity College Dublin in 2025 which a First Class Honours Degree in Drama and Theatre. Her love for performance has developed over many years\, from starting speech and drama classes at six years old\, as well as training in ballet and various other forms of dance. Her performance credits include Better Out Than In Campaign (Belong To Youth Services\, 2025)\, Evoe (Samuel Beckett Theatre\, 2025)\, CHAOS (Samuel Beckett Theatre\, 2024)\, Pinstripe (Samuel Beckett Theatre\, 2024)\, Until Death (Virgin Media\, 2022) and Hall of Healing (Kill Musical & Dramatic Society\, 2022). Aoife also has experience in stage management and costume design. Her costume credits include costume designer of No Exit (Samuel Beckett Theatre\, 2025)\, The Contest (Samuel Beckett Theatre\, 2024) and assistant costume on Uncanny Valley (Samuel Beckett Theatre\, 2023). Her stage management credits include Sell By Date (Samuel Beckett Theatre\, 2025)\, Anna (Samuel Beckett Theatre\, 2024) and This Too Shall Pass (Samuel Beckett Theatre\, 2023). \n\n\n\n\n\nThe Art of Nature: Protecting our Forests and Oceans\n\n\n\nCreative Approaches to the Environment\, Sustainability and Social Justice \n \n\n\n\nSmashing Times International Centre for the Arts and Equality presents The Art of Nature: Protecting our Forests and Oceans\, a unique project using the arts\, creative methodologies and digital technologies in the Cahersiveen and South Kerry area to celebrate the beauty of forests and oceans\, the importance of biodiversity and our deep connections to nature. The project uses the arts and creativity to promote practical awareness-raising and training in relation to environmental justice\, with a focus on biodiversity\, sustainability and human rights.  \n\n\n\nThe Art of Nature: Protecting our Forests and Oceans is implemented by Smashing Times International Centre for the Arts and Equality in partnership with Acard and The Barracks Heritage Centre\, Cahersiveen\, supported by South Kerry Development Partnership CLG\, Leader Programme 2023-2027. The focus is on sustainable development for the rural environment.  Activities take place with schools\, communities and the general public to promote biodiversity\, sustainability\, social justice and green spaces in South Kerry. The project beautifully intertwines live performance and creative science-based workshops with environmental themes\, to promote biodiversity and sustainability linked to social justice.  Artists working on the project include Mary Moynihan\, a writer\, poet and creator of art and photography\, Ciara Hayes\, Arts Facilitator and Producer; Freda Manweiler\, Facilitator and Producer; and Elizabeth Moynihan\, Director. \n\n\n\nActivities \n\n\n\nCreative Art Workshops: Science-based creative art workshops take place with schools and communities to promote biodiversity\, sustainability and links to social justice. \n\n\n\nLive Performances and Talks: Activities consist of two public environmental-themed performances and post-show panel discussions. See below for details. \n\n\n\nTraining: In addition to the performances and panel discussions\, a series of science-based creative art workshops take place with schools and communities to promote biodiversity\, sustainability\, and environmental justice.  A Sustainable Event Management Training Workshop\, open to the public\, takes place to promote sustainable event management and eco-friendly practises for organising a community-based arts event or festival. Places limited to 20\, on a first-come\, first-served basis.  Contact Freda at Smashing Times on 087 2214245\, for further details. \n  \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/the-art-of-trees-8/
LOCATION:Tech Amergin Arts and Education Centre\, Spunkane\, Waterville\, Co Kerry
CATEGORIES:Performance,Theatre
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2026/04/The-Art-of-Trees-1.jpg
ORGANIZER;CN="Smashing Times International Centre for the Arts and Equality":MAILTO:info@smashingtimes.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20231028T200000
DTEND;TZID=Europe/Dublin:20231028T223000
DTSTAMP:20231106T195836Z
CREATED:20230829T141018Z
LAST-MODIFIED:20231106T195836Z
UID:10000254-1698523200-1698532200@smashingtimes.ie
SUMMARY:THE CURIOUS CASE OF ALBERT CASHIER: Lincoln’s ‘Lady’ Soldier
DESCRIPTION:Belonging: Three-Day Creative Arts Workshop\n\n\n\n\n\n\n\n\n\nWorkshop: Tuesday 26 May\, 9.30am-12.30pm; Wednesday 27 May\, 11am-2pm; Thursday 28 May\, 11am-2pm. Open to all female-identifying\, registration required.  \n\n\nBook Your Place\n\n\n\nBook here \n\n\n\nArtists\n\n\n\nCASTCeara CarneyLeah RossiterAnthony KinahanFiona Keenan O’BrienMark O’Reilly \n\n\n\nCREATIVESDirected by Anna SimpsonSet\, Costume & Projection by Els Borghart & Declan KellyLighting Design by Colin DoranExecutive Producer Paul HayesPoster by Niall O’BrienDevised by Quintessence Theatre \n\n\n\nFull Event Details\n\n\n\n“Lincoln wanted soldiers. I wanted excitement”                              \n\n\n\nBelvidere\, Illinois\, 1862: A young Irishman\, Albert D.J. Cashier\, enlists with the Union Army in the Civil War and becomes a decorated hero. But unknown to his comrades\, Private Cashier is waging an internal war all of his own. When he is fifty years a veteran and indiscreet doctor reveals to all of America that Cashier was assigned female at birth\, born under the name Jennie Hodgers\, from Clogherhead\, Co. Louth\, Ireland. \n\n\n\nFrom that day on Albert’s greatest battle truly begins: for identity\, selfhood\, and truth. \n\n\n\nIn this original new play devised by the company\, Quintessence Theatre use their innovative physical ensemble storytelling techniques mingled with multi-media of stunning projection and emotive music to dramatise the incredible true story of the Clogherhead-born Transgender soldier.  \n\n\n\nDirected by Anna Simpson (a Creative Associate of the Pleasance Theatre\, London\, and Practitioner with Shakespeare’s Globe) this exciting\, moving and often comedic production\, unearths a gem of a tale about a forgotten hero of Irish history\, and explores urgent modern questions around gender\, self-determination\, and human tenacity\, paralleling the struggles of the transgender community today.  \n\n\n\nQuintessence Theatre dedicates itself to exploring the human condition through the most theatrical means available: the actor themselves\, their imagination\, and embracing the live relationship between actor and audience. \n\n\n\nThe company is excited to announce that the original ensemble cast who devised the play are all back for the National Tour\, including: Ceara Carney; Fiona Keenan O’Brien; Anthony Kinahan; Mark O’Reilly & Leah Rossiter. \n\n\n\nThe Curious Case of Albert Cashier: Lincoln’s ‘Lady’ Soldier was created in association with Droichead Arts Centre\, Drogheda & the National Tour is kindly supported by The Arts Council of Ireland. \n\n\n\nTour Dates \n\n\n\nDroichead Arts Centre\, DroghedaThursday 14  September 2023 – 8pmwww.droichead.com / 041 98 33946 \n\n\n\nWatergate Theatre\, KilkennySaturday 16  September 2023 – 8pmwww.watergatetheatre.ie / 056 7761674 \n\n\n\nCivic Theatre\, Tallaght\, Dublin 24Wednesday 20 September 2023 – 8pmwww.civictheatre.ie / 01 462 7477 \n\n\n\nÍontas Theatre\, Castleblayney\, Co MonaghanFriday 22  September 2023 – 8pmwww.iontascastleblayney.ie – 042 9753401 \n\n\n\nRamor Theatre\, Virginia\, Co CavanSaturday 23  September 2023 – 8pmwww.ramortheatre.com – 049 8547074  \n\n\n\nGarage Theatre\, MonaghanThursday 28 September 2023 – 8pmwww.garagetheatre.com / 047 39777  \n\n\n\nBirr Theatre & Arts Centre\, Co OffalySaturday 30th September 2023 – 8pmwww.birrtheatre.com / 057 9122911 \n\n\n\nTown Hall Theatre\, GalwayMonday 2 October 2023 – 8pmwww.tht.ie – 091 569777  \n\n\n\nAn Táin Arts Centre\, DundalkSaturday 7 October 2023 – 8pmwww.antain.ie – 042 9332332  \n\n\n\nTheatre Royal WaterfordThursday 12 October 2023 – 8pmwww.theatreroyal.ie / 051 874402  \n\n\n\nRiverbank Arts Centre\, Newbridge\, Co KildareSaturday 14 October 2023 – 8pmwww.riverbank.ie / 045 448327 \n\n\n\nHawk’s Well Theatre\, SligoWednesday 18  October 2023 – 8pmwww.hawkswell.com / 071 9161518  \n\n\n\nSolstice Arts Centre\, Navan\, Co MeathThursday 19 October 2023 – 8pmwww.solsticeartscentre.ie  / 046 9092300  \n\n\n\nNenagh Arts Centre\, Co. TipperarySaturday 21 October 2023 – 8pmwww.nenagharts.com / 067 34400 \n\n\n\ndlr Mill Theatre\, Dundrum\, Dublin 16Saturday 28 October 2023 – 8pmwww.milltheatre.ie / 01 2969340Belltable\, LimerickThursday 2 November 2023 – 8pmwww.limetreetheatre.ie / 061 953400  \n\n\n\nSmock Alley Theatre\, Dublin 8Wednesday 8 – Saturday 11 November 2023 7.30pmwww.smockalley.com / 01 6770014 \n\n\n\n\n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/the-curious-case-of-albert-cashier-lincolns-lady-soldier/
LOCATION:DLR Mill Theatre\, Dundrum Town Centre\, Dublin 16\, D16 C5X6\, Ireland
CATEGORIES:Performance,Theatre
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2023/08/THE-CURIOUS-CASE-OF-ALBERT-CASHIER-Quintessence-Theatre-Production-Shot-1.jpg
ORGANIZER;CN="Quintessence Theatre":MAILTO:quintessencetheatreco@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20231024T110000
DTEND;TZID=Europe/Dublin:20231027T130000
DTSTAMP:20231106T200834Z
CREATED:20231003T095945Z
LAST-MODIFIED:20231106T200834Z
UID:10000438-1698145200-1698411600@smashingtimes.ie
SUMMARY:Bullied
DESCRIPTION:Belonging: Three-Day Creative Arts Workshop\n\n\n\n\n\n\n\n\n\nWorkshop: Tuesday 26 May\, 9.30am-12.30pm; Wednesday 27 May\, 11am-2pm; Thursday 28 May\, 11am-2pm. Open to all female-identifying\, registration required.  \n\n\nBook Your Place\n\n\n\nTickets €12. Book here \n\n\n\nArtists\n\n\n\nMichael J Harnett\, writer \n\n\n\nVinnie McCabe\, actor \n\n\n\nShauna Brennan\, actor \n\n\n\nFull Event Details\n\n\n\nAnna\, (16) is spending mid-term break with Grandad who lives alone in the East Wall. But Anna is having problems. Her parents are not getting on. She is being secretly bullied. Sinister texts\, fake invites and on-line images are making her life hell. Grandad\, too\, is having problems. The gas company are about to cut him off. His bank is bouncing payments. And he can’t get answers to any of his questions. \n\n\n\nBullied is a cross-generational play with two people\, 50 years apart\, facing up to and finally challenging the on-line and secret world of cyber communication \n\n\n\nFive Lamps Arts Festival\n\n\n\nThe Five Lamps Arts Festival primary commitment is connecting the north inner city of Dublin with the arts and we achieve this through inclusivity\, participation\, environmental enhancement\, and the creation and presentation of locally relevant\, artistically ambitious work. Through this we aim to contribute to the development of the perception of the Five Lamps area as a positive and creative place in which to live and work. \n\n\n\nWe are best known for our flagship event The Five Lamps Arts Festival\, an award-winning annual community-based arts festival which has taken place each spring in the North East Inner City. \n\n\n\nToday\, in addition to the annual festival\, we run community arts programmes\, guided walking tours across the area\, workshops\, and events throughout the year. We also provide project management consulting to several volunteer and community groups. \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/bullied/2023-10-24/
LOCATION:Sean O’Casey Theatre\, 18-26 St Mary's Rd\, East Wall\, Dublin\, D03 AY74
CATEGORIES:Theatre
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2023/10/0001-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20231022T193000
DTEND;TZID=Europe/Dublin:20231022T210000
DTSTAMP:20231106T195846Z
CREATED:20230831T153319Z
LAST-MODIFIED:20231106T195846Z
UID:10000387-1698003000-1698008400@smashingtimes.ie
SUMMARY:States of Independence - Live Multidisciplinary Performance
DESCRIPTION:Belonging: Three-Day Creative Arts Workshop\n\n\n\n\n\n\n\n\n\nWorkshop: Tuesday 26 May\, 9.30am-12.30pm; Wednesday 27 May\, 11am-2pm; Thursday 28 May\, 11am-2pm. Open to all female-identifying\, registration required.  \n\n\nBook Your Place\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\nArtists\n\n\n\nDirector Patrick ByrnesProducer Freda ManweilerStage Manager Clare McLoughlinPerformers Michael McCabe\, Fiona Bawn-Thompson\, Daniel MahonWriters Mary Moynihan\, Féilim James\, Michael McCabeSet Design Saoirse O’SheaCostumes Saoirse O’SheaChoreographer John ScottAssistant Choreographer Rebecca ReillyDancers John Scott\, Rebecca ReillyFilming and projections Scott Robinson \n\n\n\nFull Event Details\n\n\n\nStates of Independence is a live\, multi-disciplinary\, collaborative performance presented by Smashing Times International Centre for the Arts and Equality at the Pumphouse\, Alexandra Road\, Dublin Port\, Dublin for six performances only on Friday 13\, Saturday  14\, Wednesday 18\, Friday 20\, Saturday 21\, Sunday 22 October 2023\, nightly at 7.30pm. This multidisciplinary performance by Mary Moynihan\, Féilim James and Michael McCabe\,  is inspired by stories of change-maker activists and artists from the Decade of Centenaries and combines theatre\, film screenings\, poetry\, film projections and live music. \n\n\n\nA key part of the performance is the world premiere of a unique play Sole Flower\, Spidered Soul by up-and-coming writer Féilim James inspired by the life stories  of Lucia Joyce (1907-1982)\, a dancer and her father\, the writer James Joyce (1882-1941). \n\n\n\nLucia Joyce and her father James are roused from death by an eloquent clown. The duo’s joyful reunion soon gives way to old quarrels\, as their mysterious resuscitator informs them of events subsequent to their passing. The clown’s central motive is to present James with a question\, a dilemma\, the answer to which holds the power to alter the past and jeopardise everything he worked for. This funny and moving play pits personal ambition against love for family\, all the while challenging prevailing notions about its protagonists: Lucia as the mad daughter\, and James as the genius father who did all he could to save his daughter. \n\n\n\nSpeaker Biographies:\n\n\n\n\n\n\n\n\n\n\n\nMary Moynihan\, (she/her)\, MA\, is an award-winning writer\, director\, theatre and film-maker\, an interdisciplinary artist and one of Ireland’s most innovative arts and human rights artists creating work to promote the arts\, human rights\, climate justice\, gender equality\, diversity and peace.  \n\n\n\nMary is Artistic Director of Smashing Times International Centre for the Arts and Equality and works  collaboratively with artists and over 50 organisations across Ireland\, Northern Ireland\, Europe and internationally\, using the arts to promote rights and values for all.   Company patrons of Smashing Times are Sabina Coyne Higgins\, Senator Joan Freeman\, founder of Pieta House\, Ger Ryan\, actor and Tim Pat Coogan\, writer and historian. Founding patrons were writers Maeve Binchy and Brian Friel. \n\n\n\nMary’s work has won a number of awards including the Allianz Business to Arts Awards\, a GSK Ireland Impact Award\, a Dublin Bus Community Spirit Award\, a National Lottery Good Cause Award\, the international #ArtsAgainstCovid award\, an Arts Council Project Award and an Arts Council Agility Award. \n\n\n\nMary is Artistic Curator for the annual Dublin Arts and Human Rights festival implemented by Smashing Times and Front Line Defenders in partnership with Amnesty International\, Fighting Words\, ICCL\,  NWCI\, Irish Modern Dance Theatre\, Trócaire and Poetry Ireland\, funded by The Arts Council. The aim of the festival is to showcase and highlight the extraordinary work of human rights defenders in Ireland and around the world\, past and present\, and the role of the arts and artists in promoting human rights today. \n\n\n\nMary’s artistic practice encompasses theatre\, film\, literature\, poetry\, and curatorship. Mary’s work focuses on primal\, visceral and intuitive responses to vulnerability and conflict and an exploration of self and the other. Her work explores an interconnectedness of the body\, voice and imagination\, revealing the inner life through physical and spiritual energies and intuitive engagements. Mary has a focus on using historical memory in her artistic practice as inspiration for the creation of original artworks across a range of mediums\, remembering stories of ordinary yet powerful women and men from history and today who stood up for the rights of others. \n\n\n\nAs a playwright\, Mary’s work includes the highly acclaimed The Woman is Present: Women’s Stories of WWII co-written with Paul Kennedy\, Fiona Thompson and Féilim James;  A Beauty that will Pass; Constance and Her Friends – selected by President Michael D. Higgins for performance at Áras an Uachtaráin for Culture Night 2016;  In One Breath from the award-winning Testimonies(co-written with Paul Kennedy); and Shadow of My Soul\, May Our Faces Haunt You and Silent Screams.  \n\n\n\nMary’s film work includes the hour-long documentary Stories from the Shadows\, the short film Tell Them Our Names\, inspired by women’s stories of WWII and selected for the London Eye International Film Festival and Kerry Film Festival\, the creative documentary Women in an Equal Europe and the short films Courageous Women and Grace and Joe inspired by powerful women’s stories from the 1916 to 1923 decade of commemorations period in Irish history.  \n\n\n\n\n\n\n\n\n\n\n\n\n\nFéilim James is an award-winning writer from Dublin\, Ireland. In 2020\, the Arts of Council of Ireland awarded Féilim a Literature Bursary Award to finish his debut novel\, Flower of Ash\, as well as a Professional Development Award. He received an Arts Bursary from Dublin City Arts Office in 2021 to finish his first poetry collection\, I was a river\, lost. His short fiction and poetry have appeared in numerous journals\, including The Fiction Pool\, The Galway Review\, and Icarus. His work through Irish\, under Féilim Ó Brádaigh\, has won seven Oireachtas na Gaeilge literary awards. His short fiction and poetry\, through English and Irish\, have appeared in a number of journals\, including The Fiction Pool\, The Galway Review\, Icarus\, and Comhar. A short film Féilim wrote\, titled The Big No\, produced by Smashing Times\, was shortlisted by the IndieX Film Festival\, and his play At Summer’s End has toured Ireland. \n\n\n\nIn The Big No\, a young man tells the story of his psychological unravelling and subsequent mental health crisis. Told in the form of a voiceover monologue accompanied by compelling imagery\, this poetic short film takes us on a journey of despair\, introspection\, and hope. As he battles against panic attacks and suicidal thoughts\, he is forced to face the ‘why’ of his problems head on\, learning some essential truths about himself and the world. \n\n\n\nFéilim’s play At Summer’s End has been on tour with Smashing Times as part of The Woman is Present: Women’s Stories of WWII.  At Summer’s End is based on the life-story of Ettie Steinberg\, an Irish woman who was murdered\, along with her family\, at Auschwitz  \n\n\n\nFéilim’s themes are wide-ranging\, and include identity\, mental illness\, guilt\, human animalism\, death\, and humankind’s relationship with nature. He is committed to maintaining an ever evolving and progressive approach to his work\, with each book both building on the last and differing in a vital way. In other words\, the aforementioned themes will change as time passes\, as will their stylistic rendering. ‘My inspirations are many and wide-ranging. To the fore are James Joyce\, Sylvia Plath\, John Banville\, Marilynne Robinson\, Ted Hughes\, TS Eliot\, Seán Ó Ríordáin\, and Radiohead’. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMichael McCabe is a performer\, theatre director\, movement choreographer\, facilitator and arts therapist. He is a graduate of the prestigious Ecole Internationale de Theatre Jacques Lecoq\, Paris\, France\, and The Gaiety School of Acting\, Dublin\, Ireland. \n\n\n\nHis theatre appearances include The Drowning Room (Project Arts Centre)\, Borstal Boy\, The Risen People (The Gaiety Theatre)\, A Christmas Carol\, The Ginger Ale Boy (Corcadorca Theatre Company)\, Lives Worth Living (Graffiti Theatre Company)\, Good Evening Mr Joyce (Samuel Beckett Centre)\, Diarmuid agus Grainne\, An Bradan Feasa\, The Libertine\, New World Order (Iomha Illdanach Theatre Company)\, Promises\, Promises  (Project Arts Centre)\, A Day With Daghdha (Daghdha Dance Company)\, Macbeth\, Six Characters in Search for an Author\, St. Joan\, Ariel (all at the Abbey Theatre)\, Wheel\, Jeckyll and Hyde (Dublin and Prague Fringe Festivals)\, Resist /Surrender (Dublin Dance Festival)\, and Where The Shoe Pinches (The Pavilion Theatre). He was clown co-ordinator for 35 clowns and appeared in Barabbas Theatre Company’s production\, City of Clowns\, at the Dunamaise\, Junction and Eargail Arts Festivals\, and The Complex\, Smithfield and appeared in Pagliacci at The Everyman Place Theatre\, as part of Cork Midsummer Festival. \n\n\n\nHis television and film appearances include Aristocrats (BBC)\, Ireland:1848\, (RTE)\, Window (IFI)\, All God’s Children (RTE/IFI)\, Nationwide (RTE). In 2021\, Michael will appear in Bean Sidhe\, Sweetcake\, and Sodium Party\, a new feature film directed by Michael McCudden. \n\n\n\nDirecting credits include: The Dead Woman’s Son (Smock Alley Theatre)\, A Wonderful Life\, Peter Pan’s Cirque D’Imaginaire (TU Dublin Theatre)\, Showcases 2017-2019 (The New Theatre) and in 2020\, The Grimm Tales (Smock Alley Theatre). Recent appearances include Footfalls\, The Journey Home\, and in Mermaid Arts Centre for Culture night on a work-in-progress\, His Left\, Her Right\, supported by Mermaid and Wicklow Arts Office.  \n\n\n\nMichael has an M.A. (Honours) in Dramatherapy from the National University of Ireland\, Maynooth\, an M.A. in Modern Drama Studies from University College Dublin\, and a B.A. (Honours) in Communication Studies from Dublin City University. He has directed theatre work in the HSE\, the Dyspraxia Association of Ireland\, Trinity College Dublin\, St. Michael’s house\, and with other special needs organisations and schools with a focus on developing the potential of theatre for working with diverse groups.  \n\n\n\nMichael has been working as a Movement Director\, teaching extensive movement classes for actors at the Conservatory of Music and Drama\, TU Dublin\, the National Association of Youth Drama\, Ringsend Institute\, the Department of Performing Arts\, Bray Institute of Further Education\, and The Gaiety School of Acting (full time course).                                                                                                                                \n\n\n\nMichael is a resident artist with Smashing Times International Centre for the Arts and Equality and works with Smashing Times as a performer\, director and arts facilitator on a range of projects from Acting for the Future to Legends of the Great Birth to State of the Art.  His theatre company\, Ruaille Buaille\, is building a physical theatre ensemble style based on the techniques of Jacques Lecoq\, Anne Bogart\, and Arianne Mouchkine. Michael was movement director on The Merchant of Venice\, at Mermaid Arts Centre\, and on the world premiere of Guerilla Days in Ireland in The Olympia Theatre\, Dublin  \n\n\n\nMichael is a graduate of National University of Ireland\, Maynooth\, (M.A. Dramatherapy\, 2.1 Honours)\, and was awarded a scholarship to train with internationally renowned theatre director Anne Bogart in New York. Bursary awards include South Dublin County Council\, Irish Actors Equity\, and The Arts Council. Michael recently completed training in Suzuki and Viewpoints Techniques under Tadashi Suzuki of SCOT Theatre Company\, in Toga Mura\, Japan.   \n\n\n\n\n\n\n\n\n\n\n\n\n\nPatrick has been working as an actor and director in Dublin since moving here from New York. He recently directed ‘Dolly and Mick’ in the Civic and Viking theatres. Other productions include  ‘Lone Star and Laundry and Bourbon’\,  in The Focus. ‘The Prodger’\, ‘The Boys’ in The New Theatre and ‘Drinking in America’ for ‘Bottom Dog Theatre’ in ‘The Belltabe’ which toured Ireland. \n\n\n\n\n\n\n\n\n\n\n\n\n\nFiona Bawn-Thompson is an actor\, writer\, and the director of a highly successful performing arts academy.  After graduating with her Drama degree from Queens University Belfast in 2004 she went on to train as an actor with the Lyric Theatre Drama Studio.  She has extensive experience in all genres of theatre\, film and dance and shares this passion and knowledge with the young people she teaches.  Fiona also runs a wellbeing company and incorporates movement and drama strategies into her practice to enhance the experience for her clients.  She has performed and toured with many shows for Smashing Times Theatre Company\, including “The Woman is Present”\, “Thou Shalt Not Kill”\, and “Women\, War & Peace”.  In recent years she has been working extensively in the film industry as a supporting artist in films and series such as “The Northman”\, “Line of Duty”\, “The Woman in the Wall”\, and “Dungeons and Dragons”\, to name but a few.  \n\n\n\n\n\n\n\n\n\n\n\n\n\nDaniel is a graduate of The Lir Academy. Graduating from The Three Year Bachelor in Acting in 2022. \n\n\n\nStage credits include ‘EXIT> PURSUED BY A PINT’ a new play by Kat Ennis for Scene and Heard Festival 2023\,  the role of ‘The Black O’Donnell’ in the Quintessence Theatre/An Taín production of INTO THE DARK and the role of ‘Patrick Hogan’ in ANU Productions’ STAGING THE TREATY at the National Concert Hall which was also screened at the IFI and streamed on RTÉ’s website and IFI@Home. \n\n\n\nWhile at The Lir he played\, Francois ‘Franz/Frank’ Lafayette in Branden Jacobs-Jenkins’ APPROPRIATE directed by Joy Nesbitt; Barnardine & Froth in Shakespeare’s MEASURE FOR MEASURE directed by Joe Dowling; John Morris in Kate O’Brien’s DISTINGUISHED VILLA directed by Hilary Wood; Vladimir in Chekov’s THREE SISTERS directed by Marc Atkinson Borrull and Dr. Gibbs in Thornton Wilder’s OUR TOWN directed by Wayne Jordan. \n\n\n\nHis Scene Credits include Paul in the IFTA-nominated feature WHO WE LOVE directed by Graham Cantwell; the short film WAITING directed by Sinéad O’Louglin at The Lir\, and the role of Eddie in Pancake Studios’ short film NEVER ALONE. \n\n\n\n\n\n\n\n\n\n\n\n\n\nJohn Scott is a Dublin born choreographer\, performer\, founder and Artistic Director of Irish Modern Dance Theatre\, Dancer from the Dance Festival and member of Aosdána. He studied and performed at Irish National College of Dance/Dublin City Ballet from 1982 to 1985 in works by Anton Dolin\, Anna Sokolow\, Pearl Gaden and Babil Gandara. \n\n\n\nHis choreographic works include Divine Madness\, Inventions\, Cloud Study\, Everything Now\, Lear\, Fall and Recover\, Actions in Ireland at Dublin Dance Festival\, Galway International Arts Festival\, Kilkenny Arts Festival\,  Dublin Fringe Festival and internationally at John F Kennedy Center\, Washington  DC\, New York Live Arts\, La MaMa\, Danspace Project at St Mark’s Church\, PS  122\, New York and Dance Base\, Edinburgh\, Sounded Bodies Festival and Queer  Zagreb\, Croatia\, Les Hivernales\, Avignon\, Tanzmesse Dusseldorf\, Forum Cultural  Mundial\, Brazil. \n\n\n\nHe danced in Oona Doherty’s Hard to be Soft\, Meredith Monk’s Quarry (Spoleto Festival) and for Yoshiko Chuma\, Sarah Rudner\, Anna Sokolow and Thomas Lehmen. He recently collaborated with Pan Pan on Beckett’s QUAD. \n\n\n\nJohn was awarded African Refugee Network’s Culture Award for his work with Refugees and Survivors of Torture and is a subject of Sadlers Wells’ 52 Portraits by Jonathan Burrows\, Matteo Fargion and Hugo Glendinning. He has taught dance and choreography at the Irish World Academy\, University of Limerick; The Body in Performance\, Drama Department\, UCD; Drama Department NUIG; Drexel University\, Philidelphia; University of Colorado at Boulder\, USA and San Jose State University\, CA\, USA. He was a founding board member of Dublin Dance Festival and Dance Ireland. \n\n\n\n\n\n\n\n\n\n\n\n\n\nScott is a new-media\, digital and film artist working across film\, audio-visual art\, live performance and dance.  \n\n\n\nFrom Limerick in Ireland\, he works freelance under the alias YÚLON in which he specialises in the creation of immersive storytelling and shared\, blended reality experiences. The output medium is usually a fusion of installation\, performance or film. His work concerns investigating the human-technology relationship in a post-digital context\, often considering how we can use digital technology to become “more” human. \n\n\n\nThe art that Scott creates is mostly for unconventional venues such as derelict/vacant buildings\, liminal spaces and also public spaces. The lack of borders and ability to humanise a space with art is an important anchor for him to create from.  \n\n\n\nScott graduated from the University of Limerick in 2016 with a BSc in Music\, Media\, and Performance Technology\, and has since been awarded several accolades\, including a Made in Limerick Grant and a Residential Art Apartment. They were also recently selected for the prestigious Cybernate Digital Art Residency\, an Arts Council International Residency spanning Lyon and Galway.  \n\n\n\nScott’s artistic journey began with filmmaking and videography in 2013\, where they discovered their passion for capturing the expressive nature of Dance. In 2015\, their dance film ‘Release’ unintentionally became a screendance piece\, earning the title of Best Student Film at The Light Moves Film Festival of Screendance and being showcased at festivals across the US\, Sweden\, and Georgia.  \n\n\n\nHis deep interest in storytelling on screen led him to explore more immersive platforms for storytelling\, and their final year research project at the University of Limerick investigated building a bi-directional channel of feedback between dancers and a real-time visual artist. This research culminated in the creation of ‘Ledge\,’ an immersive projection and live dance performance in 2016.  \n\n\n\nSince then Scott has produced several immersive artworks that include Plastic Tears\, 2019\, a_blue_crush\, 2019 and Tairseach (portal)\, 2021. He also continues to help develop the new-media arts community across Ireland with the collective he is part of called Concept Null. \n\n\n\n\n\nStates of Independence\n\n\n\nThis event is part of States of Independence\, a project that celebrates the stories of change-makers from the Decade of Centenaries 1912-1922 linked to the stories of change-makers today working to make society a better place. The stories gathered act as inspiration for the creation of new artworks by ten artists\, working in visual art\, film\, dance\, theatre\, creative writing and digital arts.  \n\n\n\nThe artists come together to create a range of artworks and performances for public display in sites – both ancient and modern – across Ireland and for display via a creative billboards campaign and online on the Smashing Times Virtual Art Gallery. The stories\, artworks and performances are shared with public audiences to reflect on modern day revolutionary visions for the future inspired by the past\, launched for the annual Dublin International Arts and Human Rights festival 13 to 22 October 2023. The internationally acclaimed team of ten artists is led by Mary Moynihan\, an award-winning writer\, poet\, director\, theatre and filmmaker and Artistic Director\, Smashing Times International Centre for the Arts and Equality\, working with John Scott\, Artistic Director and Choreographer\, Irish Modern Dance Theatre\, and a range of artists working in literature\, visual arts\, theatre\, film and new digital technologies.  \n\n\n\nEvents are accompanied by panel discussions and public talks on new visions for a peaceful and equal society for all. Events  take place in Dublin\, Kerry\, Clare and Donegal with online work accessible across Ireland and internationally\, celebrating changemakers and heroes from the past and today\,  bringing people together to promote active citizenship\,  equality\, human rights and diversity and celebrating new visions for a peaceful and equal future for all.  \n\n\n\nFor further information please contact Freda Manweiler\, producer\, telephone 087 2214245 or email freda@smashingtimes.ie \n\n\n\nPresented by Smashing Times International Centre for the Arts and Equality \n\n\n\nAs part of States of Independence – A Celebration of Change-Makers \n\n\n\nSupported by The Arts Council Open Call \n\n\n\nAs part of ART: 2023 a Decade of Centenaries Collaboration between The Arts Council and the Department of Tourism\, Culture\, Arts\, Gaeltacht\, Sport and Media. \n\n\n\nPresented for the annual international Arts and Human Rights Festival and Theatre in Palm. \n\n\n\nFor information telephone 021 4215104 10am-1pm Monday to Friday or email admin@smashingtimes.ie \n\n\n\nBookings:  www.smashingtimes.ieSmashing Times don’t want ticket cost to be a barrier to experiencing any of our shows. Please contact admin@smashingtimes.ie if you would like to attend. \n\n\n\n \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/states-of-independence-live-multidisciplinary-performance-5-2/
LOCATION:The Pumphouse\, Dublin Port\, Alexandra Road\, Dublin 1
CATEGORIES:Dance,Interdisciplinary,Performance,Theatre
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2023/08/Fiona-Bawn-Woman-is-Present-1.jpg
ORGANIZER;CN="Smashing Times":MAILTO:info@smashingtimes.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20231021T193000
DTEND;TZID=Europe/Dublin:20231021T210000
DTSTAMP:20231106T195908Z
CREATED:20230831T152657Z
LAST-MODIFIED:20231106T195908Z
UID:10000386-1697916600-1697922000@smashingtimes.ie
SUMMARY:States of Independence - Live Multidisciplinary Performance
DESCRIPTION:Belonging: Three-Day Creative Arts Workshop\n\n\n\n\n\n\n\n\n\nWorkshop: Tuesday 26 May\, 9.30am-12.30pm; Wednesday 27 May\, 11am-2pm; Thursday 28 May\, 11am-2pm. Open to all female-identifying\, registration required.  \n\n\nBook Your Place\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\nArtists\n\n\n\nDirector Patrick ByrnesProducer Freda ManweilerStage Manager Clare McLoughlinPerformers Michael McCabe\, Fiona Bawn-Thompson\, Daniel MahonWriters Mary Moynihan\, Féilim James\, Michael McCabeSet Design Saoirse O’SheaCostumes Saoirse O’SheaChoreographer John ScottAssistant Choreographer Rebecca ReillyDancers John Scott\, Rebecca ReillyFilming and projections Scott Robinson \n\n\n\nFull Event Details\n\n\n\nStates of Independence is a live\, multi-disciplinary\, collaborative performance presented by Smashing Times International Centre for the Arts and Equality at the Pumphouse\, Alexandra Road\, Dublin Port\, Dublin for six performances only on Friday 13\, Saturday  14\, Wednesday 18\, Friday 20\, Saturday 21\, Sunday 22 October 2023\, nightly at 7.30pm. This multidisciplinary performance by Mary Moynihan\, Féilim James and Michael McCabe\,  is inspired by stories of change-maker activists and artists from the Decade of Centenaries and combines theatre\, film screenings\, poetry\, film projections and live music. \n\n\n\nA key part of the performance is the world premiere of a unique play Sole Flower\, Spidered Soul by up-and-coming writer Féilim James inspired by the life stories  of Lucia Joyce (1907-1982)\, a dancer and her father\, the writer James Joyce (1882-1941). \n\n\n\nLucia Joyce and her father James are roused from death by an eloquent clown. The duo’s joyful reunion soon gives way to old quarrels\, as their mysterious resuscitator informs them of events subsequent to their passing. The clown’s central motive is to present James with a question\, a dilemma\, the answer to which holds the power to alter the past and jeopardise everything he worked for. This funny and moving play pits personal ambition against love for family\, all the while challenging prevailing notions about its protagonists: Lucia as the mad daughter\, and James as the genius father who did all he could to save his daughter. \n\n\n\nSpeaker Biographies:\n\n\n\n\n\n\n\n\n\n\n\nMary Moynihan\, (she/her)\, MA\, is an award-winning writer\, director\, theatre and film-maker\, an interdisciplinary artist and one of Ireland’s most innovative arts and human rights artists creating work to promote the arts\, human rights\, climate justice\, gender equality\, diversity and peace.  \n\n\n\nMary is Artistic Director of Smashing Times International Centre for the Arts and Equality and works  collaboratively with artists and over 50 organisations across Ireland\, Northern Ireland\, Europe and internationally\, using the arts to promote rights and values for all.   Company patrons of Smashing Times are Sabina Coyne Higgins\, Senator Joan Freeman\, founder of Pieta House\, Ger Ryan\, actor and Tim Pat Coogan\, writer and historian. Founding patrons were writers Maeve Binchy and Brian Friel. \n\n\n\nMary’s work has won a number of awards including the Allianz Business to Arts Awards\, a GSK Ireland Impact Award\, a Dublin Bus Community Spirit Award\, a National Lottery Good Cause Award\, the international #ArtsAgainstCovid award\, an Arts Council Project Award and an Arts Council Agility Award. \n\n\n\nMary is Artistic Curator for the annual Dublin Arts and Human Rights festival implemented by Smashing Times and Front Line Defenders in partnership with Amnesty International\, Fighting Words\, ICCL\,  NWCI\, Irish Modern Dance Theatre\, Trócaire and Poetry Ireland\, funded by The Arts Council. The aim of the festival is to showcase and highlight the extraordinary work of human rights defenders in Ireland and around the world\, past and present\, and the role of the arts and artists in promoting human rights today. \n\n\n\nMary’s artistic practice encompasses theatre\, film\, literature\, poetry\, and curatorship. Mary’s work focuses on primal\, visceral and intuitive responses to vulnerability and conflict and an exploration of self and the other. Her work explores an interconnectedness of the body\, voice and imagination\, revealing the inner life through physical and spiritual energies and intuitive engagements. Mary has a focus on using historical memory in her artistic practice as inspiration for the creation of original artworks across a range of mediums\, remembering stories of ordinary yet powerful women and men from history and today who stood up for the rights of others. \n\n\n\nAs a playwright\, Mary’s work includes the highly acclaimed The Woman is Present: Women’s Stories of WWII co-written with Paul Kennedy\, Fiona Thompson and Féilim James;  A Beauty that will Pass; Constance and Her Friends – selected by President Michael D. Higgins for performance at Áras an Uachtaráin for Culture Night 2016;  In One Breath from the award-winning Testimonies(co-written with Paul Kennedy); and Shadow of My Soul\, May Our Faces Haunt You and Silent Screams.  \n\n\n\nMary’s film work includes the hour-long documentary Stories from the Shadows\, the short film Tell Them Our Names\, inspired by women’s stories of WWII and selected for the London Eye International Film Festival and Kerry Film Festival\, the creative documentary Women in an Equal Europe and the short films Courageous Women and Grace and Joe inspired by powerful women’s stories from the 1916 to 1923 decade of commemorations period in Irish history.  \n\n\n\n\n\n\n\n\n\n\n\n\n\nFéilim James is an award-winning writer from Dublin\, Ireland. In 2020\, the Arts of Council of Ireland awarded Féilim a Literature Bursary Award to finish his debut novel\, Flower of Ash\, as well as a Professional Development Award. He received an Arts Bursary from Dublin City Arts Office in 2021 to finish his first poetry collection\, I was a river\, lost. His short fiction and poetry have appeared in numerous journals\, including The Fiction Pool\, The Galway Review\, and Icarus. His work through Irish\, under Féilim Ó Brádaigh\, has won seven Oireachtas na Gaeilge literary awards. His short fiction and poetry\, through English and Irish\, have appeared in a number of journals\, including The Fiction Pool\, The Galway Review\, Icarus\, and Comhar. A short film Féilim wrote\, titled The Big No\, produced by Smashing Times\, was shortlisted by the IndieX Film Festival\, and his play At Summer’s End has toured Ireland. \n\n\n\nIn The Big No\, a young man tells the story of his psychological unravelling and subsequent mental health crisis. Told in the form of a voiceover monologue accompanied by compelling imagery\, this poetic short film takes us on a journey of despair\, introspection\, and hope. As he battles against panic attacks and suicidal thoughts\, he is forced to face the ‘why’ of his problems head on\, learning some essential truths about himself and the world. \n\n\n\nFéilim’s play At Summer’s End has been on tour with Smashing Times as part of The Woman is Present: Women’s Stories of WWII.  At Summer’s End is based on the life-story of Ettie Steinberg\, an Irish woman who was murdered\, along with her family\, at Auschwitz  \n\n\n\nFéilim’s themes are wide-ranging\, and include identity\, mental illness\, guilt\, human animalism\, death\, and humankind’s relationship with nature. He is committed to maintaining an ever evolving and progressive approach to his work\, with each book both building on the last and differing in a vital way. In other words\, the aforementioned themes will change as time passes\, as will their stylistic rendering. ‘My inspirations are many and wide-ranging. To the fore are James Joyce\, Sylvia Plath\, John Banville\, Marilynne Robinson\, Ted Hughes\, TS Eliot\, Seán Ó Ríordáin\, and Radiohead’. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMichael McCabe is a performer\, theatre director\, movement choreographer\, facilitator and arts therapist. He is a graduate of the prestigious Ecole Internationale de Theatre Jacques Lecoq\, Paris\, France\, and The Gaiety School of Acting\, Dublin\, Ireland. \n\n\n\nHis theatre appearances include The Drowning Room (Project Arts Centre)\, Borstal Boy\, The Risen People (The Gaiety Theatre)\, A Christmas Carol\, The Ginger Ale Boy (Corcadorca Theatre Company)\, Lives Worth Living (Graffiti Theatre Company)\, Good Evening Mr Joyce (Samuel Beckett Centre)\, Diarmuid agus Grainne\, An Bradan Feasa\, The Libertine\, New World Order (Iomha Illdanach Theatre Company)\, Promises\, Promises  (Project Arts Centre)\, A Day With Daghdha (Daghdha Dance Company)\, Macbeth\, Six Characters in Search for an Author\, St. Joan\, Ariel (all at the Abbey Theatre)\, Wheel\, Jeckyll and Hyde (Dublin and Prague Fringe Festivals)\, Resist /Surrender (Dublin Dance Festival)\, and Where The Shoe Pinches (The Pavilion Theatre). He was clown co-ordinator for 35 clowns and appeared in Barabbas Theatre Company’s production\, City of Clowns\, at the Dunamaise\, Junction and Eargail Arts Festivals\, and The Complex\, Smithfield and appeared in Pagliacci at The Everyman Place Theatre\, as part of Cork Midsummer Festival. \n\n\n\nHis television and film appearances include Aristocrats (BBC)\, Ireland:1848\, (RTE)\, Window (IFI)\, All God’s Children (RTE/IFI)\, Nationwide (RTE). In 2021\, Michael will appear in Bean Sidhe\, Sweetcake\, and Sodium Party\, a new feature film directed by Michael McCudden. \n\n\n\nDirecting credits include: The Dead Woman’s Son (Smock Alley Theatre)\, A Wonderful Life\, Peter Pan’s Cirque D’Imaginaire (TU Dublin Theatre)\, Showcases 2017-2019 (The New Theatre) and in 2020\, The Grimm Tales (Smock Alley Theatre). Recent appearances include Footfalls\, The Journey Home\, and in Mermaid Arts Centre for Culture night on a work-in-progress\, His Left\, Her Right\, supported by Mermaid and Wicklow Arts Office.  \n\n\n\nMichael has an M.A. (Honours) in Dramatherapy from the National University of Ireland\, Maynooth\, an M.A. in Modern Drama Studies from University College Dublin\, and a B.A. (Honours) in Communication Studies from Dublin City University. He has directed theatre work in the HSE\, the Dyspraxia Association of Ireland\, Trinity College Dublin\, St. Michael’s house\, and with other special needs organisations and schools with a focus on developing the potential of theatre for working with diverse groups.  \n\n\n\nMichael has been working as a Movement Director\, teaching extensive movement classes for actors at the Conservatory of Music and Drama\, TU Dublin\, the National Association of Youth Drama\, Ringsend Institute\, the Department of Performing Arts\, Bray Institute of Further Education\, and The Gaiety School of Acting (full time course).                                                                                                                                \n\n\n\nMichael is a resident artist with Smashing Times International Centre for the Arts and Equality and works with Smashing Times as a performer\, director and arts facilitator on a range of projects from Acting for the Future to Legends of the Great Birth to State of the Art.  His theatre company\, Ruaille Buaille\, is building a physical theatre ensemble style based on the techniques of Jacques Lecoq\, Anne Bogart\, and Arianne Mouchkine. Michael was movement director on The Merchant of Venice\, at Mermaid Arts Centre\, and on the world premiere of Guerilla Days in Ireland in The Olympia Theatre\, Dublin  \n\n\n\nMichael is a graduate of National University of Ireland\, Maynooth\, (M.A. Dramatherapy\, 2.1 Honours)\, and was awarded a scholarship to train with internationally renowned theatre director Anne Bogart in New York. Bursary awards include South Dublin County Council\, Irish Actors Equity\, and The Arts Council. Michael recently completed training in Suzuki and Viewpoints Techniques under Tadashi Suzuki of SCOT Theatre Company\, in Toga Mura\, Japan.   \n\n\n\n\n\n\n\n\n\n\n\n\n\nPatrick has been working as an actor and director in Dublin since moving here from New York. He recently directed ‘Dolly and Mick’ in the Civic and Viking theatres. Other productions include  ‘Lone Star and Laundry and Bourbon’\,  in The Focus. ‘The Prodger’\, ‘The Boys’ in The New Theatre and ‘Drinking in America’ for ‘Bottom Dog Theatre’ in ‘The Belltabe’ which toured Ireland. \n\n\n\n\n\n\n\n\n\n\n\n\n\nFiona Bawn-Thompson is an actor\, writer\, and the director of a highly successful performing arts academy.  After graduating with her Drama degree from Queens University Belfast in 2004 she went on to train as an actor with the Lyric Theatre Drama Studio.  She has extensive experience in all genres of theatre\, film and dance and shares this passion and knowledge with the young people she teaches.  Fiona also runs a wellbeing company and incorporates movement and drama strategies into her practice to enhance the experience for her clients.  She has performed and toured with many shows for Smashing Times Theatre Company\, including “The Woman is Present”\, “Thou Shalt Not Kill”\, and “Women\, War & Peace”.  In recent years she has been working extensively in the film industry as a supporting artist in films and series such as “The Northman”\, “Line of Duty”\, “The Woman in the Wall”\, and “Dungeons and Dragons”\, to name but a few.  \n\n\n\n\n\n\n\n\n\n\n\n\n\nDaniel is a graduate of The Lir Academy. Graduating from The Three Year Bachelor in Acting in 2022. \n\n\n\nStage credits include ‘EXIT> PURSUED BY A PINT’ a new play by Kat Ennis for Scene and Heard Festival 2023\,  the role of ‘The Black O’Donnell’ in the Quintessence Theatre/An Taín production of INTO THE DARK and the role of ‘Patrick Hogan’ in ANU Productions’ STAGING THE TREATY at the National Concert Hall which was also screened at the IFI and streamed on RTÉ’s website and IFI@Home. \n\n\n\nWhile at The Lir he played\, Francois ‘Franz/Frank’ Lafayette in Branden Jacobs-Jenkins’ APPROPRIATE directed by Joy Nesbitt; Barnardine & Froth in Shakespeare’s MEASURE FOR MEASURE directed by Joe Dowling; John Morris in Kate O’Brien’s DISTINGUISHED VILLA directed by Hilary Wood; Vladimir in Chekov’s THREE SISTERS directed by Marc Atkinson Borrull and Dr. Gibbs in Thornton Wilder’s OUR TOWN directed by Wayne Jordan. \n\n\n\nHis Scene Credits include Paul in the IFTA-nominated feature WHO WE LOVE directed by Graham Cantwell; the short film WAITING directed by Sinéad O’Louglin at The Lir\, and the role of Eddie in Pancake Studios’ short film NEVER ALONE. \n\n\n\n\n\n\n\n\n\n\n\n\n\nJohn Scott is a Dublin born choreographer\, performer\, founder and Artistic Director of Irish Modern Dance Theatre\, Dancer from the Dance Festival and member of Aosdána. He studied and performed at Irish National College of Dance/Dublin City Ballet from 1982 to 1985 in works by Anton Dolin\, Anna Sokolow\, Pearl Gaden and Babil Gandara. \n\n\n\nHis choreographic works include Divine Madness\, Inventions\, Cloud Study\, Everything Now\, Lear\, Fall and Recover\, Actions in Ireland at Dublin Dance Festival\, Galway International Arts Festival\, Kilkenny Arts Festival\,  Dublin Fringe Festival and internationally at John F Kennedy Center\, Washington  DC\, New York Live Arts\, La MaMa\, Danspace Project at St Mark’s Church\, PS  122\, New York and Dance Base\, Edinburgh\, Sounded Bodies Festival and Queer  Zagreb\, Croatia\, Les Hivernales\, Avignon\, Tanzmesse Dusseldorf\, Forum Cultural  Mundial\, Brazil. \n\n\n\nHe danced in Oona Doherty’s Hard to be Soft\, Meredith Monk’s Quarry (Spoleto Festival) and for Yoshiko Chuma\, Sarah Rudner\, Anna Sokolow and Thomas Lehmen. He recently collaborated with Pan Pan on Beckett’s QUAD. \n\n\n\nJohn was awarded African Refugee Network’s Culture Award for his work with Refugees and Survivors of Torture and is a subject of Sadlers Wells’ 52 Portraits by Jonathan Burrows\, Matteo Fargion and Hugo Glendinning. He has taught dance and choreography at the Irish World Academy\, University of Limerick; The Body in Performance\, Drama Department\, UCD; Drama Department NUIG; Drexel University\, Philidelphia; University of Colorado at Boulder\, USA and San Jose State University\, CA\, USA. He was a founding board member of Dublin Dance Festival and Dance Ireland. \n\n\n\n\n\n\n\n\n\n\n\n\n\nScott is a new-media\, digital and film artist working across film\, audio-visual art\, live performance and dance.  \n\n\n\nFrom Limerick in Ireland\, he works freelance under the alias YÚLON in which he specialises in the creation of immersive storytelling and shared\, blended reality experiences. The output medium is usually a fusion of installation\, performance or film. His work concerns investigating the human-technology relationship in a post-digital context\, often considering how we can use digital technology to become “more” human. \n\n\n\nThe art that Scott creates is mostly for unconventional venues such as derelict/vacant buildings\, liminal spaces and also public spaces. The lack of borders and ability to humanise a space with art is an important anchor for him to create from.  \n\n\n\nScott graduated from the University of Limerick in 2016 with a BSc in Music\, Media\, and Performance Technology\, and has since been awarded several accolades\, including a Made in Limerick Grant and a Residential Art Apartment. They were also recently selected for the prestigious Cybernate Digital Art Residency\, an Arts Council International Residency spanning Lyon and Galway.  \n\n\n\nScott’s artistic journey began with filmmaking and videography in 2013\, where they discovered their passion for capturing the expressive nature of Dance. In 2015\, their dance film ‘Release’ unintentionally became a screendance piece\, earning the title of Best Student Film at The Light Moves Film Festival of Screendance and being showcased at festivals across the US\, Sweden\, and Georgia.  \n\n\n\nHis deep interest in storytelling on screen led him to explore more immersive platforms for storytelling\, and their final year research project at the University of Limerick investigated building a bi-directional channel of feedback between dancers and a real-time visual artist. This research culminated in the creation of ‘Ledge\,’ an immersive projection and live dance performance in 2016.  \n\n\n\nSince then Scott has produced several immersive artworks that include Plastic Tears\, 2019\, a_blue_crush\, 2019 and Tairseach (portal)\, 2021. He also continues to help develop the new-media arts community across Ireland with the collective he is part of called Concept Null. \n\n\n\n\n\nStates of Independence\n\n\n\nThis event is part of States of Independence\, a project that celebrates the stories of change-makers from the Decade of Centenaries 1912-1922 linked to the stories of change-makers today working to make society a better place. The stories gathered act as inspiration for the creation of new artworks by ten artists\, working in visual art\, film\, dance\, theatre\, creative writing and digital arts.  \n\n\n\nThe artists come together to create a range of artworks and performances for public display in sites – both ancient and modern – across Ireland and for display via a creative billboards campaign and online on the Smashing Times Virtual Art Gallery. The stories\, artworks and performances are shared with public audiences to reflect on modern day revolutionary visions for the future inspired by the past\, launched for the annual Dublin International Arts and Human Rights festival 13 to 22 October 2023. The internationally acclaimed team of ten artists is led by Mary Moynihan\, an award-winning writer\, poet\, director\, theatre and filmmaker and Artistic Director\, Smashing Times International Centre for the Arts and Equality\, working with John Scott\, Artistic Director and Choreographer\, Irish Modern Dance Theatre\, and a range of artists working in literature\, visual arts\, theatre\, film and new digital technologies.  \n\n\n\nEvents are accompanied by panel discussions and public talks on new visions for a peaceful and equal society for all. Events  take place in Dublin\, Kerry\, Clare and Donegal with online work accessible across Ireland and internationally\, celebrating changemakers and heroes from the past and today\,  bringing people together to promote active citizenship\,  equality\, human rights and diversity and celebrating new visions for a peaceful and equal future for all.  \n\n\n\nFor further information please contact Freda Manweiler\, producer\, telephone 087 2214245 or email freda@smashingtimes.ie \n\n\n\nPresented by Smashing Times International Centre for the Arts and Equality \n\n\n\nAs part of States of Independence – A Celebration of Change-Makers \n\n\n\nSupported by The Arts Council Open Call \n\n\n\nAs part of ART: 2023 a Decade of Centenaries Collaboration between The Arts Council and the Department of Tourism\, Culture\, Arts\, Gaeltacht\, Sport and Media. \n\n\n\nPresented for the annual international Arts and Human Rights Festival and Theatre in Palm. \n\n\n\nFor information telephone 021 4215104 10am-1pm Monday to Friday or email admin@smashingtimes.ie \n\n\n\nBookings:  www.smashingtimes.ieSmashing Times don’t want ticket cost to be a barrier to experiencing any of our shows. Please contact admin@smashingtimes.ie if you would like to attend. \n\n\n\n \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/states-of-independence-live-multidisciplinary-performance-4/
LOCATION:The Pumphouse\, Dublin Port\, Alexandra Road\, Dublin 1
CATEGORIES:Dance,Interdisciplinary,Performance,Theatre
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2023/08/Fiona-Bawn-Woman-is-Present-1.jpg
ORGANIZER;CN="Smashing Times":MAILTO:info@smashingtimes.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20231020T193000
DTEND;TZID=Europe/Dublin:20231020T210000
DTSTAMP:20231106T195950Z
CREATED:20230831T151809Z
LAST-MODIFIED:20231106T195950Z
UID:10000385-1697830200-1697835600@smashingtimes.ie
SUMMARY:States of Independence - Live Multidisciplinary Performance
DESCRIPTION:Belonging: Three-Day Creative Arts Workshop\n\n\n\n\n\n\n\n\n\nWorkshop: Tuesday 26 May\, 9.30am-12.30pm; Wednesday 27 May\, 11am-2pm; Thursday 28 May\, 11am-2pm. Open to all female-identifying\, registration required.  \n\n\nBook Your Place\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\nArtists\n\n\n\nDirector Patrick ByrnesProducer Freda ManweilerStage Manager Clare McLoughlinPerformers Michael McCabe\, Fiona Bawn-Thompson\, Daniel MahonWriters Mary Moynihan\, Féilim James\, Michael McCabeSet Design Saoirse O’SheaCostumes Saoirse O’SheaChoreographer John ScottAssistant Choreographer Rebecca ReillyDancers John Scott\, Rebecca ReillyFilming and projections Scott Robinson \n\n\n\nFull Event Details\n\n\n\nStates of Independence is a live\, multi-disciplinary\, collaborative performance presented by Smashing Times International Centre for the Arts and Equality at the Pumphouse\, Alexandra Road\, Dublin Port\, Dublin for six performances only on Friday 13\, Saturday  14\, Wednesday 18\, Friday 20\, Saturday 21\, Sunday 22 October 2023\, nightly at 7.30pm. This multidisciplinary performance by Mary Moynihan\, Féilim James and Michael McCabe\,  is inspired by stories of change-maker activists and artists from the Decade of Centenaries and combines theatre\, film screenings\, poetry\, film projections and live music. \n\n\n\nA key part of the performance is the world premiere of a unique play Sole Flower\, Spidered Soul by up-and-coming writer Féilim James inspired by the life stories  of Lucia Joyce (1907-1982)\, a dancer and her father\, the writer James Joyce (1882-1941). \n\n\n\nLucia Joyce and her father James are roused from death by an eloquent clown. The duo’s joyful reunion soon gives way to old quarrels\, as their mysterious resuscitator informs them of events subsequent to their passing. The clown’s central motive is to present James with a question\, a dilemma\, the answer to which holds the power to alter the past and jeopardise everything he worked for. This funny and moving play pits personal ambition against love for family\, all the while challenging prevailing notions about its protagonists: Lucia as the mad daughter\, and James as the genius father who did all he could to save his daughter. \n\n\n\nSpeaker Biographies:\n\n\n\n\n\n\n\n\n\n\n\nMary Moynihan\, (she/her)\, MA\, is an award-winning writer\, director\, theatre and film-maker\, an interdisciplinary artist and one of Ireland’s most innovative arts and human rights artists creating work to promote the arts\, human rights\, climate justice\, gender equality\, diversity and peace.  \n\n\n\nMary is Artistic Director of Smashing Times International Centre for the Arts and Equality and works  collaboratively with artists and over 50 organisations across Ireland\, Northern Ireland\, Europe and internationally\, using the arts to promote rights and values for all.   Company patrons of Smashing Times are Sabina Coyne Higgins\, Senator Joan Freeman\, founder of Pieta House\, Ger Ryan\, actor and Tim Pat Coogan\, writer and historian. Founding patrons were writers Maeve Binchy and Brian Friel. \n\n\n\nMary’s work has won a number of awards including the Allianz Business to Arts Awards\, a GSK Ireland Impact Award\, a Dublin Bus Community Spirit Award\, a National Lottery Good Cause Award\, the international #ArtsAgainstCovid award\, an Arts Council Project Award and an Arts Council Agility Award. \n\n\n\nMary is Artistic Curator for the annual Dublin Arts and Human Rights festival implemented by Smashing Times and Front Line Defenders in partnership with Amnesty International\, Fighting Words\, ICCL\,  NWCI\, Irish Modern Dance Theatre\, Trócaire and Poetry Ireland\, funded by The Arts Council. The aim of the festival is to showcase and highlight the extraordinary work of human rights defenders in Ireland and around the world\, past and present\, and the role of the arts and artists in promoting human rights today. \n\n\n\nMary’s artistic practice encompasses theatre\, film\, literature\, poetry\, and curatorship. Mary’s work focuses on primal\, visceral and intuitive responses to vulnerability and conflict and an exploration of self and the other. Her work explores an interconnectedness of the body\, voice and imagination\, revealing the inner life through physical and spiritual energies and intuitive engagements. Mary has a focus on using historical memory in her artistic practice as inspiration for the creation of original artworks across a range of mediums\, remembering stories of ordinary yet powerful women and men from history and today who stood up for the rights of others. \n\n\n\nAs a playwright\, Mary’s work includes the highly acclaimed The Woman is Present: Women’s Stories of WWII co-written with Paul Kennedy\, Fiona Thompson and Féilim James;  A Beauty that will Pass; Constance and Her Friends – selected by President Michael D. Higgins for performance at Áras an Uachtaráin for Culture Night 2016;  In One Breath from the award-winning Testimonies(co-written with Paul Kennedy); and Shadow of My Soul\, May Our Faces Haunt You and Silent Screams.  \n\n\n\nMary’s film work includes the hour-long documentary Stories from the Shadows\, the short film Tell Them Our Names\, inspired by women’s stories of WWII and selected for the London Eye International Film Festival and Kerry Film Festival\, the creative documentary Women in an Equal Europe and the short films Courageous Women and Grace and Joe inspired by powerful women’s stories from the 1916 to 1923 decade of commemorations period in Irish history.  \n\n\n\n\n\n\n\n\n\n\n\n\n\nFéilim James is an award-winning writer from Dublin\, Ireland. In 2020\, the Arts of Council of Ireland awarded Féilim a Literature Bursary Award to finish his debut novel\, Flower of Ash\, as well as a Professional Development Award. He received an Arts Bursary from Dublin City Arts Office in 2021 to finish his first poetry collection\, I was a river\, lost. His short fiction and poetry have appeared in numerous journals\, including The Fiction Pool\, The Galway Review\, and Icarus. His work through Irish\, under Féilim Ó Brádaigh\, has won seven Oireachtas na Gaeilge literary awards. His short fiction and poetry\, through English and Irish\, have appeared in a number of journals\, including The Fiction Pool\, The Galway Review\, Icarus\, and Comhar. A short film Féilim wrote\, titled The Big No\, produced by Smashing Times\, was shortlisted by the IndieX Film Festival\, and his play At Summer’s End has toured Ireland. \n\n\n\nIn The Big No\, a young man tells the story of his psychological unravelling and subsequent mental health crisis. Told in the form of a voiceover monologue accompanied by compelling imagery\, this poetic short film takes us on a journey of despair\, introspection\, and hope. As he battles against panic attacks and suicidal thoughts\, he is forced to face the ‘why’ of his problems head on\, learning some essential truths about himself and the world. \n\n\n\nFéilim’s play At Summer’s End has been on tour with Smashing Times as part of The Woman is Present: Women’s Stories of WWII.  At Summer’s End is based on the life-story of Ettie Steinberg\, an Irish woman who was murdered\, along with her family\, at Auschwitz  \n\n\n\nFéilim’s themes are wide-ranging\, and include identity\, mental illness\, guilt\, human animalism\, death\, and humankind’s relationship with nature. He is committed to maintaining an ever evolving and progressive approach to his work\, with each book both building on the last and differing in a vital way. In other words\, the aforementioned themes will change as time passes\, as will their stylistic rendering. ‘My inspirations are many and wide-ranging. To the fore are James Joyce\, Sylvia Plath\, John Banville\, Marilynne Robinson\, Ted Hughes\, TS Eliot\, Seán Ó Ríordáin\, and Radiohead’. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMichael McCabe is a performer\, theatre director\, movement choreographer\, facilitator and arts therapist. He is a graduate of the prestigious Ecole Internationale de Theatre Jacques Lecoq\, Paris\, France\, and The Gaiety School of Acting\, Dublin\, Ireland. \n\n\n\nHis theatre appearances include The Drowning Room (Project Arts Centre)\, Borstal Boy\, The Risen People (The Gaiety Theatre)\, A Christmas Carol\, The Ginger Ale Boy (Corcadorca Theatre Company)\, Lives Worth Living (Graffiti Theatre Company)\, Good Evening Mr Joyce (Samuel Beckett Centre)\, Diarmuid agus Grainne\, An Bradan Feasa\, The Libertine\, New World Order (Iomha Illdanach Theatre Company)\, Promises\, Promises  (Project Arts Centre)\, A Day With Daghdha (Daghdha Dance Company)\, Macbeth\, Six Characters in Search for an Author\, St. Joan\, Ariel (all at the Abbey Theatre)\, Wheel\, Jeckyll and Hyde (Dublin and Prague Fringe Festivals)\, Resist /Surrender (Dublin Dance Festival)\, and Where The Shoe Pinches (The Pavilion Theatre). He was clown co-ordinator for 35 clowns and appeared in Barabbas Theatre Company’s production\, City of Clowns\, at the Dunamaise\, Junction and Eargail Arts Festivals\, and The Complex\, Smithfield and appeared in Pagliacci at The Everyman Place Theatre\, as part of Cork Midsummer Festival. \n\n\n\nHis television and film appearances include Aristocrats (BBC)\, Ireland:1848\, (RTE)\, Window (IFI)\, All God’s Children (RTE/IFI)\, Nationwide (RTE). In 2021\, Michael will appear in Bean Sidhe\, Sweetcake\, and Sodium Party\, a new feature film directed by Michael McCudden. \n\n\n\nDirecting credits include: The Dead Woman’s Son (Smock Alley Theatre)\, A Wonderful Life\, Peter Pan’s Cirque D’Imaginaire (TU Dublin Theatre)\, Showcases 2017-2019 (The New Theatre) and in 2020\, The Grimm Tales (Smock Alley Theatre). Recent appearances include Footfalls\, The Journey Home\, and in Mermaid Arts Centre for Culture night on a work-in-progress\, His Left\, Her Right\, supported by Mermaid and Wicklow Arts Office.  \n\n\n\nMichael has an M.A. (Honours) in Dramatherapy from the National University of Ireland\, Maynooth\, an M.A. in Modern Drama Studies from University College Dublin\, and a B.A. (Honours) in Communication Studies from Dublin City University. He has directed theatre work in the HSE\, the Dyspraxia Association of Ireland\, Trinity College Dublin\, St. Michael’s house\, and with other special needs organisations and schools with a focus on developing the potential of theatre for working with diverse groups.  \n\n\n\nMichael has been working as a Movement Director\, teaching extensive movement classes for actors at the Conservatory of Music and Drama\, TU Dublin\, the National Association of Youth Drama\, Ringsend Institute\, the Department of Performing Arts\, Bray Institute of Further Education\, and The Gaiety School of Acting (full time course).                                                                                                                                \n\n\n\nMichael is a resident artist with Smashing Times International Centre for the Arts and Equality and works with Smashing Times as a performer\, director and arts facilitator on a range of projects from Acting for the Future to Legends of the Great Birth to State of the Art.  His theatre company\, Ruaille Buaille\, is building a physical theatre ensemble style based on the techniques of Jacques Lecoq\, Anne Bogart\, and Arianne Mouchkine. Michael was movement director on The Merchant of Venice\, at Mermaid Arts Centre\, and on the world premiere of Guerilla Days in Ireland in The Olympia Theatre\, Dublin  \n\n\n\nMichael is a graduate of National University of Ireland\, Maynooth\, (M.A. Dramatherapy\, 2.1 Honours)\, and was awarded a scholarship to train with internationally renowned theatre director Anne Bogart in New York. Bursary awards include South Dublin County Council\, Irish Actors Equity\, and The Arts Council. Michael recently completed training in Suzuki and Viewpoints Techniques under Tadashi Suzuki of SCOT Theatre Company\, in Toga Mura\, Japan.   \n\n\n\n\n\n\n\n\n\n\n\n\n\nFiona Bawn-Thompson is a hard-working mum with a passion for the arts. She works with women’s groups\, young people and adults with moderate to profound learning difficulties\, ex paramilitary\, ethnic minorities and segregated youth across the island of Ireland.   She is an actor\, writer\, director and choreographer and loves to work on devising projects and creating collaborative artistic pieces with the groups she works with.  She is also the founder and director of FADD studios\, a performing arts academy which was established in 2008 and which runs classes across three counties. She has represented Ireland at the world Hip-Hop Championships in 2014 and 2019 with her crew of dancers and have attained many awards over the years. \n\n\n\n\n\n\n\n\n\n\n\n\n\nPatrick has been working as an actor and director in Dublin since moving here from New York. He recently directed ‘Dolly and Mick’ in the Civic and Viking theatres. Other productions include  ‘Lone Star and Laundry and Bourbon’\,  in The Focus. ‘The Prodger’\, ‘The Boys’ in The New Theatre and ‘Drinking in America’ for ‘Bottom Dog Theatre’ in ‘The Belltabe’ which toured Ireland. \n\n\n\n\n\n\n\n\n\n\n\n\n\nDaniel is a graduate of The Lir Academy. Graduating from The Three Year Bachelor in Acting in 2022. \n\n\n\nStage credits include ‘EXIT> PURSUED BY A PINT’ a new play by Kat Ennis for Scene and Heard Festival 2023\,  the role of ‘The Black O’Donnell’ in the Quintessence Theatre/An Taín production of INTO THE DARK and the role of ‘Patrick Hogan’ in ANU Productions’ STAGING THE TREATY at the National Concert Hall which was also screened at the IFI and streamed on RTÉ’s website and IFI@Home. \n\n\n\nWhile at The Lir he played\, Francois ‘Franz/Frank’ Lafayette in Branden Jacobs-Jenkins’ APPROPRIATE directed by Joy Nesbitt; Barnardine & Froth in Shakespeare’s MEASURE FOR MEASURE directed by Joe Dowling; John Morris in Kate O’Brien’s DISTINGUISHED VILLA directed by Hilary Wood; Vladimir in Chekov’s THREE SISTERS directed by Marc Atkinson Borrull and Dr. Gibbs in Thornton Wilder’s OUR TOWN directed by Wayne Jordan. \n\n\n\nHis Scene Credits include Paul in the IFTA-nominated feature WHO WE LOVE directed by Graham Cantwell; the short film WAITING directed by Sinéad O’Louglin at The Lir\, and the role of Eddie in Pancake Studios’ short film NEVER ALONE. \n\n\n\n\n\n\n\n\n\n\n\n\n\nJohn Scott is a Dublin born choreographer\, performer\, founder and Artistic Director of Irish Modern Dance Theatre\, Dancer from the Dance Festival and member of Aosdána. He studied and performed at Irish National College of Dance/Dublin City Ballet from 1982 to 1985 in works by Anton Dolin\, Anna Sokolow\, Pearl Gaden and Babil Gandara. \n\n\n\nHis choreographic works include Divine Madness\, Inventions\, Cloud Study\, Everything Now\, Lear\, Fall and Recover\, Actions in Ireland at Dublin Dance Festival\, Galway International Arts Festival\, Kilkenny Arts Festival\,  Dublin Fringe Festival and internationally at John F Kennedy Center\, Washington  DC\, New York Live Arts\, La MaMa\, Danspace Project at St Mark’s Church\, PS  122\, New York and Dance Base\, Edinburgh\, Sounded Bodies Festival and Queer  Zagreb\, Croatia\, Les Hivernales\, Avignon\, Tanzmesse Dusseldorf\, Forum Cultural  Mundial\, Brazil. \n\n\n\nHe danced in Oona Doherty’s Hard to be Soft\, Meredith Monk’s Quarry (Spoleto Festival) and for Yoshiko Chuma\, Sarah Rudner\, Anna Sokolow and Thomas Lehmen. He recently collaborated with Pan Pan on Beckett’s QUAD. \n\n\n\nJohn was awarded African Refugee Network’s Culture Award for his work with Refugees and Survivors of Torture and is a subject of Sadlers Wells’ 52 Portraits by Jonathan Burrows\, Matteo Fargion and Hugo Glendinning. He has taught dance and choreography at the Irish World Academy\, University of Limerick; The Body in Performance\, Drama Department\, UCD; Drama Department NUIG; Drexel University\, Philidelphia; University of Colorado at Boulder\, USA and San Jose State University\, CA\, USA. He was a founding board member of Dublin Dance Festival and Dance Ireland. \n\n\n\n\n\n\n\n\n\n\n\n\n\nScott is a new-media\, digital and film artist working across film\, audio-visual art\, live performance and dance.  \n\n\n\nFrom Limerick in Ireland\, he works freelance under the alias YÚLON in which he specialises in the creation of immersive storytelling and shared\, blended reality experiences. The output medium is usually a fusion of installation\, performance or film. His work concerns investigating the human-technology relationship in a post-digital context\, often considering how we can use digital technology to become “more” human. \n\n\n\nThe art that Scott creates is mostly for unconventional venues such as derelict/vacant buildings\, liminal spaces and also public spaces. The lack of borders and ability to humanise a space with art is an important anchor for him to create from.  \n\n\n\nScott graduated from the University of Limerick in 2016 with a BSc in Music\, Media\, and Performance Technology\, and has since been awarded several accolades\, including a Made in Limerick Grant and a Residential Art Apartment. They were also recently selected for the prestigious Cybernate Digital Art Residency\, an Arts Council International Residency spanning Lyon and Galway.  \n\n\n\nScott’s artistic journey began with filmmaking and videography in 2013\, where they discovered their passion for capturing the expressive nature of Dance. In 2015\, their dance film ‘Release’ unintentionally became a screendance piece\, earning the title of Best Student Film at The Light Moves Film Festival of Screendance and being showcased at festivals across the US\, Sweden\, and Georgia.  \n\n\n\nHis deep interest in storytelling on screen led him to explore more immersive platforms for storytelling\, and their final year research project at the University of Limerick investigated building a bi-directional channel of feedback between dancers and a real-time visual artist. This research culminated in the creation of ‘Ledge\,’ an immersive projection and live dance performance in 2016.  \n\n\n\nSince then Scott has produced several immersive artworks that include Plastic Tears\, 2019\, a_blue_crush\, 2019 and Tairseach (portal)\, 2021. He also continues to help develop the new-media arts community across Ireland with the collective he is part of called Concept Null. \n\n\n\n\n\nStates of Independence\n\n\n\nThis event is part of States of Independence\, a project that celebrates the stories of change-makers from the Decade of Centenaries 1912-1922 linked to the stories of change-makers today working to make society a better place. The stories gathered act as inspiration for the creation of new artworks by ten artists\, working in visual art\, film\, dance\, theatre\, creative writing and digital arts.  \n\n\n\nThe artists come together to create a range of artworks and performances for public display in sites – both ancient and modern – across Ireland and for display via a creative billboards campaign and online on the Smashing Times Virtual Art Gallery. The stories\, artworks and performances are shared with public audiences to reflect on modern day revolutionary visions for the future inspired by the past\, launched for the annual Dublin International Arts and Human Rights festival 13 to 22 October 2023. The internationally acclaimed team of ten artists is led by Mary Moynihan\, an award-winning writer\, poet\, director\, theatre and filmmaker and Artistic Director\, Smashing Times International Centre for the Arts and Equality\, working with John Scott\, Artistic Director and Choreographer\, Irish Modern Dance Theatre\, and a range of artists working in literature\, visual arts\, theatre\, film and new digital technologies.  \n\n\n\nEvents are accompanied by panel discussions and public talks on new visions for a peaceful and equal society for all. Events  take place in Dublin\, Kerry\, Clare and Donegal with online work accessible across Ireland and internationally\, celebrating changemakers and heroes from the past and today\,  bringing people together to promote active citizenship\,  equality\, human rights and diversity and celebrating new visions for a peaceful and equal future for all.  \n\n\n\nFor further information please contact Freda Manweiler\, producer\, telephone 087 2214245 or email freda@smashingtimes.ie \n\n\n\nPresented by Smashing Times International Centre for the Arts and Equality \n\n\n\nAs part of States of Independence – A Celebration of Change-Makers \n\n\n\nSupported by The Arts Council Open Call \n\n\n\nAs part of ART: 2023 a Decade of Centenaries Collaboration between The Arts Council and the Department of Tourism\, Culture\, Arts\, Gaeltacht\, Sport and Media. \n\n\n\nPresented for the annual international Arts and Human Rights Festival and Theatre in Palm. \n\n\n\nFor information telephone 021 4215104 10am-1pm Monday to Friday or email admin@smashingtimes.ie \n\n\n\nBookings:  www.smashingtimes.ieSmashing Times don’t want ticket cost to be a barrier to experiencing any of our shows. Please contact admin@smashingtimes.ie if you would like to attend. \n\n\n\n \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/states-of-independence-live-multidisciplinary-performance-3/
LOCATION:The Pumphouse\, Dublin Port\, Alexandra Road\, Dublin 1
CATEGORIES:Dance,Interdisciplinary,Performance,Theatre
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2023/08/Fiona-Bawn-Woman-is-Present-1.jpg
ORGANIZER;CN="Smashing Times":MAILTO:info@smashingtimes.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20231019T193000
DTEND;TZID=Europe/Dublin:20231019T200000
DTSTAMP:20231106T200244Z
CREATED:20230919T134944Z
LAST-MODIFIED:20231106T200244Z
UID:10000414-1697743800-1697745600@smashingtimes.ie
SUMMARY:Tales of Love and Loss
DESCRIPTION:Belonging: Three-Day Creative Arts Workshop\n\n\n\n\n\n\n\n\n\nWorkshop: Tuesday 26 May\, 9.30am-12.30pm; Wednesday 27 May\, 11am-2pm; Thursday 28 May\, 11am-2pm. Open to all female-identifying\, registration required.  \n\n\nBook Your Place\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\nArtists\n\n\n\nAmy Kidd\, actor \n\n\n\nCarla Ryan\, actor \n\n\n\nEric Weitz\, director \n\n\n\nMary Moynihan\, writer\, director\, theatre and filmmaker\, Artistic Director of Smashing Times International Centre for the Arts and Equality \n\n\n\nDr Sinead McCoole\, post-show speaker \n\n\n\nFull Event Details\n\n\n\nA Beauty That Will Pass by Mary Moynihan\, a poetical\, storytelling reflection inspired by the life stories and clandestine engagement of Sarah Curran (1782-1808) and Robert Emmet (1778-1803)\, leader of the 1803 Irish rebellion.  \n\n\n\nGrace and Joe\, a film by Mary Moynihan based on writings and witness statements from Joseph Mary Plunkett and Grace Gifford\, with writing input from artists from DIT Conservatory of Music and Drama. Grace Gifford tells the story of her time with Joseph Mary Plunkett\, one of the leaders executed after the 1916 Easter Rising and the youngest signatory to the Irish Proclamation and how they were married in Kilmainham Gaol chapel seven hours before his execution.  \n\n\n\nWith poetry by Eva Gore-Booth (1870-1926)\, a poet\, writer\, trade unionist\, campaigner for equality and a sister of the Irish revolutionary leader Constance Markiewicz \n\n\n\nThe performances will be followed by a post-show discussion on Women Changemakers from history\, and why their stories are important\, featuring Dr Sinead McCoole. \n\n\n\nSpeaker Biographies:\n\n\n\n\n\n\n\n\n\n\n\nAmy Kidd is an actor\, writer and theatre-maker who trained at The Lir (BA\, Hons Acting). Credits since graduating include: Aisling in ‘Paler\, Still’ (Anseo Anois Theatre)\, Mary Shelly in ‘The Last’ (Different Theatre)\, Jess in ‘Love and Money’ (Brighton Fringe)\, Beatrice in ‘Inferno21: a modern reimagining of Dante’s Inferno’ (Verdant/The Lyric\, Belfast) and the solo performer of the installation piece ‘You Can Leave At Any Time’ (Dublin Theatre Festival ’19). She has recently been awarded an Arts Council Agility Award to be mentored by Conall Morrison in the art of theatre direction\, and her debut play ‘Breaking’ has been commissioned by Fishamble for production in 2024. \n\n\n\n\n\n\n\n\n\n\n\n\n\nCarla Ryan is an actor\, singer and songwriter from Meath. She trained in TU Dublin’s Conservatory of Music and Drama and Columbia College Chicago studying Drama (Performance). She has been working with Smashing Times as an actor since 2016. Professional acting credits include Ettie in At Summers End\, Nadine in Shadow of My Soul and Grace Gifford in Grace and Joe. Her performance of Grace and Joe for Constance and Her Friends by Mary Moynihan was hand selected by President Michael D. Higgins to be shown at Áras an Uachtarain for Culture Night 2016.  \n\n\n\nCarla is one half of the alt-pop duo ELKIN. Carla and best friend\, Ellen were writing and singing together from the age of 15 before taking their music to a new level as ELKIN. Drawing inspiration from the likes of Joni Mitchell the duo began writing and performing folk-pop\, but it wasn’t until they began working with producer lullahush that ELKIN blended their love of thought-provoking folk lyrics with fierce alt-pop production. ELKIN have played at venues and festivals across Ireland including Longitude and Electric Picnic.  Following the release of debut single Paro\, ELKIN were named as one of State.ie’s Faces of 2018.  Their debut EP\, Bad Habits\, was released in May 2018. In February 2019\, ELKIN released a new single Green Eyes\, a collaboration with Æ MAK producer lullahush. In 2020 the duo were awarded funding from The First Music Contact Recording Stimulus Grant to record their debut EP Instant Hit\, set for release early 2022. \n\n\n\n\n\n\n\n\n\n\n\n\n\nEric Weitz is Associate Director of the Gaiety School of Acting: The National Theatre School of Ireland and Adjunct Associate Professor of Drama and Theatre Studies at Trinity College Dublin\, having previously served in the TCD Drama Department as Convenor for the Bachelor in Acting Studies and Head of Drama.  \n\n\n\nEric is currently Book Review Editor for Humor\, the scholarly journal for the International Society for Humor Studies; he sits on the International Advisory Board for the European Journal of Humour Research and the Hungarian Journal for English and American Studies. He is series co-editor of the recently published Bloomsbury Cultural History of Comedy (Methuen\, 2020) and contributor of the Vol. 6 chapter\, ‘Laughter in the Modern Age’; he is co-editor and contributor for the Palgrave Handbook of Contemporary Irish Theatre & Performance (2018). His single-author works include Theatre & Laughter (2016) and the Cambridge Introduction to Comedy (2009)\, plus widely cited articles in books and journals.  \n\n\n\n\n\n\n\n\n\n\n\n\n\nMary Moynihan\, (she/her)\, MA\, is an award-winning writer\, director\, theatre and film-maker\, an interdisciplinary artist and one of Ireland’s most innovative arts and human rights artists creating work to promote the arts\, human rights\, climate justice\, gender equality\, diversity and peace.  \n\n\n\nMary is Artistic Director of Smashing Times International Centre for the Arts and Equality and works  collaboratively with artists and over 50 organisations across Ireland\, Northern Ireland\, Europe and internationally\, using the arts to promote rights and values for all.   Company patrons of Smashing Times are Sabina Coyne Higgins\, Senator Joan Freeman\, founder of Pieta House\, Ger Ryan\, actor and Tim Pat Coogan\, writer and historian. Founding patrons were writers Maeve Binchy and Brian Friel. \n\n\n\nMary’s work has won a number of awards including the Allianz Business to Arts Awards\, a GSK Ireland Impact Award\, a Dublin Bus Community Spirit Award\, a National Lottery Good Cause Award\, the international #ArtsAgainstCovid award\, an Arts Council Project Award and an Arts Council Agility Award. \n\n\n\nMary is Artistic Curator for the annual Dublin Arts and Human Rights festival implemented by Smashing Times and Front Line Defenders in partnership with Amnesty International\, Fighting Words\, ICCL\,  NWCI\, Irish Modern Dance Theatre\, Trócaire and Poetry Ireland\, funded by The Arts Council. The aim of the festival is to showcase and highlight the extraordinary work of human rights defenders in Ireland and around the world\, past and present\, and the role of the arts and artists in promoting human rights today. \n\n\n\nMary’s artistic practice encompasses theatre\, film\, literature\, poetry\, and curatorship. Mary’s work focuses on primal\, visceral and intuitive responses to vulnerability and conflict and an exploration of self and the other. Her work explores an interconnectedness of the body\, voice and imagination\, revealing the inner life through physical and spiritual energies and intuitive engagements. Mary has a focus on using historical memory in her artistic practice as inspiration for the creation of original artworks across a range of mediums\, remembering stories of ordinary yet powerful women and men from history and today who stood up for the rights of others. \n\n\n\nAs a playwright\, Mary’s work includes the highly acclaimed The Woman is Present: Women’s Stories of WWII co-written with Paul Kennedy\, Fiona Thompson and Féilim James;  A Beauty that will Pass; Constance and Her Friends – selected by President Michael D. Higgins for performance at Áras an Uachtaráin for Culture Night 2016;  In One Breath from the award-winning Testimonies(co-written with Paul Kennedy); and Shadow of My Soul\, May Our Faces Haunt You and Silent Screams.  \n\n\n\nMary’s film work includes the hour-long documentary Stories from the Shadows\, the short film Tell Them Our Names\, inspired by women’s stories of WWII and selected for the London Eye International Film Festival and Kerry Film Festival\, the creative documentary Women in an Equal Europe and the short films Courageous Women and Grace and Joe inspired by powerful women’s stories from the 1916 to 1923 decade of commemorations period in Irish history.  \n\n\n\n\n\n\n\n\n\n\n\n\n\nSinéad McCoole is the author of many books including Hazel\, A Life of Lady Lavery (1996) and No Ordinary Women (1997) and Easter Widows\, the untold story of the wives of the executed leaders (2014) and Women 1916-Mná 2016 (2017). She is a member of the Government’s Expert Advisory Group on the Decade of Centenaries (2012-to date). She was Historical Advisor to the 2016 National Commemoration Programme\, Curator of Mná 1916. She has curated exhibitions on Irish history & art in both Ireland and the U.S. A Broadcaster and script writer her work includes Guns and Chiffon (2003) and A Father’s Letter part of the After ’16 Irish Film Board shorts commissioned for the centenary was based on her interviews with Fr. Joe Mallin (1913-2018). Her areas of expertise are Modern Irish History from the 1880 to the present\, Material culture\, museums\, the history of Irish women\, child prisoners\, Sir John and Lady Lavery. She is an expert in the area of women’s imprisonment 1916-1923. Her current area of interest is women in politics and public life 1918-2018. \n\n\n\n\n\nStates of Independence\n\n\n\nThis event is part of States of Independence\, a project that celebrates the stories of change-makers from the Decade of Centenaries 1912-1922 linked to the stories of change-makers today working to make society a better place. The stories gathered act as inspiration for the creation of new artworks by ten artists\, working in visual art\, film\, dance\, theatre\, creative writing and digital arts.  \n\n\n\nThe artists come together to create a range of artworks and performances for public display in sites – both ancient and modern – across Ireland and for display via a creative billboards campaign and online on the Smashing Times Virtual Art Gallery. The stories\, artworks and performances are shared with public audiences to reflect on modern day revolutionary visions for the future inspired by the past\, launched for the annual Dublin International Arts and Human Rights festival 13 to 22 October 2023. The internationally acclaimed team of ten artists is led by Mary Moynihan\, an award-winning writer\, poet\, director\, theatre and filmmaker and Artistic Director\, Smashing Times International Centre for the Arts and Equality\, working with John Scott\, Artistic Director and Choreographer\, Irish Modern Dance Theatre\, and a range of artists working in literature\, visual arts\, theatre\, film and new digital technologies.  \n\n\n\nEvents are accompanied by panel discussions and public talks on new visions for a peaceful and equal society for all. Events  take place in Dublin\, Kerry\, Clare and Donegal with online work accessible across Ireland and internationally\, celebrating changemakers and heroes from the past and today\,  bringing people together to promote active citizenship\,  equality\, human rights and diversity and celebrating new visions for a peaceful and equal future for all.  \n\n\n\nFor further information please contact Freda Manweiler\, producer\, telephone 087 2214245 or email freda@smashingtimes.ie  \n\n\n\nPresented by Smashing Times International Centre for the Arts and Equality \n\n\n\nAs part of States of Independence – A Celebration of Change-Makers \n\n\n\nSupported by The Arts Council Open Call \n\n\n\nAs part of ART: 2023 a Decade of Centenaries Collaboration between The Arts Council and the Department of Tourism\, Culture\, Arts\, Gaeltacht\, Sport and Media. \n\n\n\nPresented for the annual international Arts and Human Rights Festival and Theatre in Palm. \n\n\n\nFor information telephone 021 4215104 10am-1pm Monday to Friday or email admin@smashingtimes.ie \n\n\n\nBookings:  www.smashingtimes.ie Smashing Times don’t want ticket cost to be a barrier to experiencing any of our shows. Please contact admin@smashingtimes.ie if you would like to attend. \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/tales-of-love-and-loss-10/
LOCATION:Rathfarnham Castle\, Rathfarnham Road\, Dublin 14\, D14 K3T6
CATEGORIES:Film Screening,Panel Discussion,Performance,Theatre
ATTACH;FMTTYPE=image/png:https://smashingtimes.ie/wp-content/uploads/2023/09/Screenshot-2023-09-19-144849.png
ORGANIZER;CN="Smashing Times":MAILTO:info@smashingtimes.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20231018T193000
DTEND;TZID=Europe/Dublin:20231018T210000
DTSTAMP:20231106T200334Z
CREATED:20230901T120004Z
LAST-MODIFIED:20231106T200334Z
UID:10000393-1697657400-1697662800@smashingtimes.ie
SUMMARY:States of Independence - Live Multidisciplinary Performance
DESCRIPTION:Belonging: Three-Day Creative Arts Workshop\n\n\n\n\n\n\n\n\n\nWorkshop: Tuesday 26 May\, 9.30am-12.30pm; Wednesday 27 May\, 11am-2pm; Thursday 28 May\, 11am-2pm. Open to all female-identifying\, registration required.  \n\n\nBook Your Place\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\nArtists\n\n\n\nDirector Patrick ByrnesProducer Freda ManweilerStage Manager Clare McLoughlinPerformers Michael McCabe\, Fiona Bawn-Thompson\, Daniel MahonWriters Mary Moynihan\, Féilim James\, Michael McCabeSet Design Saoirse O’SheaCostumes Saoirse O’SheaChoreographer John ScottAssistant Choreographer Rebecca ReillyDancers John Scott\, Rebecca ReillyFilming and projections Scott Robinson \n\n\n\nFull Event Details\n\n\n\nStates of Independence is a live\, multi-disciplinary\, collaborative performance presented by Smashing Times International Centre for the Arts and Equality at the Pumphouse\, Alexandra Road\, Dublin Port\, Dublin for six performances only on Friday 13\, Saturday  14\, Wednesday 18\, Friday 20\, Saturday 21\, Sunday 22 October 2023\, nightly at 7.30pm. This multidisciplinary performance by Mary Moynihan\, Féilim James and Michael McCabe\,  is inspired by stories of change-maker activists and artists from the Decade of Centenaries and combines theatre\, film screenings\, poetry\, film projections and live music. \n\n\n\nA key part of the performance is the world premiere of a unique play Sole Flower\, Spidered Soul by up-and-coming writer Féilim James inspired by the life stories  of Lucia Joyce (1907-1982)\, a dancer and her father\, the writer James Joyce (1882-1941). \n\n\n\nLucia Joyce and her father James are roused from death by an eloquent clown. The duo’s joyful reunion soon gives way to old quarrels\, as their mysterious resuscitator informs them of events subsequent to their passing. The clown’s central motive is to present James with a question\, a dilemma\, the answer to which holds the power to alter the past and jeopardise everything he worked for. This funny and moving play pits personal ambition against love for family\, all the while challenging prevailing notions about its protagonists: Lucia as the mad daughter\, and James as the genius father who did all he could to save his daughter. \n\n\n\nSpeaker Biographies:\n\n\n\n\n\n\n\n\n\n\n\nMary Moynihan\, (she/her)\, MA\, is an award-winning writer\, director\, theatre and film-maker\, an interdisciplinary artist and one of Ireland’s most innovative arts and human rights artists creating work to promote the arts\, human rights\, climate justice\, gender equality\, diversity and peace.  \n\n\n\nMary is Artistic Director of Smashing Times International Centre for the Arts and Equality and works  collaboratively with artists and over 50 organisations across Ireland\, Northern Ireland\, Europe and internationally\, using the arts to promote rights and values for all.   Company patrons of Smashing Times are Sabina Coyne Higgins\, Senator Joan Freeman\, founder of Pieta House\, Ger Ryan\, actor and Tim Pat Coogan\, writer and historian. Founding patrons were writers Maeve Binchy and Brian Friel. \n\n\n\nMary’s work has won a number of awards including the Allianz Business to Arts Awards\, a GSK Ireland Impact Award\, a Dublin Bus Community Spirit Award\, a National Lottery Good Cause Award\, the international #ArtsAgainstCovid award\, an Arts Council Project Award and an Arts Council Agility Award. \n\n\n\nMary is Artistic Curator for the annual Dublin Arts and Human Rights festival implemented by Smashing Times and Front Line Defenders in partnership with Amnesty International\, Fighting Words\, ICCL\,  NWCI\, Irish Modern Dance Theatre\, Trócaire and Poetry Ireland\, funded by The Arts Council. The aim of the festival is to showcase and highlight the extraordinary work of human rights defenders in Ireland and around the world\, past and present\, and the role of the arts and artists in promoting human rights today. \n\n\n\nMary’s artistic practice encompasses theatre\, film\, literature\, poetry\, and curatorship. Mary’s work focuses on primal\, visceral and intuitive responses to vulnerability and conflict and an exploration of self and the other. Her work explores an interconnectedness of the body\, voice and imagination\, revealing the inner life through physical and spiritual energies and intuitive engagements. Mary has a focus on using historical memory in her artistic practice as inspiration for the creation of original artworks across a range of mediums\, remembering stories of ordinary yet powerful women and men from history and today who stood up for the rights of others. \n\n\n\nAs a playwright\, Mary’s work includes the highly acclaimed The Woman is Present: Women’s Stories of WWII co-written with Paul Kennedy\, Fiona Thompson and Féilim James;  A Beauty that will Pass; Constance and Her Friends – selected by President Michael D. Higgins for performance at Áras an Uachtaráin for Culture Night 2016;  In One Breath from the award-winning Testimonies(co-written with Paul Kennedy); and Shadow of My Soul\, May Our Faces Haunt You and Silent Screams.  \n\n\n\nMary’s film work includes the hour-long documentary Stories from the Shadows\, the short film Tell Them Our Names\, inspired by women’s stories of WWII and selected for the London Eye International Film Festival and Kerry Film Festival\, the creative documentary Women in an Equal Europe and the short films Courageous Women and Grace and Joe inspired by powerful women’s stories from the 1916 to 1923 decade of commemorations period in Irish history.  \n\n\n\n\n\n\n\n\n\n\n\n\n\nFéilim James is an award-winning writer from Dublin\, Ireland. In 2020\, the Arts of Council of Ireland awarded Féilim a Literature Bursary Award to finish his debut novel\, Flower of Ash\, as well as a Professional Development Award. He received an Arts Bursary from Dublin City Arts Office in 2021 to finish his first poetry collection\, I was a river\, lost. His short fiction and poetry have appeared in numerous journals\, including The Fiction Pool\, The Galway Review\, and Icarus. His work through Irish\, under Féilim Ó Brádaigh\, has won seven Oireachtas na Gaeilge literary awards. His short fiction and poetry\, through English and Irish\, have appeared in a number of journals\, including The Fiction Pool\, The Galway Review\, Icarus\, and Comhar. A short film Féilim wrote\, titled The Big No\, produced by Smashing Times\, was shortlisted by the IndieX Film Festival\, and his play At Summer’s End has toured Ireland. \n\n\n\nIn The Big No\, a young man tells the story of his psychological unravelling and subsequent mental health crisis. Told in the form of a voiceover monologue accompanied by compelling imagery\, this poetic short film takes us on a journey of despair\, introspection\, and hope. As he battles against panic attacks and suicidal thoughts\, he is forced to face the ‘why’ of his problems head on\, learning some essential truths about himself and the world. \n\n\n\nFéilim’s play At Summer’s End has been on tour with Smashing Times as part of The Woman is Present: Women’s Stories of WWII.  At Summer’s End is based on the life-story of Ettie Steinberg\, an Irish woman who was murdered\, along with her family\, at Auschwitz  \n\n\n\nFéilim’s themes are wide-ranging\, and include identity\, mental illness\, guilt\, human animalism\, death\, and humankind’s relationship with nature. He is committed to maintaining an ever evolving and progressive approach to his work\, with each book both building on the last and differing in a vital way. In other words\, the aforementioned themes will change as time passes\, as will their stylistic rendering. ‘My inspirations are many and wide-ranging. To the fore are James Joyce\, Sylvia Plath\, John Banville\, Marilynne Robinson\, Ted Hughes\, TS Eliot\, Seán Ó Ríordáin\, and Radiohead’. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMichael McCabe is a performer\, theatre director\, movement choreographer\, facilitator and arts therapist. He is a graduate of the prestigious Ecole Internationale de Theatre Jacques Lecoq\, Paris\, France\, and The Gaiety School of Acting\, Dublin\, Ireland. \n\n\n\nHis theatre appearances include The Drowning Room (Project Arts Centre)\, Borstal Boy\, The Risen People (The Gaiety Theatre)\, A Christmas Carol\, The Ginger Ale Boy (Corcadorca Theatre Company)\, Lives Worth Living (Graffiti Theatre Company)\, Good Evening Mr Joyce (Samuel Beckett Centre)\, Diarmuid agus Grainne\, An Bradan Feasa\, The Libertine\, New World Order (Iomha Illdanach Theatre Company)\, Promises\, Promises  (Project Arts Centre)\, A Day With Daghdha (Daghdha Dance Company)\, Macbeth\, Six Characters in Search for an Author\, St. Joan\, Ariel (all at the Abbey Theatre)\, Wheel\, Jeckyll and Hyde (Dublin and Prague Fringe Festivals)\, Resist /Surrender (Dublin Dance Festival)\, and Where The Shoe Pinches (The Pavilion Theatre). He was clown co-ordinator for 35 clowns and appeared in Barabbas Theatre Company’s production\, City of Clowns\, at the Dunamaise\, Junction and Eargail Arts Festivals\, and The Complex\, Smithfield and appeared in Pagliacci at The Everyman Place Theatre\, as part of Cork Midsummer Festival. \n\n\n\nHis television and film appearances include Aristocrats (BBC)\, Ireland:1848\, (RTE)\, Window (IFI)\, All God’s Children (RTE/IFI)\, Nationwide (RTE). In 2021\, Michael will appear in Bean Sidhe\, Sweetcake\, and Sodium Party\, a new feature film directed by Michael McCudden. \n\n\n\nDirecting credits include: The Dead Woman’s Son (Smock Alley Theatre)\, A Wonderful Life\, Peter Pan’s Cirque D’Imaginaire (TU Dublin Theatre)\, Showcases 2017-2019 (The New Theatre) and in 2020\, The Grimm Tales (Smock Alley Theatre). Recent appearances include Footfalls\, The Journey Home\, and in Mermaid Arts Centre for Culture night on a work-in-progress\, His Left\, Her Right\, supported by Mermaid and Wicklow Arts Office.  \n\n\n\nMichael has an M.A. (Honours) in Dramatherapy from the National University of Ireland\, Maynooth\, an M.A. in Modern Drama Studies from University College Dublin\, and a B.A. (Honours) in Communication Studies from Dublin City University. He has directed theatre work in the HSE\, the Dyspraxia Association of Ireland\, Trinity College Dublin\, St. Michael’s house\, and with other special needs organisations and schools with a focus on developing the potential of theatre for working with diverse groups.  \n\n\n\nMichael has been working as a Movement Director\, teaching extensive movement classes for actors at the Conservatory of Music and Drama\, TU Dublin\, the National Association of Youth Drama\, Ringsend Institute\, the Department of Performing Arts\, Bray Institute of Further Education\, and The Gaiety School of Acting (full time course).                                                                                                                           \n\n\n\nMichael is a resident artist with Smashing Times International Centre for the Arts and Equality and works with Smashing Times as a performer\, director and arts facilitator on a range of projects from Acting for the Future to Legends of the Great Birth to State of the Art.  His theatre company\, Ruaille Buaille\, is building a physical theatre ensemble style based on the techniques of Jacques Lecoq\, Anne Bogart\, and Arianne Mouchkine. Michael was movement director on The Merchant of Venice\, at Mermaid Arts Centre\, and on the world premiere of Guerilla Days in Ireland in The Olympia Theatre\, Dublin  \n\n\n\nMichael is a graduate of National University of Ireland\, Maynooth\, (M.A. Dramatherapy\, 2.1 Honours)\, and was awarded a scholarship to train with internationally renowned theatre director Anne Bogart in New York. Bursary awards include South Dublin County Council\, Irish Actors Equity\, and The Arts Council. Michael recently completed training in Suzuki and Viewpoints Techniques under Tadashi Suzuki of SCOT Theatre Company\, in Toga Mura\, Japan.   \n\n\n\n\n\n\n\n\n\n\n\n\n\nPatrick has been working as an actor and director in Dublin since moving here from New York. He recently directed ‘Dolly and Mick’ in the Civic and Viking theatres. Other productions include  ‘Lone Star and Laundry and Bourbon’\,  in The Focus. ‘The Prodger’\, ‘The Boys’ in The New Theatre and ‘Drinking in America’ for ‘Bottom Dog Theatre’ in ‘The Belltabe’ which toured Ireland. \n\n\n\n\n\n\n\n\n\n\n\n\n\nFiona Bawn-Thompson is an actor\, writer\, and the director of a highly successful performing arts academy.  After graduating with her Drama degree from Queens University Belfast in 2004 she went on to train as an actor with the Lyric Theatre Drama Studio.  She has extensive experience in all genres of theatre\, film and dance and shares this passion and knowledge with the young people she teaches.  Fiona also runs a wellbeing company and incorporates movement and drama strategies into her practice to enhance the experience for her clients.  She has performed and toured with many shows for Smashing Times Theatre Company\, including “The Woman is Present”\, “Thou Shalt Not Kill”\, and “Women\, War & Peace”.  In recent years she has been working extensively in the film industry as a supporting artist in films and series such as “The Northman”\, “Line of Duty”\, “The Woman in the Wall”\, and “Dungeons and Dragons”\, to name but a few.  \n\n\n\n\n\n\n\n\n\n\n\n\n\nDaniel is a graduate of The Lir Academy. Graduating from The Three Year Bachelor in Acting in 2022. \n\n\n\nStage credits include ‘EXIT> PURSUED BY A PINT’ a new play by Kat Ennis for Scene and Heard Festival 2023\,  the role of ‘The Black O’Donnell’ in the Quintessence Theatre/An Taín production of INTO THE DARK and the role of ‘Patrick Hogan’ in ANU Productions’ STAGING THE TREATY at the National Concert Hall which was also screened at the IFI and streamed on RTÉ’s website and IFI@Home. \n\n\n\nWhile at The Lir he played\, Francois ‘Franz/Frank’ Lafayette in Branden Jacobs-Jenkins’ APPROPRIATE directed by Joy Nesbitt; Barnardine & Froth in Shakespeare’s MEASURE FOR MEASURE directed by Joe Dowling; John Morris in Kate O’Brien’s DISTINGUISHED VILLA directed by Hilary Wood; Vladimir in Chekov’s THREE SISTERS directed by Marc Atkinson Borrull and Dr. Gibbs in Thornton Wilder’s OUR TOWN directed by Wayne Jordan. \n\n\n\nHis Scene Credits include Paul in the IFTA-nominated feature WHO WE LOVE directed by Graham Cantwell; the short film WAITING directed by Sinéad O’Louglin at The Lir\, and the role of Eddie in Pancake Studios’ short film NEVER ALONE. \n\n\n\n\n\n\n\n\n\n\n\n\n\nJohn Scott is a Dublin born choreographer\, performer\, founder and Artistic Director of Irish Modern Dance Theatre\, Dancer from the Dance Festival and member of Aosdána. He studied and performed at Irish National College of Dance/Dublin City Ballet from 1982 to 1985 in works by Anton Dolin\, Anna Sokolow\, Pearl Gaden and Babil Gandara. \n\n\n\nHis choreographic works include Divine Madness\, Inventions\, Cloud Study\, Everything Now\, Lear\, Fall and Recover\, Actions in Ireland at Dublin Dance Festival\, Galway International Arts Festival\, Kilkenny Arts Festival\,  Dublin Fringe Festival and internationally at John F Kennedy Center\, Washington  DC\, New York Live Arts\, La MaMa\, Danspace Project at St Mark’s Church\, PS  122\, New York and Dance Base\, Edinburgh\, Sounded Bodies Festival and Queer  Zagreb\, Croatia\, Les Hivernales\, Avignon\, Tanzmesse Dusseldorf\, Forum Cultural  Mundial\, Brazil. \n\n\n\nHe danced in Oona Doherty’s Hard to be Soft\, Meredith Monk’s Quarry (Spoleto Festival) and for Yoshiko Chuma\, Sarah Rudner\, Anna Sokolow and Thomas Lehmen. He recently collaborated with Pan Pan on Beckett’s QUAD. \n\n\n\nJohn was awarded African Refugee Network’s Culture Award for his work with Refugees and Survivors of Torture and is a subject of Sadlers Wells’ 52 Portraits by Jonathan Burrows\, Matteo Fargion and Hugo Glendinning. He has taught dance and choreography at the Irish World Academy\, University of Limerick; The Body in Performance\, Drama Department\, UCD; Drama Department NUIG; Drexel University\, Philidelphia; University of Colorado at Boulder\, USA and San Jose State University\, CA\, USA. He was a founding board member of Dublin Dance Festival and Dance Ireland. \n\n\n\n\n\n\n\n\n\n\n\n\n\nScott is a new-media\, digital and film artist working across film\, audio-visual art\, live performance and dance.  \n\n\n\nFrom Limerick in Ireland\, he works freelance under the alias YÚLON in which he specialises in the creation of immersive storytelling and shared\, blended reality experiences. The output medium is usually a fusion of installation\, performance or film. His work concerns investigating the human-technology relationship in a post-digital context\, often considering how we can use digital technology to become “more” human. \n\n\n\nThe art that Scott creates is mostly for unconventional venues such as derelict/vacant buildings\, liminal spaces and also public spaces. The lack of borders and ability to humanise a space with art is an important anchor for him to create from.  \n\n\n\nScott graduated from the University of Limerick in 2016 with a BSc in Music\, Media\, and Performance Technology\, and has since been awarded several accolades\, including a Made in Limerick Grant and a Residential Art Apartment. They were also recently selected for the prestigious Cybernate Digital Art Residency\, an Arts Council International Residency spanning Lyon and Galway.  \n\n\n\nScott’s artistic journey began with filmmaking and videography in 2013\, where they discovered their passion for capturing the expressive nature of Dance. In 2015\, their dance film ‘Release’ unintentionally became a screendance piece\, earning the title of Best Student Film at The Light Moves Film Festival of Screendance and being showcased at festivals across the US\, Sweden\, and Georgia.  \n\n\n\nHis deep interest in storytelling on screen led him to explore more immersive platforms for storytelling\, and their final year research project at the University of Limerick investigated building a bi-directional channel of feedback between dancers and a real-time visual artist. This research culminated in the creation of ‘Ledge\,’ an immersive projection and live dance performance in 2016.  \n\n\n\nSince then Scott has produced several immersive artworks that include Plastic Tears\, 2019\, a_blue_crush\, 2019 and Tairseach (portal)\, 2021. He also continues to help develop the new-media arts community across Ireland with the collective he is part of called Concept Null. \n\n\n\n\n\nStates of Independence\n\n\n\nThis event is part of States of Independence\, a project that celebrates the stories of change-makers from the Decade of Centenaries 1912-1922 linked to the stories of change-makers today working to make society a better place. The stories gathered act as inspiration for the creation of new artworks by ten artists\, working in visual art\, film\, dance\, theatre\, creative writing and digital arts.  \n\n\n\nThe artists come together to create a range of artworks and performances for public display in sites – both ancient and modern – across Ireland and for display via a creative billboards campaign and online on the Smashing Times Virtual Art Gallery. The stories\, artworks and performances are shared with public audiences to reflect on modern day revolutionary visions for the future inspired by the past\, launched for the annual Dublin International Arts and Human Rights festival 13 to 22 October 2023. The internationally acclaimed team of ten artists is led by Mary Moynihan\, an award-winning writer\, poet\, director\, theatre and filmmaker and Artistic Director\, Smashing Times International Centre for the Arts and Equality\, working with John Scott\, Artistic Director and Choreographer\, Irish Modern Dance Theatre\, and a range of artists working in literature\, visual arts\, theatre\, film and new digital technologies.  \n\n\n\nEvents are accompanied by panel discussions and public talks on new visions for a peaceful and equal society for all. Events  take place in Dublin\, Kerry\, Clare and Donegal with online work accessible across Ireland and internationally\, celebrating changemakers and heroes from the past and today\,  bringing people together to promote active citizenship\,  equality\, human rights and diversity and celebrating new visions for a peaceful and equal future for all.  \n\n\n\nFor further information please contact Freda Manweiler\, producer\, telephone 087 2214245 or email freda@smashingtimes.ie \n\n\n\nPresented by Smashing Times International Centre for the Arts and Equality \n\n\n\nAs part of States of Independence – A Celebration of Change-Makers \n\n\n\nSupported by The Arts Council Open Call \n\n\n\nAs part of ART: 2023 a Decade of Centenaries Collaboration between The Arts Council and the Department of Tourism\, Culture\, Arts\, Gaeltacht\, Sport and Media. \n\n\n\nPresented for the annual international Arts and Human Rights Festival and Theatre in Palm. \n\n\n\nFor information telephone 021 4215104 10am-1pm Monday to Friday or email admin@smashingtimes.ie \n\n\n\nBookings:  www.smashingtimes.ieSmashing Times don’t want ticket cost to be a barrier to experiencing any of our shows. Please contact admin@smashingtimes.ie if you would like to attend. \n\n\n\n \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/states-of-independence-live-multidisciplinary-performance-5/
LOCATION:The Pumphouse\, Dublin Port\, Alexandra Road\, Dublin 1
CATEGORIES:Dance,Interdisciplinary,Performance,Theatre
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2023/08/Fiona-Bawn-Woman-is-Present-1.jpg
ORGANIZER;CN="Smashing Times":MAILTO:info@smashingtimes.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20231016T120000
DTEND;TZID=Europe/Dublin:20231016T133000
DTSTAMP:20231106T200455Z
CREATED:20230829T132039Z
LAST-MODIFIED:20231106T200455Z
UID:10000251-1697457600-1697463000@smashingtimes.ie
SUMMARY:Love the Earth - Changemakers Storytelling for ages 5 to 12
DESCRIPTION:Belonging: Three-Day Creative Arts Workshop\n\n\n\n\n\n\n\n\n\nWorkshop: Tuesday 26 May\, 9.30am-12.30pm; Wednesday 27 May\, 11am-2pm; Thursday 28 May\, 11am-2pm. Open to all female-identifying\, registration required.  \n\n\nBook Your Place\n\n\n\nSold Out \n\n\n\nArtists\n\n\n\nAmy Kidd\, actor \n\n\n\nMary Moynihan\, writer\, director\, theatre and filmmaker\, Artistic Director of Smashing Times International Centre for the Arts and Equality \n\n\n\nFranziska Detrez\, director \n\n\n\nFull Event Details\n\n\n\nGOAL NextGen and Smashing Times International Centre for the Arts and Equality present a Changemakers storytelling session with a performance of Love the Earth by Mary Moynihan  inspired by three stories from GOAL’s Global Citizenship Education Resources\, which aim to inspire a sense of global connectedness and oneness.  \n\n\n\nLove the Earth is a Changemakers Storytelling session for ages 5 to 12 years and is adapted from three stories – The Water Princess\, The Hummingbird and The Salmon of Knowledge. The Water Princess tells the story of Josie and her journey with her mother to get clean water. The story of The Hummingbird illustrates how\, no matter how big or small we are\, we can all make a difference. The story of The Salmon of Knowledge is a reflection on the importance of taking care of our oceans and planets.  \n\n\n\nThis is a  unique collaboration for young people by GOAL NextGen and Smashing Times International Centre for the Arts and Equality. Love the Earth was performed in Tent Beag Festival Quarter for the 2023 St Patrick’s Day  Festival\, at the National Museum of Ireland\, Collins Barracks\, on Saturday 18 March 2023\, and at Bloom Festival\, Phoenix Park from 1-5 June 2023 daily. Smashing Times International Centre for the Arts and Equality and GOAL NextGen are now delighted to present this unique storytelling performance for young people for the 2023 Dublin Arts and Human Rights festival. \n\n\n\nArtist Biographies:\n\n\n\n\n\n\n\n\n\n\n\nAmy Kidd is an actor\, writer and theatre-maker who trained at The Lir (BA\, Hons Acting). Credits since graduating include: Aisling in ‘Paler\, Still’ (Anseo Anois Theatre)\, Mary Shelly in ‘The Last’ (Different Theatre)\, Jess in ‘Love and Money’ (Brighton Fringe)\, Beatrice in ‘Inferno21: a modern reimagining of Dante’s Inferno’ (Verdant/The Lyric\, Belfast) and the solo performer of the installation piece ‘You Can Leave At Any Time’ (Dublin Theatre Festival ’19). She has recently been awarded an Arts Council Agility Award to be mentored by Conall Morrison in the art of theatre direction\, and her debut play ‘Breaking’ has been commissioned by Fishamble for production in 2024. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMary Moynihan\, (she/her)\, MA\, is an award-winning writer\, director\, theatre and film-maker\, an interdisciplinary artist and one of Ireland’s most innovative arts and human rights artists creating work to promote the arts\, human rights\, climate justice\, gender equality\, diversity and peace.  \n\n\n\nMary is Artistic Director of Smashing Times International Centre for the Arts and Equality and works  collaboratively with artists and over 50 organisations across Ireland\, Northern Ireland\, Europe and internationally\, using the arts to promote rights and values for all.   Company patrons of Smashing Times are Sabina Coyne Higgins\, Senator Joan Freeman\, founder of Pieta House\, Ger Ryan\, actor and Tim Pat Coogan\, writer and historian. Founding patrons were writers Maeve Binchy and Brian Friel. \n\n\n\nMary’s work has won a number of awards including the Allianz Business to Arts Awards\, a GSK Ireland Impact Award\, a Dublin Bus Community Spirit Award\, a National Lottery Good Cause Award\, the international #ArtsAgainstCovid award\, an Arts Council Project Award and an Arts Council Agility Award. \n\n\n\nMary is Artistic Curator for the annual Dublin Arts and Human Rights festival implemented by Smashing Times and Front Line Defenders in partnership with Amnesty International\, Fighting Words\, ICCL\,  NWCI\, Irish Modern Dance Theatre\, Trócaire and Poetry Ireland\, funded by The Arts Council. The aim of the festival is to showcase and highlight the extraordinary work of human rights defenders in Ireland and around the world\, past and present\, and the role of the arts and artists in promoting human rights today. \n\n\n\nMary’s artistic practice encompasses theatre\, film\, literature\, poetry\, and curatorship. Mary’s work focuses on primal\, visceral and intuitive responses to vulnerability and conflict and an exploration of self and the other. Her work explores an interconnectedness of the body\, voice and imagination\, revealing the inner life through physical and spiritual energies and intuitive engagements. Mary has a focus on using historical memory in her artistic practice as inspiration for the creation of original artworks across a range of mediums\, remembering stories of ordinary yet powerful women and men from history and today who stood up for the rights of others. \n\n\n\nAs a playwright\, Mary’s work includes the highly acclaimed The Woman is Present: Women’s Stories of WWII co-written with Paul Kennedy\, Fiona Thompson and Féilim James;  A Beauty that will Pass; Constance and Her Friends – selected by President Michael D. Higgins for performance at Áras an Uachtaráin for Culture Night 2016;  In One Breath from the award-winning Testimonies(co-written with Paul Kennedy); and Shadow of My Soul\, May Our Faces Haunt You and Silent Screams.  \n\n\n\nMary’s film work includes the hour-long documentary Stories from the Shadows\, the short film Tell Them Our Names\, inspired by women’s stories of WWII and selected for the London Eye International Film Festival and Kerry Film Festival\, the creative documentary Women in an Equal Europe and the short film Courageous Women inspired by powerful women’s stories from the 1916 to 1923 decade of commemorations period in Irish history.   \n\n\n\n\n\n\n\n\n\n\n\n\n\nFranziska Detrez is a theatre director and performer based in Dublin. She is a founding member of the German performance art collective schmarrnintelligenz\, die as well as the Dublin based Common Crow Theatre. In 2021 she finished her MFA in Theatre Directing at the Lir Academy in Dublin staging the Irish premiere of Gillian Greer’s „Meat“. Her latest productions include „We Are an Archipelago“ which was part of the 2022 Dublin Fringe Festival. In the past\, she has worked in Germany\, India\, Switzerland and Ireland. She has collaborated internationally on productions with the Auroville Theatre Group in Pondicherry (India) and the Estonian Polygon Teater from Tallinn. \n\n\n\n\n\n\n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/love-the-earth-changemakers-storytelling-for-ages-5-to-12/
LOCATION:dlr Lexicon Black Box Studio\, Lexicon Library\, Queen's Road\, Dun Laoghaire\, A96 H283\, Ireland
CATEGORIES:Music,Performance,Storytelling,Theatre
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2023/08/Changemaker-GOAl-Image-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20231015T190000
DTEND;TZID=Europe/Dublin:20231015T220000
DTSTAMP:20231106T200506Z
CREATED:20230830T110448Z
LAST-MODIFIED:20231106T200506Z
UID:10000257-1697396400-1697407200@smashingtimes.ie
SUMMARY:An Evening with the Change-Maker Theatre in Palm Festival within a Festival
DESCRIPTION:Belonging: Three-Day Creative Arts Workshop\n\n\n\n\n\n\n\n\n\nWorkshop: Tuesday 26 May\, 9.30am-12.30pm; Wednesday 27 May\, 11am-2pm; Thursday 28 May\, 11am-2pm. Open to all female-identifying\, registration required.  \n\n\nBook Your Place\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\nArtists\n\n\n\nMarco Maccieri\, director\, MaMiMò Theatre Centre \n\n\n\nProducers: MaMiMò Theatre Centre and Genoa National Theatre \n\n\n\nAlice Giroldini\, performer\, MaMiMò Theatre Centre \n\n\n\nKaisa Kauppinen\, performer\, Turku \n\n\n\nWill Eno\, writer \n\n\n\nElena Battista\, translator \n\n\n\nPost-show speakers: Marco Maccieri\, Alice Giroldini\, Kaisa Kauppinen\, Jean-Lorin Sterian\, Johan Bandholtz\, Anna Näsström\, and Anja Calas \n\n\n\nFull Event Details\n\n\n\nA Change-Maker Theatre in Palm Festival within a Festival \n\n\n\nFeaturing live performances and panel discussions from a range of creative arts organisations from across Europe \n\n\n\nThe Pumphouse\, Dublin Port – Alexandra Terminal\, Alexandra Rd\, Dublin Port\, Dublin 1 \n\n\n\nAfternoon: Art-based Workshops and Talks – 15 October 2023\, 2-5pm \n\n\n\nEvening: Performances and Post-Show Talks – 15 October 2023\, 7-10pm \n\n\n\nSmashing Times is delighted to welcome a range of innovative creative arts organisations from across Europe to Ireland for A Change-Maker Theatre in Palm Festival within a Festival featuring live performances\, workshops and panel discussions. These events showcase the work of emerging and established artists and build international connections for artists working in theatre and in interdisciplinary arts practice\, using the arts to support equality\, human rights and diversity. The Change-Maker Theatre in Palm Festival within a Festival is held as part of the annual Dublin International Arts and Human Rights Festival running from the 13 to 22 October 2023 in Ireland.  Events take place in two parts\, the first is an afternoon event of art-based workshops\, live performances and talks on Sunday 15 October 2023 from 2-5pm and the second is an evening event of live performances and talks taking place on Sunday 15 October from 7 to 10pm. This series of events is hosted by Smashing Times International Centre for the Arts and Equality and presented by a range of arts  organisations from across Europe who are taking part  in the Theatre in Palm Europe-wide transnational project.  \n\n\n\nEvening: Change-Maker Art-based Performances and Post-Show Talk \n\n\n\nPumphouse\, Alexandra Road\, Dublin Port\, Dublin 1 \n\n\n\nSunday 15 October\, 7-10pm \n\n\n\nThis evening event presents two performances by Theatre in Palm organisations\, Turku\, Finland and MaMiMo\, Italy\, followed by a post-show panel discussion with the artists. \n\n\n\nAbout Womankind\n\n\n\nLive performance presented by Kaisa Kauppinen\, Turku\, Finland \n\n\n\nAbout Womankind is a one-woman comedic non-verbal lecture about universal womanhood. What kind of presentation of women do we have these days? Is there actual equality between genders in all countries and do we have to categorize people based on femininity and masculinity? The performer uses object theatre on stage and creates absurd black comedy acts based on her own experiences categorized as a woman. It is a performance that plays with awkwardness and darkness. What kind is a womankind? Is there a certain form of how to be a woman? Hear the lecture to find out! \n\n\n\nLady Grey\n\n\n\nLive performance presented by MaMiMò Theatre Centre and Genoa National Theatre\, Reggio Emilia\, Italy \n\n\n\nA lonely woman on stage is waiting for the audience\, to start what appears to be a conference. What happens is an attempt to tell the world about herself\, starting from the memory of a task she had to carry out as a girl at school. ‘Show and Tell’ is about bringing something important and representative of yourself to the class – an object\, a pet\, a photo – and talk about it. The little girl takes the teacher’s task literally\, bringing something surprising: herself. \n\n\n\nLADY GREY is translated by Elena Battista\, commissioned by BAM Teatro\, with Alice Giroldini\, directed by Marco Maccieri. Produced by MaMiMò Theatre Centre and Genoa National Theatre\, presented in special agreement with United Talent Agency\, courtesy of Arcadia & Ricono Srl. \n\n\n\nTheatre in Palm\n\n\n\nSmashing Times International Centre for the Arts and Equality are one of twelve partner organisations involved in Theatre in Palm\, a large scale European platform project funded by the Creative Europe programme 2021-2027. The Theatre in Palm platform brings together twelve partners from across Europe to collaborate and co-create as part of an international\,  intercultural platform supporting  artists including emerging artists\, to engage in international networking and to build theatre-based skills in transnational cooperation and co-creation. \n\n\n\nThe project supports artists including emerging artists to engage in international networking and to build theatre-based skills in transnational cooperation and co-creation. The project supports artistic career development and develops and values international practice and transnational co-creation and production opportunities for artists from across Europe.  \n\n\n\nThe platform acts as an incubator for new voices from the page to the stage with a focus on professional development and a growth in  European cooperation and the visibility and circulation of European emerging artists\, working across borders and beyond. The project reaches out to over  3\,500 artists and supports artists to develop skills in co-creation and production and is supported by Creative Europe\, Sub-programme European Platforms for the promotion of emerging artists (CREA-CULT-2021- PLAT). \n\n\n\nThe project supports Irish artists to promote and develop good practice at a European and international level and will showcase the work of Irish artists directly with audiences of over 50\,000 in Ireland\, thus deepening public engagement in Ireland with the work of artists working on a European and international level.  Theatre in Palm will support Irish artists in terms of skills development and the provision of resources and these aims are in line with and support the Arts Council’s ten-year strategy (2016–25)\, Making Great Art Work: Leading the Development of the Arts in Ireland. \n\n\n\nSpecial Thanks to: States of Independence\, the Aisling Programme\, Creative Europe\, The Arts Council Open Call\, The Arts Council Co-Funding Award for Creative Europe Co-operation projects 2022\, Foras na Gaeilge\, ACDC. \n\n\n\nPlatform Members \n\n\n\nThe platform members are Turku University of Applied Sciences\, Finland (coordinator); Intercut Productions\, Sweden; Fondazione E35 per la progettazine Internazionale\, Italy; Smashing Times\, Ireland\, Lemongrass Communications\, Spain; JAIT – International Theatre\, Portugal; Stichting ZID\, Netherlands; Cube\, Greece; European Theatre and Film Institute\, Belgium; THOC\,  Cyprus\, Homemade Culture\, Romania and Oecon Group\, Bulgaria.  \n\n\n\nThe objectives of the Theatre in Palm project are to: \n\n\n\n\nIncrease the visibility and the circulation of European emerging artists and works outside their own border\n\n\n\nIncrease access to and participation in cultural events and activities\, as well as audience engagement and development\n\n\n\nSupport emerging artists and cultural performers to co-create\, cooperate\, and promote their work\n\n\n\n\nThe project aims to: \n\n\n\n\nSupport artists to ‘cross borders’\, increasing the visibility and circulation of European artworks across borders and support them to build careers in the arts.  \n\n\n\nSupport artists and cultural performers to co-create by creating a platform for international cooperation and promote their work across borders \n\n\n\nIncrease access to and participation in cultural events and activities for artists and audiences \n\n\n\n\nActions \n\n\n\n\nEnable and manage activities and showcases for project outputs and dissemination\, including an interactive map of opportunities\n\n\n\nManage an on-line repository of work for the project – conducted by Turku UAS\n\n\n\nCreate a European Quality Label for organisations supporting emerging artists\n\n\n\nAgree on and implement branding\, communications and dissemination and data management and website and social media\n\n\n\nAdministration\, reporting and financial support provided by Turku UAS\, as lead organisation\n\n\n\n\nFor more information on Theatre in Palm\, visit the project webpage. \n\n\n\nAs part of the Theatre in Palm project\, Smashing Times International Centre for the Arts and Equality are delighted to host a range of artist talks\, workshops and performances presented live for the annual Dublin Arts and Human Rights festival. In addition  artists and guests from all 11 partner countries taking part in the project will attend Dublin\, Ireland to view the following events:  \n\n\n\nØ  Attend the Launch and opening of the Dublin International Arts and Human Rights Festival on Friday 13 October at 6pm \n\n\n\nØ  Attend a Tour of the States of Independence Exhibition on Saturday 14 October at 6.30pm \n\n\n\nØ  Attend a Live performance of States of Independence on Friday 13 October at 7pm \n\n\n\nØ  Present live performances\, artist talks and workshops  on 15 October 2023 from 2-4.30pm \n\n\n\nØ  Present live performances and post-show talks on 15 October 2023 from 7-10pm \n\n\n\nArtist Biographies:\n\n\n\n\n\n\n\n\n\n\n\nKaisa Kauppinen (b. 1992) is a Finnish theatre artist\, who has two undergraduate degrees. Her background as a community educator can be seen in her work in the theatre field. Kauppinen is interested in society’s structures and how they affect people’s everyday life. She is also interested in physical theatre\, varieties of plain aspects and using comedy on stage.  \n\n\n\nKauppinen’s last projects as an actor are related to solo performing in About Womankind and 3KYMPPINEN-monologue. Her work also includes drama classes for children\, teenagers\, and people with disabilities.. Kauppinen is a board member of Teatteri Valtakunta (Theatre Empire) which is a theatre that focuses on applied arts and tries to reach different marginal groups and communities via theatre and art. She has been acting in an applied theatre project about domestic violence where part of the working group were survivors of domestic violence. Now she is working with a new applied arts project in the director’s role. The new project focuses on the Finnish social welfare system\, and it’s organized in collaboration with social workers and experts. \n\n\n\n\n\n\n\n\n\n\n\n\n\nAlice Giroldini was born in Parma\, where she graduated with honors in Artistic\, Theater and Cinematographic Heritage. In 2014 she graduated as an actress at the School of the National Theater of Genoa and in the following years she continued her training with Cesar Brie\, Cristina Pezzoli\, Valerio Binasco\, Michela Lucenti\, Marco Lorenzi\, Tomi Janezic\, Paolo Antonio Simioni\, Jurij Ferrini\, Theodoros Terzopoulos\, Marco Maccieri\, Fausto Paravidino and Lucia Calamaro. In 2017 she played Cordelia in King Lear alongside Ennio Fantastichini directed by Giorgio Barberio Corsetti produced by the Teatro di Roma and the previous year she was in the Italian cast of the performance ‘Todo lo que està a mi lado’ directed by Fernando Rubio and produced by the Triennale from Milan. In 2018 she played Grushenka in The Brothers Karamazov alongside Glauco Mauri and Roberto Sturno\, produced by the Mauri-Sturno Company and Teatro della Pergola. In 2021 it was directed by Davide Livermore taking part in the Coefore_Eumenides of Aeschylus produced by the National Theater of Genoa and the INDA Foundation of Syracuse. Over the years he has collaborated with other directors including Andrea Collavino\, Davide Livermore\, Elena Gigliotti\, Marco Maccieri\, Andrea Di Casa\, Gianfranco Pannone\, Pino Petruzzelli\, taking part in various shows produced by TeatroDue in Parma\, the MaMiMò Theater Center\, the INDA Foundation and the National Theater of Genoa. In 2020 he founded the LeAmare company together with Fiammetta Bellone\, Elena Dragonetti and Sara Cianfriglia. \n\n\n\nAmong the most important shows: \n\n\n\nThe Brothers Karamazov by F. Dostoevskij directed by M. Tarasco (Mauri-Sturno Company – Teatro della Pergola 2018/2019); Lady Grey by W. Eno directed by M. Maccieri (MaMiMò Theater Center/National Theater of Genoa); King Lear by William Shakespeare directed by G. Barberio Corsetti (Teatro Argentina in Rome 2017-2018); Todo lo que està a mi lado by F. Rubio directed by F. Rubio (Triennale Teatro dell’Arte – 2017); The fattest woman in the world by E. Aldrovandi directed by A. Ruozzi (MaMiMò Theater Center); Summer in December by C. Africa directed by A. Collavino (National Theater of Genoa – 2019); Charlie Sonata by D. Maxwell directed by Mauro Parrinello (Enchiridio Companies – 2020 – Finalist show at the Court’s Forever Young Award Ospitale); Autumn in April by C. Africa directed by Elena Gigliotti (National Theater of Genoa 2020)\, Coefore_Eumenidi (National Theater of Genoa – Inda Foundation of Syracuse). \n\n\n\n\n\n\n\n\n\n\n\n\n\nMarco Maccieri graduated from the Paolo Grassi School in 2004 and founded the MaMiMò Theatre Centre which he has directed ever since. With the master Anatolij Vasiliev he graduated in the three-year school Pedagogy of the scene (UBU Prize 2012). Since 2010 he has been an acting teacher at the “Paolo Grassi” school in Milan. His research and experimentation work on the art of the actor practiced at Paolo Grassi earned him the esteem and trust of the school\, which in 2015\, appointed him pedagogical coordinator of the AFAM acting course. Since 2016 he has also taught acting at the Nico Pepe Academy in Udine. In 2019 he published “The invisible work of the actor” for Dino Audino Editore\, the result of ten years of work done at the Paolo Grassi school. As an actor or director he has taken part in more than 50 productions in 18 years. Among the most important shows: “Troilus and Cressida” and “Lo Specchio del Diavolo directed by Luca Ronconi\, (TST and Piccolo Teatro di Milano); “Cyrano di Bergerac” with Popolizio\, directed by Abbado; “Othello\, one more tango and it’s the last” directed by M.Navone\, prod.Tieffe Menotti/MaMiMò; “Himmelweg” by Juan Mayorga directed by Marco Plini (VIE Festival E.R.T.); “Homicide House” by Emanuele Aldrovandi prod.BAM Teatro/MaMiMò; “Like the dog\, I am a sociable animal\, too” project by M.Navone; “Coriolano” by Shakespeare directed by Marco Plini\, prod. MaMiMò; “No mercy for the referee” by Emanuele Aldrovandi directed by Marco Maccieri and Angela Ruozzi. In 2018 he directed “The little chimney sweep” by Benjamin Britten\, an opera produced by the Fondazione I Teatri di Reggio Emilia. In his professional career as an actor he has worked with artists such as Anatolij Vasiliev\, Luca Ronconi\, Gabriele Vacis\, Dominique Pitoiset\, Massimo Popolizio\, Massimo Navone\, Daniele Abbado\, Maurizio Schmidt\, Antonio Fava\, Maria Consagra. In 2022 he made his cinema debut with the film “Evelyne in the clouds” by A. Di Francisca. \n\n\n\n\n\nAdditional Information\n\n\n\nMaMiMò Theatre Centre \n\n\n\nThe MaMiMò Theatre Centre is an organisation which\, through continuous artistic improvement and exchange activities\, constitutes a productive theatrical reference point of national importance\, and a model of cultural aggregation in the area. \n\n\n\nIt has been established as a social promotion association (APS) since 2004 and since 2012 it has been supported by the Emilia Romagna Region as a show production organisation through Law 13/1999. \n\n\n\nIt manages a municipal public theatre\, the Teatro Piccolo Orologio of Reggio Emilia\, and over time has built a Theatre School deeply rooted in the territory which today has over 400 members of all ages and collaborations with more than 30 schools. \n\n\n\nThe association is headed by a theatre production company\, recognized by the Ministry of Culture  as an innovative theatre production company in the field of experimentation (Art.13 c.3 DM 2017)\, which produces prose shows\, children’s theatre and cultural events . \n\n\n\nThe MaMiMò Theatre Centre pays great attention to social commitment\, to young people\, to relationships between individuals\, to the dignity of the person\, and to major current issues. Great attention is paid to education\, since MaMiMò believes that pedagogy combined with culture is the key to accessing a better future\, and for this reason it must be a path reserved for everyone\, where everyone can discover themselves and acquire more tools to nourish the imagination and understand the reality around him. Precisely for this reason\, the artistic form chosen is often that of a cultured and popular theatre together\, the collective act of an ensemble united by a common vision. \n\n\n\nThe Artistic Directors are Marco Maccieri and Angela Ruozzi. \n\n\n\nTurku UAS \n\n\n\nTurku UAS is a higher education institution of 12\,000 experts\, researchers\, students\, faculty members and teaching professionals. We create solutions for a better tomorrow – both regionally and globally. Our graduates are practice-oriented professionals with top competencies.  \n\n\n\nAs a significant regional actor\, we harbour close ties to businesses and municipalities in Southwest Finland. Turku UAS is the fourth largest technical university in Finland. Students are sought after experts\, with 99 % employment within five years of graduating. \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/an-evening-with-the-change-maker-theatre-in-palm-festival-within-a-festival/
LOCATION:The Pumphouse\, Dublin Port\, Alexandra Road\, Dublin 1
CATEGORIES:Interdisciplinary,Performance,Theatre
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2023/08/Network-for-Arts-and-Human-Rights.jpg
ORGANIZER;CN="Smashing Times":MAILTO:info@smashingtimes.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20231014T193000
DTEND;TZID=Europe/Dublin:20231014T210000
DTSTAMP:20231106T200528Z
CREATED:20230831T151121Z
LAST-MODIFIED:20231106T200528Z
UID:10000384-1697311800-1697317200@smashingtimes.ie
SUMMARY:States of Independence - Live Multidisciplinary Performance
DESCRIPTION:Belonging: Three-Day Creative Arts Workshop\n\n\n\n\n\n\n\n\n\nWorkshop: Tuesday 26 May\, 9.30am-12.30pm; Wednesday 27 May\, 11am-2pm; Thursday 28 May\, 11am-2pm. Open to all female-identifying\, registration required.  \n\n\nBook Your Place\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\nArtists\n\n\n\nDirector Patrick ByrnesProducer Freda ManweilerStage Manager Clare McLoughlinPerformers Michael McCabe\, Fiona Bawn-Thompson\, Daniel MahonWriters Mary Moynihan\, Féilim James\, Michael McCabeSet Design Saoirse O’SheaCostumes Saoirse O’SheaChoreographer John ScottAssistant Choreographer Rebecca ReillyDancers John Scott\, Rebecca ReillyFilming and projections Scott Robinson \n\n\n\nFull Event Details\n\n\n\nStates of Independence is a live\, multi-disciplinary\, collaborative performance presented by Smashing Times International Centre for the Arts and Equality at the Pumphouse\, Alexandra Road\, Dublin Port\, Dublin for six performances only on Friday 13\, Saturday  14\, Wednesday 18\, Friday 20\, Saturday 21\, Sunday 22 October 2023\, nightly at 7.30pm. This multidisciplinary performance by Mary Moynihan\, Féilim James and Michael McCabe\,  is inspired by stories of change-maker activists and artists from the Decade of Centenaries and combines theatre\, film screenings\, poetry\, film projections and live music. \n\n\n\nA key part of the performance is the world premiere of a unique play Sole Flower\, Spidered Soul by up-and-coming writer Féilim James inspired by the life stories  of Lucia Joyce (1907-1982)\, a dancer and her father\, the writer James Joyce (1882-1941). \n\n\n\nLucia Joyce and her father James are roused from death by an eloquent clown. The duo’s joyful reunion soon gives way to old quarrels\, as their mysterious resuscitator informs them of events subsequent to their passing. The clown’s central motive is to present James with a question\, a dilemma\, the answer to which holds the power to alter the past and jeopardise everything he worked for. This funny and moving play pits personal ambition against love for family\, all the while challenging prevailing notions about its protagonists: Lucia as the mad daughter\, and James as the genius father who did all he could to save his daughter. \n\n\n\nSpeaker Biographies:\n\n\n\n\n\n\n\n\n\n\n\nMary Moynihan\, (she/her)\, MA\, is an award-winning writer\, director\, theatre and film-maker\, an interdisciplinary artist and one of Ireland’s most innovative arts and human rights artists creating work to promote the arts\, human rights\, climate justice\, gender equality\, diversity and peace.  \n\n\n\nMary is Artistic Director of Smashing Times International Centre for the Arts and Equality and works  collaboratively with artists and over 50 organisations across Ireland\, Northern Ireland\, Europe and internationally\, using the arts to promote rights and values for all.   Company patrons of Smashing Times are Sabina Coyne Higgins\, Senator Joan Freeman\, founder of Pieta House\, Ger Ryan\, actor and Tim Pat Coogan\, writer and historian. Founding patrons were writers Maeve Binchy and Brian Friel. \n\n\n\nMary’s work has won a number of awards including the Allianz Business to Arts Awards\, a GSK Ireland Impact Award\, a Dublin Bus Community Spirit Award\, a National Lottery Good Cause Award\, the international #ArtsAgainstCovid award\, an Arts Council Project Award and an Arts Council Agility Award. \n\n\n\nMary is Artistic Curator for the annual Dublin Arts and Human Rights festival implemented by Smashing Times and Front Line Defenders in partnership with Amnesty International\, Fighting Words\, ICCL\,  NWCI\, Irish Modern Dance Theatre\, Trócaire and Poetry Ireland\, funded by The Arts Council. The aim of the festival is to showcase and highlight the extraordinary work of human rights defenders in Ireland and around the world\, past and present\, and the role of the arts and artists in promoting human rights today. \n\n\n\nMary’s artistic practice encompasses theatre\, film\, literature\, poetry\, and curatorship. Mary’s work focuses on primal\, visceral and intuitive responses to vulnerability and conflict and an exploration of self and the other. Her work explores an interconnectedness of the body\, voice and imagination\, revealing the inner life through physical and spiritual energies and intuitive engagements. Mary has a focus on using historical memory in her artistic practice as inspiration for the creation of original artworks across a range of mediums\, remembering stories of ordinary yet powerful women and men from history and today who stood up for the rights of others. \n\n\n\nAs a playwright\, Mary’s work includes the highly acclaimed The Woman is Present: Women’s Stories of WWII co-written with Paul Kennedy\, Fiona Thompson and Féilim James;  A Beauty that will Pass; Constance and Her Friends – selected by President Michael D. Higgins for performance at Áras an Uachtaráin for Culture Night 2016;  In One Breath from the award-winning Testimonies(co-written with Paul Kennedy); and Shadow of My Soul\, May Our Faces Haunt You and Silent Screams.  \n\n\n\nMary’s film work includes the hour-long documentary Stories from the Shadows\, the short film Tell Them Our Names\, inspired by women’s stories of WWII and selected for the London Eye International Film Festival and Kerry Film Festival\, the creative documentary Women in an Equal Europe and the short films Courageous Women and Grace and Joe inspired by powerful women’s stories from the 1916 to 1923 decade of commemorations period in Irish history.  \n\n\n\n\n\n\n\n\n\n\n\n\n\nFéilim James is an award-winning writer from Dublin\, Ireland. In 2020\, the Arts of Council of Ireland awarded Féilim a Literature Bursary Award to finish his debut novel\, Flower of Ash\, as well as a Professional Development Award. He received an Arts Bursary from Dublin City Arts Office in 2021 to finish his first poetry collection\, I was a river\, lost. His short fiction and poetry have appeared in numerous journals\, including The Fiction Pool\, The Galway Review\, and Icarus. His work through Irish\, under Féilim Ó Brádaigh\, has won seven Oireachtas na Gaeilge literary awards. His short fiction and poetry\, through English and Irish\, have appeared in a number of journals\, including The Fiction Pool\, The Galway Review\, Icarus\, and Comhar. A short film Féilim wrote\, titled The Big No\, produced by Smashing Times\, was shortlisted by the IndieX Film Festival\, and his play At Summer’s End has toured Ireland. \n\n\n\nIn The Big No\, a young man tells the story of his psychological unravelling and subsequent mental health crisis. Told in the form of a voiceover monologue accompanied by compelling imagery\, this poetic short film takes us on a journey of despair\, introspection\, and hope. As he battles against panic attacks and suicidal thoughts\, he is forced to face the ‘why’ of his problems head on\, learning some essential truths about himself and the world. \n\n\n\nFéilim’s play At Summer’s End has been on tour with Smashing Times as part of The Woman is Present: Women’s Stories of WWII.  At Summer’s End is based on the life-story of Ettie Steinberg\, an Irish woman who was murdered\, along with her family\, at Auschwitz  \n\n\n\nFéilim’s themes are wide-ranging\, and include identity\, mental illness\, guilt\, human animalism\, death\, and humankind’s relationship with nature. He is committed to maintaining an ever evolving and progressive approach to his work\, with each book both building on the last and differing in a vital way. In other words\, the aforementioned themes will change as time passes\, as will their stylistic rendering. ‘My inspirations are many and wide-ranging. To the fore are James Joyce\, Sylvia Plath\, John Banville\, Marilynne Robinson\, Ted Hughes\, TS Eliot\, Seán Ó Ríordáin\, and Radiohead’. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMichael McCabe is a performer\, theatre director\, movement choreographer\, facilitator and arts therapist. He is a graduate of the prestigious Ecole Internationale de Theatre Jacques Lecoq\, Paris\, France\, and The Gaiety School of Acting\, Dublin\, Ireland. \n\n\n\nHis theatre appearances include The Drowning Room (Project Arts Centre)\, Borstal Boy\, The Risen People (The Gaiety Theatre)\, A Christmas Carol\, The Ginger Ale Boy (Corcadorca Theatre Company)\, Lives Worth Living (Graffiti Theatre Company)\, Good Evening Mr Joyce (Samuel Beckett Centre)\, Diarmuid agus Grainne\, An Bradan Feasa\, The Libertine\, New World Order (Iomha Illdanach Theatre Company)\, Promises\, Promises  (Project Arts Centre)\, A Day With Daghdha (Daghdha Dance Company)\, Macbeth\, Six Characters in Search for an Author\, St. Joan\, Ariel (all at the Abbey Theatre)\, Wheel\, Jeckyll and Hyde (Dublin and Prague Fringe Festivals)\, Resist /Surrender (Dublin Dance Festival)\, and Where The Shoe Pinches (The Pavilion Theatre). He was clown co-ordinator for 35 clowns and appeared in Barabbas Theatre Company’s production\, City of Clowns\, at the Dunamaise\, Junction and Eargail Arts Festivals\, and The Complex\, Smithfield and appeared in Pagliacci at The Everyman Place Theatre\, as part of Cork Midsummer Festival. \n\n\n\nHis television and film appearances include Aristocrats (BBC)\, Ireland:1848\, (RTE)\, Window (IFI)\, All God’s Children (RTE/IFI)\, Nationwide (RTE). In 2021\, Michael will appear in Bean Sidhe\, Sweetcake\, and Sodium Party\, a new feature film directed by Michael McCudden. \n\n\n\nDirecting credits include: The Dead Woman’s Son (Smock Alley Theatre)\, A Wonderful Life\, Peter Pan’s Cirque D’Imaginaire (TU Dublin Theatre)\, Showcases 2017-2019 (The New Theatre) and in 2020\, The Grimm Tales (Smock Alley Theatre). Recent appearances include Footfalls\, The Journey Home\, and in Mermaid Arts Centre for Culture night on a work-in-progress\, His Left\, Her Right\, supported by Mermaid and Wicklow Arts Office.  \n\n\n\nMichael has an M.A. (Honours) in Dramatherapy from the National University of Ireland\, Maynooth\, an M.A. in Modern Drama Studies from University College Dublin\, and a B.A. (Honours) in Communication Studies from Dublin City University. He has directed theatre work in the HSE\, the Dyspraxia Association of Ireland\, Trinity College Dublin\, St. Michael’s house\, and with other special needs organisations and schools with a focus on developing the potential of theatre for working with diverse groups.  \n\n\n\nMichael has been working as a Movement Director\, teaching extensive movement classes for actors at the Conservatory of Music and Drama\, TU Dublin\, the National Association of Youth Drama\, Ringsend Institute\, the Department of Performing Arts\, Bray Institute of Further Education\, and The Gaiety School of Acting (full time course).                                                                                                                                \n\n\n\nMichael is a resident artist with Smashing Times International Centre for the Arts and Equality and works with Smashing Times as a performer\, director and arts facilitator on a range of projects from Acting for the Future to Legends of the Great Birth to State of the Art.  His theatre company\, Ruaille Buaille\, is building a physical theatre ensemble style based on the techniques of Jacques Lecoq\, Anne Bogart\, and Arianne Mouchkine. Michael was movement director on The Merchant of Venice\, at Mermaid Arts Centre\, and on the world premiere of Guerilla Days in Ireland in The Olympia Theatre\, Dublin  \n\n\n\nMichael is a graduate of National University of Ireland\, Maynooth\, (M.A. Dramatherapy\, 2.1 Honours)\, and was awarded a scholarship to train with internationally renowned theatre director Anne Bogart in New York. Bursary awards include South Dublin County Council\, Irish Actors Equity\, and The Arts Council. Michael recently completed training in Suzuki and Viewpoints Techniques under Tadashi Suzuki of SCOT Theatre Company\, in Toga Mura\, Japan.   \n\n\n\n\n\n\n\n\n\n\n\n\n\nPatrick has been working as an actor and director in Dublin since moving here from New York. He recently directed ‘Dolly and Mick’ in the Civic and Viking theatres. Other productions include  ‘Lone Star and Laundry and Bourbon’\,  in The Focus. ‘The Prodger’\, ‘The Boys’ in The New Theatre and ‘Drinking in America’ for ‘Bottom Dog Theatre’ in ‘The Belltabe’ which toured Ireland. \n\n\n\n\n\n\n\n\n\n\n\n\n\nFiona Bawn-Thompson is an actor\, writer\, and the director of a highly successful performing arts academy.  After graduating with her Drama degree from Queens University Belfast in 2004 she went on to train as an actor with the Lyric Theatre Drama Studio.  She has extensive experience in all genres of theatre\, film and dance and shares this passion and knowledge with the young people she teaches.  Fiona also runs a wellbeing company and incorporates movement and drama strategies into her practice to enhance the experience for her clients.  She has performed and toured with many shows for Smashing Times Theatre Company\, including “The Woman is Present”\, “Thou Shalt Not Kill”\, and “Women\, War & Peace”.  In recent years she has been working extensively in the film industry as a supporting artist in films and series such as “The Northman”\, “Line of Duty”\, “The Woman in the Wall”\, and “Dungeons and Dragons”\, to name but a few.  \n\n\n\n\n\n\n\n\n\n\n\n\n\nDaniel is a graduate of The Lir Academy. Graduating from The Three Year Bachelor in Acting in 2022. \n\n\n\nStage credits include ‘EXIT> PURSUED BY A PINT’ a new play by Kat Ennis for Scene and Heard Festival 2023\,  the role of ‘The Black O’Donnell’ in the Quintessence Theatre/An Taín production of INTO THE DARK and the role of ‘Patrick Hogan’ in ANU Productions’ STAGING THE TREATY at the National Concert Hall which was also screened at the IFI and streamed on RTÉ’s website and IFI@Home. \n\n\n\nWhile at The Lir he played\, Francois ‘Franz/Frank’ Lafayette in Branden Jacobs-Jenkins’ APPROPRIATE directed by Joy Nesbitt; Barnardine & Froth in Shakespeare’s MEASURE FOR MEASURE directed by Joe Dowling; John Morris in Kate O’Brien’s DISTINGUISHED VILLA directed by Hilary Wood; Vladimir in Chekov’s THREE SISTERS directed by Marc Atkinson Borrull and Dr. Gibbs in Thornton Wilder’s OUR TOWN directed by Wayne Jordan. \n\n\n\nHis Scene Credits include Paul in the IFTA-nominated feature WHO WE LOVE directed by Graham Cantwell; the short film WAITING directed by Sinéad O’Louglin at The Lir\, and the role of Eddie in Pancake Studios’ short film NEVER ALONE. \n\n\n\n\n\n\n\n\n\n\n\n\n\nJohn Scott is a Dublin born choreographer\, performer\, founder and Artistic Director of Irish Modern Dance Theatre\, Dancer from the Dance Festival and member of Aosdána. He studied and performed at Irish National College of Dance/Dublin City Ballet from 1982 to 1985 in works by Anton Dolin\, Anna Sokolow\, Pearl Gaden and Babil Gandara. \n\n\n\nHis choreographic works include Divine Madness\, Inventions\, Cloud Study\, Everything Now\, Lear\, Fall and Recover\, Actions in Ireland at Dublin Dance Festival\, Galway International Arts Festival\, Kilkenny Arts Festival\,  Dublin Fringe Festival and internationally at John F Kennedy Center\, Washington  DC\, New York Live Arts\, La MaMa\, Danspace Project at St Mark’s Church\, PS  122\, New York and Dance Base\, Edinburgh\, Sounded Bodies Festival and Queer  Zagreb\, Croatia\, Les Hivernales\, Avignon\, Tanzmesse Dusseldorf\, Forum Cultural  Mundial\, Brazil. \n\n\n\nHe danced in Oona Doherty’s Hard to be Soft\, Meredith Monk’s Quarry (Spoleto Festival) and for Yoshiko Chuma\, Sarah Rudner\, Anna Sokolow and Thomas Lehmen. He recently collaborated with Pan Pan on Beckett’s QUAD. \n\n\n\nJohn was awarded African Refugee Network’s Culture Award for his work with Refugees and Survivors of Torture and is a subject of Sadlers Wells’ 52 Portraits by Jonathan Burrows\, Matteo Fargion and Hugo Glendinning. He has taught dance and choreography at the Irish World Academy\, University of Limerick; The Body in Performance\, Drama Department\, UCD; Drama Department NUIG; Drexel University\, Philidelphia; University of Colorado at Boulder\, USA and San Jose State University\, CA\, USA. He was a founding board member of Dublin Dance Festival and Dance Ireland. \n\n\n\n\n\n\n\n\n\n\n\n\n\nScott is a new-media\, digital and film artist working across film\, audio-visual art\, live performance and dance.  \n\n\n\nFrom Limerick in Ireland\, he works freelance under the alias YÚLON in which he specialises in the creation of immersive storytelling and shared\, blended reality experiences. The output medium is usually a fusion of installation\, performance or film. His work concerns investigating the human-technology relationship in a post-digital context\, often considering how we can use digital technology to become “more” human. \n\n\n\nThe art that Scott creates is mostly for unconventional venues such as derelict/vacant buildings\, liminal spaces and also public spaces. The lack of borders and ability to humanise a space with art is an important anchor for him to create from.  \n\n\n\nScott graduated from the University of Limerick in 2016 with a BSc in Music\, Media\, and Performance Technology\, and has since been awarded several accolades\, including a Made in Limerick Grant and a Residential Art Apartment. They were also recently selected for the prestigious Cybernate Digital Art Residency\, an Arts Council International Residency spanning Lyon and Galway.  \n\n\n\nScott’s artistic journey began with filmmaking and videography in 2013\, where they discovered their passion for capturing the expressive nature of Dance. In 2015\, their dance film ‘Release’ unintentionally became a screendance piece\, earning the title of Best Student Film at The Light Moves Film Festival of Screendance and being showcased at festivals across the US\, Sweden\, and Georgia.  \n\n\n\nHis deep interest in storytelling on screen led him to explore more immersive platforms for storytelling\, and their final year research project at the University of Limerick investigated building a bi-directional channel of feedback between dancers and a real-time visual artist. This research culminated in the creation of ‘Ledge\,’ an immersive projection and live dance performance in 2016.  \n\n\n\nSince then Scott has produced several immersive artworks that include Plastic Tears\, 2019\, a_blue_crush\, 2019 and Tairseach (portal)\, 2021. He also continues to help develop the new-media arts community across Ireland with the collective he is part of called Concept Null. \n\n\n\n\n\nStates of Independence\n\n\n\nThis event is part of States of Independence\, a project that celebrates the stories of change-makers from the Decade of Centenaries 1912-1922 linked to the stories of change-makers today working to make society a better place. The stories gathered act as inspiration for the creation of new artworks by ten artists\, working in visual art\, film\, dance\, theatre\, creative writing and digital arts.  \n\n\n\nThe artists come together to create a range of artworks and performances for public display in sites – both ancient and modern – across Ireland and for display via a creative billboards campaign and online on the Smashing Times Virtual Art Gallery. The stories\, artworks and performances are shared with public audiences to reflect on modern day revolutionary visions for the future inspired by the past\, launched for the annual Dublin International Arts and Human Rights festival 13 to 22 October 2023. The internationally acclaimed team of ten artists is led by Mary Moynihan\, an award-winning writer\, poet\, director\, theatre and filmmaker and Artistic Director\, Smashing Times International Centre for the Arts and Equality\, working with John Scott\, Artistic Director and Choreographer\, Irish Modern Dance Theatre\, and a range of artists working in literature\, visual arts\, theatre\, film and new digital technologies.  \n\n\n\nEvents are accompanied by panel discussions and public talks on new visions for a peaceful and equal society for all. Events  take place in Dublin\, Kerry\, Clare and Donegal with online work accessible across Ireland and internationally\, celebrating changemakers and heroes from the past and today\,  bringing people together to promote active citizenship\,  equality\, human rights and diversity and celebrating new visions for a peaceful and equal future for all.  \n\n\n\nFor further information please contact Freda Manweiler\, producer\, telephone 087 2214245 or email freda@smashingtimes.ie \n\n\n\nPresented by Smashing Times International Centre for the Arts and Equality \n\n\n\nAs part of States of Independence – A Celebration of Change-Makers \n\n\n\nSupported by The Arts Council Open Call \n\n\n\nAs part of ART: 2023 a Decade of Centenaries Collaboration between The Arts Council and the Department of Tourism\, Culture\, Arts\, Gaeltacht\, Sport and Media. \n\n\n\nPresented for the annual international Arts and Human Rights Festival and Theatre in Palm. \n\n\n\nFor information telephone 021 4215104 10am-1pm Monday to Friday or email admin@smashingtimes.ie \n\n\n\nBookings:  www.smashingtimes.ieSmashing Times don’t want ticket cost to be a barrier to experiencing any of our shows. Please contact admin@smashingtimes.ie if you would like to attend. \n\n\n\n \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/states-of-independence-live-multidisciplinary-performance-2/
LOCATION:The Pumphouse\, Dublin Port\, Alexandra Road\, Dublin 1
CATEGORIES:Dance,Interdisciplinary,Performance,Theatre
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2023/08/Fiona-Bawn-Woman-is-Present-1.jpg
ORGANIZER;CN="Smashing Times":MAILTO:info@smashingtimes.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20231013T193000
DTEND;TZID=Europe/Dublin:20231013T210000
DTSTAMP:20231106T200550Z
CREATED:20230831T150202Z
LAST-MODIFIED:20231106T200550Z
UID:10000383-1697225400-1697230800@smashingtimes.ie
SUMMARY:States of Independence - Live Multidisciplinary Performance
DESCRIPTION:Belonging: Three-Day Creative Arts Workshop\n\n\n\n\n\n\n\n\n\nWorkshop: Tuesday 26 May\, 9.30am-12.30pm; Wednesday 27 May\, 11am-2pm; Thursday 28 May\, 11am-2pm. Open to all female-identifying\, registration required.  \n\n\nBook Your Place\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\nArtists\n\n\n\nDirector Patrick ByrnesProducer Freda ManweilerStage Manager Clare McLoughlinPerformers Michael McCabe\, Fiona Bawn-Thompson\, Daniel MahonWriters Mary Moynihan\, Féilim James\, Michael McCabeSet Design Saoirse O’SheaCostumes Saoirse O’SheaChoreographer John ScottAssistant Choreographer Rebecca ReillyDancers John Scott\, Rebecca ReillyFilming and projections Scott Robinson \n\n\n\nFull Event Details\n\n\n\nStates of Independence is a live\, multi-disciplinary\, collaborative performance presented by Smashing Times International Centre for the Arts and Equality at the Pumphouse\, Alexandra Road\, Dublin Port\, Dublin for six performances only on Friday 13\, Saturday  14\, Wednesday 18\, Friday 20\, Saturday 21\, Sunday 22 October 2023\, nightly at 7.30pm. This multidisciplinary performance by Mary Moynihan\, Féilim James and Michael McCabe\,  is inspired by stories of change-maker activists and artists from the Decade of Centenaries and combines theatre\, film screenings\, poetry\, film projections and live music. \n\n\n\nA key part of the performance is the world premiere of a unique play Sole Flower\, Spidered Soul by up-and-coming writer Féilim James inspired by the life stories  of Lucia Joyce (1907-1982)\, a dancer and her father\, the writer James Joyce (1882-1941). \n\n\n\nLucia Joyce and her father James are roused from death by an eloquent clown. The duo’s joyful reunion soon gives way to old quarrels\, as their mysterious resuscitator informs them of events subsequent to their passing. The clown’s central motive is to present James with a question\, a dilemma\, the answer to which holds the power to alter the past and jeopardise everything he worked for. This funny and moving play pits personal ambition against love for family\, all the while challenging prevailing notions about its protagonists: Lucia as the mad daughter\, and James as the genius father who did all he could to save his daughter. \n\n\n\nSpeaker Biographies:\n\n\n\n\n\n\n\n\n\n\n\nMary Moynihan\, (she/her)\, MA\, is an award-winning writer\, director\, theatre and film-maker\, an interdisciplinary artist and one of Ireland’s most innovative arts and human rights artists creating work to promote the arts\, human rights\, climate justice\, gender equality\, diversity and peace.  \n\n\n\nMary is Artistic Director of Smashing Times International Centre for the Arts and Equality and works  collaboratively with artists and over 50 organisations across Ireland\, Northern Ireland\, Europe and internationally\, using the arts to promote rights and values for all.   Company patrons of Smashing Times are Sabina Coyne Higgins\, Senator Joan Freeman\, founder of Pieta House\, Ger Ryan\, actor and Tim Pat Coogan\, writer and historian. Founding patrons were writers Maeve Binchy and Brian Friel. \n\n\n\nMary’s work has won a number of awards including the Allianz Business to Arts Awards\, a GSK Ireland Impact Award\, a Dublin Bus Community Spirit Award\, a National Lottery Good Cause Award\, the international #ArtsAgainstCovid award\, an Arts Council Project Award and an Arts Council Agility Award. \n\n\n\nMary is Artistic Curator for the annual Dublin Arts and Human Rights festival implemented by Smashing Times and Front Line Defenders in partnership with Amnesty International\, Fighting Words\, ICCL\,  NWCI\, Irish Modern Dance Theatre\, Trócaire and Poetry Ireland\, funded by The Arts Council. The aim of the festival is to showcase and highlight the extraordinary work of human rights defenders in Ireland and around the world\, past and present\, and the role of the arts and artists in promoting human rights today. \n\n\n\nMary’s artistic practice encompasses theatre\, film\, literature\, poetry\, and curatorship. Mary’s work focuses on primal\, visceral and intuitive responses to vulnerability and conflict and an exploration of self and the other. Her work explores an interconnectedness of the body\, voice and imagination\, revealing the inner life through physical and spiritual energies and intuitive engagements. Mary has a focus on using historical memory in her artistic practice as inspiration for the creation of original artworks across a range of mediums\, remembering stories of ordinary yet powerful women and men from history and today who stood up for the rights of others. \n\n\n\nAs a playwright\, Mary’s work includes the highly acclaimed The Woman is Present: Women’s Stories of WWII co-written with Paul Kennedy\, Fiona Thompson and Féilim James;  A Beauty that will Pass; Constance and Her Friends – selected by President Michael D. Higgins for performance at Áras an Uachtaráin for Culture Night 2016;  In One Breath from the award-winning Testimonies(co-written with Paul Kennedy); and Shadow of My Soul\, May Our Faces Haunt You and Silent Screams.  \n\n\n\nMary’s film work includes the hour-long documentary Stories from the Shadows\, the short film Tell Them Our Names\, inspired by women’s stories of WWII and selected for the London Eye International Film Festival and Kerry Film Festival\, the creative documentary Women in an Equal Europe and the short films Courageous Women and Grace and Joe inspired by powerful women’s stories from the 1916 to 1923 decade of commemorations period in Irish history.  \n\n\n\n\n\n\n\n\n\n\n\n\n\nFéilim James is an award-winning writer from Dublin\, Ireland. In 2020\, the Arts of Council of Ireland awarded Féilim a Literature Bursary Award to finish his debut novel\, Flower of Ash\, as well as a Professional Development Award. He received an Arts Bursary from Dublin City Arts Office in 2021 to finish his first poetry collection\, I was a river\, lost. His short fiction and poetry have appeared in numerous journals\, including The Fiction Pool\, The Galway Review\, and Icarus. His work through Irish\, under Féilim Ó Brádaigh\, has won seven Oireachtas na Gaeilge literary awards. His short fiction and poetry\, through English and Irish\, have appeared in a number of journals\, including The Fiction Pool\, The Galway Review\, Icarus\, and Comhar. A short film Féilim wrote\, titled The Big No\, produced by Smashing Times\, was shortlisted by the IndieX Film Festival\, and his play At Summer’s End has toured Ireland. \n\n\n\nIn The Big No\, a young man tells the story of his psychological unravelling and subsequent mental health crisis. Told in the form of a voiceover monologue accompanied by compelling imagery\, this poetic short film takes us on a journey of despair\, introspection\, and hope. As he battles against panic attacks and suicidal thoughts\, he is forced to face the ‘why’ of his problems head on\, learning some essential truths about himself and the world. \n\n\n\nFéilim’s play At Summer’s End has been on tour with Smashing Times as part of The Woman is Present: Women’s Stories of WWII.  At Summer’s End is based on the life-story of Ettie Steinberg\, an Irish woman who was murdered\, along with her family\, at Auschwitz  \n\n\n\nFéilim’s themes are wide-ranging\, and include identity\, mental illness\, guilt\, human animalism\, death\, and humankind’s relationship with nature. He is committed to maintaining an ever evolving and progressive approach to his work\, with each book both building on the last and differing in a vital way. In other words\, the aforementioned themes will change as time passes\, as will their stylistic rendering. ‘My inspirations are many and wide-ranging. To the fore are James Joyce\, Sylvia Plath\, John Banville\, Marilynne Robinson\, Ted Hughes\, TS Eliot\, Seán Ó Ríordáin\, and Radiohead’. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMichael McCabe is a performer\, theatre director\, movement choreographer\, facilitator and arts therapist. He is a graduate of the prestigious Ecole Internationale de Theatre Jacques Lecoq\, Paris\, France\, and The Gaiety School of Acting\, Dublin\, Ireland. \n\n\n\nHis theatre appearances include The Drowning Room (Project Arts Centre)\, Borstal Boy\, The Risen People (The Gaiety Theatre)\, A Christmas Carol\, The Ginger Ale Boy (Corcadorca Theatre Company)\, Lives Worth Living (Graffiti Theatre Company)\, Good Evening Mr Joyce (Samuel Beckett Centre)\, Diarmuid agus Grainne\, An Bradan Feasa\, The Libertine\, New World Order (Iomha Illdanach Theatre Company)\, Promises\, Promises  (Project Arts Centre)\, A Day With Daghdha (Daghdha Dance Company)\, Macbeth\, Six Characters in Search for an Author\, St. Joan\, Ariel (all at the Abbey Theatre)\, Wheel\, Jeckyll and Hyde (Dublin and Prague Fringe Festivals)\, Resist /Surrender (Dublin Dance Festival)\, and Where The Shoe Pinches (The Pavilion Theatre). He was clown co-ordinator for 35 clowns and appeared in Barabbas Theatre Company’s production\, City of Clowns\, at the Dunamaise\, Junction and Eargail Arts Festivals\, and The Complex\, Smithfield and appeared in Pagliacci at The Everyman Place Theatre\, as part of Cork Midsummer Festival. \n\n\n\nHis television and film appearances include Aristocrats (BBC)\, Ireland:1848\, (RTE)\, Window (IFI)\, All God’s Children (RTE/IFI)\, Nationwide (RTE). In 2021\, Michael will appear in Bean Sidhe\, Sweetcake\, and Sodium Party\, a new feature film directed by Michael McCudden. \n\n\n\nDirecting credits include: The Dead Woman’s Son (Smock Alley Theatre)\, A Wonderful Life\, Peter Pan’s Cirque D’Imaginaire (TU Dublin Theatre)\, Showcases 2017-2019 (The New Theatre) and in 2020\, The Grimm Tales (Smock Alley Theatre). Recent appearances include Footfalls\, The Journey Home\, and in Mermaid Arts Centre for Culture night on a work-in-progress\, His Left\, Her Right\, supported by Mermaid and Wicklow Arts Office.  \n\n\n\nMichael has an M.A. (Honours) in Dramatherapy from the National University of Ireland\, Maynooth\, an M.A. in Modern Drama Studies from University College Dublin\, and a B.A. (Honours) in Communication Studies from Dublin City University. He has directed theatre work in the HSE\, the Dyspraxia Association of Ireland\, Trinity College Dublin\, St. Michael’s house\, and with other special needs organisations and schools with a focus on developing the potential of theatre for working with diverse groups.  \n\n\n\nMichael has been working as a Movement Director\, teaching extensive movement classes for actors at the Conservatory of Music and Drama\, TU Dublin\, the National Association of Youth Drama\, Ringsend Institute\, the Department of Performing Arts\, Bray Institute of Further Education\, and The Gaiety School of Acting (full time course).                                                                                                                                \n\n\n\nMichael is a resident artist with Smashing Times International Centre for the Arts and Equality and works with Smashing Times as a performer\, director and arts facilitator on a range of projects from Acting for the Future to Legends of the Great Birth to State of the Art.  His theatre company\, Ruaille Buaille\, is building a physical theatre ensemble style based on the techniques of Jacques Lecoq\, Anne Bogart\, and Arianne Mouchkine. Michael was movement director on The Merchant of Venice\, at Mermaid Arts Centre\, and on the world premiere of Guerilla Days in Ireland in The Olympia Theatre\, Dublin  \n\n\n\nMichael is a graduate of National University of Ireland\, Maynooth\, (M.A. Dramatherapy\, 2.1 Honours)\, and was awarded a scholarship to train with internationally renowned theatre director Anne Bogart in New York. Bursary awards include South Dublin County Council\, Irish Actors Equity\, and The Arts Council. Michael recently completed training in Suzuki and Viewpoints Techniques under Tadashi Suzuki of SCOT Theatre Company\, in Toga Mura\, Japan.   \n\n\n\n\n\n\n\n\n\n\n\n\n\nPatrick has been working as an actor and director in Dublin since moving here from New York. He recently directed ‘Dolly and Mick’ in the Civic and Viking theatres. Other productions include  ‘Lone Star and Laundry and Bourbon’\,  in The Focus. ‘The Prodger’\, ‘The Boys’ in The New Theatre and ‘Drinking in America’ for ‘Bottom Dog Theatre’ in ‘The Belltabe’ which toured Ireland. \n\n\n\n\n\n\n\n\n\n\n\n\n\nFiona Bawn-Thompson is an actor\, writer\, and the director of a highly successful performing arts academy.  After graduating with her Drama degree from Queens University Belfast in 2004 she went on to train as an actor with the Lyric Theatre Drama Studio.  She has extensive experience in all genres of theatre\, film and dance and shares this passion and knowledge with the young people she teaches.  Fiona also runs a wellbeing company and incorporates movement and drama strategies into her practice to enhance the experience for her clients.  She has performed and toured with many shows for Smashing Times Theatre Company\, including “The Woman is Present”\, “Thou Shalt Not Kill”\, and “Women\, War & Peace”.  In recent years she has been working extensively in the film industry as a supporting artist in films and series such as “The Northman”\, “Line of Duty”\, “The Woman in the Wall”\, and “Dungeons and Dragons”\, to name but a few.  \n\n\n\n\n\n\n\n\n\n\n\n\n\nDaniel is a graduate of The Lir Academy. Graduating from The Three Year Bachelor in Acting in 2022. \n\n\n\nStage credits include ‘EXIT> PURSUED BY A PINT’ a new play by Kat Ennis for Scene and Heard Festival 2023\,  the role of ‘The Black O’Donnell’ in the Quintessence Theatre/An Taín production of INTO THE DARK and the role of ‘Patrick Hogan’ in ANU Productions’ STAGING THE TREATY at the National Concert Hall which was also screened at the IFI and streamed on RTÉ’s website and IFI@Home. \n\n\n\nWhile at The Lir he played\, Francois ‘Franz/Frank’ Lafayette in Branden Jacobs-Jenkins’ APPROPRIATE directed by Joy Nesbitt; Barnardine & Froth in Shakespeare’s MEASURE FOR MEASURE directed by Joe Dowling; John Morris in Kate O’Brien’s DISTINGUISHED VILLA directed by Hilary Wood; Vladimir in Chekov’s THREE SISTERS directed by Marc Atkinson Borrull and Dr. Gibbs in Thornton Wilder’s OUR TOWN directed by Wayne Jordan. \n\n\n\nHis Scene Credits include Paul in the IFTA-nominated feature WHO WE LOVE directed by Graham Cantwell; the short film WAITING directed by Sinéad O’Louglin at The Lir\, and the role of Eddie in Pancake Studios’ short film NEVER ALONE. \n\n\n\n\n\n\n\n\n\n\n\n\n\nJohn Scott is a Dublin born choreographer\, performer\, founder and Artistic Director of Irish Modern Dance Theatre\, Dancer from the Dance Festival and member of Aosdána. He studied and performed at Irish National College of Dance/Dublin City Ballet from 1982 to 1985 in works by Anton Dolin\, Anna Sokolow\, Pearl Gaden and Babil Gandara. \n\n\n\nHis choreographic works include Divine Madness\, Inventions\, Cloud Study\, Everything Now\, Lear\, Fall and Recover\, Actions in Ireland at Dublin Dance Festival\, Galway International Arts Festival\, Kilkenny Arts Festival\,  Dublin Fringe Festival and internationally at John F Kennedy Center\, Washington  DC\, New York Live Arts\, La MaMa\, Danspace Project at St Mark’s Church\, PS  122\, New York and Dance Base\, Edinburgh\, Sounded Bodies Festival and Queer  Zagreb\, Croatia\, Les Hivernales\, Avignon\, Tanzmesse Dusseldorf\, Forum Cultural  Mundial\, Brazil. \n\n\n\nHe danced in Oona Doherty’s Hard to be Soft\, Meredith Monk’s Quarry (Spoleto Festival) and for Yoshiko Chuma\, Sarah Rudner\, Anna Sokolow and Thomas Lehmen. He recently collaborated with Pan Pan on Beckett’s QUAD. \n\n\n\nJohn was awarded African Refugee Network’s Culture Award for his work with Refugees and Survivors of Torture and is a subject of Sadlers Wells’ 52 Portraits by Jonathan Burrows\, Matteo Fargion and Hugo Glendinning. He has taught dance and choreography at the Irish World Academy\, University of Limerick; The Body in Performance\, Drama Department\, UCD; Drama Department NUIG; Drexel University\, Philidelphia; University of Colorado at Boulder\, USA and San Jose State University\, CA\, USA. He was a founding board member of Dublin Dance Festival and Dance Ireland. \n\n\n\n\n\n\n\n\n\n\n\n\n\nScott is a new-media\, digital and film artist working across film\, audio-visual art\, live performance and dance.  \n\n\n\nFrom Limerick in Ireland\, he works freelance under the alias YÚLON in which he specialises in the creation of immersive storytelling and shared\, blended reality experiences. The output medium is usually a fusion of installation\, performance or film. His work concerns investigating the human-technology relationship in a post-digital context\, often considering how we can use digital technology to become “more” human. \n\n\n\nThe art that Scott creates is mostly for unconventional venues such as derelict/vacant buildings\, liminal spaces and also public spaces. The lack of borders and ability to humanise a space with art is an important anchor for him to create from.  \n\n\n\nScott graduated from the University of Limerick in 2016 with a BSc in Music\, Media\, and Performance Technology\, and has since been awarded several accolades\, including a Made in Limerick Grant and a Residential Art Apartment. They were also recently selected for the prestigious Cybernate Digital Art Residency\, an Arts Council International Residency spanning Lyon and Galway.  \n\n\n\nScott’s artistic journey began with filmmaking and videography in 2013\, where they discovered their passion for capturing the expressive nature of Dance. In 2015\, their dance film ‘Release’ unintentionally became a screendance piece\, earning the title of Best Student Film at The Light Moves Film Festival of Screendance and being showcased at festivals across the US\, Sweden\, and Georgia.  \n\n\n\nHis deep interest in storytelling on screen led him to explore more immersive platforms for storytelling\, and their final year research project at the University of Limerick investigated building a bi-directional channel of feedback between dancers and a real-time visual artist. This research culminated in the creation of ‘Ledge\,’ an immersive projection and live dance performance in 2016.  \n\n\n\nSince then Scott has produced several immersive artworks that include Plastic Tears\, 2019\, a_blue_crush\, 2019 and Tairseach (portal)\, 2021. He also continues to help develop the new-media arts community across Ireland with the collective he is part of called Concept Null. \n\n\n\n\n\nStates of Independence\n\n\n\nThis event is part of States of Independence\, a project that celebrates the stories of change-makers from the Decade of Centenaries 1912-1922 linked to the stories of change-makers today working to make society a better place. The stories gathered act as inspiration for the creation of new artworks by ten artists\, working in visual art\, film\, dance\, theatre\, creative writing and digital arts.  \n\n\n\nThe artists come together to create a range of artworks and performances for public display in sites – both ancient and modern – across Ireland and for display via a creative billboards campaign and online on the Smashing Times Virtual Art Gallery. The stories\, artworks and performances are shared with public audiences to reflect on modern day revolutionary visions for the future inspired by the past\, launched for the annual Dublin International Arts and Human Rights festival 13 to 22 October 2023. The internationally acclaimed team of ten artists is led by Mary Moynihan\, an award-winning writer\, poet\, director\, theatre and filmmaker and Artistic Director\, Smashing Times International Centre for the Arts and Equality\, working with John Scott\, Artistic Director and Choreographer\, Irish Modern Dance Theatre\, and a range of artists working in literature\, visual arts\, theatre\, film and new digital technologies.  \n\n\n\nEvents are accompanied by panel discussions and public talks on new visions for a peaceful and equal society for all. Events  take place in Dublin\, Kerry\, Clare and Donegal with online work accessible across Ireland and internationally\, celebrating changemakers and heroes from the past and today\,  bringing people together to promote active citizenship\,  equality\, human rights and diversity and celebrating new visions for a peaceful and equal future for all.  \n\n\n\nFor further information please contact Freda Manweiler\, producer\, telephone 087 2214245 or email freda@smashingtimes.ie \n\n\n\nPresented by Smashing Times International Centre for the Arts and Equality \n\n\n\nAs part of States of Independence – A Celebration of Change-Makers \n\n\n\nSupported by The Arts Council Open Call \n\n\n\nAs part of ART: 2023 a Decade of Centenaries Collaboration between The Arts Council and the Department of Tourism\, Culture\, Arts\, Gaeltacht\, Sport and Media. \n\n\n\nPresented for the annual international Arts and Human Rights Festival and Theatre in Palm. \n\n\n\nFor information telephone 021 4215104 10am-1pm Monday to Friday or email admin@smashingtimes.ie \n\n\n\nBookings:  www.smashingtimes.ieSmashing Times don’t want ticket cost to be a barrier to experiencing any of our shows. Please contact admin@smashingtimes.ie if you would like to attend. \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/states-of-independence-live-multidisciplinary-performance/
LOCATION:The Pumphouse\, Dublin Port\, Alexandra Road\, Dublin 1
CATEGORIES:Dance,Interdisciplinary,Performance,Theatre
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2023/08/Fiona-Bawn-Woman-is-Present-1.jpg
ORGANIZER;CN="Smashing Times":MAILTO:info@smashingtimes.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20231005T193000
DTEND;TZID=Europe/Dublin:20231006T203000
DTSTAMP:20231106T200834Z
CREATED:20231003T095945Z
LAST-MODIFIED:20231106T200834Z
UID:10000440-1696534200-1696624200@smashingtimes.ie
SUMMARY:Bullied
DESCRIPTION:Belonging: Three-Day Creative Arts Workshop\n\n\n\n\n\n\n\n\n\nWorkshop: Tuesday 26 May\, 9.30am-12.30pm; Wednesday 27 May\, 11am-2pm; Thursday 28 May\, 11am-2pm. Open to all female-identifying\, registration required.  \n\n\nBook Your Place\n\n\n\nTickets €12. Book here \n\n\n\nArtists\n\n\n\nMichael J Harnett\, writer \n\n\n\nVinnie McCabe\, actor \n\n\n\nShauna Brennan\, actor \n\n\n\nFull Event Details\n\n\n\nAnna\, (16) is spending mid-term break with Grandad who lives alone in the East Wall. But Anna is having problems. Her parents are not getting on. She is being secretly bullied. Sinister texts\, fake invites and on-line images are making her life hell. Grandad\, too\, is having problems. The gas company are about to cut him off. His bank is bouncing payments. And he can’t get answers to any of his questions. \n\n\n\nBullied is a cross-generational play with two people\, 50 years apart\, facing up to and finally challenging the on-line and secret world of cyber communication \n\n\n\nFive Lamps Arts Festival\n\n\n\nThe Five Lamps Arts Festival primary commitment is connecting the north inner city of Dublin with the arts and we achieve this through inclusivity\, participation\, environmental enhancement\, and the creation and presentation of locally relevant\, artistically ambitious work. Through this we aim to contribute to the development of the perception of the Five Lamps area as a positive and creative place in which to live and work. \n\n\n\nWe are best known for our flagship event The Five Lamps Arts Festival\, an award-winning annual community-based arts festival which has taken place each spring in the North East Inner City. \n\n\n\nToday\, in addition to the annual festival\, we run community arts programmes\, guided walking tours across the area\, workshops\, and events throughout the year. We also provide project management consulting to several volunteer and community groups. \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/bullied/2023-10-05/
LOCATION:Sean O’Casey Theatre\, 18-26 St Mary's Rd\, East Wall\, Dublin\, D03 AY74
CATEGORIES:Theatre
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2023/10/0001-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20231003T110000
DTEND;TZID=Europe/Dublin:20231006T170000
DTSTAMP:20231106T200834Z
CREATED:20231003T095945Z
LAST-MODIFIED:20231106T200834Z
UID:10000439-1696330800-1696611600@smashingtimes.ie
SUMMARY:Bullied
DESCRIPTION:Belonging: Three-Day Creative Arts Workshop\n\n\n\n\n\n\n\n\n\nWorkshop: Tuesday 26 May\, 9.30am-12.30pm; Wednesday 27 May\, 11am-2pm; Thursday 28 May\, 11am-2pm. Open to all female-identifying\, registration required.  \n\n\nBook Your Place\n\n\n\nTickets €12. Book here \n\n\n\nArtists\n\n\n\nMichael J Harnett\, writer \n\n\n\nVinnie McCabe\, actor \n\n\n\nShauna Brennan\, actor \n\n\n\nFull Event Details\n\n\n\nAnna\, (16) is spending mid-term break with Grandad who lives alone in the East Wall. But Anna is having problems. Her parents are not getting on. She is being secretly bullied. Sinister texts\, fake invites and on-line images are making her life hell. Grandad\, too\, is having problems. The gas company are about to cut him off. His bank is bouncing payments. And he can’t get answers to any of his questions. \n\n\n\nBullied is a cross-generational play with two people\, 50 years apart\, facing up to and finally challenging the on-line and secret world of cyber communication \n\n\n\nFive Lamps Arts Festival\n\n\n\nThe Five Lamps Arts Festival primary commitment is connecting the north inner city of Dublin with the arts and we achieve this through inclusivity\, participation\, environmental enhancement\, and the creation and presentation of locally relevant\, artistically ambitious work. Through this we aim to contribute to the development of the perception of the Five Lamps area as a positive and creative place in which to live and work. \n\n\n\nWe are best known for our flagship event The Five Lamps Arts Festival\, an award-winning annual community-based arts festival which has taken place each spring in the North East Inner City. \n\n\n\nToday\, in addition to the annual festival\, we run community arts programmes\, guided walking tours across the area\, workshops\, and events throughout the year. We also provide project management consulting to several volunteer and community groups. \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/bullied/2023-10-03/
LOCATION:Sean O’Casey Theatre\, 18-26 St Mary's Rd\, East Wall\, Dublin\, D03 AY74
CATEGORIES:Theatre
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2023/10/0001-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20230826T180000
DTEND;TZID=Europe/Dublin:20230826T193000
DTSTAMP:20230822T130410Z
CREATED:20230726T101015Z
LAST-MODIFIED:20230822T130410Z
UID:10000363-1693072800-1693078200@smashingtimes.ie
SUMMARY:Tales From an Afterworld
DESCRIPTION:Belonging: Three-Day Creative Arts Workshop\n\n\n\n\n\n\n\n\n\nWorkshop: Tuesday 26 May\, 9.30am-12.30pm; Wednesday 27 May\, 11am-2pm; Thursday 28 May\, 11am-2pm. Open to all female-identifying\, registration required.  \n\n\nBook Your Place\n\n\n\nSmashing Times never want ticket price to be a barrier to attendance. Please contact admin@smashingtimes.ie for a free ticket. \n\n\n\n\n\n\n\n\n\n\n\n\n\nArtists\n\n\n\nRob Harrington\, actor \n\n\n\nEmma Byrne\, musician \n\n\n\nFeilim James\, writer \n\n\n\nGeraldine McAlinden\, director \n\n\n\nMary Moynihan\, writer\, director\, theatre and filmmaker\, Artistic Director of Smashing Times International Centre for the Arts and Equality \n\n\n\nFull Event Details\n\n\n\nA Beauty That Will Pass by Mary Moynihan\, a poetical\, storytelling reflection inspired by the life stories and clandestine engagement of Sarah Curran (1782-1808) and Robert Emmet (1778-1803)\, leader of the 1803 Irish rebellion.  \n\n\n\nTales From an Afterworld  by Féilim James is a reflection on the life and work of William Butler Yeats (1865-1939)\, an Irish poet\,  dramatist\, and prose writer. He was awarded the Nobel Prize for literature in 1923 and is considered one of the great English-language poets of the twentieth century.  With poetry by Eva Gore-Booth  (1870-1926)\, a poet\, writer\, trade unionist\, campaigner for equality and a sister of the Irish revolutionary leader Constance Markiewicz and live music performed by violinist Emma Byrne.  The event culminates in a panel discussion on States of Independence – Artist Change-Makers from the Decade of Centenaries and New Visions for the Future with the artists and invited guest speakers. \n\n\n\nArtist Biographies:\n\n\n\n\n\n\n\n\n\n\n\nRob has enjoyed both national and international tours over the past 19 years of his acting career. He has most recently performed Tales from an Afterworld (WB Yeats)\, written by Féilim James and directed by Geraldine McAlinden in Áras an Uachtaráin for President Michael D Higgins. Some of his favourite theatre productions include The Shadow of a Gunman (The New Theatre\, directed by Ronan Wilmot)\, Pinter x 4 (Pearse Centre\, directed by Peter Reid)\, Scabs (Theatre Upstairs directed by Liam Halligan) In Arabia We’d all be Kings (Beckett Theatre\, directed by Liam Hallihan)\, Mary Stuart (The Grand Lodge\, Liam Halligan) and La Locandiera (Edinburgh Fringe festival\, directed Alice Coghlan). His screen work includes ‘A date for Mad Mary’\, ‘Vaudevillians’\, ‘The Comeback’\, ‘Twitchy’\, ‘The saviour of Dublin City’\, ‘Ctrl’\, ‘The Guarantee’\, ‘The Enchanted Island’\, ‘Two Margaritas and one Daiquiri’ amongst other independent films. Rob is also a seasoned theatre and screen workshop facilitator. \n\n\n\n\n\n\n\n\n\n\n\n\n\nClassical musician Emma Byrne is an active performer across Ireland and abroad. She is an enthusiastic young violinist with a passion for the arts. She has performed at venues such the National Concert Hall\, the RDS\, the Helix Theatre and the Whale Theatre. Having studied at the Young European Strings School of Music and the Royal Irish Academy of Music\, she now divides her time between teaching\, orchestral playing\, chamber music and solo performances. \n\n\n\n\n\n\n\n\n\n\n\n\n\nLorna is an actor and dancer from Co. Wicklow. Graduating from The Lir Academy last year she has since been in shows for the Scene + Heard Festival and Dublin Theatre Festival. She most recently finished on a new play ‘Yesteryear’ which ran for a week in Garter Lane Theatre\, Waterford. \n\n\n\nTheatre Credits include: To Let (Dublin Theatre Festival)\, Moving On (Scene + Heard)\, Yesteryear (Garter Lane Theatre\, Waterford). \n\n\n\nFilm/TV Credits include: Five Letters to the stranger who will Dissect my brain (Short)\, Love in the Time of Corona (Short)\, The Hunted (Series\, Channel 5).  \n\n\n\n\n\n\n\n\n\n\n\n\n\nFéilim James is an award-winning writer from Dublin\, Ireland. In 2020\, the Arts of Council of Ireland awarded Féilim a Literature Bursary Award to finish his debut novel\, Flower of Ash\, as well as a Professional Development Award. He received an Arts Bursary from Dublin City Arts Office in 2021 to finish his first poetry collection\, I was a river\, lost. His short fiction and poetry have appeared in numerous journals\, including The Fiction Pool\, The Galway Review\, and Icarus. His work through Irish\, under Féilim Ó Brádaigh\, has won seven Oireachtas na Gaeilge literary awards. His short fiction and poetry\, through English and Irish\, have appeared in a number of journals\, including The Fiction Pool\, The Galway Review\, Icarus\, and Comhar. A short film Féilim wrote\, titled The Big No\, produced by Smashing Times\, was shortlisted by the IndieX Film Festival\, and his play At Summer’s End has toured Ireland. \n\n\n\nIn The Big No\, a young man tells the story of his psychological unravelling and subsequent mental health crisis. Told in the form of a voiceover monologue accompanied by compelling imagery\, this poetic short film takes us on a journey of despair\, introspection\, and hope. As he battles against panic attacks and suicidal thoughts\, he is forced to face the ‘why’ of his problems head on\, learning some essential truths about himself and the world. \n\n\n\nFéilim’s play At Summer’s End has been on tour with Smashing Times as part of The Woman is Present: Women’s Stories of WWII.  At Summer’s End is based on the life-story of Ettie Steinberg\, an Irish woman who was murdered\, along with her family\, at Auschwitz. \n\n\n\nFéilim’s themes are wide-ranging\, and include identity\, mental illness\, guilt\, human animalism\, death\, and humankind’s relationship with nature. He is committed to maintaining an ever evolving and progressive approach to his work\, with each book both building on the last and differing in a vital way. In other words\, the aforementioned themes will change as time passes\, as will their stylistic rendering. ‘My inspirations are many and wide-ranging. To the fore are James Joyce\, Sylvia Plath\, John Banville\, Marilynne Robinson\, Ted Hughes\, TS Eliot\, Seán Ó Ríordáin\, and Radiohead’. \n\n\n\n\n\n\n\n\n\n\n\n\n\nGeraldine is an actor\, director\, producer and writer originally from Armagh in Northern Ireland. She started training in acting in the Gaiety School of Acting in 2000 and later in Stanislavski at the Focus Theatre in Dublin. In 2012/13 Geraldine completed the full time Screen Acting Programme at The Factory (now Bow Street Academy) in Dublin where she trained with Lance Daly\, Kirsten Sheridan\, Shimmy Marcus\, Jim Sheridan\, Aisling Walsh\, Derbhla Walsh\, Frank Berry and Ian Power\, among others. \n\n\n\nHer film acting credits include Ordinary Love\, Black 47\, The Secret Scripture\, Dark Lies the Island\, Procession\, and Portrait of a Zombie. Geraldine’s performance in Portrait of a Zombie led to her being long listed for an IFTA for Best Actress in a leading role in a feature film in 2013. Geraldine’s TV Credits include Miss Scarlet and the Duke\, Blood\, Striking Out and Red Rock. Her stage performances include The 24 Hour Plays Dublin 2020 (Abbey Theatre)\, One Day by Dick Walsh as well as Dublin Fringe theatre shows A Remember to Breathe and Spoonfed (a long play improvisation)\, Philadelphia\, Here I come! and Beyond Therapy! \n\n\n\nGeraldine trained in directing with Kristian Marken and she subsequently became an associate director with The Focus theatre. Her stage directing credits include Play/Record – The Granby Transcripts\, (Players Theatre\, Trinity)\, My Name is Mary (Project Theatre)\, The Cripple of Inishmaan\, (Smock Alley) The New York Monologues (The International Bar\, Smock Alley\, The Electric Picnic\, the Bulmer’s Comedy Festival and The Focus Theatre)\, One flew over the Cuckoo’s Nest (The Factory)\, Orphans (The New Theatre).  Film directing credits include the short films Helmets and Thorny Ireland. \n\n\n\nGeraldine has trained in writing with Stephen Walsh (Filmbase) and Pat McCabe (The Factory) among others. Her tiny play Knowing was published and produced by Fishamble’s Tiny Plays for Ireland. She has also written several short films. \n\n\n\nGeraldine is one of two founding members of Alchemy 8 Productions which produces theatre and film with a particular focus on stories of the human heart in conflict with itself. Its theatre production Orphans by Lyle Kessler which Geraldine also directed was included in a round-up of best theatre performances in Ireland in 2015. \n\n\n\nGeraldine is fascinated by investigating themes of the human need for connection and community\, the importance of sense of place and roots and the presumptions and prejudices these can bring. This is reflected in much of her work involving large ensemble casts\, with a focus on developing well rounded\, interesting characters and their physical and emotional juxtaposition in relation to each other. \n\n\n\nShe is passionate about the arts’ ability to positively impact audiences in many far-reaching ways from providing much needed entertainment and escapism\, to being a salve for the soul\, a cathartic release and a means of encouraging and developing empathy. Geraldine believes in the power of humour to provoke an emotional shift. As a solicitor in her previous life\, Geraldine is passionate about justice and promoting Human Rights on an individual and collective basis. \n\n\n\n\n\nStates of Independence\n\n\n\nThis show is part of States of Independence\, a project that celebrates the stories of ten change-makers from the Decade of Centenaries 1912-1922 linked to the stories of ten change-makers today working to make society a better place. The twenty stories gathered act as inspiration for the creation of new artworks by ten artists\, working in visual art\, film\, dance\, theatre\, creative writing and digital arts. The artists come together to create a range of artworks and performances for public display in eight sites – both ancient and modern – across Ireland and for display via a creative billboards campaign and online on the Smashing Times Virtual Art Gallery. The stories\, artworks and performances are shared with public audiences to reflect on modern day revolutionary visions for the future inspired by the past\, launched for the annual Dublin International Arts and Human Rights festival 13 to 22 October 2023. The internationally acclaimed team of ten artists is led by Mary Moynihan\, an award-winning writer\, poet\, director\, theatre and filmmaker and Artistic Director\, Smashing Times International Centre for the Arts and Equality\, working with John Scott\, Artistic Director and Choreographer\, Irish Modern Dance Theatre\, and a range of artists working in literature\, visual arts\, theatre\, film and new digital technologies. \n\n\n\nThe team collaboratively create a series of interconnected artworks including a live multi-disciplinary performance\, visual art projections and a creative billboards campaign to be launched for the 2023 annual International Dublin Arts and Human Rights festival taking place from the 13 to 22 October 2023. Events are accompanied by panel discussions and public talks on new visions for a peaceful and equal society for all. \n\n\n\nEvents take place in Dublin\, Kerry\, Clare and Donegal with online work accessible across Ireland and internationally celebrating changemakers and heroes from the past and today\,  bringing people together to promote active citizenship\,  equality\, human rights and diversity and celebrating new visions for a peaceful and equal future for all. Events take place in a range of venues both ancient and modern including Office of Public Work spaces throughout Ireland. \n\n\n\nFor further information please contact Freda Manweiler\, producer\, telephone 087 2214245 or email freda@smashingtimes.ie \n\n\n\nSupported by The Arts Council Open Call as part of ART: 2023 a Decade of Centenaries Collaboration between The Arts Council and the Department of Tourism\, Culture\, Arts\, Gaeltacht\, Sport and Media. Supported by Creative Europe as part of the Theatre in Palm project. \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/tales-from-an-afterworld/
LOCATION:The Classroom\, Glebe House\, Co Donegal\, Letterkenny\, Donegal\, F92 WP70\, Ireland
CATEGORIES:Donegal,Performance,Poetry,Theatre
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2022/02/Rob-Harrington-The-Art-of-WRights-cropped.jpg
ORGANIZER;CN="Smashing Times":MAILTO:info@smashingtimes.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20230820T140000
DTEND;TZID=Europe/Dublin:20230820T150000
DTSTAMP:20230727T103235Z
CREATED:20230711T103420Z
LAST-MODIFIED:20230727T103235Z
UID:10000243-1692540000-1692543600@smashingtimes.ie
SUMMARY:Tales of Love and Loss
DESCRIPTION:Belonging: Three-Day Creative Arts Workshop\n\n\n\n\n\n\n\n\n\nWorkshop: Tuesday 26 May\, 9.30am-12.30pm; Wednesday 27 May\, 11am-2pm; Thursday 28 May\, 11am-2pm. Open to all female-identifying\, registration required.  \n\n\nBook Your Place\n\n\n\nSmashing Times never want ticket price to be a barrier to attendance. Please contact admin@smashingtimes.ie to avail of free tickets. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\nArtists\n\n\n\nMaeve Bradley\, actor \n\n\n\nLorna Fox\, actor \n\n\n\nRob Harrington\, actor \n\n\n\nMichael McCabe\, actor \n\n\n\nCiara Hayes\, actor \n\n\n\nLisa McLoughlin-Gnemmi\, musician \n\n\n\nGeraldine McAlinden\, director \n\n\n\nMary Moynihan\, writer\, director\, theatre and film maker and Artistic Director of Smashing Times International Centre for the Arts and Equality \n\n\n\nFéilim James\, writer \n\n\n\nSinead McCoole\, writer \n\n\n\nÁine Ní Ghlinn\, poet\, children’s writer and is Laureate na nÓg\, 2020-2023 \n\n\n\nFull Event Details\n\n\n\nSmashing Times are delighted to present Tales of Love and Loss\, a guided\, walkabout\, outdoor performance taking place at Pearse Museum and St Enda’s Park\, Rathfarnham\, on the 12\, 13\, 19 and 20 August 2023\, two shows daily at 1pm and 2pm. The show features change-maker stories from history as we engage with the unique\, historical setting of Pearse Museum and St Enda’s Park\, where Patrick Pearse and the Pearse family lived and ran their innovative Irish-speaking school\, Scoil Éanna.Enjoy a magical walk-in-the-park performance as we regale you with storytelling\, poetry and music reflecting on the lives of Sarah Curran\, Robert Emmet\, William Butler Yeats and the Pearse Women\, Mrs Margaret (Brady) Pearse\, Margaret Mary Pearse and Mary Brigid Pearse. \n\n\n\nA Beauty That Will Pass written and directed by Mary Moynihan performed by Lorna Fox\, is a poetical response to the love story of Sarah Curran (1782-1808) and Robert Emmet (1778-1803) interwoven with reference to John Philpott Curran (1750-1817) and Padraig Pearse (1879-1916). \n\n\n\nTales from an Afterworld by Féilim James\, directed by Geraldine McAlinden\, performed by Rob Harrington\, a reflection on the life and work of writer William Butler Yeats (1865-1939). Born in Dublin in 1865\, William Butler Yeats was the son of a well-known Irish painter\, John Butler Yeats. He spent his childhood in County Sligo\, where his parents were raised\, and in London. He returned to Dublin at fifteen to continue his education and study painting\, but quickly discovered he preferred poetry. Born into the Anglo-Irish landowning class\, Yeats became involved with the Celtic Revival\, a movement against the cultural influences of English rule in Ireland during the Victorian period\, which sought to promote the spirit of Ireland’s native heritage. Yeats was deeply involved in politics in Ireland. He also had a life-long interest in mysticism and the occult\, and his work drew extensively from sources in Irish mythology and folklore. Lady Gregory and Yeats founded the Abbey Theatre in 1904. Yeats was awarded the Nobel Prize in 1923 and died in 1939 age seventy-three. \n\n\n\nThe Pearse Family \n\n\n\nThe Wayfarer\, a poem by Pádraig Pearse. This was the last poem written by Pearse on the eve of his execution at Kilmainham Gaol\, Dublin (May 2\, 1916). The Wayfarer reflects on the fleeting beauty of life’s journey at a moment of decisive personal and political change\, performed by Michael McCabe. \n\n\n\nThe Pearse Women\, an historical insight by Dr Sinead McCoole\, historian and curator\, inspired by the life-stories of Mrs Margaret (Brady) Pearse (1857-1932)\, Politician and Dail Deputy; Margaret Mary Pearse (1878-1968)\, teacher\, TD and Senator and Mary Brigid Pearse (1884-1947)\, musician\, teacher and author; linked to objects in the Pearse Museum and exploring the role these women played in shaping Irish society. Recited by Michael McCabe \n\n\n\nMrs Pearse monologue performed by Ciara Hayes. \n\n\n\nAn Ród Seo Romhainn\, an Irish poem written by Áine Ní Ghlinn\, a bilingual Irish journalist\, poet\, playwright and children’s writer and a former Arts Council Laureate na nÓg\, 2020—2023\, the first to write exclusively in Irish. The poem is inspired by the two teacups on display in the Pearse Museum\, left out by the mother of Padraig and Willie Pearse\, before her two sons went to join the Rising in 1916. The poem will be performed by Rob Harrington. \n\n\n\nArtist Biographies:\n\n\n\n\n\n\n\n\n\n\n\nMaeve Bradley is an actress from Co. Tyrone and a 2021 graduate of The Lir Academy Dublin. \n\n\n\nHer recent credits include This\, That and The Other – Cork Arts Theatre\, BBC Northern Ireland Radio Drama – The Heiress and The General\, Krabat- Common Crow Theatre\, Gulliver’s Travels- The Lyric Theatre Belfast and Les Miserables- The Grand Opera House Belfast. \n\n\n\nDuring her time at The Lir some of Maeve’s most memorable roles include Olga in Summerfolk -directed by Tom Creed\,  Flaminia in Everybody loves Sylvia- directed by Wayne Jordan\, Mother Victoria in Eclipsed- directed by Caroline Byrne\, Antigone in Burial at Thebes- directed by  Caitríona Mclaughlin and The mother in Machinal- directed by Holly Griffith. \n\n\n\n\n\n\n\n\n\n\n\n\n\nRob has enjoyed both national and international tours over the past 19 years of his acting career. He has most recently performed Tales from an Afterworld (WB Yeats)\, written by Féilim James and directed by Geraldine McAlinden in Áras an Uachtaráin for President Michael D Higgins. Some of his favourite theatre productions include The Shadow of a Gunman (The New Theatre\, directed by Ronan Wilmot)\, Pinter x 4 (Pearse Centre\, directed by Peter Reid)\, Scabs (Theatre Upstairs directed by Liam Halligan) In Arabia We’d all be Kings (Beckett Theatre\, directed by Liam Hallihan)\, Mary Stuart (The Grand Lodge\, Liam Halligan) and La Locandiera (Edinburgh Fringe festival\, directed Alice Coghlan). His screen work includes ‘A date for Mad Mary’\, ‘Vaudevillians’\, ‘The Comeback’\, ‘Twitchy’\, ‘The saviour of Dublin City’\, ‘Ctrl’\, ‘The Guarantee’\, ‘The Enchanted Island’\, ‘Two Margaritas and one Daiquiri’ amongst other independent films. Rob is also a seasoned theatre and screen workshop facilitator. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMichael McCabe is a performer\, theatre director\, movement choreographer\, facilitator and arts therapist. He is a graduate of the prestigious Ecole Internationale de Theatre Jacques Lecoq\, Paris\, France\, and The Gaiety School of Acting\, Dublin\, Ireland. \n\n\n\nHis theatre appearances include The Drowning Room (Project Arts Centre)\, Borstal Boy\, The Risen People (The Gaiety Theatre)\, A Christmas Carol\, The Ginger Ale Boy (Corcadorca Theatre Company)\, Lives Worth Living (Graffiti Theatre Company)\, Good Evening Mr Joyce (Samuel Beckett Centre)\, Diarmuid agus Grainne\, An Bradan Feasa\, The Libertine\, New World Order (Iomha Illdanach Theatre Company)\, Promises\, Promises  (Project Arts Centre)\, A Day With Daghdha (Daghdha Dance Company)\, Macbeth\, Six Characters in Search for an Author\, St. Joan\, Ariel (all at the Abbey Theatre)\, Wheel\, Jeckyll and Hyde (Dublin and Prague Fringe Festivals)\, Resist /Surrender (Dublin Dance Festival)\, and Where The Shoe Pinches (The Pavilion Theatre). He was clown co-ordinator for 35 clowns and appeared in Barabbas Theatre Company’s production\, City of Clowns\, at the Dunamaise\, Junction and Eargail Arts Festivals\, and The Complex\, Smithfield and appeared in Pagliacci at The Everyman Place Theatre\, as part of Cork Midsummer Festival. \n\n\n\nHis television and film appearances include Aristocrats (BBC)\, Ireland:1848\, (RTE)\, Window (IFI)\, All God’s Children (RTE/IFI)\, Nationwide (RTE). In 2021\, Michael will appear in Bean Sidhe\, Sweetcake\, and Sodium Party\, a new feature film directed by Michael McCudden. \n\n\n\nDirecting credits include: The Dead Woman’s Son (Smock Alley Theatre)\, A Wonderful Life\, Peter Pan’s Cirque D’Imaginaire (TU Dublin Theatre)\, Showcases 2017-2019 (The New Theatre) and in 2020\, The Grimm Tales (Smock Alley Theatre). Recent appearances include Footfalls\, The Journey Home\, and in Mermaid Arts Centre for Culture night on a work-in-progress\, His Left\, Her Right\, supported by Mermaid and Wicklow Arts Office. \n\n\n\nMichael has an M.A. (Honours) in Dramatherapy from the National University of Ireland\, Maynooth\, an M.A. in Modern Drama Studies from University College Dublin\, and a B.A. (Honours) in Communication Studies from Dublin City University. He has directed theatre work in the HSE\, the Dyspraxia Association of Ireland\, Trinity College Dublin\, St. Michael’s house\, and with other special needs organisations and schools with a focus on developing the potential of theatre for working with diverse groups. \n\n\n\nMichael has been working as a Movement Director\, teaching extensive movement classes for actors at the Conservatory of Music and Drama\, TU Dublin\, the National Association of Youth Drama\, Ringsend Institute\, the Department of Performing Arts\, Bray Institute of Further Education\, and The Gaiety School of Acting (full time course). \n\n\n\nMichael is a resident artist with Smashing Times International Centre for the Arts and Equality and works with Smashing Times as a performer\, director and arts facilitator on a range of projects from Acting for the Future to Legends of the Great Birth to State of the Art.  His theatre company\, Ruaille Buaille\, is building a physical theatre ensemble style based on the techniques of Jacques Lecoq\, Anne Bogart\, and Arianne Mouchkine. Michael was movement director on The Merchant of Venice\, at Mermaid Arts Centre\, and on the world premiere of Guerilla Days in Ireland in The Olympia Theatre\, Dublin. Michael is a graduate of National University of Ireland\, Maynooth\, (M.A. Dramatherapy\, 2.1 Honours)\, and was awarded a scholarship to train with internationally renowned theatre director Anne Bogart in New York. Bursary awards include South Dublin County Council\, Irish Actors Equity\, and The Arts Council. Michael recently completed training in Suzuki and Viewpoints Techniques under Tadashi Suzuki of SCOT Theatre Company\, in Toga Mura\, Japan. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMary Moynihan\, (she/her)\, MA\, is an award-winning writer\, director\, theatre and film-maker\, an interdisciplinary artist and one of Ireland’s most innovative arts and human rights artists creating work to promote the arts\, human rights\, climate justice\, gender equality\, diversity and peace.  \n\n\n\nMary is Artistic Director of Smashing Times International Centre for the Arts and Equality and works  collaboratively with artists and over 50 organisations across Ireland\, Northern Ireland\, Europe and internationally\, using the arts to promote rights and values for all.   Company patrons of Smashing Times are Sabina Coyne Higgins\, Senator Joan Freeman\, founder of Pieta House\, Ger Ryan\, actor and Tim Pat Coogan\, writer and historian. Founding patrons were writers Maeve Binchy and Brian Friel. \n\n\n\nMary’s work has won a number of awards including the Allianz Business to Arts Awards\, a GSK Ireland Impact Award\, a Dublin Bus Community Spirit Award\, a National Lottery Good Cause Award\, the international #ArtsAgainstCovid award\, an Arts Council Project Award and an Arts Council Agility Award. \n\n\n\nMary is Artistic Curator for the annual Dublin Arts and Human Rights festival implemented by Smashing Times and Front Line Defenders in partnership with Amnesty International\, Fighting Words\, ICCL\,  NWCI\, Irish Modern Dance Theatre\, Trócaire and Poetry Ireland\, funded by The Arts Council. The aim of the festival is to showcase and highlight the extraordinary work of human rights defenders in Ireland and around the world\, past and present\, and the role of the arts and artists in promoting human rights today. \n\n\n\nMary’s artistic practice encompasses theatre\, film\, literature\, poetry\, and curatorship. Mary’s work focuses on primal\, visceral and intuitive responses to vulnerability and conflict and an exploration of self and the other. Her work explores an interconnectedness of the body\, voice and imagination\, revealing the inner life through physical and spiritual energies and intuitive engagements. Mary has a focus on using historical memory in her artistic practice as inspiration for the creation of original artworks across a range of mediums\, remembering stories of ordinary yet powerful women and men from history and today who stood up for the rights of others. \n\n\n\nAs a playwright\, Mary’s work includes the highly acclaimed The Woman is Present: Women’s Stories of WWII co-written with Paul Kennedy\, Fiona Thompson and Féilim James;  A Beauty that will Pass; Constance and Her Friends – selected by President Michael D. Higgins for performance at Áras an Uachtaráin for Culture Night 2016;  In One Breath from the award-winning Testimonies(co-written with Paul Kennedy); and Shadow of My Soul\, May Our Faces Haunt You and Silent Screams.  \n\n\n\nMary’s film work includes the hour-long documentary Stories from the Shadows\, the short film Tell Them Our Names\, inspired by women’s stories of WWII and selected for the London Eye International Film Festival and Kerry Film Festival\, the creative documentary Women in an Equal Europe and the short film Courageous Women inspired by powerful women’s stories from the 1916 to 1923 decade of commemorations period in Irish history.   \n\n\n\n\n\n\n\n\n\n\n\n\n\nFéilim James is an award-winning writer from Dublin\, Ireland. In 2020\, the Arts of Council of Ireland awarded Féilim a Literature Bursary Award to finish his debut novel\, Flower of Ash\, as well as a Professional Development Award. He received an Arts Bursary from Dublin City Arts Office in 2021 to finish his first poetry collection\, I was a river\, lost. His short fiction and poetry have appeared in numerous journals\, including The Fiction Pool\, The Galway Review\, and Icarus. His work through Irish\, under Féilim Ó Brádaigh\, has won seven Oireachtas na Gaeilge literary awards. His short fiction and poetry\, through English and Irish\, have appeared in a number of journals\, including The Fiction Pool\, The Galway Review\, Icarus\, and Comhar. A short film Féilim wrote\, titled The Big No\, produced by Smashing Times\, was shortlisted by the IndieX Film Festival\, and his play At Summer’s End has toured Ireland. \n\n\n\nIn The Big No\, a young man tells the story of his psychological unravelling and subsequent mental health crisis. Told in the form of a voiceover monologue accompanied by compelling imagery\, this poetic short film takes us on a journey of despair\, introspection\, and hope. As he battles against panic attacks and suicidal thoughts\, he is forced to face the ‘why’ of his problems head on\, learning some essential truths about himself and the world. \n\n\n\nFéilim’s play At Summer’s End has been on tour with Smashing Times as part of The Woman is Present: Women’s Stories of WWII.  At Summer’s End is based on the life-story of Ettie Steinberg\, an Irish woman who was murdered\, along with her family\, at Auschwitz. \n\n\n\nFéilim’s themes are wide-ranging\, and include identity\, mental illness\, guilt\, human animalism\, death\, and humankind’s relationship with nature. He is committed to maintaining an ever evolving and progressive approach to his work\, with each book both building on the last and differing in a vital way. In other words\, the aforementioned themes will change as time passes\, as will their stylistic rendering. ‘My inspirations are many and wide-ranging. To the fore are James Joyce\, Sylvia Plath\, John Banville\, Marilynne Robinson\, Ted Hughes\, TS Eliot\, Seán Ó Ríordáin\, and Radiohead’. \n\n\n\n\n\n\n\n\n\n\n\n\n\n Sinéad McCoole is the author of many books including Hazel\, A Life of Lady Lavery (1996) and No Ordinary Women (1997) and Easter Widows\, the untold story of the wives of the executed leaders (2014) and Women 1916-Mná 2016 (2017). She is a member of the Government’s Expert Advisory Group on the Decade of Centenaries (2012-to date). She was Historical Advisor to the 2016 National Commemoration Programme\, Curator of Mná 1916. She has curated exhibitions on Irish history & art in both Ireland and the U.S. A Broadcaster and script writer her work includes Guns and Chiffon (2003) and A Father’s Letter part of the After ’16 Irish Film Board shorts commissioned for the centenary was based on her interviews with Fr. Joe Mallin (1913-2018). Her areas of expertise are Modern Irish History from the 1880 to the present\, Material culture\, museums\, the history of Irish women\, child prisoners\, Sir John and Lady Lavery. She is an expert in the area of women’s imprisonment 1916-1923. Her current area of interest is women in politics and public life 1918-2018. \n\n\n\n\n\n\n\n\n\n\n\n\n\n  \n\n\n\nGeraldine is an actor\, director\, producer and writer originally from Armagh in Northern Ireland. She started training in acting in the Gaiety School of Acting in 2000 and later in Stanislavski at the Focus Theatre in Dublin. In 2012/13 Geraldine completed the full time Screen Acting Programme at The Factory (now Bow Street Academy) in Dublin where she trained with Lance Daly\, Kirsten Sheridan\, Shimmy Marcus\, Jim Sheridan\, Aisling Walsh\, Derbhla Walsh\, Frank Berry and Ian Power\, among others. \n\n\n\nHer film acting credits include Ordinary Love\, Black 47\, The Secret Scripture\, Dark Lies the Island\, Procession\, and Portrait of a Zombie. Geraldine’s performance in Portrait of a Zombie led to her being long listed for an IFTA for Best Actress in a leading role in a feature film in 2013. Geraldine’s TV Credits include Miss Scarlet and the Duke\, Blood\, Striking Out and Red Rock. Her stage performances include The 24 Hour Plays Dublin 2020 (Abbey Theatre)\, One Day by Dick Walsh as well as Dublin Fringe theatre shows A Remember to Breathe and Spoonfed (a long play improvisation)\, Philadelphia\, Here I come! and Beyond Therapy! \n\n\n\nGeraldine trained in directing with Kristian Marken and she subsequently became an associate director with The Focus theatre. Her stage directing credits include Play/Record – The Granby Transcripts\, (Players Theatre\, Trinity)\, My Name is Mary (Project Theatre)\, The Cripple of Inishmaan\, (Smock Alley) The New York Monologues (The International Bar\, Smock Alley\, The Electric Picnic\, the Bulmer’s Comedy Festival and The Focus Theatre)\, One flew over the Cuckoo’s Nest (The Factory)\, Orphans (The New Theatre).  Film directing credits include the short films Helmets and Thorny Ireland. \n\n\n\nGeraldine has trained in writing with Stephen Walsh (Filmbase) and Pat McCabe (The Factory) among others. Her tiny play Knowing was published and produced by Fishamble’s Tiny Plays for Ireland. She has also written several short films. \n\n\n\nGeraldine is one of two founding members of Alchemy 8 Productions which produces theatre and film with a particular focus on stories of the human heart in conflict with itself. Its theatre production Orphans by Lyle Kessler which Geraldine also directed was included in a round-up of best theatre performances in Ireland in 2015. \n\n\n\nGeraldine is fascinated by investigating themes of the human need for connection and community\, the importance of sense of place and roots and the presumptions and prejudices these can bring. This is reflected in much of her work involving large ensemble casts\, with a focus on developing well rounded\, interesting characters and their physical and emotional juxtaposition in relation to each other. \n\n\n\nShe is passionate about the arts’ ability to positively impact audiences in many far-reaching ways from providing much needed entertainment and escapism\, to being a salve for the soul\, a cathartic release and a means of encouraging and developing empathy. Geraldine believes in the power of humour to provoke an emotional shift. As a solicitor in her previous life\, Geraldine is passionate about justice and promoting Human Rights on an individual and collective basis. \n\n\n\n\n\n\n\n\n\n\n\n\n\nCiara Hayes is a graduate of UCC with an MA in Arts Management and Creative Producing. She also holds a teaching diploma from the London College of Music in Drama and Communication\, and a BA Joint Hons in Drama and Theatre Studies with German. She has a background in theatre and worked for several years as a drama teacher\, later becoming a teacher of social skills for children on the autism spectrum.  \n\n\n\nSince completing her Masters in 2020\, Ciara has worked as a producer and festival administrator for Half Moon Festival (Cork\, 2020) and festival coordinator for Dublin Arts and Human Rights Festival (Dublin\, 2020 – present). She works at Smashing Times International Centre for the Arts and Equality. \n\n\n\nProducing credits include: Half Moon Festival – multidisciplinary\, online arts festival (July 2020). Earthangel – online production of aural recording\, Gaitkrash Theatre Company (November 2020). playing ‘The Maids’ – online sharing of recorded theatre performance\, Gaitkrash Theatre Company (December 2020). Love and Information – online showing of filmed theatre performance\, MTU BA Theatre and Drama Studies (February 2021). Prometheus Now – online theatre performance\, Gaitkrash Theatre Company as part of Cork Midsummer Festival (June 2021). \n\n\n\nActing credits include: Liverpool\, Mint Productions (2019); Little Gem\, Dramat (2016)\, awarded Best Actress; The Circle Game\, BA Drama and Theatre Studies (2016); The Importance of Being Ernest\, Dramat (2015); Trojan Woman: A Love Story¸ BA Drama and Theatre Studies (2014); The Pearse Women\, Smashing Times (2022); The Plough and the Stars for Bloomsday\, Áras an Uachtaráin\, Smashing Times (2023). \n\n\n\n\n\n\n\n\n\n\n\n\n\nLisa Mc Loughlin-Gnemmi is a graduate of the Royal College of Music\, London where she received her B.Mus Hons degree. She is a lecturer in violin at the TU Dublin Conservatoire for Music and Drama. She gained her masters in performance at TU Dublin studying under Joanna Matkowska. She has performed with the National Symphony Orchestra of Ireland under conductors Alexander Anissimov\, George Hurst and Gerhardt Markson. She also worked with Lyric Opera and The Irish Film Orchestra. She has regularly performed with the RTE Concert Orchestra. \n\n\n\nPerformances with the RTECO include a chamber music recital for the commemoration of the 1916 rising at The Irish Museum of Modern Art in the presence of An t-Uachtarán and with a group of members of the RTECO playing a new composition by Simon O’ Connor narrated by actress Olwen Fouéré. Other concerts included ‘Back to the Future’\, ‘The Godfather’ with film music by Nino Rota\, ‘The Music of John Williams’ film music and RTECO’s recording of the music of Steve Mc Keon for the film ‘Norm of the North’. \n\n\n\nLisa has performed at the Dublin Metropolis Festival\, RDS and at The Button Factory\, Temple Bar with DJ Kormac. Lisa has also toured France\, South Africa and the US as solo violinist with Michael Flatley’s ‘Lord of the Dance’. Solo and chamber music recitals include DIT\, Trinity College Dublin\, The Goethe institute\, UCD and The John Field Room\, N.C.H. and The Galway Arts Festival. \n\n\n\nLisa recently performed at Dublin Castle for a production of ‘Constance and her Friends’ a play about Constance Markievicz and activists during the 1916 rising written by Mary Moynihan and performed by Smashing Times. Passionate about teaching as well as performing\, Lisa gives masterclasses\, prepares students for exams\, recitals and Feis Ceoil competitions. Lisa is married to oboist with the National Symphony Orchestra\, Sylvain Gnemmi. They have four children and live in Dublin. \n\n\n\n\n\n\n\n\n\n\n\n\n\nFile agus scríbhneoir do dhaoine óga í Áine Ní Ghlinn\, agus Laureate na nÓg 2020 – 2023.  \n\n\n\nTá 36 leabhar foilsithe aici\, idir fhilíocht\, dhrámaí\, úrscéalta agus scéalta do dhaoine óga. I measc na nduaiseanna atá buaite aici\, tá Gradam Reics Carló Leabhar na Bliana (2014\, 2016\, 2019 do na húrscéalta Daideo\, Hata Zú Mhamó & Boscadán)\, Gradam Ficsin\, Leabhair Pháistí Éireann & Gradam Leabhar na Bliana\, Cumann Litearthachta na hÉireann (Daideo\, 2015). Bronnadh Comhaltacht Patrick Kavanagh uirthi i 2019 agus tá go leor duaiseanna filíochta buaite aici ag Seachtain na Scríbhneoirí Lios Tuathail\, Féile Filíochta Bhéal na mBuillí agus Oireachtas na Gaeilge. \n\n\n\nÁine Ní Ghlinn is a poet and children’s writer and is Laureate na nÓg\, 2020-2023. She has 36 books published. Awards include Gradam Reics Carló Children’s Book of the Year on three occasions\, LAI Book of the Year\, CBI Fiction Honour award\, Patrick Kavanagh Fellowship (2019) and a range of poetry awards (Oireachtas/ Listowel Writers’ Week/Strokestown Poetry Festival + others). \n\n\n\nÁine Ní Ghlinn is a lecturer\, journalist and writer. She has a BA (Irish and English) and a HDip in Education from University College\, Dublin\, a Diploma in Journalism from the London School of Journalism\, and an MA in Creative Writing from Lancaster University. She has written over thirty books – including four collections of poetry and an array of books for teenagers and young people. \n\n\n\nShe spent some years as a secondary-school teacher but resigned her position to become a journalist at RTÉ and Raidió na Gaeltachta. She worked on both current affairs and magazine programmes and the two she enjoyed most of all were the arts programmes\, Leabhragán and Ar an Ardán\, on Raidió na Gaeltachta. She also spent some time as a freelance journalist in London and in Ireland and she was frequently heard on It Says in the Papers on RTÉ Radio and on Raidió na Gaeltachta. \n\n\n\nShe left RTÉ to spent a few years lecturing at FIONTAR in Dublin City University. However\, she wanted to spend more time writing and later became a full-time writer; writing children’s books and scripts for Ros na Rún\, TG4. At present\, she shares her time between writing and lecturing at the Church of Ireland College of Education in Dublin and writing workshops in Irish-language secondary schools. \n\n\n\nShe has won many awards for her work. Céard tá sa bhosca? (An Gúm\, 2002) won the Gradam Chlann Lir in 2003. She won the Irish-language prize at the Strokestown poetry festival in 2003\, the Irish-language prize at the Dun Laoghaire / Rathdown poetry competition in 2003\, as well as the Foras na Gaeilge Award at Seachtain na Scríbhneoirí in Listowel in 2002. She was awarded an Oireachtas prizes for her books Fuadach (Cois Life\, 2005) Tromluí (Cois Life\, 2009) and Úbalonga (An Gúm\, 2009). Brionglóidí & aistir eile (Cló Mhaigh Eo\, 2008) was shortlisted for the Bisto prize and she won an IBBY award in 2010. In 2012\, she won an Oireachtas prize for her plays for children and her novel for teenagers\, Daideo (Cois Life\, 2014) was also awarded an Oireachtas prize in 2013. The same book was named Book of the Year for young people\, 2014\, Gradam Réics Carló. She was awarded Gradam Réics Carló again a couple of years later for her novel Hata zú Mhamó (Cois Life\, 2016). \n\n\n\nHer story ‘Boscadán’ was awarded top prize for children’s stories at Comórtais Liteartha an Oireachtais 2017\, and Cois Life published the subsequent book in 2019: Boscadán. LeabhairCOMHAR published in 2018 a collection (Fadó Riamh… Ag an Tús) which brings together stories from diverse cultures representing the rich tradition of mythology surrounding the creation of the world. \n\n\n\nNi Ghlinn was appointed Laureate na nÓg/Children’s Literature Laureate in May 2020. Laureate na nÓg is an honour which was established in 2010 to engage young people with high quality literature and to underline the importance of children’s literature in our cultural and imaginative lives. Her ambition as Laureate is to lift the cloak of invisibility from Irish language authors and books\, and to encourage children and young people to read for pleasure as Gaeilge. \n\n\n\n\n\nStates of Independence\n\n\n\nThis show is part of States of Independence\, a project that celebrates the stories of ten change-makers from the Decade of Centenaries 1912-1922 linked to the stories of ten change-makers today working to make society a better place. The twenty stories gathered act as inspiration for the creation of new artworks by ten artists\, working in visual art\, film\, dance\, theatre\, creative writing and digital arts. The artists come together to create a range of artworks and performances for public display in eight sites – both ancient and modern – across Ireland and for display via a creative billboards campaign and online on the Smashing Times Virtual Art Gallery. The stories\, artworks and performances are shared with public audiences to reflect on modern day revolutionary visions for the future inspired by the past\, launched for the annual Dublin International Arts and Human Rights festival 13 to 22 October 2023. The internationally acclaimed team of ten artists is led by Mary Moynihan\, an award-winning writer\, poet\, director\, theatre and filmmaker and Artistic Director\, Smashing Times International Centre for the Arts and Equality\, working with John Scott\, Artistic Director and Choreographer\, Irish Modern Dance Theatre\, and a range of artists working in literature\, visual arts\, theatre\, film and new digital technologies. \n\n\n\nThe team collaboratively create a series of interconnected artworks including a live multi-disciplinary performance\, visual art projections and a creative billboards campaign to be launched for the 2023 annual International Dublin Arts and Human Rights festival taking place from the 13 to 22 October 2023. Events are accompanied by panel discussions and public talks on new visions for a peaceful and equal society for all. \n\n\n\nEvents take place in Dublin\, Kerry\, Clare and Donegal with online work accessible across Ireland and internationally celebrating changemakers and heroes from the past and today\,  bringing people together to promote active citizenship\,  equality\, human rights and diversity and celebrating new visions for a peaceful and equal future for all. Events take place in a range of venues both ancient and modern including Office of Public Work spaces throughout Ireland. \n\n\n\nFor further information please contact Freda Manweiler\, producer\, telephone 087 2214245 or email freda@smashingtimes.ie \n\n\n\nSupported by The Arts Council Open Call as part of ART: 2023 a Decade of Centenaries Collaboration between The Arts Council and the Department of Tourism\, Culture\, Arts\, Gaeltacht\, Sport and Media. Supported by Creative Europe as part of the Theatre in Palm project. \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/tales-of-love-and-loss-8/
LOCATION:Pearse Museum\, Rathfarnham\, Co Dublin\, St Endas Park\, Grange Road\, Rathfarnham\, Dublin 16\, D16 Y7Y5\, Ireland
CATEGORIES:Dublin,Music,Performance,Poetry,Theatre
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2023/07/talesofloveandlost-8.jpg
ORGANIZER;CN="Smashing Times":MAILTO:info@smashingtimes.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20230820T130000
DTEND;TZID=Europe/Dublin:20230820T140000
DTSTAMP:20230727T103226Z
CREATED:20230711T102640Z
LAST-MODIFIED:20230727T103226Z
UID:10000241-1692536400-1692540000@smashingtimes.ie
SUMMARY:Tales of Love and Loss
DESCRIPTION:Belonging: Three-Day Creative Arts Workshop\n\n\n\n\n\n\n\n\n\nWorkshop: Tuesday 26 May\, 9.30am-12.30pm; Wednesday 27 May\, 11am-2pm; Thursday 28 May\, 11am-2pm. Open to all female-identifying\, registration required.  \n\n\nBook Your Place\n\n\n\nSmashing Times never want ticket price to be a barrier to attendance. Please contact admin@smashingtimes.ie to avail of free tickets. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nArtists\n\n\n\nMaeve Bradley\, actor \n\n\n\nLorna Fox\, actor \n\n\n\nRob Harrington\, actor \n\n\n\nMichael McCabe\, actor \n\n\n\nCiara Hayes\, actor \n\n\n\nLisa McLoughlin-Gnemmi\, musician \n\n\n\nGeraldine McAlinden\, director \n\n\n\nMary Moynihan\, writer\, director\, theatre and film maker and Artistic Director of Smashing Times International Centre for the Arts and Equality \n\n\n\nFéilim James\, writer \n\n\n\nSinead McCoole\, writer \n\n\n\nÁine Ní Ghlinn\, poet\, children’s writer and is Laureate na nÓg\, 2020-2023 \n\n\n\nFull Event Details\n\n\n\nSmashing Times are delighted to present Tales of Love and Loss\, a guided\, walkabout\, outdoor performance taking place at Pearse Museum and St Enda’s Park\, Rathfarnham\, on the 12\, 13\, 19 and 20 August 2023\, two shows daily at 1pm and 2pm. The show features change-maker stories from history as we engage with the unique\, historical setting of Pearse Museum and St Enda’s Park\, where Patrick Pearse and the Pearse family lived and ran their innovative Irish-speaking school\, Scoil Éanna.Enjoy a magical walk-in-the-park performance as we regale you with storytelling\, poetry and music reflecting on the lives of Sarah Curran\, Robert Emmet\, William Butler Yeats and the Pearse Women\, Mrs Margaret (Brady) Pearse\, Margaret Mary Pearse and Mary Brigid Pearse. \n\n\n\nA Beauty That Will Pass written and directed by Mary Moynihan performed by Lorna Fox\, is a poetical response to the love story of Sarah Curran (1782-1808) and Robert Emmet (1778-1803) interwoven with reference to John Philpott Curran (1750-1817) and Padraig Pearse (1879-1916). \n\n\n\nTales from an Afterworld by Féilim James\, directed by Geraldine McAlinden\, performed by Rob Harrington\, a reflection on the life and work of writer William Butler Yeats (1865-1939). Born in Dublin in 1865\, William Butler Yeats was the son of a well-known Irish painter\, John Butler Yeats. He spent his childhood in County Sligo\, where his parents were raised\, and in London. He returned to Dublin at fifteen to continue his education and study painting\, but quickly discovered he preferred poetry. Born into the Anglo-Irish landowning class\, Yeats became involved with the Celtic Revival\, a movement against the cultural influences of English rule in Ireland during the Victorian period\, which sought to promote the spirit of Ireland’s native heritage. Yeats was deeply involved in politics in Ireland. He also had a life-long interest in mysticism and the occult\, and his work drew extensively from sources in Irish mythology and folklore. Lady Gregory and Yeats founded the Abbey Theatre in 1904. Yeats was awarded the Nobel Prize in 1923 and died in 1939 age seventy-three. \n\n\n\nThe Pearse Family \n\n\n\nThe Wayfarer\, a poem by Pádraig Pearse. This was the last poem written by Pearse on the eve of his execution at Kilmainham Gaol\, Dublin (May 2\, 1916). The Wayfarer reflects on the fleeting beauty of life’s journey at a moment of decisive personal and political change\, performed by Michael McCabe. \n\n\n\nThe Pearse Women\, an historical insight by Dr Sinead McCoole\, historian and curator\, inspired by the life-stories of Mrs Margaret (Brady) Pearse (1857-1932)\, Politician and Dail Deputy; Margaret Mary Pearse (1878-1968)\, teacher\, TD and Senator and Mary Brigid Pearse (1884-1947)\, musician\, teacher and author; linked to objects in the Pearse Museum and exploring the role these women played in shaping Irish society. Recited by Michael McCabe \n\n\n\nMrs Pearse monologue performed by Ciara Hayes. \n\n\n\nAn Ród Seo Romhainn\, an Irish poem written by Áine Ní Ghlinn\, a bilingual Irish journalist\, poet\, playwright and children’s writer and a former Arts Council Laureate na nÓg\, 2020—2023\, the first to write exclusively in Irish. The poem is inspired by the two teacups on display in the Pearse Museum\, left out by the mother of Padraig and Willie Pearse\, before her two sons went to join the Rising in 1916. The poem will be performed by Rob Harrington. \n\n\n\nArtist Biographies:\n\n\n\n\n\n\n\n\n\n\n\nMaeve Bradley is an actress from Co. Tyrone and a 2021 graduate of The Lir Academy Dublin. \n\n\n\nHer recent credits include This\, That and The Other – Cork Arts Theatre\, BBC Northern Ireland Radio Drama – The Heiress and The General\, Krabat- Common Crow Theatre\, Gulliver’s Travels- The Lyric Theatre Belfast and Les Miserables- The Grand Opera House Belfast. \n\n\n\nDuring her time at The Lir some of Maeve’s most memorable roles include Olga in Summerfolk -directed by Tom Creed\,  Flaminia in Everybody loves Sylvia- directed by Wayne Jordan\, Mother Victoria in Eclipsed- directed by Caroline Byrne\, Antigone in Burial at Thebes- directed by  Caitríona Mclaughlin and The mother in Machinal- directed by Holly Griffith. \n\n\n\n\n\n\n\n\n\n\n\n\n\nRob has enjoyed both national and international tours over the past 19 years of his acting career. He has most recently performed Tales from an Afterworld (WB Yeats)\, written by Féilim James and directed by Geraldine McAlinden in Áras an Uachtaráin for President Michael D Higgins. Some of his favourite theatre productions include The Shadow of a Gunman (The New Theatre\, directed by Ronan Wilmot)\, Pinter x 4 (Pearse Centre\, directed by Peter Reid)\, Scabs (Theatre Upstairs directed by Liam Halligan) In Arabia We’d all be Kings (Beckett Theatre\, directed by Liam Hallihan)\, Mary Stuart (The Grand Lodge\, Liam Halligan) and La Locandiera (Edinburgh Fringe festival\, directed Alice Coghlan). His screen work includes ‘A date for Mad Mary’\, ‘Vaudevillians’\, ‘The Comeback’\, ‘Twitchy’\, ‘The saviour of Dublin City’\, ‘Ctrl’\, ‘The Guarantee’\, ‘The Enchanted Island’\, ‘Two Margaritas and one Daiquiri’ amongst other independent films. Rob is also a seasoned theatre and screen workshop facilitator. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMichael McCabe is a performer\, theatre director\, movement choreographer\, facilitator and arts therapist. He is a graduate of the prestigious Ecole Internationale de Theatre Jacques Lecoq\, Paris\, France\, and The Gaiety School of Acting\, Dublin\, Ireland. \n\n\n\nHis theatre appearances include The Drowning Room (Project Arts Centre)\, Borstal Boy\, The Risen People (The Gaiety Theatre)\, A Christmas Carol\, The Ginger Ale Boy (Corcadorca Theatre Company)\, Lives Worth Living (Graffiti Theatre Company)\, Good Evening Mr Joyce (Samuel Beckett Centre)\, Diarmuid agus Grainne\, An Bradan Feasa\, The Libertine\, New World Order (Iomha Illdanach Theatre Company)\, Promises\, Promises  (Project Arts Centre)\, A Day With Daghdha (Daghdha Dance Company)\, Macbeth\, Six Characters in Search for an Author\, St. Joan\, Ariel (all at the Abbey Theatre)\, Wheel\, Jeckyll and Hyde (Dublin and Prague Fringe Festivals)\, Resist /Surrender (Dublin Dance Festival)\, and Where The Shoe Pinches (The Pavilion Theatre). He was clown co-ordinator for 35 clowns and appeared in Barabbas Theatre Company’s production\, City of Clowns\, at the Dunamaise\, Junction and Eargail Arts Festivals\, and The Complex\, Smithfield and appeared in Pagliacci at The Everyman Place Theatre\, as part of Cork Midsummer Festival. \n\n\n\nHis television and film appearances include Aristocrats (BBC)\, Ireland:1848\, (RTE)\, Window (IFI)\, All God’s Children (RTE/IFI)\, Nationwide (RTE). In 2021\, Michael will appear in Bean Sidhe\, Sweetcake\, and Sodium Party\, a new feature film directed by Michael McCudden. \n\n\n\nDirecting credits include: The Dead Woman’s Son (Smock Alley Theatre)\, A Wonderful Life\, Peter Pan’s Cirque D’Imaginaire (TU Dublin Theatre)\, Showcases 2017-2019 (The New Theatre) and in 2020\, The Grimm Tales (Smock Alley Theatre). Recent appearances include Footfalls\, The Journey Home\, and in Mermaid Arts Centre for Culture night on a work-in-progress\, His Left\, Her Right\, supported by Mermaid and Wicklow Arts Office. \n\n\n\nMichael has an M.A. (Honours) in Dramatherapy from the National University of Ireland\, Maynooth\, an M.A. in Modern Drama Studies from University College Dublin\, and a B.A. (Honours) in Communication Studies from Dublin City University. He has directed theatre work in the HSE\, the Dyspraxia Association of Ireland\, Trinity College Dublin\, St. Michael’s house\, and with other special needs organisations and schools with a focus on developing the potential of theatre for working with diverse groups. \n\n\n\nMichael has been working as a Movement Director\, teaching extensive movement classes for actors at the Conservatory of Music and Drama\, TU Dublin\, the National Association of Youth Drama\, Ringsend Institute\, the Department of Performing Arts\, Bray Institute of Further Education\, and The Gaiety School of Acting (full time course). \n\n\n\nMichael is a resident artist with Smashing Times International Centre for the Arts and Equality and works with Smashing Times as a performer\, director and arts facilitator on a range of projects from Acting for the Future to Legends of the Great Birth to State of the Art.  His theatre company\, Ruaille Buaille\, is building a physical theatre ensemble style based on the techniques of Jacques Lecoq\, Anne Bogart\, and Arianne Mouchkine. Michael was movement director on The Merchant of Venice\, at Mermaid Arts Centre\, and on the world premiere of Guerilla Days in Ireland in The Olympia Theatre\, Dublin. Michael is a graduate of National University of Ireland\, Maynooth\, (M.A. Dramatherapy\, 2.1 Honours)\, and was awarded a scholarship to train with internationally renowned theatre director Anne Bogart in New York. Bursary awards include South Dublin County Council\, Irish Actors Equity\, and The Arts Council. Michael recently completed training in Suzuki and Viewpoints Techniques under Tadashi Suzuki of SCOT Theatre Company\, in Toga Mura\, Japan. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMary Moynihan\, (she/her)\, MA\, is an award-winning writer\, director\, theatre and film-maker\, an interdisciplinary artist and one of Ireland’s most innovative arts and human rights artists creating work to promote the arts\, human rights\, climate justice\, gender equality\, diversity and peace.  \n\n\n\nMary is Artistic Director of Smashing Times International Centre for the Arts and Equality and works  collaboratively with artists and over 50 organisations across Ireland\, Northern Ireland\, Europe and internationally\, using the arts to promote rights and values for all.   Company patrons of Smashing Times are Sabina Coyne Higgins\, Senator Joan Freeman\, founder of Pieta House\, Ger Ryan\, actor and Tim Pat Coogan\, writer and historian. Founding patrons were writers Maeve Binchy and Brian Friel. \n\n\n\nMary’s work has won a number of awards including the Allianz Business to Arts Awards\, a GSK Ireland Impact Award\, a Dublin Bus Community Spirit Award\, a National Lottery Good Cause Award\, the international #ArtsAgainstCovid award\, an Arts Council Project Award and an Arts Council Agility Award. \n\n\n\nMary is Artistic Curator for the annual Dublin Arts and Human Rights festival implemented by Smashing Times and Front Line Defenders in partnership with Amnesty International\, Fighting Words\, ICCL\,  NWCI\, Irish Modern Dance Theatre\, Trócaire and Poetry Ireland\, funded by The Arts Council. The aim of the festival is to showcase and highlight the extraordinary work of human rights defenders in Ireland and around the world\, past and present\, and the role of the arts and artists in promoting human rights today. \n\n\n\nMary’s artistic practice encompasses theatre\, film\, literature\, poetry\, and curatorship. Mary’s work focuses on primal\, visceral and intuitive responses to vulnerability and conflict and an exploration of self and the other. Her work explores an interconnectedness of the body\, voice and imagination\, revealing the inner life through physical and spiritual energies and intuitive engagements. Mary has a focus on using historical memory in her artistic practice as inspiration for the creation of original artworks across a range of mediums\, remembering stories of ordinary yet powerful women and men from history and today who stood up for the rights of others. \n\n\n\nAs a playwright\, Mary’s work includes the highly acclaimed The Woman is Present: Women’s Stories of WWII co-written with Paul Kennedy\, Fiona Thompson and Féilim James;  A Beauty that will Pass; Constance and Her Friends – selected by President Michael D. Higgins for performance at Áras an Uachtaráin for Culture Night 2016;  In One Breath from the award-winning Testimonies(co-written with Paul Kennedy); and Shadow of My Soul\, May Our Faces Haunt You and Silent Screams.  \n\n\n\nMary’s film work includes the hour-long documentary Stories from the Shadows\, the short film Tell Them Our Names\, inspired by women’s stories of WWII and selected for the London Eye International Film Festival and Kerry Film Festival\, the creative documentary Women in an Equal Europe and the short film Courageous Women inspired by powerful women’s stories from the 1916 to 1923 decade of commemorations period in Irish history.   \n\n\n\n\n\n\n\n\n\n\n\n\n\nFéilim James is an award-winning writer from Dublin\, Ireland. In 2020\, the Arts of Council of Ireland awarded Féilim a Literature Bursary Award to finish his debut novel\, Flower of Ash\, as well as a Professional Development Award. He received an Arts Bursary from Dublin City Arts Office in 2021 to finish his first poetry collection\, I was a river\, lost. His short fiction and poetry have appeared in numerous journals\, including The Fiction Pool\, The Galway Review\, and Icarus. His work through Irish\, under Féilim Ó Brádaigh\, has won seven Oireachtas na Gaeilge literary awards. His short fiction and poetry\, through English and Irish\, have appeared in a number of journals\, including The Fiction Pool\, The Galway Review\, Icarus\, and Comhar. A short film Féilim wrote\, titled The Big No\, produced by Smashing Times\, was shortlisted by the IndieX Film Festival\, and his play At Summer’s End has toured Ireland. \n\n\n\nIn The Big No\, a young man tells the story of his psychological unravelling and subsequent mental health crisis. Told in the form of a voiceover monologue accompanied by compelling imagery\, this poetic short film takes us on a journey of despair\, introspection\, and hope. As he battles against panic attacks and suicidal thoughts\, he is forced to face the ‘why’ of his problems head on\, learning some essential truths about himself and the world. \n\n\n\nFéilim’s play At Summer’s End has been on tour with Smashing Times as part of The Woman is Present: Women’s Stories of WWII.  At Summer’s End is based on the life-story of Ettie Steinberg\, an Irish woman who was murdered\, along with her family\, at Auschwitz. \n\n\n\nFéilim’s themes are wide-ranging\, and include identity\, mental illness\, guilt\, human animalism\, death\, and humankind’s relationship with nature. He is committed to maintaining an ever evolving and progressive approach to his work\, with each book both building on the last and differing in a vital way. In other words\, the aforementioned themes will change as time passes\, as will their stylistic rendering. ‘My inspirations are many and wide-ranging. To the fore are James Joyce\, Sylvia Plath\, John Banville\, Marilynne Robinson\, Ted Hughes\, TS Eliot\, Seán Ó Ríordáin\, and Radiohead’. \n\n\n\n\n\n\n\n\n\n\n\n\n\nSinéad McCoole is the author of many books including Hazel\, A Life of Lady Lavery (1996) and No Ordinary Women (1997) and Easter Widows\, the untold story of the wives of the executed leaders (2014) and Women 1916-Mná 2016 (2017). She is a member of the Government’s Expert Advisory Group on the Decade of Centenaries (2012-to date). She was Historical Advisor to the 2016 National Commemoration Programme\, Curator of Mná 1916. She has curated exhibitions on Irish history & art in both Ireland and the U.S. A Broadcaster and script writer her work includes Guns and Chiffon (2003) and A Father’s Letter part of the After ’16 Irish Film Board shorts commissioned for the centenary was based on her interviews with Fr. Joe Mallin (1913-2018). Her areas of expertise are Modern Irish History from the 1880 to the present\, Material culture\, museums\, the history of Irish women\, child prisoners\, Sir John and Lady Lavery. She is an expert in the area of women’s imprisonment 1916-1923. Her current area of interest is women in politics and public life 1918-2018. \n\n\n\n\n\n\n\n\n\n\n\n\n\nGeraldine is an actor\, director\, producer and writer originally from Armagh in Northern Ireland. She started training in acting in the Gaiety School of Acting in 2000 and later in Stanislavski at the Focus Theatre in Dublin. In 2012/13 Geraldine completed the full time Screen Acting Programme at The Factory (now Bow Street Academy) in Dublin where she trained with Lance Daly\, Kirsten Sheridan\, Shimmy Marcus\, Jim Sheridan\, Aisling Walsh\, Derbhla Walsh\, Frank Berry and Ian Power\, among others. \n\n\n\nHer film acting credits include Ordinary Love\, Black 47\, The Secret Scripture\, Dark Lies the Island\, Procession\, and Portrait of a Zombie. Geraldine’s performance in Portrait of a Zombie led to her being long listed for an IFTA for Best Actress in a leading role in a feature film in 2013. Geraldine’s TV Credits include Miss Scarlet and the Duke\, Blood\, Striking Out and Red Rock. Her stage performances include The 24 Hour Plays Dublin 2020 (Abbey Theatre)\, One Day by Dick Walsh as well as Dublin Fringe theatre shows A Remember to Breathe and Spoonfed (a long play improvisation)\, Philadelphia\, Here I come! and Beyond Therapy! \n\n\n\nGeraldine trained in directing with Kristian Marken and she subsequently became an associate director with The Focus theatre. Her stage directing credits include Play/Record – The Granby Transcripts\, (Players Theatre\, Trinity)\, My Name is Mary (Project Theatre)\, The Cripple of Inishmaan\, (Smock Alley) The New York Monologues (The International Bar\, Smock Alley\, The Electric Picnic\, the Bulmer’s Comedy Festival and The Focus Theatre)\, One flew over the Cuckoo’s Nest (The Factory)\, Orphans (The New Theatre).  Film directing credits include the short films Helmets and Thorny Ireland. \n\n\n\nGeraldine has trained in writing with Stephen Walsh (Filmbase) and Pat McCabe (The Factory) among others. Her tiny play Knowing was published and produced by Fishamble’s Tiny Plays for Ireland. She has also written several short films. \n\n\n\nGeraldine is one of two founding members of Alchemy 8 Productions which produces theatre and film with a particular focus on stories of the human heart in conflict with itself. Its theatre production Orphans by Lyle Kessler which Geraldine also directed was included in a round-up of best theatre performances in Ireland in 2015. \n\n\n\nGeraldine is fascinated by investigating themes of the human need for connection and community\, the importance of sense of place and roots and the presumptions and prejudices these can bring. This is reflected in much of her work involving large ensemble casts\, with a focus on developing well rounded\, interesting characters and their physical and emotional juxtaposition in relation to each other. \n\n\n\nShe is passionate about the arts’ ability to positively impact audiences in many far-reaching ways from providing much needed entertainment and escapism\, to being a salve for the soul\, a cathartic release and a means of encouraging and developing empathy. Geraldine believes in the power of humour to provoke an emotional shift. As a solicitor in her previous life\, Geraldine is passionate about justice and promoting Human Rights on an individual and collective basis. \n\n\n\n\n\n\n\n\n\n\n\n\n\nCiara Hayes is a graduate of UCC with an MA in Arts Management and Creative Producing. She also holds a teaching diploma from the London College of Music in Drama and Communication\, and a BA Joint Hons in Drama and Theatre Studies with German. She has a background in theatre and worked for several years as a drama teacher\, later becoming a teacher of social skills for children on the autism spectrum.  \n\n\n\nSince completing her Masters in 2020\, Ciara has worked as a producer and festival administrator for Half Moon Festival (Cork\, 2020) and festival coordinator for Dublin Arts and Human Rights Festival (Dublin\, 2020 – present). She works at Smashing Times International Centre for the Arts and Equality. \n\n\n\nProducing credits include: Half Moon Festival – multidisciplinary\, online arts festival (July 2020). Earthangel – online production of aural recording\, Gaitkrash Theatre Company (November 2020). playing ‘The Maids’ – online sharing of recorded theatre performance\, Gaitkrash Theatre Company (December 2020). Love and Information – online showing of filmed theatre performance\, MTU BA Theatre and Drama Studies (February 2021). Prometheus Now – online theatre performance\, Gaitkrash Theatre Company as part of Cork Midsummer Festival (June 2021). \n\n\n\nActing credits include: Liverpool\, Mint Productions (2019); Little Gem\, Dramat (2016)\, awarded Best Actress; The Circle Game\, BA Drama and Theatre Studies (2016); The Importance of Being Ernest\, Dramat (2015); Trojan Woman: A Love Story¸ BA Drama and Theatre Studies (2014); The Pearse Women\, Smashing Times (2022); The Plough and the Stars for Bloomsday\, Áras an Uachtaráin\, Smashing Times (2023). \n\n\n\n\n\n\n\n\n\n\n\n\n\nLisa Mc Loughlin-Gnemmi is a graduate of the Royal College of Music\, London where she received her B.Mus Hons degree. She is a lecturer in violin at the TU Dublin Conservatoire for Music and Drama. She gained her masters in performance at TU Dublin studying under Joanna Matkowska. She has performed with the National Symphony Orchestra of Ireland under conductors Alexander Anissimov\, George Hurst and Gerhardt Markson. She also worked with Lyric Opera and The Irish Film Orchestra. She has regularly performed with the RTE Concert Orchestra. \n\n\n\nPerformances with the RTECO include a chamber music recital for the commemoration of the 1916 rising at The Irish Museum of Modern Art in the presence of An t-Uachtarán and with a group of members of the RTECO playing a new composition by Simon O’ Connor narrated by actress Olwen Fouéré. Other concerts included ‘Back to the Future’\, ‘The Godfather’ with film music by Nino Rota\, ‘The Music of John Williams’ film music and RTECO’s recording of the music of Steve Mc Keon for the film ‘Norm of the North’. \n\n\n\nLisa has performed at the Dublin Metropolis Festival\, RDS and at The Button Factory\, Temple Bar with DJ Kormac. Lisa has also toured France\, South Africa and the US as solo violinist with Michael Flatley’s ‘Lord of the Dance’. Solo and chamber music recitals include DIT\, Trinity College Dublin\, The Goethe institute\, UCD and The John Field Room\, N.C.H. and The Galway Arts Festival. \n\n\n\nLisa recently performed at Dublin Castle for a production of ‘Constance and her Friends’ a play about Constance Markievicz and activists during the 1916 rising written by Mary Moynihan and performed by Smashing Times. Passionate about teaching as well as performing\, Lisa gives masterclasses\, prepares students for exams\, recitals and Feis Ceoil competitions. Lisa is married to oboist with the National Symphony Orchestra\, Sylvain Gnemmi. They have four children and live in Dublin. \n\n\n\n\n\n\n\nedf\n\n\n\n\n\nFile agus scríbhneoir do dhaoine óga í Áine Ní Ghlinn\, agus Laureate na nÓg 2020 – 2023.  \n\n\n\nTá 36 leabhar foilsithe aici\, idir fhilíocht\, dhrámaí\, úrscéalta agus scéalta do dhaoine óga. I measc na nduaiseanna atá buaite aici\, tá Gradam Reics Carló Leabhar na Bliana (2014\, 2016\, 2019 do na húrscéalta Daideo\, Hata Zú Mhamó & Boscadán)\, Gradam Ficsin\, Leabhair Pháistí Éireann & Gradam Leabhar na Bliana\, Cumann Litearthachta na hÉireann (Daideo\, 2015). Bronnadh Comhaltacht Patrick Kavanagh uirthi i 2019 agus tá go leor duaiseanna filíochta buaite aici ag Seachtain na Scríbhneoirí Lios Tuathail\, Féile Filíochta Bhéal na mBuillí agus Oireachtas na Gaeilge. \n\n\n\nÁine Ní Ghlinn is a poet and children’s writer and is Laureate na nÓg\, 2020-2023. She has 36 books published. Awards include Gradam Reics Carló Children’s Book of the Year on three occasions\, LAI Book of the Year\, CBI Fiction Honour award\, Patrick Kavanagh Fellowship (2019) and a range of poetry awards (Oireachtas/ Listowel Writers’ Week/Strokestown Poetry Festival + others). \n\n\n\nÁine Ní Ghlinn is a lecturer\, journalist and writer. She has a BA (Irish and English) and a HDip in Education from University College\, Dublin\, a Diploma in Journalism from the London School of Journalism\, and an MA in Creative Writing from Lancaster University. She has written over thirty books – including four collections of poetry and an array of books for teenagers and young people. \n\n\n\nShe spent some years as a secondary-school teacher but resigned her position to become a journalist at RTÉ and Raidió na Gaeltachta. She worked on both current affairs and magazine programmes and the two she enjoyed most of all were the arts programmes\, Leabhragán and Ar an Ardán\, on Raidió na Gaeltachta. She also spent some time as a freelance journalist in London and in Ireland and she was frequently heard on It Says in the Papers on RTÉ Radio and on Raidió na Gaeltachta. \n\n\n\nShe left RTÉ to spent a few years lecturing at FIONTAR in Dublin City University. However\, she wanted to spend more time writing and later became a full-time writer; writing children’s books and scripts for Ros na Rún\, TG4. At present\, she shares her time between writing and lecturing at the Church of Ireland College of Education in Dublin and writing workshops in Irish-language secondary schools. \n\n\n\nShe has won many awards for her work. Céard tá sa bhosca? (An Gúm\, 2002) won the Gradam Chlann Lir in 2003. She won the Irish-language prize at the Strokestown poetry festival in 2003\, the Irish-language prize at the Dun Laoghaire / Rathdown poetry competition in 2003\, as well as the Foras na Gaeilge Award at Seachtain na Scríbhneoirí in Listowel in 2002. She was awarded an Oireachtas prizes for her books Fuadach (Cois Life\, 2005) Tromluí (Cois Life\, 2009) and Úbalonga (An Gúm\, 2009). Brionglóidí & aistir eile (Cló Mhaigh Eo\, 2008) was shortlisted for the Bisto prize and she won an IBBY award in 2010. In 2012\, she won an Oireachtas prize for her plays for children and her novel for teenagers\, Daideo (Cois Life\, 2014) was also awarded an Oireachtas prize in 2013. The same book was named Book of the Year for young people\, 2014\, Gradam Réics Carló. She was awarded Gradam Réics Carló again a couple of years later for her novel Hata zú Mhamó (Cois Life\, 2016). \n\n\n\nHer story ‘Boscadán’ was awarded top prize for children’s stories at Comórtais Liteartha an Oireachtais 2017\, and Cois Life published the subsequent book in 2019: Boscadán. LeabhairCOMHAR published in 2018 a collection (Fadó Riamh… Ag an Tús) which brings together stories from diverse cultures representing the rich tradition of mythology surrounding the creation of the world. \n\n\n\nNi Ghlinn was appointed Laureate na nÓg/Children’s Literature Laureate in May 2020. Laureate na nÓg is an honour which was established in 2010 to engage young people with high quality literature and to underline the importance of children’s literature in our cultural and imaginative lives. Her ambition as Laureate is to lift the cloak of invisibility from Irish language authors and books\, and to encourage children and young people to read for pleasure as Gaeilge. \n\n\n\n\n\nStates of Independence\n\n\n\nThis show is part of States of Independence\, a project that celebrates the stories of ten change-makers from the Decade of Centenaries 1912-1922 linked to the stories of ten change-makers today working to make society a better place. The twenty stories gathered act as inspiration for the creation of new artworks by ten artists\, working in visual art\, film\, dance\, theatre\, creative writing and digital arts. The artists come together to create a range of artworks and performances for public display in eight sites – both ancient and modern – across Ireland and for display via a creative billboards campaign and online on the Smashing Times Virtual Art Gallery. The stories\, artworks and performances are shared with public audiences to reflect on modern day revolutionary visions for the future inspired by the past\, launched for the annual Dublin International Arts and Human Rights festival 13 to 22 October 2023. The internationally acclaimed team of ten artists is led by Mary Moynihan\, an award-winning writer\, poet\, director\, theatre and filmmaker and Artistic Director\, Smashing Times International Centre for the Arts and Equality\, working with John Scott\, Artistic Director and Choreographer\, Irish Modern Dance Theatre\, and a range of artists working in literature\, visual arts\, theatre\, film and new digital technologies. \n\n\n\nThe team collaboratively create a series of interconnected artworks including a live multi-disciplinary performance\, visual art projections and a creative billboards campaign to be launched for the 2023 annual International Dublin Arts and Human Rights festival taking place from the 13 to 22 October 2023. Events are accompanied by panel discussions and public talks on new visions for a peaceful and equal society for all. \n\n\n\nEvents take place in Dublin\, Kerry\, Clare and Donegal with online work accessible across Ireland and internationally celebrating changemakers and heroes from the past and today\,  bringing people together to promote active citizenship\,  equality\, human rights and diversity and celebrating new visions for a peaceful and equal future for all. Events take place in a range of venues both ancient and modern including Office of Public Work spaces throughout Ireland. \n\n\n\nFor further information please contact Freda Manweiler\, producer\, telephone 087 2214245 or email freda@smashingtimes.ie \n\n\n\nSupported by The Arts Council Open Call as part of ART: 2023 a Decade of Centenaries Collaboration between The Arts Council and the Department of Tourism\, Culture\, Arts\, Gaeltacht\, Sport and Media. Supported by Creative Europe as part of the Theatre in Palm project. \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/tales-of-love-and-loss-6/
LOCATION:Pearse Museum\, Rathfarnham\, Co Dublin\, St Endas Park\, Grange Road\, Rathfarnham\, Dublin 16\, D16 Y7Y5\, Ireland
CATEGORIES:Dublin,Music,Performance,Poetry,Theatre
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2023/07/talesofloveandlost-7.jpg
ORGANIZER;CN="Smashing Times":MAILTO:info@smashingtimes.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20230819T140000
DTEND;TZID=Europe/Dublin:20230819T150000
DTSTAMP:20230727T103220Z
CREATED:20230711T103026Z
LAST-MODIFIED:20230727T103220Z
UID:10000242-1692453600-1692457200@smashingtimes.ie
SUMMARY:Tales of Love and Loss
DESCRIPTION:Belonging: Three-Day Creative Arts Workshop\n\n\n\n\n\n\n\n\n\nWorkshop: Tuesday 26 May\, 9.30am-12.30pm; Wednesday 27 May\, 11am-2pm; Thursday 28 May\, 11am-2pm. Open to all female-identifying\, registration required.  \n\n\nBook Your Place\n\n\n\nSmashing Times never want ticket price to be a barrier to attendance. Please contact admin@smashingtimes.ie to avail of free tickets. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\nArtists\n\n\n\nMaeve Bradley\, actor \n\n\n\nLorna Fox\, actor \n\n\n\nRob Harrington\, actor \n\n\n\nMichael McCabe\, actor \n\n\n\nCiara Hayes\, actor \n\n\n\nLisa McLoughlin-Gnemmi\, musician \n\n\n\nGeraldine McAlinden\, director \n\n\n\nMary Moynihan\, writer\, director\, theatre and film maker and Artistic Director of Smashing Times International Centre for the Arts and Equality \n\n\n\nFéilim James\, writer \n\n\n\nSinead McCoole\, writer \n\n\n\nÁine Ní Ghlinn\, poet\, children’s writer and is Laureate na nÓg\, 2020-2023 \n\n\n\nFull Event Details\n\n\n\nSmashing Times are delighted to present Tales of Love and Loss\, a guided\, walkabout\, outdoor performance taking place at Pearse Museum and St Enda’s Park\, Rathfarnham\, on the 12\, 13\, 19 and 20 August 2023\, two shows daily at 1pm and 2pm. The show features change-maker stories from history as we engage with the unique\, historical setting of Pearse Museum and St Enda’s Park\, where Patrick Pearse and the Pearse family lived and ran their innovative Irish-speaking school\, Scoil Éanna.Enjoy a magical walk-in-the-park performance as we regale you with storytelling\, poetry and music reflecting on the lives of Sarah Curran\, Robert Emmet\, William Butler Yeats and the Pearse Women\, Mrs Margaret (Brady) Pearse\, Margaret Mary Pearse and Mary Brigid Pearse. \n\n\n\nA Beauty That Will Pass written and directed by Mary Moynihan performed by Lorna Fox\, is a poetical response to the love story of Sarah Curran (1782-1808) and Robert Emmet (1778-1803) interwoven with reference to John Philpott Curran (1750-1817) and Padraig Pearse (1879-1916). \n\n\n\nTales from an Afterworld by Féilim James\, directed by Geraldine McAlinden\, performed by Rob Harrington\, a reflection on the life and work of writer William Butler Yeats (1865-1939). Born in Dublin in 1865\, William Butler Yeats was the son of a well-known Irish painter\, John Butler Yeats. He spent his childhood in County Sligo\, where his parents were raised\, and in London. He returned to Dublin at fifteen to continue his education and study painting\, but quickly discovered he preferred poetry. Born into the Anglo-Irish landowning class\, Yeats became involved with the Celtic Revival\, a movement against the cultural influences of English rule in Ireland during the Victorian period\, which sought to promote the spirit of Ireland’s native heritage. Yeats was deeply involved in politics in Ireland. He also had a life-long interest in mysticism and the occult\, and his work drew extensively from sources in Irish mythology and folklore. Lady Gregory and Yeats founded the Abbey Theatre in 1904. Yeats was awarded the Nobel Prize in 1923 and died in 1939 age seventy-three. \n\n\n\nThe Pearse Family \n\n\n\nThe Wayfarer\, a poem by Pádraig Pearse. This was the last poem written by Pearse on the eve of his execution at Kilmainham Gaol\, Dublin (May 2\, 1916). The Wayfarer reflects on the fleeting beauty of life’s journey at a moment of decisive personal and political change\, performed by Michael McCabe. \n\n\n\nThe Pearse Women\, an historical insight by Dr Sinead McCoole\, historian and curator\, inspired by the life-stories of Mrs Margaret (Brady) Pearse (1857-1932)\, Politician and Dail Deputy; Margaret Mary Pearse (1878-1968)\, teacher\, TD and Senator and Mary Brigid Pearse (1884-1947)\, musician\, teacher and author; linked to objects in the Pearse Museum and exploring the role these women played in shaping Irish society. Recited by Michael McCabe \n\n\n\nMrs Pearse monologue performed by Ciara Hayes. \n\n\n\nAn Ród Seo Romhainn\, an Irish poem written by Áine Ní Ghlinn\, a bilingual Irish journalist\, poet\, playwright and children’s writer and a former Arts Council Laureate na nÓg\, 2020—2023\, the first to write exclusively in Irish. The poem is inspired by the two teacups on display in the Pearse Museum\, left out by the mother of Padraig and Willie Pearse\, before her two sons went to join the Rising in 1916. The poem will be performed by Rob Harrington. \n\n\n\nArtist Biographies:\n\n\n\n\n\n\n\n\n\n\n\nMaeve Bradley is an actress from Co. Tyrone and a 2021 graduate of The Lir Academy Dublin. \n\n\n\nHer recent credits include This\, That and The Other – Cork Arts Theatre\, BBC Northern Ireland Radio Drama – The Heiress and The General\, Krabat- Common Crow Theatre\, Gulliver’s Travels- The Lyric Theatre Belfast and Les Miserables- The Grand Opera House Belfast. \n\n\n\nDuring her time at The Lir some of Maeve’s most memorable roles include Olga in Summerfolk -directed by Tom Creed\,  Flaminia in Everybody loves Sylvia- directed by Wayne Jordan\, Mother Victoria in Eclipsed- directed by Caroline Byrne\, Antigone in Burial at Thebes- directed by  Caitríona Mclaughlin and The mother in Machinal- directed by Holly Griffith. \n\n\n\n\n\n\n\n\n\n\n\n\n\nRob has enjoyed both national and international tours over the past 19 years of his acting career. He has most recently performed Tales from an Afterworld (WB Yeats)\, written by Féilim James and directed by Geraldine McAlinden in Áras an Uachtaráin for President Michael D Higgins. Some of his favourite theatre productions include The Shadow of a Gunman (The New Theatre\, directed by Ronan Wilmot)\, Pinter x 4 (Pearse Centre\, directed by Peter Reid)\, Scabs (Theatre Upstairs directed by Liam Halligan) In Arabia We’d all be Kings (Beckett Theatre\, directed by Liam Hallihan)\, Mary Stuart (The Grand Lodge\, Liam Halligan) and La Locandiera (Edinburgh Fringe festival\, directed Alice Coghlan). His screen work includes ‘A date for Mad Mary’\, ‘Vaudevillians’\, ‘The Comeback’\, ‘Twitchy’\, ‘The saviour of Dublin City’\, ‘Ctrl’\, ‘The Guarantee’\, ‘The Enchanted Island’\, ‘Two Margaritas and one Daiquiri’ amongst other independent films. Rob is also a seasoned theatre and screen workshop facilitator. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMichael McCabe is a performer\, theatre director\, movement choreographer\, facilitator and arts therapist. He is a graduate of the prestigious Ecole Internationale de Theatre Jacques Lecoq\, Paris\, France\, and The Gaiety School of Acting\, Dublin\, Ireland. \n\n\n\nHis theatre appearances include The Drowning Room (Project Arts Centre)\, Borstal Boy\, The Risen People (The Gaiety Theatre)\, A Christmas Carol\, The Ginger Ale Boy (Corcadorca Theatre Company)\, Lives Worth Living (Graffiti Theatre Company)\, Good Evening Mr Joyce (Samuel Beckett Centre)\, Diarmuid agus Grainne\, An Bradan Feasa\, The Libertine\, New World Order (Iomha Illdanach Theatre Company)\, Promises\, Promises  (Project Arts Centre)\, A Day With Daghdha (Daghdha Dance Company)\, Macbeth\, Six Characters in Search for an Author\, St. Joan\, Ariel (all at the Abbey Theatre)\, Wheel\, Jeckyll and Hyde (Dublin and Prague Fringe Festivals)\, Resist /Surrender (Dublin Dance Festival)\, and Where The Shoe Pinches (The Pavilion Theatre). He was clown co-ordinator for 35 clowns and appeared in Barabbas Theatre Company’s production\, City of Clowns\, at the Dunamaise\, Junction and Eargail Arts Festivals\, and The Complex\, Smithfield and appeared in Pagliacci at The Everyman Place Theatre\, as part of Cork Midsummer Festival. \n\n\n\nHis television and film appearances include Aristocrats (BBC)\, Ireland:1848\, (RTE)\, Window (IFI)\, All God’s Children (RTE/IFI)\, Nationwide (RTE). In 2021\, Michael will appear in Bean Sidhe\, Sweetcake\, and Sodium Party\, a new feature film directed by Michael McCudden. \n\n\n\nDirecting credits include: The Dead Woman’s Son (Smock Alley Theatre)\, A Wonderful Life\, Peter Pan’s Cirque D’Imaginaire (TU Dublin Theatre)\, Showcases 2017-2019 (The New Theatre) and in 2020\, The Grimm Tales (Smock Alley Theatre). Recent appearances include Footfalls\, The Journey Home\, and in Mermaid Arts Centre for Culture night on a work-in-progress\, His Left\, Her Right\, supported by Mermaid and Wicklow Arts Office. \n\n\n\nMichael has an M.A. (Honours) in Dramatherapy from the National University of Ireland\, Maynooth\, an M.A. in Modern Drama Studies from University College Dublin\, and a B.A. (Honours) in Communication Studies from Dublin City University. He has directed theatre work in the HSE\, the Dyspraxia Association of Ireland\, Trinity College Dublin\, St. Michael’s house\, and with other special needs organisations and schools with a focus on developing the potential of theatre for working with diverse groups. \n\n\n\nMichael has been working as a Movement Director\, teaching extensive movement classes for actors at the Conservatory of Music and Drama\, TU Dublin\, the National Association of Youth Drama\, Ringsend Institute\, the Department of Performing Arts\, Bray Institute of Further Education\, and The Gaiety School of Acting (full time course). \n\n\n\nMichael is a resident artist with Smashing Times International Centre for the Arts and Equality and works with Smashing Times as a performer\, director and arts facilitator on a range of projects from Acting for the Future to Legends of the Great Birth to State of the Art.  His theatre company\, Ruaille Buaille\, is building a physical theatre ensemble style based on the techniques of Jacques Lecoq\, Anne Bogart\, and Arianne Mouchkine. Michael was movement director on The Merchant of Venice\, at Mermaid Arts Centre\, and on the world premiere of Guerilla Days in Ireland in The Olympia Theatre\, Dublin. Michael is a graduate of National University of Ireland\, Maynooth\, (M.A. Dramatherapy\, 2.1 Honours)\, and was awarded a scholarship to train with internationally renowned theatre director Anne Bogart in New York. Bursary awards include South Dublin County Council\, Irish Actors Equity\, and The Arts Council. Michael recently completed training in Suzuki and Viewpoints Techniques under Tadashi Suzuki of SCOT Theatre Company\, in Toga Mura\, Japan. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMary Moynihan\, (she/her)\, MA\, is an award-winning writer\, director\, theatre and film-maker\, an interdisciplinary artist and one of Ireland’s most innovative arts and human rights artists creating work to promote the arts\, human rights\, climate justice\, gender equality\, diversity and peace.  \n\n\n\nMary is Artistic Director of Smashing Times International Centre for the Arts and Equality and works  collaboratively with artists and over 50 organisations across Ireland\, Northern Ireland\, Europe and internationally\, using the arts to promote rights and values for all.   Company patrons of Smashing Times are Sabina Coyne Higgins\, Senator Joan Freeman\, founder of Pieta House\, Ger Ryan\, actor and Tim Pat Coogan\, writer and historian. Founding patrons were writers Maeve Binchy and Brian Friel. \n\n\n\nMary’s work has won a number of awards including the Allianz Business to Arts Awards\, a GSK Ireland Impact Award\, a Dublin Bus Community Spirit Award\, a National Lottery Good Cause Award\, the international #ArtsAgainstCovid award\, an Arts Council Project Award and an Arts Council Agility Award. \n\n\n\nMary is Artistic Curator for the annual Dublin Arts and Human Rights festival implemented by Smashing Times and Front Line Defenders in partnership with Amnesty International\, Fighting Words\, ICCL\,  NWCI\, Irish Modern Dance Theatre\, Trócaire and Poetry Ireland\, funded by The Arts Council. The aim of the festival is to showcase and highlight the extraordinary work of human rights defenders in Ireland and around the world\, past and present\, and the role of the arts and artists in promoting human rights today. \n\n\n\nMary’s artistic practice encompasses theatre\, film\, literature\, poetry\, and curatorship. Mary’s work focuses on primal\, visceral and intuitive responses to vulnerability and conflict and an exploration of self and the other. Her work explores an interconnectedness of the body\, voice and imagination\, revealing the inner life through physical and spiritual energies and intuitive engagements. Mary has a focus on using historical memory in her artistic practice as inspiration for the creation of original artworks across a range of mediums\, remembering stories of ordinary yet powerful women and men from history and today who stood up for the rights of others. \n\n\n\nAs a playwright\, Mary’s work includes the highly acclaimed The Woman is Present: Women’s Stories of WWII co-written with Paul Kennedy\, Fiona Thompson and Féilim James;  A Beauty that will Pass; Constance and Her Friends – selected by President Michael D. Higgins for performance at Áras an Uachtaráin for Culture Night 2016;  In One Breath from the award-winning Testimonies(co-written with Paul Kennedy); and Shadow of My Soul\, May Our Faces Haunt You and Silent Screams.  \n\n\n\nMary’s film work includes the hour-long documentary Stories from the Shadows\, the short film Tell Them Our Names\, inspired by women’s stories of WWII and selected for the London Eye International Film Festival and Kerry Film Festival\, the creative documentary Women in an Equal Europe and the short film Courageous Women inspired by powerful women’s stories from the 1916 to 1923 decade of commemorations period in Irish history.   \n\n\n\n\n\n\n\n\n\n\n\n\n\nFéilim James is an award-winning writer from Dublin\, Ireland. In 2020\, the Arts of Council of Ireland awarded Féilim a Literature Bursary Award to finish his debut novel\, Flower of Ash\, as well as a Professional Development Award. He received an Arts Bursary from Dublin City Arts Office in 2021 to finish his first poetry collection\, I was a river\, lost. His short fiction and poetry have appeared in numerous journals\, including The Fiction Pool\, The Galway Review\, and Icarus. His work through Irish\, under Féilim Ó Brádaigh\, has won seven Oireachtas na Gaeilge literary awards. His short fiction and poetry\, through English and Irish\, have appeared in a number of journals\, including The Fiction Pool\, The Galway Review\, Icarus\, and Comhar. A short film Féilim wrote\, titled The Big No\, produced by Smashing Times\, was shortlisted by the IndieX Film Festival\, and his play At Summer’s End has toured Ireland. \n\n\n\nIn The Big No\, a young man tells the story of his psychological unravelling and subsequent mental health crisis. Told in the form of a voiceover monologue accompanied by compelling imagery\, this poetic short film takes us on a journey of despair\, introspection\, and hope. As he battles against panic attacks and suicidal thoughts\, he is forced to face the ‘why’ of his problems head on\, learning some essential truths about himself and the world. \n\n\n\nFéilim’s play At Summer’s End has been on tour with Smashing Times as part of The Woman is Present: Women’s Stories of WWII.  At Summer’s End is based on the life-story of Ettie Steinberg\, an Irish woman who was murdered\, along with her family\, at Auschwitz. \n\n\n\nFéilim’s themes are wide-ranging\, and include identity\, mental illness\, guilt\, human animalism\, death\, and humankind’s relationship with nature. He is committed to maintaining an ever evolving and progressive approach to his work\, with each book both building on the last and differing in a vital way. In other words\, the aforementioned themes will change as time passes\, as will their stylistic rendering. ‘My inspirations are many and wide-ranging. To the fore are James Joyce\, Sylvia Plath\, John Banville\, Marilynne Robinson\, Ted Hughes\, TS Eliot\, Seán Ó Ríordáin\, and Radiohead’. \n\n\n\n\n\n\n\n\n\n\n\n\n\nSinéad McCoole is the author of many books including Hazel\, A Life of Lady Lavery (1996) and No Ordinary Women (1997) and Easter Widows\, the untold story of the wives of the executed leaders (2014) and Women 1916-Mná 2016 (2017). She is a member of the Government’s Expert Advisory Group on the Decade of Centenaries (2012-to date). She was Historical Advisor to the 2016 National Commemoration Programme\, Curator of Mná 1916. She has curated exhibitions on Irish history & art in both Ireland and the U.S. A Broadcaster and script writer her work includes Guns and Chiffon (2003) and A Father’s Letter part of the After ’16 Irish Film Board shorts commissioned for the centenary was based on her interviews with Fr. Joe Mallin (1913-2018). Her areas of expertise are Modern Irish History from the 1880 to the present\, Material culture\, museums\, the history of Irish women\, child prisoners\, Sir John and Lady Lavery. She is an expert in the area of women’s imprisonment 1916-1923. Her current area of interest is women in politics and public life 1918-2018. \n\n\n\n\n\n\n\n\n\n\n\n\n\nGeraldine is an actor\, director\, producer and writer originally from Armagh in Northern Ireland. She started training in acting in the Gaiety School of Acting in 2000 and later in Stanislavski at the Focus Theatre in Dublin. In 2012/13 Geraldine completed the full time Screen Acting Programme at The Factory (now Bow Street Academy) in Dublin where she trained with Lance Daly\, Kirsten Sheridan\, Shimmy Marcus\, Jim Sheridan\, Aisling Walsh\, Derbhla Walsh\, Frank Berry and Ian Power\, among others. \n\n\n\nHer film acting credits include Ordinary Love\, Black 47\, The Secret Scripture\, Dark Lies the Island\, Procession\, and Portrait of a Zombie. Geraldine’s performance in Portrait of a Zombie led to her being long listed for an IFTA for Best Actress in a leading role in a feature film in 2013. Geraldine’s TV Credits include Miss Scarlet and the Duke\, Blood\, Striking Out and Red Rock. Her stage performances include The 24 Hour Plays Dublin 2020 (Abbey Theatre)\, One Day by Dick Walsh as well as Dublin Fringe theatre shows A Remember to Breathe and Spoonfed (a long play improvisation)\, Philadelphia\, Here I come! and Beyond Therapy! \n\n\n\nGeraldine trained in directing with Kristian Marken and she subsequently became an associate director with The Focus theatre. Her stage directing credits include Play/Record – The Granby Transcripts\, (Players Theatre\, Trinity)\, My Name is Mary (Project Theatre)\, The Cripple of Inishmaan\, (Smock Alley) The New York Monologues (The International Bar\, Smock Alley\, The Electric Picnic\, the Bulmer’s Comedy Festival and The Focus Theatre)\, One flew over the Cuckoo’s Nest (The Factory)\, Orphans (The New Theatre).  Film directing credits include the short films Helmets and Thorny Ireland. \n\n\n\nGeraldine has trained in writing with Stephen Walsh (Filmbase) and Pat McCabe (The Factory) among others. Her tiny play Knowing was published and produced by Fishamble’s Tiny Plays for Ireland. She has also written several short films. \n\n\n\nGeraldine is one of two founding members of Alchemy 8 Productions which produces theatre and film with a particular focus on stories of the human heart in conflict with itself. Its theatre production Orphans by Lyle Kessler which Geraldine also directed was included in a round-up of best theatre performances in Ireland in 2015. \n\n\n\nGeraldine is fascinated by investigating themes of the human need for connection and community\, the importance of sense of place and roots and the presumptions and prejudices these can bring. This is reflected in much of her work involving large ensemble casts\, with a focus on developing well rounded\, interesting characters and their physical and emotional juxtaposition in relation to each other. \n\n\n\nShe is passionate about the arts’ ability to positively impact audiences in many far-reaching ways from providing much needed entertainment and escapism\, to being a salve for the soul\, a cathartic release and a means of encouraging and developing empathy. Geraldine believes in the power of humour to provoke an emotional shift. As a solicitor in her previous life\, Geraldine is passionate about justice and promoting Human Rights on an individual and collective basis. \n\n\n\n\n\n\n\n\n\n\n\n\n\nCiara Hayes is a graduate of UCC with an MA in Arts Management and Creative Producing. She also holds a teaching diploma from the London College of Music in Drama and Communication\, and a BA Joint Hons in Drama and Theatre Studies with German. She has a background in theatre and worked for several years as a drama teacher\, later becoming a teacher of social skills for children on the autism spectrum.  \n\n\n\nSince completing her Masters in 2020\, Ciara has worked as a producer and festival administrator for Half Moon Festival (Cork\, 2020) and festival coordinator for Dublin Arts and Human Rights Festival (Dublin\, 2020 – present). She works at Smashing Times International Centre for the Arts and Equality. \n\n\n\nProducing credits include: Half Moon Festival – multidisciplinary\, online arts festival (July 2020). Earthangel – online production of aural recording\, Gaitkrash Theatre Company (November 2020). playing ‘The Maids’ – online sharing of recorded theatre performance\, Gaitkrash Theatre Company (December 2020). Love and Information – online showing of filmed theatre performance\, MTU BA Theatre and Drama Studies (February 2021). Prometheus Now – online theatre performance\, Gaitkrash Theatre Company as part of Cork Midsummer Festival (June 2021). \n\n\n\nActing credits include: Liverpool\, Mint Productions (2019); Little Gem\, Dramat (2016)\, awarded Best Actress; The Circle Game\, BA Drama and Theatre Studies (2016); The Importance of Being Ernest\, Dramat (2015); Trojan Woman: A Love Story¸ BA Drama and Theatre Studies (2014); The Pearse Women\, Smashing Times (2022); The Plough and the Stars for Bloomsday\, Áras an Uachtaráin\, Smashing Times (2023). \n\n\n\n\n\n\n\n\n\n\n\n\n\nLisa Mc Loughlin-Gnemmi is a graduate of the Royal College of Music\, London where she received her B.Mus Hons degree. She is a lecturer in violin at the TU Dublin Conservatoire for Music and Drama. She gained her masters in performance at TU Dublin studying under Joanna Matkowska. She has performed with the National Symphony Orchestra of Ireland under conductors Alexander Anissimov\, George Hurst and Gerhardt Markson. She also worked with Lyric Opera and The Irish Film Orchestra. She has regularly performed with the RTE Concert Orchestra. \n\n\n\nPerformances with the RTECO include a chamber music recital for the commemoration of the 1916 rising at The Irish Museum of Modern Art in the presence of An t-Uachtarán and with a group of members of the RTECO playing a new composition by Simon O’ Connor narrated by actress Olwen Fouéré. Other concerts included ‘Back to the Future’\, ‘The Godfather’ with film music by Nino Rota\, ‘The Music of John Williams’ film music and RTECO’s recording of the music of Steve Mc Keon for the film ‘Norm of the North’. \n\n\n\nLisa has performed at the Dublin Metropolis Festival\, RDS and at The Button Factory\, Temple Bar with DJ Kormac. Lisa has also toured France\, South Africa and the US as solo violinist with Michael Flatley’s ‘Lord of the Dance’. Solo and chamber music recitals include DIT\, Trinity College Dublin\, The Goethe institute\, UCD and The John Field Room\, N.C.H. and The Galway Arts Festival. \n\n\n\nLisa recently performed at Dublin Castle for a production of ‘Constance and her Friends’ a play about Constance Markievicz and activists during the 1916 rising written by Mary Moynihan and performed by Smashing Times. Passionate about teaching as well as performing\, Lisa gives masterclasses\, prepares students for exams\, recitals and Feis Ceoil competitions. Lisa is married to oboist with the National Symphony Orchestra\, Sylvain Gnemmi. They have four children and live in Dublin. \n\n\n\n\n\n\n\nedf\n\n\n\n\n\nFile agus scríbhneoir do dhaoine óga í Áine Ní Ghlinn\, agus Laureate na nÓg 2020 – 2023.  \n\n\n\nTá 36 leabhar foilsithe aici\, idir fhilíocht\, dhrámaí\, úrscéalta agus scéalta do dhaoine óga. I measc na nduaiseanna atá buaite aici\, tá Gradam Reics Carló Leabhar na Bliana (2014\, 2016\, 2019 do na húrscéalta Daideo\, Hata Zú Mhamó & Boscadán)\, Gradam Ficsin\, Leabhair Pháistí Éireann & Gradam Leabhar na Bliana\, Cumann Litearthachta na hÉireann (Daideo\, 2015). Bronnadh Comhaltacht Patrick Kavanagh uirthi i 2019 agus tá go leor duaiseanna filíochta buaite aici ag Seachtain na Scríbhneoirí Lios Tuathail\, Féile Filíochta Bhéal na mBuillí agus Oireachtas na Gaeilge. \n\n\n\nÁine Ní Ghlinn is a poet and children’s writer and is Laureate na nÓg\, 2020-2023. She has 36 books published. Awards include Gradam Reics Carló Children’s Book of the Year on three occasions\, LAI Book of the Year\, CBI Fiction Honour award\, Patrick Kavanagh Fellowship (2019) and a range of poetry awards (Oireachtas/ Listowel Writers’ Week/Strokestown Poetry Festival + others). \n\n\n\nÁine Ní Ghlinn is a lecturer\, journalist and writer. She has a BA (Irish and English) and a HDip in Education from University College\, Dublin\, a Diploma in Journalism from the London School of Journalism\, and an MA in Creative Writing from Lancaster University. She has written over thirty books – including four collections of poetry and an array of books for teenagers and young people. \n\n\n\nShe spent some years as a secondary-school teacher but resigned her position to become a journalist at RTÉ and Raidió na Gaeltachta. She worked on both current affairs and magazine programmes and the two she enjoyed most of all were the arts programmes\, Leabhragán and Ar an Ardán\, on Raidió na Gaeltachta. She also spent some time as a freelance journalist in London and in Ireland and she was frequently heard on It Says in the Papers on RTÉ Radio and on Raidió na Gaeltachta. \n\n\n\nShe left RTÉ to spent a few years lecturing at FIONTAR in Dublin City University. However\, she wanted to spend more time writing and later became a full-time writer; writing children’s books and scripts for Ros na Rún\, TG4. At present\, she shares her time between writing and lecturing at the Church of Ireland College of Education in Dublin and writing workshops in Irish-language secondary schools. \n\n\n\nShe has won many awards for her work. Céard tá sa bhosca? (An Gúm\, 2002) won the Gradam Chlann Lir in 2003. She won the Irish-language prize at the Strokestown poetry festival in 2003\, the Irish-language prize at the Dun Laoghaire / Rathdown poetry competition in 2003\, as well as the Foras na Gaeilge Award at Seachtain na Scríbhneoirí in Listowel in 2002. She was awarded an Oireachtas prizes for her books Fuadach (Cois Life\, 2005) Tromluí (Cois Life\, 2009) and Úbalonga (An Gúm\, 2009). Brionglóidí & aistir eile (Cló Mhaigh Eo\, 2008) was shortlisted for the Bisto prize and she won an IBBY award in 2010. In 2012\, she won an Oireachtas prize for her plays for children and her novel for teenagers\, Daideo (Cois Life\, 2014) was also awarded an Oireachtas prize in 2013. The same book was named Book of the Year for young people\, 2014\, Gradam Réics Carló. She was awarded Gradam Réics Carló again a couple of years later for her novel Hata zú Mhamó (Cois Life\, 2016). \n\n\n\nHer story ‘Boscadán’ was awarded top prize for children’s stories at Comórtais Liteartha an Oireachtais 2017\, and Cois Life published the subsequent book in 2019: Boscadán. LeabhairCOMHAR published in 2018 a collection (Fadó Riamh… Ag an Tús) which brings together stories from diverse cultures representing the rich tradition of mythology surrounding the creation of the world. \n\n\n\nNi Ghlinn was appointed Laureate na nÓg/Children’s Literature Laureate in May 2020. Laureate na nÓg is an honour which was established in 2010 to engage young people with high quality literature and to underline the importance of children’s literature in our cultural and imaginative lives. Her ambition as Laureate is to lift the cloak of invisibility from Irish language authors and books\, and to encourage children and young people to read for pleasure as Gaeilge. \n\n\n\n\n\nStates of Independence\n\n\n\nThis show is part of States of Independence\, a project that celebrates the stories of ten change-makers from the Decade of Centenaries 1912-1922 linked to the stories of ten change-makers today working to make society a better place. The twenty stories gathered act as inspiration for the creation of new artworks by ten artists\, working in visual art\, film\, dance\, theatre\, creative writing and digital arts. The artists come together to create a range of artworks and performances for public display in eight sites – both ancient and modern – across Ireland and for display via a creative billboards campaign and online on the Smashing Times Virtual Art Gallery. The stories\, artworks and performances are shared with public audiences to reflect on modern day revolutionary visions for the future inspired by the past\, launched for the annual Dublin International Arts and Human Rights festival 13 to 22 October 2023. The internationally acclaimed team of ten artists is led by Mary Moynihan\, an award-winning writer\, poet\, director\, theatre and filmmaker and Artistic Director\, Smashing Times International Centre for the Arts and Equality\, working with John Scott\, Artistic Director and Choreographer\, Irish Modern Dance Theatre\, and a range of artists working in literature\, visual arts\, theatre\, film and new digital technologies. \n\n\n\nThe team collaboratively create a series of interconnected artworks including a live multi-disciplinary performance\, visual art projections and a creative billboards campaign to be launched for the 2023 annual International Dublin Arts and Human Rights festival taking place from the 13 to 22 October 2023. Events are accompanied by panel discussions and public talks on new visions for a peaceful and equal society for all. \n\n\n\nEvents take place in Dublin\, Kerry\, Clare and Donegal with online work accessible across Ireland and internationally celebrating changemakers and heroes from the past and today\,  bringing people together to promote active citizenship\,  equality\, human rights and diversity and celebrating new visions for a peaceful and equal future for all. Events take place in a range of venues both ancient and modern including Office of Public Work spaces throughout Ireland. \n\n\n\nFor further information please contact Freda Manweiler\, producer\, telephone 087 2214245 or email freda@smashingtimes.ie \n\n\n\nSupported by The Arts Council Open Call as part of ART: 2023 a Decade of Centenaries Collaboration between The Arts Council and the Department of Tourism\, Culture\, Arts\, Gaeltacht\, Sport and Media. Supported by Creative Europe as part of the Theatre in Palm project. \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/tales-of-love-and-loss-7/
LOCATION:Pearse Museum\, Rathfarnham\, Co Dublin\, St Endas Park\, Grange Road\, Rathfarnham\, Dublin 16\, D16 Y7Y5\, Ireland
CATEGORIES:Dublin,Music,Performance,Poetry,Theatre
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2023/07/talesofloveandlost-6.jpg
ORGANIZER;CN="Smashing Times":MAILTO:info@smashingtimes.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20230819T130000
DTEND;TZID=Europe/Dublin:20230819T140000
DTSTAMP:20230727T103212Z
CREATED:20230711T105612Z
LAST-MODIFIED:20230727T103212Z
UID:10000245-1692450000-1692453600@smashingtimes.ie
SUMMARY:Tales of Love and Loss
DESCRIPTION:Belonging: Three-Day Creative Arts Workshop\n\n\n\n\n\n\n\n\n\nWorkshop: Tuesday 26 May\, 9.30am-12.30pm; Wednesday 27 May\, 11am-2pm; Thursday 28 May\, 11am-2pm. Open to all female-identifying\, registration required.  \n\n\nBook Your Place\n\n\n\nSmashing Times never want ticket price to be a barrier to attendance. Please contact admin@smashingtimes.ie to avail of free tickets. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\nArtists\n\n\n\nMaeve Bradley\, actor \n\n\n\nLorna Fox\, actor \n\n\n\nRob Harrington\, actor \n\n\n\nMichael McCabe\, actor \n\n\n\nCiara Hayes\, actor \n\n\n\nLisa McLoughlin-Gnemmi\, musician \n\n\n\nGeraldine McAlinden\, director \n\n\n\nMary Moynihan\, writer\, director\, theatre and film maker and Artistic Director of Smashing Times International Centre for the Arts and Equality \n\n\n\nFéilim James\, writer \n\n\n\nSinead McCoole\, writer \n\n\n\nÁine Ní Ghlinn\, poet\, children’s writer and is Laureate na nÓg\, 2020-2023 \n\n\n\nFull Event Details\n\n\n\nSmashing Times are delighted to present Tales of Love and Loss\, a guided\, walkabout\, outdoor performance taking place at Pearse Museum and St Enda’s Park\, Rathfarnham\, on the 12\, 13\, 19 and 20 August 2023\, two shows daily at 1pm and 2pm. The show features change-maker stories from history as we engage with the unique\, historical setting of Pearse Museum and St Enda’s Park\, where Patrick Pearse and the Pearse family lived and ran their innovative Irish-speaking school\, Scoil Éanna.Enjoy a magical walk-in-the-park performance as we regale you with storytelling\, poetry and music reflecting on the lives of Sarah Curran\, Robert Emmet\, William Butler Yeats and the Pearse Women\, Mrs Margaret (Brady) Pearse\, Margaret Mary Pearse and Mary Brigid Pearse. \n\n\n\nA Beauty That Will Pass written and directed by Mary Moynihan performed by Lorna Fox\, is a poetical response to the love story of Sarah Curran (1782-1808) and Robert Emmet (1778-1803) interwoven with reference to John Philpott Curran (1750-1817) and Padraig Pearse (1879-1916). \n\n\n\nTales from an Afterworld by Féilim James\, directed by Geraldine McAlinden\, performed by Rob Harrington\, a reflection on the life and work of writer William Butler Yeats (1865-1939). Born in Dublin in 1865\, William Butler Yeats was the son of a well-known Irish painter\, John Butler Yeats. He spent his childhood in County Sligo\, where his parents were raised\, and in London. He returned to Dublin at fifteen to continue his education and study painting\, but quickly discovered he preferred poetry. Born into the Anglo-Irish landowning class\, Yeats became involved with the Celtic Revival\, a movement against the cultural influences of English rule in Ireland during the Victorian period\, which sought to promote the spirit of Ireland’s native heritage. Yeats was deeply involved in politics in Ireland. He also had a life-long interest in mysticism and the occult\, and his work drew extensively from sources in Irish mythology and folklore. Lady Gregory and Yeats founded the Abbey Theatre in 1904. Yeats was awarded the Nobel Prize in 1923 and died in 1939 age seventy-three. \n\n\n\nThe Pearse Family \n\n\n\nThe Wayfarer\, a poem by Pádraig Pearse. This was the last poem written by Pearse on the eve of his execution at Kilmainham Gaol\, Dublin (May 2\, 1916). The Wayfarer reflects on the fleeting beauty of life’s journey at a moment of decisive personal and political change\, performed by Michael McCabe. \n\n\n\nThe Pearse Women\, an historical insight by Dr Sinead McCoole\, historian and curator\, inspired by the life-stories of Mrs Margaret (Brady) Pearse (1857-1932)\, Politician and Dail Deputy; Margaret Mary Pearse (1878-1968)\, teacher\, TD and Senator and Mary Brigid Pearse (1884-1947)\, musician\, teacher and author; linked to objects in the Pearse Museum and exploring the role these women played in shaping Irish society. Recited by Michael McCabe \n\n\n\nMrs Pearse monologue performed by Ciara Hayes. \n\n\n\nAn Ród Seo Romhainn\, an Irish poem written by Áine Ní Ghlinn\, a bilingual Irish journalist\, poet\, playwright and children’s writer and a former Arts Council Laureate na nÓg\, 2020—2023\, the first to write exclusively in Irish. The poem is inspired by the two teacups on display in the Pearse Museum\, left out by the mother of Padraig and Willie Pearse\, before her two sons went to join the Rising in 1916. The poem will be performed by Rob Harrington. \n\n\n\nArtist Biographies:\n\n\n\n\n\n\n\n\n\n\n\nMaeve Bradley is an actress from Co. Tyrone and a 2021 graduate of The Lir Academy Dublin. \n\n\n\nHer recent credits include This\, That and The Other – Cork Arts Theatre\, BBC Northern Ireland Radio Drama – The Heiress and The General\, Krabat- Common Crow Theatre\, Gulliver’s Travels- The Lyric Theatre Belfast and Les Miserables- The Grand Opera House Belfast. \n\n\n\nDuring her time at The Lir some of Maeve’s most memorable roles include Olga in Summerfolk -directed by Tom Creed\,  Flaminia in Everybody loves Sylvia- directed by Wayne Jordan\, Mother Victoria in Eclipsed- directed by Caroline Byrne\, Antigone in Burial at Thebes- directed by  Caitríona Mclaughlin and The mother in Machinal- directed by Holly Griffith. \n\n\n\n\n\n\n\n\n\n\n\n\n\nRob has enjoyed both national and international tours over the past 19 years of his acting career. He has most recently performed Tales from an Afterworld (WB Yeats)\, written by Féilim James and directed by Geraldine McAlinden in Áras an Uachtaráin for President Michael D Higgins. Some of his favourite theatre productions include The Shadow of a Gunman (The New Theatre\, directed by Ronan Wilmot)\, Pinter x 4 (Pearse Centre\, directed by Peter Reid)\, Scabs (Theatre Upstairs directed by Liam Halligan) In Arabia We’d all be Kings (Beckett Theatre\, directed by Liam Hallihan)\, Mary Stuart (The Grand Lodge\, Liam Halligan) and La Locandiera (Edinburgh Fringe festival\, directed Alice Coghlan). His screen work includes ‘A date for Mad Mary’\, ‘Vaudevillians’\, ‘The Comeback’\, ‘Twitchy’\, ‘The saviour of Dublin City’\, ‘Ctrl’\, ‘The Guarantee’\, ‘The Enchanted Island’\, ‘Two Margaritas and one Daiquiri’ amongst other independent films. Rob is also a seasoned theatre and screen workshop facilitator. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMichael McCabe is a performer\, theatre director\, movement choreographer\, facilitator and arts therapist. He is a graduate of the prestigious Ecole Internationale de Theatre Jacques Lecoq\, Paris\, France\, and The Gaiety School of Acting\, Dublin\, Ireland. \n\n\n\nHis theatre appearances include The Drowning Room (Project Arts Centre)\, Borstal Boy\, The Risen People (The Gaiety Theatre)\, A Christmas Carol\, The Ginger Ale Boy (Corcadorca Theatre Company)\, Lives Worth Living (Graffiti Theatre Company)\, Good Evening Mr Joyce (Samuel Beckett Centre)\, Diarmuid agus Grainne\, An Bradan Feasa\, The Libertine\, New World Order (Iomha Illdanach Theatre Company)\, Promises\, Promises  (Project Arts Centre)\, A Day With Daghdha (Daghdha Dance Company)\, Macbeth\, Six Characters in Search for an Author\, St. Joan\, Ariel (all at the Abbey Theatre)\, Wheel\, Jeckyll and Hyde (Dublin and Prague Fringe Festivals)\, Resist /Surrender (Dublin Dance Festival)\, and Where The Shoe Pinches (The Pavilion Theatre). He was clown co-ordinator for 35 clowns and appeared in Barabbas Theatre Company’s production\, City of Clowns\, at the Dunamaise\, Junction and Eargail Arts Festivals\, and The Complex\, Smithfield and appeared in Pagliacci at The Everyman Place Theatre\, as part of Cork Midsummer Festival. \n\n\n\nHis television and film appearances include Aristocrats (BBC)\, Ireland:1848\, (RTE)\, Window (IFI)\, All God’s Children (RTE/IFI)\, Nationwide (RTE). In 2021\, Michael will appear in Bean Sidhe\, Sweetcake\, and Sodium Party\, a new feature film directed by Michael McCudden. \n\n\n\nDirecting credits include: The Dead Woman’s Son (Smock Alley Theatre)\, A Wonderful Life\, Peter Pan’s Cirque D’Imaginaire (TU Dublin Theatre)\, Showcases 2017-2019 (The New Theatre) and in 2020\, The Grimm Tales (Smock Alley Theatre). Recent appearances include Footfalls\, The Journey Home\, and in Mermaid Arts Centre for Culture night on a work-in-progress\, His Left\, Her Right\, supported by Mermaid and Wicklow Arts Office. \n\n\n\nMichael has an M.A. (Honours) in Dramatherapy from the National University of Ireland\, Maynooth\, an M.A. in Modern Drama Studies from University College Dublin\, and a B.A. (Honours) in Communication Studies from Dublin City University. He has directed theatre work in the HSE\, the Dyspraxia Association of Ireland\, Trinity College Dublin\, St. Michael’s house\, and with other special needs organisations and schools with a focus on developing the potential of theatre for working with diverse groups. \n\n\n\nMichael has been working as a Movement Director\, teaching extensive movement classes for actors at the Conservatory of Music and Drama\, TU Dublin\, the National Association of Youth Drama\, Ringsend Institute\, the Department of Performing Arts\, Bray Institute of Further Education\, and The Gaiety School of Acting (full time course). \n\n\n\nMichael is a resident artist with Smashing Times International Centre for the Arts and Equality and works with Smashing Times as a performer\, director and arts facilitator on a range of projects from Acting for the Future to Legends of the Great Birth to State of the Art.  His theatre company\, Ruaille Buaille\, is building a physical theatre ensemble style based on the techniques of Jacques Lecoq\, Anne Bogart\, and Arianne Mouchkine. Michael was movement director on The Merchant of Venice\, at Mermaid Arts Centre\, and on the world premiere of Guerilla Days in Ireland in The Olympia Theatre\, Dublin. Michael is a graduate of National University of Ireland\, Maynooth\, (M.A. Dramatherapy\, 2.1 Honours)\, and was awarded a scholarship to train with internationally renowned theatre director Anne Bogart in New York. Bursary awards include South Dublin County Council\, Irish Actors Equity\, and The Arts Council. Michael recently completed training in Suzuki and Viewpoints Techniques under Tadashi Suzuki of SCOT Theatre Company\, in Toga Mura\, Japan. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMary Moynihan\, (she/her)\, MA\, is an award-winning writer\, director\, theatre and film-maker\, an interdisciplinary artist and one of Ireland’s most innovative arts and human rights artists creating work to promote the arts\, human rights\, climate justice\, gender equality\, diversity and peace.  \n\n\n\nMary is Artistic Director of Smashing Times International Centre for the Arts and Equality and works  collaboratively with artists and over 50 organisations across Ireland\, Northern Ireland\, Europe and internationally\, using the arts to promote rights and values for all.   Company patrons of Smashing Times are Sabina Coyne Higgins\, Senator Joan Freeman\, founder of Pieta House\, Ger Ryan\, actor and Tim Pat Coogan\, writer and historian. Founding patrons were writers Maeve Binchy and Brian Friel. \n\n\n\nMary’s work has won a number of awards including the Allianz Business to Arts Awards\, a GSK Ireland Impact Award\, a Dublin Bus Community Spirit Award\, a National Lottery Good Cause Award\, the international #ArtsAgainstCovid award\, an Arts Council Project Award and an Arts Council Agility Award. \n\n\n\nMary is Artistic Curator for the annual Dublin Arts and Human Rights festival implemented by Smashing Times and Front Line Defenders in partnership with Amnesty International\, Fighting Words\, ICCL\,  NWCI\, Irish Modern Dance Theatre\, Trócaire and Poetry Ireland\, funded by The Arts Council. The aim of the festival is to showcase and highlight the extraordinary work of human rights defenders in Ireland and around the world\, past and present\, and the role of the arts and artists in promoting human rights today. \n\n\n\nMary’s artistic practice encompasses theatre\, film\, literature\, poetry\, and curatorship. Mary’s work focuses on primal\, visceral and intuitive responses to vulnerability and conflict and an exploration of self and the other. Her work explores an interconnectedness of the body\, voice and imagination\, revealing the inner life through physical and spiritual energies and intuitive engagements. Mary has a focus on using historical memory in her artistic practice as inspiration for the creation of original artworks across a range of mediums\, remembering stories of ordinary yet powerful women and men from history and today who stood up for the rights of others. \n\n\n\nAs a playwright\, Mary’s work includes the highly acclaimed The Woman is Present: Women’s Stories of WWII co-written with Paul Kennedy\, Fiona Thompson and Féilim James;  A Beauty that will Pass; Constance and Her Friends – selected by President Michael D. Higgins for performance at Áras an Uachtaráin for Culture Night 2016;  In One Breath from the award-winning Testimonies(co-written with Paul Kennedy); and Shadow of My Soul\, May Our Faces Haunt You and Silent Screams.  \n\n\n\nMary’s film work includes the hour-long documentary Stories from the Shadows\, the short film Tell Them Our Names\, inspired by women’s stories of WWII and selected for the London Eye International Film Festival and Kerry Film Festival\, the creative documentary Women in an Equal Europe and the short film Courageous Women inspired by powerful women’s stories from the 1916 to 1923 decade of commemorations period in Irish history.   \n\n\n\n\n\n\n\n\n\n\n\n\n\nFéilim James is an award-winning writer from Dublin\, Ireland. In 2020\, the Arts of Council of Ireland awarded Féilim a Literature Bursary Award to finish his debut novel\, Flower of Ash\, as well as a Professional Development Award. He received an Arts Bursary from Dublin City Arts Office in 2021 to finish his first poetry collection\, I was a river\, lost. His short fiction and poetry have appeared in numerous journals\, including The Fiction Pool\, The Galway Review\, and Icarus. His work through Irish\, under Féilim Ó Brádaigh\, has won seven Oireachtas na Gaeilge literary awards. His short fiction and poetry\, through English and Irish\, have appeared in a number of journals\, including The Fiction Pool\, The Galway Review\, Icarus\, and Comhar. A short film Féilim wrote\, titled The Big No\, produced by Smashing Times\, was shortlisted by the IndieX Film Festival\, and his play At Summer’s End has toured Ireland. \n\n\n\nIn The Big No\, a young man tells the story of his psychological unravelling and subsequent mental health crisis. Told in the form of a voiceover monologue accompanied by compelling imagery\, this poetic short film takes us on a journey of despair\, introspection\, and hope. As he battles against panic attacks and suicidal thoughts\, he is forced to face the ‘why’ of his problems head on\, learning some essential truths about himself and the world. \n\n\n\nFéilim’s play At Summer’s End has been on tour with Smashing Times as part of The Woman is Present: Women’s Stories of WWII.  At Summer’s End is based on the life-story of Ettie Steinberg\, an Irish woman who was murdered\, along with her family\, at Auschwitz. \n\n\n\nFéilim’s themes are wide-ranging\, and include identity\, mental illness\, guilt\, human animalism\, death\, and humankind’s relationship with nature. He is committed to maintaining an ever evolving and progressive approach to his work\, with each book both building on the last and differing in a vital way. In other words\, the aforementioned themes will change as time passes\, as will their stylistic rendering. ‘My inspirations are many and wide-ranging. To the fore are James Joyce\, Sylvia Plath\, John Banville\, Marilynne Robinson\, Ted Hughes\, TS Eliot\, Seán Ó Ríordáin\, and Radiohead’. \n\n\n\n\n\n\n\n\n\n\n\n\n\nSinéad McCoole is the author of many books including Hazel\, A Life of Lady Lavery (1996) and No Ordinary Women (1997) and Easter Widows\, the untold story of the wives of the executed leaders (2014) and Women 1916-Mná 2016 (2017). She is a member of the Government’s Expert Advisory Group on the Decade of Centenaries (2012-to date). She was Historical Advisor to the 2016 National Commemoration Programme\, Curator of Mná 1916. She has curated exhibitions on Irish history & art in both Ireland and the U.S. A Broadcaster and script writer her work includes Guns and Chiffon (2003) and A Father’s Letter part of the After ’16 Irish Film Board shorts commissioned for the centenary was based on her interviews with Fr. Joe Mallin (1913-2018). Her areas of expertise are Modern Irish History from the 1880 to the present\, Material culture\, museums\, the history of Irish women\, child prisoners\, Sir John and Lady Lavery. She is an expert in the area of women’s imprisonment 1916-1923. Her current area of interest is women in politics and public life 1918-2018. \n\n\n\n\n\n\n\n\n\n\n\n\n\nGeraldine is an actor\, director\, producer and writer originally from Armagh in Northern Ireland. She started training in acting in the Gaiety School of Acting in 2000 and later in Stanislavski at the Focus Theatre in Dublin. In 2012/13 Geraldine completed the full time Screen Acting Programme at The Factory (now Bow Street Academy) in Dublin where she trained with Lance Daly\, Kirsten Sheridan\, Shimmy Marcus\, Jim Sheridan\, Aisling Walsh\, Derbhla Walsh\, Frank Berry and Ian Power\, among others. \n\n\n\nHer film acting credits include Ordinary Love\, Black 47\, The Secret Scripture\, Dark Lies the Island\, Procession\, and Portrait of a Zombie. Geraldine’s performance in Portrait of a Zombie led to her being long listed for an IFTA for Best Actress in a leading role in a feature film in 2013. Geraldine’s TV Credits include Miss Scarlet and the Duke\, Blood\, Striking Out and Red Rock. Her stage performances include The 24 Hour Plays Dublin 2020 (Abbey Theatre)\, One Day by Dick Walsh as well as Dublin Fringe theatre shows A Remember to Breathe and Spoonfed (a long play improvisation)\, Philadelphia\, Here I come! and Beyond Therapy! \n\n\n\nGeraldine trained in directing with Kristian Marken and she subsequently became an associate director with The Focus theatre. Her stage directing credits include Play/Record – The Granby Transcripts\, (Players Theatre\, Trinity)\, My Name is Mary (Project Theatre)\, The Cripple of Inishmaan\, (Smock Alley) The New York Monologues (The International Bar\, Smock Alley\, The Electric Picnic\, the Bulmer’s Comedy Festival and The Focus Theatre)\, One flew over the Cuckoo’s Nest (The Factory)\, Orphans (The New Theatre).  Film directing credits include the short films Helmets and Thorny Ireland. \n\n\n\nGeraldine has trained in writing with Stephen Walsh (Filmbase) and Pat McCabe (The Factory) among others. Her tiny play Knowing was published and produced by Fishamble’s Tiny Plays for Ireland. She has also written several short films. \n\n\n\nGeraldine is one of two founding members of Alchemy 8 Productions which produces theatre and film with a particular focus on stories of the human heart in conflict with itself. Its theatre production Orphans by Lyle Kessler which Geraldine also directed was included in a round-up of best theatre performances in Ireland in 2015. \n\n\n\nGeraldine is fascinated by investigating themes of the human need for connection and community\, the importance of sense of place and roots and the presumptions and prejudices these can bring. This is reflected in much of her work involving large ensemble casts\, with a focus on developing well rounded\, interesting characters and their physical and emotional juxtaposition in relation to each other. \n\n\n\nShe is passionate about the arts’ ability to positively impact audiences in many far-reaching ways from providing much needed entertainment and escapism\, to being a salve for the soul\, a cathartic release and a means of encouraging and developing empathy. Geraldine believes in the power of humour to provoke an emotional shift. As a solicitor in her previous life\, Geraldine is passionate about justice and promoting Human Rights on an individual and collective basis. \n\n\n\n\n\n\n\n\n\n\n\n\n\nCiara Hayes is a graduate of UCC with an MA in Arts Management and Creative Producing. She also holds a teaching diploma from the London College of Music in Drama and Communication\, and a BA Joint Hons in Drama and Theatre Studies with German. She has a background in theatre and worked for several years as a drama teacher\, later becoming a teacher of social skills for children on the autism spectrum.  \n\n\n\nSince completing her Masters in 2020\, Ciara has worked as a producer and festival administrator for Half Moon Festival (Cork\, 2020) and festival coordinator for Dublin Arts and Human Rights Festival (Dublin\, 2020 – present). She works at Smashing Times International Centre for the Arts and Equality. \n\n\n\nProducing credits include: Half Moon Festival – multidisciplinary\, online arts festival (July 2020). Earthangel – online production of aural recording\, Gaitkrash Theatre Company (November 2020). playing ‘The Maids’ – online sharing of recorded theatre performance\, Gaitkrash Theatre Company (December 2020). Love and Information – online showing of filmed theatre performance\, MTU BA Theatre and Drama Studies (February 2021). Prometheus Now – online theatre performance\, Gaitkrash Theatre Company as part of Cork Midsummer Festival (June 2021). \n\n\n\nActing credits include: Liverpool\, Mint Productions (2019); Little Gem\, Dramat (2016)\, awarded Best Actress; The Circle Game\, BA Drama and Theatre Studies (2016); The Importance of Being Ernest\, Dramat (2015); Trojan Woman: A Love Story¸ BA Drama and Theatre Studies (2014); The Pearse Women\, Smashing Times (2022); The Plough and the Stars for Bloomsday\, Áras an Uachtaráin\, Smashing Times (2023). \n\n\n\n\n\n\n\n\n\n\n\n\n\nLisa Mc Loughlin-Gnemmi is a graduate of the Royal College of Music\, London where she received her B.Mus Hons degree. She is a lecturer in violin at the TU Dublin Conservatoire for Music and Drama. She gained her masters in performance at TU Dublin studying under Joanna Matkowska. She has performed with the National Symphony Orchestra of Ireland under conductors Alexander Anissimov\, George Hurst and Gerhardt Markson. She also worked with Lyric Opera and The Irish Film Orchestra. She has regularly performed with the RTE Concert Orchestra. \n\n\n\nPerformances with the RTECO include a chamber music recital for the commemoration of the 1916 rising at The Irish Museum of Modern Art in the presence of An t-Uachtarán and with a group of members of the RTECO playing a new composition by Simon O’ Connor narrated by actress Olwen Fouéré. Other concerts included ‘Back to the Future’\, ‘The Godfather’ with film music by Nino Rota\, ‘The Music of John Williams’ film music and RTECO’s recording of the music of Steve Mc Keon for the film ‘Norm of the North’. \n\n\n\nLisa has performed at the Dublin Metropolis Festival\, RDS and at The Button Factory\, Temple Bar with DJ Kormac. Lisa has also toured France\, South Africa and the US as solo violinist with Michael Flatley’s ‘Lord of the Dance’. Solo and chamber music recitals include DIT\, Trinity College Dublin\, The Goethe institute\, UCD and The John Field Room\, N.C.H. and The Galway Arts Festival. \n\n\n\nLisa recently performed at Dublin Castle for a production of ‘Constance and her Friends’ a play about Constance Markievicz and activists during the 1916 rising written by Mary Moynihan and performed by Smashing Times. Passionate about teaching as well as performing\, Lisa gives masterclasses\, prepares students for exams\, recitals and Feis Ceoil competitions. Lisa is married to oboist with the National Symphony Orchestra\, Sylvain Gnemmi. They have four children and live in Dublin. \n\n\n\n\n\n\n\n\n\n\n\n\n\nFile agus scríbhneoir do dhaoine óga í Áine Ní Ghlinn\, agus Laureate na nÓg 2020 – 2023.  \n\n\n\nTá 36 leabhar foilsithe aici\, idir fhilíocht\, dhrámaí\, úrscéalta agus scéalta do dhaoine óga. I measc na nduaiseanna atá buaite aici\, tá Gradam Reics Carló Leabhar na Bliana (2014\, 2016\, 2019 do na húrscéalta Daideo\, Hata Zú Mhamó & Boscadán)\, Gradam Ficsin\, Leabhair Pháistí Éireann & Gradam Leabhar na Bliana\, Cumann Litearthachta na hÉireann (Daideo\, 2015). Bronnadh Comhaltacht Patrick Kavanagh uirthi i 2019 agus tá go leor duaiseanna filíochta buaite aici ag Seachtain na Scríbhneoirí Lios Tuathail\, Féile Filíochta Bhéal na mBuillí agus Oireachtas na Gaeilge. \n\n\n\nÁine Ní Ghlinn is a poet and children’s writer and is Laureate na nÓg\, 2020-2023. She has 36 books published. Awards include Gradam Reics Carló Children’s Book of the Year on three occasions\, LAI Book of the Year\, CBI Fiction Honour award\, Patrick Kavanagh Fellowship (2019) and a range of poetry awards (Oireachtas/ Listowel Writers’ Week/Strokestown Poetry Festival + others). \n\n\n\nÁine Ní Ghlinn is a lecturer\, journalist and writer. She has a BA (Irish and English) and a HDip in Education from University College\, Dublin\, a Diploma in Journalism from the London School of Journalism\, and an MA in Creative Writing from Lancaster University. She has written over thirty books – including four collections of poetry and an array of books for teenagers and young people. \n\n\n\nShe spent some years as a secondary-school teacher but resigned her position to become a journalist at RTÉ and Raidió na Gaeltachta. She worked on both current affairs and magazine programmes and the two she enjoyed most of all were the arts programmes\, Leabhragán and Ar an Ardán\, on Raidió na Gaeltachta. She also spent some time as a freelance journalist in London and in Ireland and she was frequently heard on It Says in the Papers on RTÉ Radio and on Raidió na Gaeltachta. \n\n\n\nShe left RTÉ to spent a few years lecturing at FIONTAR in Dublin City University. However\, she wanted to spend more time writing and later became a full-time writer; writing children’s books and scripts for Ros na Rún\, TG4. At present\, she shares her time between writing and lecturing at the Church of Ireland College of Education in Dublin and writing workshops in Irish-language secondary schools. \n\n\n\nShe has won many awards for her work. Céard tá sa bhosca? (An Gúm\, 2002) won the Gradam Chlann Lir in 2003. She won the Irish-language prize at the Strokestown poetry festival in 2003\, the Irish-language prize at the Dun Laoghaire / Rathdown poetry competition in 2003\, as well as the Foras na Gaeilge Award at Seachtain na Scríbhneoirí in Listowel in 2002. She was awarded an Oireachtas prizes for her books Fuadach (Cois Life\, 2005) Tromluí (Cois Life\, 2009) and Úbalonga (An Gúm\, 2009). Brionglóidí & aistir eile (Cló Mhaigh Eo\, 2008) was shortlisted for the Bisto prize and she won an IBBY award in 2010. In 2012\, she won an Oireachtas prize for her plays for children and her novel for teenagers\, Daideo (Cois Life\, 2014) was also awarded an Oireachtas prize in 2013. The same book was named Book of the Year for young people\, 2014\, Gradam Réics Carló. She was awarded Gradam Réics Carló again a couple of years later for her novel Hata zú Mhamó (Cois Life\, 2016). \n\n\n\nHer story ‘Boscadán’ was awarded top prize for children’s stories at Comórtais Liteartha an Oireachtais 2017\, and Cois Life published the subsequent book in 2019: Boscadán. LeabhairCOMHAR published in 2018 a collection (Fadó Riamh… Ag an Tús) which brings together stories from diverse cultures representing the rich tradition of mythology surrounding the creation of the world. \n\n\n\nNi Ghlinn was appointed Laureate na nÓg/Children’s Literature Laureate in May 2020. Laureate na nÓg is an honour which was established in 2010 to engage young people with high quality literature and to underline the importance of children’s literature in our cultural and imaginative lives. Her ambition as Laureate is to lift the cloak of invisibility from Irish language authors and books\, and to encourage children and young people to read for pleasure as Gaeilge. \n\n\n\n\n\nStates of Independence\n\n\n\nThis show is part of States of Independence\, a project that celebrates the stories of ten change-makers from the Decade of Centenaries 1912-1922 linked to the stories of ten change-makers today working to make society a better place. The twenty stories gathered act as inspiration for the creation of new artworks by ten artists\, working in visual art\, film\, dance\, theatre\, creative writing and digital arts. The artists come together to create a range of artworks and performances for public display in eight sites – both ancient and modern – across Ireland and for display via a creative billboards campaign and online on the Smashing Times Virtual Art Gallery. The stories\, artworks and performances are shared with public audiences to reflect on modern day revolutionary visions for the future inspired by the past\, launched for the annual Dublin International Arts and Human Rights festival 13 to 22 October 2023. The internationally acclaimed team of ten artists is led by Mary Moynihan\, an award-winning writer\, poet\, director\, theatre and filmmaker and Artistic Director\, Smashing Times International Centre for the Arts and Equality\, working with John Scott\, Artistic Director and Choreographer\, Irish Modern Dance Theatre\, and a range of artists working in literature\, visual arts\, theatre\, film and new digital technologies. \n\n\n\nThe team collaboratively create a series of interconnected artworks including a live multi-disciplinary performance\, visual art projections and a creative billboards campaign to be launched for the 2023 annual International Dublin Arts and Human Rights festival taking place from the 13 to 22 October 2023. Events are accompanied by panel discussions and public talks on new visions for a peaceful and equal society for all. \n\n\n\nEvents take place in Dublin\, Kerry\, Clare and Donegal with online work accessible across Ireland and internationally celebrating changemakers and heroes from the past and today\,  bringing people together to promote active citizenship\,  equality\, human rights and diversity and celebrating new visions for a peaceful and equal future for all. Events take place in a range of venues both ancient and modern including Office of Public Work spaces throughout Ireland. \n\n\n\nFor further information please contact Freda Manweiler\, producer\, telephone 087 2214245 or email freda@smashingtimes.ie \n\n\n\nSupported by The Arts Council Open Call as part of ART: 2023 a Decade of Centenaries Collaboration between The Arts Council and the Department of Tourism\, Culture\, Arts\, Gaeltacht\, Sport and Media. Supported by Creative Europe as part of the Theatre in Palm project. \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/tales-of-love-and-loss-5/
LOCATION:Pearse Museum\, Rathfarnham\, Co Dublin\, St Endas Park\, Grange Road\, Rathfarnham\, Dublin 16\, D16 Y7Y5\, Ireland
CATEGORIES:Dublin,Music,Performance,Poetry,Theatre
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2023/07/talesofloveandlost-5.jpg
ORGANIZER;CN="Smashing Times":MAILTO:info@smashingtimes.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20230813T140000
DTEND;TZID=Europe/Dublin:20230813T150000
DTSTAMP:20230802T091543Z
CREATED:20230711T101100Z
LAST-MODIFIED:20230802T091543Z
UID:10000240-1691935200-1691938800@smashingtimes.ie
SUMMARY:Tales of Love and Loss
DESCRIPTION:Belonging: Three-Day Creative Arts Workshop\n\n\n\n\n\n\n\n\n\nWorkshop: Tuesday 26 May\, 9.30am-12.30pm; Wednesday 27 May\, 11am-2pm; Thursday 28 May\, 11am-2pm. Open to all female-identifying\, registration required.  \n\n\nBook Your Place\n\n\n\nSmashing Times never want ticket price to be a barrier to attendance. Please contact admin@smashingtimes.ie to avail of free tickets. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\nArtists\n\n\n\nMaeve Bradley\, actor \n\n\n\nLorna Fox\, actor \n\n\n\nRob Harrington\, actor \n\n\n\nMichael McCabe\, actor \n\n\n\nCiara Hayes\, actor \n\n\n\nLisa McLoughlin-Gnemmi\, musician \n\n\n\nGeraldine McAlinden\, director \n\n\n\nMary Moynihan\, writer\, director\, theatre and film maker and Artistic Director of Smashing Times International Centre for the Arts and Equality \n\n\n\nFéilim James\, writer \n\n\n\nSinead McCoole\, writer \n\n\n\nÁine Ní Ghlinn\, poet\, children’s writer and is Laureate na nÓg\, 2020-2023 \n\n\n\nFull Event Details\n\n\n\nSmashing Times are delighted to present Tales of Love and Loss\, a guided\, walkabout\, outdoor performance taking place at Pearse Museum and St Enda’s Park\, Rathfarnham\, on the 12\, 13\, 19 and 20 August 2023\, two shows daily at 1pm and 2pm. The show features change-maker stories from history as we engage with the unique\, historical setting of Pearse Museum and St Enda’s Park\, where Patrick Pearse and the Pearse family lived and ran their innovative Irish-speaking school\, Scoil Éanna.Enjoy a magical walk-in-the-park performance as we regale you with storytelling\, poetry and music reflecting on the lives of Sarah Curran\, Robert Emmet\, William Butler Yeats and the Pearse Women\, Mrs Margaret (Brady) Pearse\, Margaret Mary Pearse and Mary Brigid Pearse. \n\n\n\nA Beauty That Will Pass written and directed by Mary Moynihan performed by Lorna Fox\, is a poetical response to the love story of Sarah Curran (1782-1808) and Robert Emmet (1778-1803) interwoven with reference to John Philpott Curran (1750-1817) and Padraig Pearse (1879-1916). \n\n\n\nTales from an Afterworld by Féilim James\, directed by Geraldine McAlinden\, performed by Rob Harrington\, a reflection on the life and work of writer William Butler Yeats (1865-1939). Born in Dublin in 1865\, William Butler Yeats was the son of a well-known Irish painter\, John Butler Yeats. He spent his childhood in County Sligo\, where his parents were raised\, and in London. He returned to Dublin at fifteen to continue his education and study painting\, but quickly discovered he preferred poetry. Born into the Anglo-Irish landowning class\, Yeats became involved with the Celtic Revival\, a movement against the cultural influences of English rule in Ireland during the Victorian period\, which sought to promote the spirit of Ireland’s native heritage. Yeats was deeply involved in politics in Ireland. He also had a life-long interest in mysticism and the occult\, and his work drew extensively from sources in Irish mythology and folklore. Lady Gregory and Yeats founded the Abbey Theatre in 1904. Yeats was awarded the Nobel Prize in 1923 and died in 1939 age seventy-three. \n\n\n\nThe Pearse Family \n\n\n\nThe Wayfarer\, a poem by Pádraig Pearse. This was the last poem written by Pearse on the eve of his execution at Kilmainham Gaol\, Dublin (May 2\, 1916). The Wayfarer reflects on the fleeting beauty of life’s journey at a moment of decisive personal and political change\, performed by Michael McCabe. \n\n\n\nThe Pearse Women\, an historical insight by Dr Sinead McCoole\, historian and curator\, inspired by the life-stories of Mrs Margaret (Brady) Pearse (1857-1932)\, Politician and Dail Deputy; Margaret Mary Pearse (1878-1968)\, teacher\, TD and Senator and Mary Brigid Pearse (1884-1947)\, musician\, teacher and author; linked to objects in the Pearse Museum and exploring the role these women played in shaping Irish society. Recited by Michael McCabe \n\n\n\nMrs Pearse monologue performed by Ciara Hayes. \n\n\n\nAn Ród Seo Romhainn\, an Irish poem written by Áine Ní Ghlinn\, a bilingual Irish journalist\, poet\, playwright and children’s writer and a former Arts Council Laureate na nÓg\, 2020—2023\, the first to write exclusively in Irish. The poem is inspired by the two teacups on display in the Pearse Museum\, left out by the mother of Padraig and Willie Pearse\, before her two sons went to join the Rising in 1916. The poem will be performed by Rob Harrington. \n\n\n\nArtist Biographies:\n\n\n\n\n\n\n\n\n\n\n\nLorna is an actor and dancer from Co. Wicklow. Graduating from The Lir Academy last year she has since been in shows for the Scene + Heard Festival and Dublin Theatre Festival. She most recently finished on a new play ‘Yesteryear’ which ran for a week in Garter Lane Theatre\, Waterford. \n\n\n\nTheatre Credits include: To Let (Dublin Theatre Festival)\, Moving On (Scene + Heard)\, Yesteryear (Garter Lane Theatre\, Waterford). \n\n\n\nFilm/TV Credits include: Five Letters to the stranger who will Dissect my brain (Short)\, Love in the Time of Corona (Short)\, The Hunted (Series\, Channel 5).  \n\n\n\n\n\n\n\n\n\n\n\n\n\nRob has enjoyed both national and international tours over the past 19 years of his acting career. He has most recently performed Tales from an Afterworld (WB Yeats)\, written by Féilim James and directed by Geraldine McAlinden in Áras an Uachtaráin for President Michael D Higgins. Some of his favourite theatre productions include The Shadow of a Gunman (The New Theatre\, directed by Ronan Wilmot)\, Pinter x 4 (Pearse Centre\, directed by Peter Reid)\, Scabs (Theatre Upstairs directed by Liam Halligan) In Arabia We’d all be Kings (Beckett Theatre\, directed by Liam Hallihan)\, Mary Stuart (The Grand Lodge\, Liam Halligan) and La Locandiera (Edinburgh Fringe festival\, directed Alice Coghlan). His screen work includes ‘A date for Mad Mary’\, ‘Vaudevillians’\, ‘The Comeback’\, ‘Twitchy’\, ‘The saviour of Dublin City’\, ‘Ctrl’\, ‘The Guarantee’\, ‘The Enchanted Island’\, ‘Two Margaritas and one Daiquiri’ amongst other independent films. Rob is also a seasoned theatre and screen workshop facilitator. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMichael McCabe is a performer\, theatre director\, movement choreographer\, facilitator and arts therapist. He is a graduate of the prestigious Ecole Internationale de Theatre Jacques Lecoq\, Paris\, France\, and The Gaiety School of Acting\, Dublin\, Ireland. \n\n\n\nHis theatre appearances include The Drowning Room (Project Arts Centre)\, Borstal Boy\, The Risen People (The Gaiety Theatre)\, A Christmas Carol\, The Ginger Ale Boy (Corcadorca Theatre Company)\, Lives Worth Living (Graffiti Theatre Company)\, Good Evening Mr Joyce (Samuel Beckett Centre)\, Diarmuid agus Grainne\, An Bradan Feasa\, The Libertine\, New World Order (Iomha Illdanach Theatre Company)\, Promises\, Promises  (Project Arts Centre)\, A Day With Daghdha (Daghdha Dance Company)\, Macbeth\, Six Characters in Search for an Author\, St. Joan\, Ariel (all at the Abbey Theatre)\, Wheel\, Jeckyll and Hyde (Dublin and Prague Fringe Festivals)\, Resist /Surrender (Dublin Dance Festival)\, and Where The Shoe Pinches (The Pavilion Theatre). He was clown co-ordinator for 35 clowns and appeared in Barabbas Theatre Company’s production\, City of Clowns\, at the Dunamaise\, Junction and Eargail Arts Festivals\, and The Complex\, Smithfield and appeared in Pagliacci at The Everyman Place Theatre\, as part of Cork Midsummer Festival. \n\n\n\nHis television and film appearances include Aristocrats (BBC)\, Ireland:1848\, (RTE)\, Window (IFI)\, All God’s Children (RTE/IFI)\, Nationwide (RTE). In 2021\, Michael will appear in Bean Sidhe\, Sweetcake\, and Sodium Party\, a new feature film directed by Michael McCudden. \n\n\n\nDirecting credits include: The Dead Woman’s Son (Smock Alley Theatre)\, A Wonderful Life\, Peter Pan’s Cirque D’Imaginaire (TU Dublin Theatre)\, Showcases 2017-2019 (The New Theatre) and in 2020\, The Grimm Tales (Smock Alley Theatre). Recent appearances include Footfalls\, The Journey Home\, and in Mermaid Arts Centre for Culture night on a work-in-progress\, His Left\, Her Right\, supported by Mermaid and Wicklow Arts Office. \n\n\n\nMichael has an M.A. (Honours) in Dramatherapy from the National University of Ireland\, Maynooth\, an M.A. in Modern Drama Studies from University College Dublin\, and a B.A. (Honours) in Communication Studies from Dublin City University. He has directed theatre work in the HSE\, the Dyspraxia Association of Ireland\, Trinity College Dublin\, St. Michael’s house\, and with other special needs organisations and schools with a focus on developing the potential of theatre for working with diverse groups. \n\n\n\nMichael has been working as a Movement Director\, teaching extensive movement classes for actors at the Conservatory of Music and Drama\, TU Dublin\, the National Association of Youth Drama\, Ringsend Institute\, the Department of Performing Arts\, Bray Institute of Further Education\, and The Gaiety School of Acting (full time course). \n\n\n\nMichael is a resident artist with Smashing Times International Centre for the Arts and Equality and works with Smashing Times as a performer\, director and arts facilitator on a range of projects from Acting for the Future to Legends of the Great Birth to State of the Art.  His theatre company\, Ruaille Buaille\, is building a physical theatre ensemble style based on the techniques of Jacques Lecoq\, Anne Bogart\, and Arianne Mouchkine. Michael was movement director on The Merchant of Venice\, at Mermaid Arts Centre\, and on the world premiere of Guerilla Days in Ireland in The Olympia Theatre\, Dublin. Michael is a graduate of National University of Ireland\, Maynooth\, (M.A. Dramatherapy\, 2.1 Honours)\, and was awarded a scholarship to train with internationally renowned theatre director Anne Bogart in New York. Bursary awards include South Dublin County Council\, Irish Actors Equity\, and The Arts Council. Michael recently completed training in Suzuki and Viewpoints Techniques under Tadashi Suzuki of SCOT Theatre Company\, in Toga Mura\, Japan. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMary Moynihan\, (she/her)\, MA\, is an award-winning writer\, director\, theatre and film-maker\, an interdisciplinary artist and one of Ireland’s most innovative arts and human rights artists creating work to promote the arts\, human rights\, climate justice\, gender equality\, diversity and peace.  \n\n\n\nMary is Artistic Director of Smashing Times International Centre for the Arts and Equality and works  collaboratively with artists and over 50 organisations across Ireland\, Northern Ireland\, Europe and internationally\, using the arts to promote rights and values for all.   Company patrons of Smashing Times are Sabina Coyne Higgins\, Senator Joan Freeman\, founder of Pieta House\, Ger Ryan\, actor and Tim Pat Coogan\, writer and historian. Founding patrons were writers Maeve Binchy and Brian Friel. \n\n\n\nMary’s work has won a number of awards including the Allianz Business to Arts Awards\, a GSK Ireland Impact Award\, a Dublin Bus Community Spirit Award\, a National Lottery Good Cause Award\, the international #ArtsAgainstCovid award\, an Arts Council Project Award and an Arts Council Agility Award. \n\n\n\nMary is Artistic Curator for the annual Dublin Arts and Human Rights festival implemented by Smashing Times and Front Line Defenders in partnership with Amnesty International\, Fighting Words\, ICCL\,  NWCI\, Irish Modern Dance Theatre\, Trócaire and Poetry Ireland\, funded by The Arts Council. The aim of the festival is to showcase and highlight the extraordinary work of human rights defenders in Ireland and around the world\, past and present\, and the role of the arts and artists in promoting human rights today. \n\n\n\nMary’s artistic practice encompasses theatre\, film\, literature\, poetry\, and curatorship. Mary’s work focuses on primal\, visceral and intuitive responses to vulnerability and conflict and an exploration of self and the other. Her work explores an interconnectedness of the body\, voice and imagination\, revealing the inner life through physical and spiritual energies and intuitive engagements. Mary has a focus on using historical memory in her artistic practice as inspiration for the creation of original artworks across a range of mediums\, remembering stories of ordinary yet powerful women and men from history and today who stood up for the rights of others. \n\n\n\nAs a playwright\, Mary’s work includes the highly acclaimed The Woman is Present: Women’s Stories of WWII co-written with Paul Kennedy\, Fiona Thompson and Féilim James;  A Beauty that will Pass; Constance and Her Friends – selected by President Michael D. Higgins for performance at Áras an Uachtaráin for Culture Night 2016;  In One Breath from the award-winning Testimonies(co-written with Paul Kennedy); and Shadow of My Soul\, May Our Faces Haunt You and Silent Screams.  \n\n\n\nMary’s film work includes the hour-long documentary Stories from the Shadows\, the short film Tell Them Our Names\, inspired by women’s stories of WWII and selected for the London Eye International Film Festival and Kerry Film Festival\, the creative documentary Women in an Equal Europe and the short film Courageous Women inspired by powerful women’s stories from the 1916 to 1923 decade of commemorations period in Irish history.   \n\n\n\n\n\n\n\n\n\n\n\n\n\nFéilim James is an award-winning writer from Dublin\, Ireland. In 2020\, the Arts of Council of Ireland awarded Féilim a Literature Bursary Award to finish his debut novel\, Flower of Ash\, as well as a Professional Development Award. He received an Arts Bursary from Dublin City Arts Office in 2021 to finish his first poetry collection\, I was a river\, lost. His short fiction and poetry have appeared in numerous journals\, including The Fiction Pool\, The Galway Review\, and Icarus. His work through Irish\, under Féilim Ó Brádaigh\, has won seven Oireachtas na Gaeilge literary awards. His short fiction and poetry\, through English and Irish\, have appeared in a number of journals\, including The Fiction Pool\, The Galway Review\, Icarus\, and Comhar. A short film Féilim wrote\, titled The Big No\, produced by Smashing Times\, was shortlisted by the IndieX Film Festival\, and his play At Summer’s End has toured Ireland. \n\n\n\nIn The Big No\, a young man tells the story of his psychological unravelling and subsequent mental health crisis. Told in the form of a voiceover monologue accompanied by compelling imagery\, this poetic short film takes us on a journey of despair\, introspection\, and hope. As he battles against panic attacks and suicidal thoughts\, he is forced to face the ‘why’ of his problems head on\, learning some essential truths about himself and the world. \n\n\n\nFéilim’s play At Summer’s End has been on tour with Smashing Times as part of The Woman is Present: Women’s Stories of WWII.  At Summer’s End is based on the life-story of Ettie Steinberg\, an Irish woman who was murdered\, along with her family\, at Auschwitz. \n\n\n\nFéilim’s themes are wide-ranging\, and include identity\, mental illness\, guilt\, human animalism\, death\, and humankind’s relationship with nature. He is committed to maintaining an ever evolving and progressive approach to his work\, with each book both building on the last and differing in a vital way. In other words\, the aforementioned themes will change as time passes\, as will their stylistic rendering. ‘My inspirations are many and wide-ranging. To the fore are James Joyce\, Sylvia Plath\, John Banville\, Marilynne Robinson\, Ted Hughes\, TS Eliot\, Seán Ó Ríordáin\, and Radiohead’. \n\n\n\n\n\n\n\n\n\n\n\n\n\nSinéad McCoole is the author of many books including Hazel\, A Life of Lady Lavery (1996) and No Ordinary Women (1997) and Easter Widows\, the untold story of the wives of the executed leaders (2014) and Women 1916-Mná 2016 (2017). She is a member of the Government’s Expert Advisory Group on the Decade of Centenaries (2012-to date). She was Historical Advisor to the 2016 National Commemoration Programme\, Curator of Mná 1916. She has curated exhibitions on Irish history & art in both Ireland and the U.S. A Broadcaster and script writer her work includes Guns and Chiffon (2003) and A Father’s Letter part of the After ’16 Irish Film Board shorts commissioned for the centenary was based on her interviews with Fr. Joe Mallin (1913-2018). Her areas of expertise are Modern Irish History from the 1880 to the present\, Material culture\, museums\, the history of Irish women\, child prisoners\, Sir John and Lady Lavery. She is an expert in the area of women’s imprisonment 1916-1923. Her current area of interest is women in politics and public life 1918-2018. \n\n\n\n\n\n\n\n\n\n\n\n\n\nGeraldine is an actor\, director\, producer and writer originally from Armagh in Northern Ireland. She started training in acting in the Gaiety School of Acting in 2000 and later in Stanislavski at the Focus Theatre in Dublin. In 2012/13 Geraldine completed the full time Screen Acting Programme at The Factory (now Bow Street Academy) in Dublin where she trained with Lance Daly\, Kirsten Sheridan\, Shimmy Marcus\, Jim Sheridan\, Aisling Walsh\, Derbhla Walsh\, Frank Berry and Ian Power\, among others. \n\n\n\nHer film acting credits include Ordinary Love\, Black 47\, The Secret Scripture\, Dark Lies the Island\, Procession\, and Portrait of a Zombie. Geraldine’s performance in Portrait of a Zombie led to her being long listed for an IFTA for Best Actress in a leading role in a feature film in 2013. Geraldine’s TV Credits include Miss Scarlet and the Duke\, Blood\, Striking Out and Red Rock. Her stage performances include The 24 Hour Plays Dublin 2020 (Abbey Theatre)\, One Day by Dick Walsh as well as Dublin Fringe theatre shows A Remember to Breathe and Spoonfed (a long play improvisation)\, Philadelphia\, Here I come! and Beyond Therapy! \n\n\n\nGeraldine trained in directing with Kristian Marken and she subsequently became an associate director with The Focus theatre. Her stage directing credits include Play/Record – The Granby Transcripts\, (Players Theatre\, Trinity)\, My Name is Mary (Project Theatre)\, The Cripple of Inishmaan\, (Smock Alley) The New York Monologues (The International Bar\, Smock Alley\, The Electric Picnic\, the Bulmer’s Comedy Festival and The Focus Theatre)\, One flew over the Cuckoo’s Nest (The Factory)\, Orphans (The New Theatre).  Film directing credits include the short films Helmets and Thorny Ireland. \n\n\n\nGeraldine has trained in writing with Stephen Walsh (Filmbase) and Pat McCabe (The Factory) among others. Her tiny play Knowing was published and produced by Fishamble’s Tiny Plays for Ireland. She has also written several short films. \n\n\n\nGeraldine is one of two founding members of Alchemy 8 Productions which produces theatre and film with a particular focus on stories of the human heart in conflict with itself. Its theatre production Orphans by Lyle Kessler which Geraldine also directed was included in a round-up of best theatre performances in Ireland in 2015. \n\n\n\nGeraldine is fascinated by investigating themes of the human need for connection and community\, the importance of sense of place and roots and the presumptions and prejudices these can bring. This is reflected in much of her work involving large ensemble casts\, with a focus on developing well rounded\, interesting characters and their physical and emotional juxtaposition in relation to each other. \n\n\n\nShe is passionate about the arts’ ability to positively impact audiences in many far-reaching ways from providing much needed entertainment and escapism\, to being a salve for the soul\, a cathartic release and a means of encouraging and developing empathy. Geraldine believes in the power of humour to provoke an emotional shift. As a solicitor in her previous life\, Geraldine is passionate about justice and promoting Human Rights on an individual and collective basis. \n\n\n\n\n\n\n\n\n\n\n\n\n\nCiara Hayes is a graduate of UCC with an MA in Arts Management and Creative Producing. She also holds a teaching diploma from the London College of Music in Drama and Communication\, and a BA Joint Hons in Drama and Theatre Studies with German. She has a background in theatre and worked for several years as a drama teacher\, later becoming a teacher of social skills for children on the autism spectrum.  \n\n\n\nSince completing her Masters in 2020\, Ciara has worked as a producer and festival administrator for Half Moon Festival (Cork\, 2020) and festival coordinator for Dublin Arts and Human Rights Festival (Dublin\, 2020 – present). She works at Smashing Times International Centre for the Arts and Equality. \n\n\n\nProducing credits include: Half Moon Festival – multidisciplinary\, online arts festival (July 2020). Earthangel – online production of aural recording\, Gaitkrash Theatre Company (November 2020). playing ‘The Maids’ – online sharing of recorded theatre performance\, Gaitkrash Theatre Company (December 2020). Love and Information – online showing of filmed theatre performance\, MTU BA Theatre and Drama Studies (February 2021). Prometheus Now – online theatre performance\, Gaitkrash Theatre Company as part of Cork Midsummer Festival (June 2021). \n\n\n\nActing credits include: Liverpool\, Mint Productions (2019); Little Gem\, Dramat (2016)\, awarded Best Actress; The Circle Game\, BA Drama and Theatre Studies (2016); The Importance of Being Ernest\, Dramat (2015); Trojan Woman: A Love Story¸ BA Drama and Theatre Studies (2014); The Pearse Women\, Smashing Times (2022); The Plough and the Stars for Bloomsday\, Áras an Uachtaráin\, Smashing Times (2023). \n\n\n\n\n\n\n\n\n\n\n\n\n\nLisa Mc Loughlin-Gnemmi is a graduate of the Royal College of Music\, London where she received her B.Mus Hons degree. She is a lecturer in violin at the TU Dublin Conservatoire for Music and Drama. She gained her masters in performance at TU Dublin studying under Joanna Matkowska. She has performed with the National Symphony Orchestra of Ireland under conductors Alexander Anissimov\, George Hurst and Gerhardt Markson. She also worked with Lyric Opera and The Irish Film Orchestra. She has regularly performed with the RTE Concert Orchestra. \n\n\n\nPerformances with the RTECO include a chamber music recital for the commemoration of the 1916 rising at The Irish Museum of Modern Art in the presence of An t-Uachtarán and with a group of members of the RTECO playing a new composition by Simon O’ Connor narrated by actress Olwen Fouéré. Other concerts included ‘Back to the Future’\, ‘The Godfather’ with film music by Nino Rota\, ‘The Music of John Williams’ film music and RTECO’s recording of the music of Steve Mc Keon for the film ‘Norm of the North’. \n\n\n\nLisa has performed at the Dublin Metropolis Festival\, RDS and at The Button Factory\, Temple Bar with DJ Kormac. Lisa has also toured France\, South Africa and the US as solo violinist with Michael Flatley’s ‘Lord of the Dance’. Solo and chamber music recitals include DIT\, Trinity College Dublin\, The Goethe institute\, UCD and The John Field Room\, N.C.H. and The Galway Arts Festival. \n\n\n\nLisa recently performed at Dublin Castle for a production of ‘Constance and her Friends’ a play about Constance Markievicz and activists during the 1916 rising written by Mary Moynihan and performed by Smashing Times. Passionate about teaching as well as performing\, Lisa gives masterclasses\, prepares students for exams\, recitals and Feis Ceoil competitions. Lisa is married to oboist with the National Symphony Orchestra\, Sylvain Gnemmi. They have four children and live in Dublin. \n\n\n\n\n\n\n\n\n\n\n\n\n\nFile agus scríbhneoir do dhaoine óga í Áine Ní Ghlinn\, agus Laureate na nÓg 2020 – 2023.  \n\n\n\nTá 36 leabhar foilsithe aici\, idir fhilíocht\, dhrámaí\, úrscéalta agus scéalta do dhaoine óga. I measc na nduaiseanna atá buaite aici\, tá Gradam Reics Carló Leabhar na Bliana (2014\, 2016\, 2019 do na húrscéalta Daideo\, Hata Zú Mhamó & Boscadán)\, Gradam Ficsin\, Leabhair Pháistí Éireann & Gradam Leabhar na Bliana\, Cumann Litearthachta na hÉireann (Daideo\, 2015). Bronnadh Comhaltacht Patrick Kavanagh uirthi i 2019 agus tá go leor duaiseanna filíochta buaite aici ag Seachtain na Scríbhneoirí Lios Tuathail\, Féile Filíochta Bhéal na mBuillí agus Oireachtas na Gaeilge. \n\n\n\nÁine Ní Ghlinn is a poet and children’s writer and is Laureate na nÓg\, 2020-2023. She has 36 books published. Awards include Gradam Reics Carló Children’s Book of the Year on three occasions\, LAI Book of the Year\, CBI Fiction Honour award\, Patrick Kavanagh Fellowship (2019) and a range of poetry awards (Oireachtas/ Listowel Writers’ Week/Strokestown Poetry Festival + others). \n\n\n\nÁine Ní Ghlinn is a lecturer\, journalist and writer. She has a BA (Irish and English) and a HDip in Education from University College\, Dublin\, a Diploma in Journalism from the London School of Journalism\, and an MA in Creative Writing from Lancaster University. She has written over thirty books – including four collections of poetry and an array of books for teenagers and young people. \n\n\n\nShe spent some years as a secondary-school teacher but resigned her position to become a journalist at RTÉ and Raidió na Gaeltachta. She worked on both current affairs and magazine programmes and the two she enjoyed most of all were the arts programmes\, Leabhragán and Ar an Ardán\, on Raidió na Gaeltachta. She also spent some time as a freelance journalist in London and in Ireland and she was frequently heard on It Says in the Papers on RTÉ Radio and on Raidió na Gaeltachta. \n\n\n\nShe left RTÉ to spent a few years lecturing at FIONTAR in Dublin City University. However\, she wanted to spend more time writing and later became a full-time writer; writing children’s books and scripts for Ros na Rún\, TG4. At present\, she shares her time between writing and lecturing at the Church of Ireland College of Education in Dublin and writing workshops in Irish-language secondary schools. \n\n\n\nShe has won many awards for her work. Céard tá sa bhosca? (An Gúm\, 2002) won the Gradam Chlann Lir in 2003. She won the Irish-language prize at the Strokestown poetry festival in 2003\, the Irish-language prize at the Dun Laoghaire / Rathdown poetry competition in 2003\, as well as the Foras na Gaeilge Award at Seachtain na Scríbhneoirí in Listowel in 2002. She was awarded an Oireachtas prizes for her books Fuadach (Cois Life\, 2005) Tromluí (Cois Life\, 2009) and Úbalonga (An Gúm\, 2009). Brionglóidí & aistir eile (Cló Mhaigh Eo\, 2008) was shortlisted for the Bisto prize and she won an IBBY award in 2010. In 2012\, she won an Oireachtas prize for her plays for children and her novel for teenagers\, Daideo (Cois Life\, 2014) was also awarded an Oireachtas prize in 2013. The same book was named Book of the Year for young people\, 2014\, Gradam Réics Carló. She was awarded Gradam Réics Carló again a couple of years later for her novel Hata zú Mhamó (Cois Life\, 2016). \n\n\n\nHer story ‘Boscadán’ was awarded top prize for children’s stories at Comórtais Liteartha an Oireachtais 2017\, and Cois Life published the subsequent book in 2019: Boscadán. LeabhairCOMHAR published in 2018 a collection (Fadó Riamh… Ag an Tús) which brings together stories from diverse cultures representing the rich tradition of mythology surrounding the creation of the world. \n\n\n\nNi Ghlinn was appointed Laureate na nÓg/Children’s Literature Laureate in May 2020. Laureate na nÓg is an honour which was established in 2010 to engage young people with high quality literature and to underline the importance of children’s literature in our cultural and imaginative lives. Her ambition as Laureate is to lift the cloak of invisibility from Irish language authors and books\, and to encourage children and young people to read for pleasure as Gaeilge. \n\n\n\n\n\nStates of Independence\n\n\n\nThis show is part of States of Independence\, a project that celebrates the stories of ten change-makers from the Decade of Centenaries 1912-1922 linked to the stories of ten change-makers today working to make society a better place. The twenty stories gathered act as inspiration for the creation of new artworks by ten artists\, working in visual art\, film\, dance\, theatre\, creative writing and digital arts. The artists come together to create a range of artworks and performances for public display in eight sites – both ancient and modern – across Ireland and for display via a creative billboards campaign and online on the Smashing Times Virtual Art Gallery. The stories\, artworks and performances are shared with public audiences to reflect on modern day revolutionary visions for the future inspired by the past\, launched for the annual Dublin International Arts and Human Rights festival 13 to 22 October 2023. The internationally acclaimed team of ten artists is led by Mary Moynihan\, an award-winning writer\, poet\, director\, theatre and filmmaker and Artistic Director\, Smashing Times International Centre for the Arts and Equality\, working with John Scott\, Artistic Director and Choreographer\, Irish Modern Dance Theatre\, and a range of artists working in literature\, visual arts\, theatre\, film and new digital technologies. \n\n\n\nThe team collaboratively create a series of interconnected artworks including a live multi-disciplinary performance\, visual art projections and a creative billboards campaign to be launched for the 2023 annual International Dublin Arts and Human Rights festival taking place from the 13 to 22 October 2023. Events are accompanied by panel discussions and public talks on new visions for a peaceful and equal society for all. \n\n\n\nEvents take place in Dublin\, Kerry\, Clare and Donegal with online work accessible across Ireland and internationally celebrating changemakers and heroes from the past and today\,  bringing people together to promote active citizenship\,  equality\, human rights and diversity and celebrating new visions for a peaceful and equal future for all. Events take place in a range of venues both ancient and modern including Office of Public Work spaces throughout Ireland. \n\n\n\nFor further information please contact Freda Manweiler\, producer\, telephone 087 2214245 or email freda@smashingtimes.ie \n\n\n\nSupported by The Arts Council Open Call as part of ART: 2023 a Decade of Centenaries Collaboration between The Arts Council and the Department of Tourism\, Culture\, Arts\, Gaeltacht\, Sport and Media. Supported by Creative Europe as part of the Theatre in Palm project. \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/tales-of-love-and-loss-4/
LOCATION:Pearse Museum\, Rathfarnham\, Co Dublin\, St Endas Park\, Grange Road\, Rathfarnham\, Dublin 16\, D16 Y7Y5\, Ireland
CATEGORIES:Dublin,Music,Performance,Poetry,Theatre
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2023/07/talesofloveandlost-4.jpg
ORGANIZER;CN="Smashing Times":MAILTO:info@smashingtimes.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20230813T130000
DTEND;TZID=Europe/Dublin:20230813T140000
DTSTAMP:20230802T090226Z
CREATED:20230711T100929Z
LAST-MODIFIED:20230802T090226Z
UID:10000239-1691931600-1691935200@smashingtimes.ie
SUMMARY:Tales of Love and Loss
DESCRIPTION:Belonging: Three-Day Creative Arts Workshop\n\n\n\n\n\n\n\n\n\nWorkshop: Tuesday 26 May\, 9.30am-12.30pm; Wednesday 27 May\, 11am-2pm; Thursday 28 May\, 11am-2pm. Open to all female-identifying\, registration required.  \n\n\nBook Your Place\n\n\n\nSmashing Times never want ticket price to be a barrier to attendance. Please contact admin@smashingtimes.ie to avail of free tickets. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\nArtists\n\n\n\nMaeve Bradley\, actor \n\n\n\nLorna Fox\, actor \n\n\n\nRob Harrington\, actor \n\n\n\nMichael McCabe\, actor \n\n\n\nCiara Hayes\, actor \n\n\n\nLisa McLoughlin-Gnemmi\, musician \n\n\n\nGeraldine McAlinden\, director \n\n\n\nMary Moynihan\, writer\, director\, theatre and film maker and Artistic Director of Smashing Times International Centre for the Arts and Equality \n\n\n\nFéilim James\, writer \n\n\n\nSinead McCoole\, writer \n\n\n\nÁine Ní Ghlinn\, poet\, children’s writer and is Laureate na nÓg\, 2020-2023 \n\n\n\nFull Event Details\n\n\n\nSmashing Times are delighted to present Tales of Love and Loss\, a guided\, walkabout\, outdoor performance taking place at Pearse Museum and St Enda’s Park\, Rathfarnham\, on the 12\, 13\, 19 and 20 August 2023\, two shows daily at 1pm and 2pm. The show features change-maker stories from history as we engage with the unique\, historical setting of Pearse Museum and St Enda’s Park\, where Patrick Pearse and the Pearse family lived and ran their innovative Irish-speaking school\, Scoil Éanna.Enjoy a magical walk-in-the-park performance as we regale you with storytelling\, poetry and music reflecting on the lives of Sarah Curran\, Robert Emmet\, William Butler Yeats and the Pearse Women\, Mrs Margaret (Brady) Pearse\, Margaret Mary Pearse and Mary Brigid Pearse. \n\n\n\nA Beauty That Will Pass written and directed by Mary Moynihan performed by Lorna Fox\, is a poetical response to the love story of Sarah Curran (1782-1808) and Robert Emmet (1778-1803) interwoven with reference to John Philpott Curran (1750-1817) and Padraig Pearse (1879-1916). \n\n\n\nTales from an Afterworld by Féilim James\, directed by Geraldine McAlinden\, performed by Rob Harrington\, a reflection on the life and work of writer William Butler Yeats (1865-1939). Born in Dublin in 1865\, William Butler Yeats was the son of a well-known Irish painter\, John Butler Yeats. He spent his childhood in County Sligo\, where his parents were raised\, and in London. He returned to Dublin at fifteen to continue his education and study painting\, but quickly discovered he preferred poetry. Born into the Anglo-Irish landowning class\, Yeats became involved with the Celtic Revival\, a movement against the cultural influences of English rule in Ireland during the Victorian period\, which sought to promote the spirit of Ireland’s native heritage. Yeats was deeply involved in politics in Ireland. He also had a life-long interest in mysticism and the occult\, and his work drew extensively from sources in Irish mythology and folklore. Lady Gregory and Yeats founded the Abbey Theatre in 1904. Yeats was awarded the Nobel Prize in 1923 and died in 1939 age seventy-three. \n\n\n\nThe Pearse Family \n\n\n\nThe Wayfarer\, a poem by Pádraig Pearse. This was the last poem written by Pearse on the eve of his execution at Kilmainham Gaol\, Dublin (May 2\, 1916). The Wayfarer reflects on the fleeting beauty of life’s journey at a moment of decisive personal and political change\, performed by Michael McCabe. \n\n\n\nThe Pearse Women\, an historical insight by Dr Sinead McCoole\, historian and curator\, inspired by the life-stories of Mrs Margaret (Brady) Pearse (1857-1932)\, Politician and Dail Deputy; Margaret Mary Pearse (1878-1968)\, teacher\, TD and Senator and Mary Brigid Pearse (1884-1947)\, musician\, teacher and author; linked to objects in the Pearse Museum and exploring the role these women played in shaping Irish society. Recited by Michael McCabe \n\n\n\nMrs Pearse monologue performed by Ciara Hayes. \n\n\n\nAn Ród Seo Romhainn\, an Irish poem written by Áine Ní Ghlinn\, a bilingual Irish journalist\, poet\, playwright and children’s writer and a former Arts Council Laureate na nÓg\, 2020—2023\, the first to write exclusively in Irish. The poem is inspired by the two teacups on display in the Pearse Museum\, left out by the mother of Padraig and Willie Pearse\, before her two sons went to join the Rising in 1916. The poem will be performed by Rob Harrington. \n\n\n\nArtist Biographies:\n\n\n\n\n\n\n\n\n\n\n\nLorna is an actor and dancer from Co. Wicklow. Graduating from The Lir Academy last year she has since been in shows for the Scene + Heard Festival and Dublin Theatre Festival. She most recently finished on a new play ‘Yesteryear’ which ran for a week in Garter Lane Theatre\, Waterford. \n\n\n\nTheatre Credits include: To Let (Dublin Theatre Festival)\, Moving On (Scene + Heard)\, Yesteryear (Garter Lane Theatre\, Waterford). \n\n\n\nFilm/TV Credits include: Five Letters to the stranger who will Dissect my brain (Short)\, Love in the Time of Corona (Short)\, The Hunted (Series\, Channel 5).  \n\n\n\n\n\n\n\n\n\n\n\n\n\nRob has enjoyed both national and international tours over the past 19 years of his acting career. He has most recently performed Tales from an Afterworld (WB Yeats)\, written by Féilim James and directed by Geraldine McAlinden in Áras an Uachtaráin for President Michael D Higgins. Some of his favourite theatre productions include The Shadow of a Gunman (The New Theatre\, directed by Ronan Wilmot)\, Pinter x 4 (Pearse Centre\, directed by Peter Reid)\, Scabs (Theatre Upstairs directed by Liam Halligan) In Arabia We’d all be Kings (Beckett Theatre\, directed by Liam Hallihan)\, Mary Stuart (The Grand Lodge\, Liam Halligan) and La Locandiera (Edinburgh Fringe festival\, directed Alice Coghlan). His screen work includes ‘A date for Mad Mary’\, ‘Vaudevillians’\, ‘The Comeback’\, ‘Twitchy’\, ‘The saviour of Dublin City’\, ‘Ctrl’\, ‘The Guarantee’\, ‘The Enchanted Island’\, ‘Two Margaritas and one Daiquiri’ amongst other independent films. Rob is also a seasoned theatre and screen workshop facilitator. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMichael McCabe is a performer\, theatre director\, movement choreographer\, facilitator and arts therapist. He is a graduate of the prestigious Ecole Internationale de Theatre Jacques Lecoq\, Paris\, France\, and The Gaiety School of Acting\, Dublin\, Ireland. \n\n\n\nHis theatre appearances include The Drowning Room (Project Arts Centre)\, Borstal Boy\, The Risen People (The Gaiety Theatre)\, A Christmas Carol\, The Ginger Ale Boy (Corcadorca Theatre Company)\, Lives Worth Living (Graffiti Theatre Company)\, Good Evening Mr Joyce (Samuel Beckett Centre)\, Diarmuid agus Grainne\, An Bradan Feasa\, The Libertine\, New World Order (Iomha Illdanach Theatre Company)\, Promises\, Promises  (Project Arts Centre)\, A Day With Daghdha (Daghdha Dance Company)\, Macbeth\, Six Characters in Search for an Author\, St. Joan\, Ariel (all at the Abbey Theatre)\, Wheel\, Jeckyll and Hyde (Dublin and Prague Fringe Festivals)\, Resist /Surrender (Dublin Dance Festival)\, and Where The Shoe Pinches (The Pavilion Theatre). He was clown co-ordinator for 35 clowns and appeared in Barabbas Theatre Company’s production\, City of Clowns\, at the Dunamaise\, Junction and Eargail Arts Festivals\, and The Complex\, Smithfield and appeared in Pagliacci at The Everyman Place Theatre\, as part of Cork Midsummer Festival. \n\n\n\nHis television and film appearances include Aristocrats (BBC)\, Ireland:1848\, (RTE)\, Window (IFI)\, All God’s Children (RTE/IFI)\, Nationwide (RTE). In 2021\, Michael will appear in Bean Sidhe\, Sweetcake\, and Sodium Party\, a new feature film directed by Michael McCudden. \n\n\n\nDirecting credits include: The Dead Woman’s Son (Smock Alley Theatre)\, A Wonderful Life\, Peter Pan’s Cirque D’Imaginaire (TU Dublin Theatre)\, Showcases 2017-2019 (The New Theatre) and in 2020\, The Grimm Tales (Smock Alley Theatre). Recent appearances include Footfalls\, The Journey Home\, and in Mermaid Arts Centre for Culture night on a work-in-progress\, His Left\, Her Right\, supported by Mermaid and Wicklow Arts Office. \n\n\n\nMichael has an M.A. (Honours) in Dramatherapy from the National University of Ireland\, Maynooth\, an M.A. in Modern Drama Studies from University College Dublin\, and a B.A. (Honours) in Communication Studies from Dublin City University. He has directed theatre work in the HSE\, the Dyspraxia Association of Ireland\, Trinity College Dublin\, St. Michael’s house\, and with other special needs organisations and schools with a focus on developing the potential of theatre for working with diverse groups. \n\n\n\nMichael has been working as a Movement Director\, teaching extensive movement classes for actors at the Conservatory of Music and Drama\, TU Dublin\, the National Association of Youth Drama\, Ringsend Institute\, the Department of Performing Arts\, Bray Institute of Further Education\, and The Gaiety School of Acting (full time course). \n\n\n\nMichael is a resident artist with Smashing Times International Centre for the Arts and Equality and works with Smashing Times as a performer\, director and arts facilitator on a range of projects from Acting for the Future to Legends of the Great Birth to State of the Art.  His theatre company\, Ruaille Buaille\, is building a physical theatre ensemble style based on the techniques of Jacques Lecoq\, Anne Bogart\, and Arianne Mouchkine. Michael was movement director on The Merchant of Venice\, at Mermaid Arts Centre\, and on the world premiere of Guerilla Days in Ireland in The Olympia Theatre\, Dublin. Michael is a graduate of National University of Ireland\, Maynooth\, (M.A. Dramatherapy\, 2.1 Honours)\, and was awarded a scholarship to train with internationally renowned theatre director Anne Bogart in New York. Bursary awards include South Dublin County Council\, Irish Actors Equity\, and The Arts Council. Michael recently completed training in Suzuki and Viewpoints Techniques under Tadashi Suzuki of SCOT Theatre Company\, in Toga Mura\, Japan. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMary Moynihan\, (she/her)\, MA\, is an award-winning writer\, director\, theatre and film-maker\, an interdisciplinary artist and one of Ireland’s most innovative arts and human rights artists creating work to promote the arts\, human rights\, climate justice\, gender equality\, diversity and peace.  \n\n\n\nMary is Artistic Director of Smashing Times International Centre for the Arts and Equality and works  collaboratively with artists and over 50 organisations across Ireland\, Northern Ireland\, Europe and internationally\, using the arts to promote rights and values for all.   Company patrons of Smashing Times are Sabina Coyne Higgins\, Senator Joan Freeman\, founder of Pieta House\, Ger Ryan\, actor and Tim Pat Coogan\, writer and historian. Founding patrons were writers Maeve Binchy and Brian Friel. \n\n\n\nMary’s work has won a number of awards including the Allianz Business to Arts Awards\, a GSK Ireland Impact Award\, a Dublin Bus Community Spirit Award\, a National Lottery Good Cause Award\, the international #ArtsAgainstCovid award\, an Arts Council Project Award and an Arts Council Agility Award. \n\n\n\nMary is Artistic Curator for the annual Dublin Arts and Human Rights festival implemented by Smashing Times and Front Line Defenders in partnership with Amnesty International\, Fighting Words\, ICCL\,  NWCI\, Irish Modern Dance Theatre\, Trócaire and Poetry Ireland\, funded by The Arts Council. The aim of the festival is to showcase and highlight the extraordinary work of human rights defenders in Ireland and around the world\, past and present\, and the role of the arts and artists in promoting human rights today. \n\n\n\nMary’s artistic practice encompasses theatre\, film\, literature\, poetry\, and curatorship. Mary’s work focuses on primal\, visceral and intuitive responses to vulnerability and conflict and an exploration of self and the other. Her work explores an interconnectedness of the body\, voice and imagination\, revealing the inner life through physical and spiritual energies and intuitive engagements. Mary has a focus on using historical memory in her artistic practice as inspiration for the creation of original artworks across a range of mediums\, remembering stories of ordinary yet powerful women and men from history and today who stood up for the rights of others. \n\n\n\nAs a playwright\, Mary’s work includes the highly acclaimed The Woman is Present: Women’s Stories of WWII co-written with Paul Kennedy\, Fiona Thompson and Féilim James;  A Beauty that will Pass; Constance and Her Friends – selected by President Michael D. Higgins for performance at Áras an Uachtaráin for Culture Night 2016;  In One Breath from the award-winning Testimonies(co-written with Paul Kennedy); and Shadow of My Soul\, May Our Faces Haunt You and Silent Screams.  \n\n\n\nMary’s film work includes the hour-long documentary Stories from the Shadows\, the short film Tell Them Our Names\, inspired by women’s stories of WWII and selected for the London Eye International Film Festival and Kerry Film Festival\, the creative documentary Women in an Equal Europe and the short film Courageous Women inspired by powerful women’s stories from the 1916 to 1923 decade of commemorations period in Irish history.   \n\n\n\n\n\n\n\n\n\n\n\n\n\nFéilim James is an award-winning writer from Dublin\, Ireland. In 2020\, the Arts of Council of Ireland awarded Féilim a Literature Bursary Award to finish his debut novel\, Flower of Ash\, as well as a Professional Development Award. He received an Arts Bursary from Dublin City Arts Office in 2021 to finish his first poetry collection\, I was a river\, lost. His short fiction and poetry have appeared in numerous journals\, including The Fiction Pool\, The Galway Review\, and Icarus. His work through Irish\, under Féilim Ó Brádaigh\, has won seven Oireachtas na Gaeilge literary awards. His short fiction and poetry\, through English and Irish\, have appeared in a number of journals\, including The Fiction Pool\, The Galway Review\, Icarus\, and Comhar. A short film Féilim wrote\, titled The Big No\, produced by Smashing Times\, was shortlisted by the IndieX Film Festival\, and his play At Summer’s End has toured Ireland. \n\n\n\nIn The Big No\, a young man tells the story of his psychological unravelling and subsequent mental health crisis. Told in the form of a voiceover monologue accompanied by compelling imagery\, this poetic short film takes us on a journey of despair\, introspection\, and hope. As he battles against panic attacks and suicidal thoughts\, he is forced to face the ‘why’ of his problems head on\, learning some essential truths about himself and the world. \n\n\n\nFéilim’s play At Summer’s End has been on tour with Smashing Times as part of The Woman is Present: Women’s Stories of WWII.  At Summer’s End is based on the life-story of Ettie Steinberg\, an Irish woman who was murdered\, along with her family\, at Auschwitz. \n\n\n\nFéilim’s themes are wide-ranging\, and include identity\, mental illness\, guilt\, human animalism\, death\, and humankind’s relationship with nature. He is committed to maintaining an ever evolving and progressive approach to his work\, with each book both building on the last and differing in a vital way. In other words\, the aforementioned themes will change as time passes\, as will their stylistic rendering. ‘My inspirations are many and wide-ranging. To the fore are James Joyce\, Sylvia Plath\, John Banville\, Marilynne Robinson\, Ted Hughes\, TS Eliot\, Seán Ó Ríordáin\, and Radiohead’. \n\n\n\n\n\n\n\n\n\n\n\n\n\nSinéad McCoole is the author of many books including Hazel\, A Life of Lady Lavery (1996) and No Ordinary Women (1997) and Easter Widows\, the untold story of the wives of the executed leaders (2014) and Women 1916-Mná 2016 (2017). She is a member of the Government’s Expert Advisory Group on the Decade of Centenaries (2012-to date). She was Historical Advisor to the 2016 National Commemoration Programme\, Curator of Mná 1916. She has curated exhibitions on Irish history & art in both Ireland and the U.S. A Broadcaster and script writer her work includes Guns and Chiffon (2003) and A Father’s Letter part of the After ’16 Irish Film Board shorts commissioned for the centenary was based on her interviews with Fr. Joe Mallin (1913-2018). Her areas of expertise are Modern Irish History from the 1880 to the present\, Material culture\, museums\, the history of Irish women\, child prisoners\, Sir John and Lady Lavery. She is an expert in the area of women’s imprisonment 1916-1923. Her current area of interest is women in politics and public life 1918-2018. \n\n\n\n\n\n\n\n\n\n\n\n\n\nGeraldine is an actor\, director\, producer and writer originally from Armagh in Northern Ireland. She started training in acting in the Gaiety School of Acting in 2000 and later in Stanislavski at the Focus Theatre in Dublin. In 2012/13 Geraldine completed the full time Screen Acting Programme at The Factory (now Bow Street Academy) in Dublin where she trained with Lance Daly\, Kirsten Sheridan\, Shimmy Marcus\, Jim Sheridan\, Aisling Walsh\, Derbhla Walsh\, Frank Berry and Ian Power\, among others. \n\n\n\nHer film acting credits include Ordinary Love\, Black 47\, The Secret Scripture\, Dark Lies the Island\, Procession\, and Portrait of a Zombie. Geraldine’s performance in Portrait of a Zombie led to her being long listed for an IFTA for Best Actress in a leading role in a feature film in 2013. Geraldine’s TV Credits include Miss Scarlet and the Duke\, Blood\, Striking Out and Red Rock. Her stage performances include The 24 Hour Plays Dublin 2020 (Abbey Theatre)\, One Day by Dick Walsh as well as Dublin Fringe theatre shows A Remember to Breathe and Spoonfed (a long play improvisation)\, Philadelphia\, Here I come! and Beyond Therapy! \n\n\n\nGeraldine trained in directing with Kristian Marken and she subsequently became an associate director with The Focus theatre. Her stage directing credits include Play/Record – The Granby Transcripts\, (Players Theatre\, Trinity)\, My Name is Mary (Project Theatre)\, The Cripple of Inishmaan\, (Smock Alley) The New York Monologues (The International Bar\, Smock Alley\, The Electric Picnic\, the Bulmer’s Comedy Festival and The Focus Theatre)\, One flew over the Cuckoo’s Nest (The Factory)\, Orphans (The New Theatre).  Film directing credits include the short films Helmets and Thorny Ireland. \n\n\n\nGeraldine has trained in writing with Stephen Walsh (Filmbase) and Pat McCabe (The Factory) among others. Her tiny play Knowing was published and produced by Fishamble’s Tiny Plays for Ireland. She has also written several short films. \n\n\n\nGeraldine is one of two founding members of Alchemy 8 Productions which produces theatre and film with a particular focus on stories of the human heart in conflict with itself. Its theatre production Orphans by Lyle Kessler which Geraldine also directed was included in a round-up of best theatre performances in Ireland in 2015. \n\n\n\nGeraldine is fascinated by investigating themes of the human need for connection and community\, the importance of sense of place and roots and the presumptions and prejudices these can bring. This is reflected in much of her work involving large ensemble casts\, with a focus on developing well rounded\, interesting characters and their physical and emotional juxtaposition in relation to each other. \n\n\n\nShe is passionate about the arts’ ability to positively impact audiences in many far-reaching ways from providing much needed entertainment and escapism\, to being a salve for the soul\, a cathartic release and a means of encouraging and developing empathy. Geraldine believes in the power of humour to provoke an emotional shift. As a solicitor in her previous life\, Geraldine is passionate about justice and promoting Human Rights on an individual and collective basis. \n\n\n\n\n\n\n\n\n\n\n\n\n\nCiara Hayes is a graduate of UCC with an MA in Arts Management and Creative Producing. She also holds a teaching diploma from the London College of Music in Drama and Communication\, and a BA Joint Hons in Drama and Theatre Studies with German. She has a background in theatre and worked for several years as a drama teacher\, later becoming a teacher of social skills for children on the autism spectrum.  \n\n\n\nSince completing her Masters in 2020\, Ciara has worked as a producer and festival administrator for Half Moon Festival (Cork\, 2020) and festival coordinator for Dublin Arts and Human Rights Festival (Dublin\, 2020 – present). She works at Smashing Times International Centre for the Arts and Equality. \n\n\n\nProducing credits include: Half Moon Festival – multidisciplinary\, online arts festival (July 2020). Earthangel – online production of aural recording\, Gaitkrash Theatre Company (November 2020). playing ‘The Maids’ – online sharing of recorded theatre performance\, Gaitkrash Theatre Company (December 2020). Love and Information – online showing of filmed theatre performance\, MTU BA Theatre and Drama Studies (February 2021). Prometheus Now – online theatre performance\, Gaitkrash Theatre Company as part of Cork Midsummer Festival (June 2021). \n\n\n\nActing credits include: Liverpool\, Mint Productions (2019); Little Gem\, Dramat (2016)\, awarded Best Actress; The Circle Game\, BA Drama and Theatre Studies (2016); The Importance of Being Ernest\, Dramat (2015); Trojan Woman: A Love Story¸ BA Drama and Theatre Studies (2014); The Pearse Women\, Smashing Times (2022); The Plough and the Stars for Bloomsday\, Áras an Uachtaráin\, Smashing Times (2023). \n\n\n\n\n\n\n\n\n\n\n\n\n\nLisa Mc Loughlin-Gnemmi is a graduate of the Royal College of Music\, London where she received her B.Mus Hons degree. She is a lecturer in violin at the TU Dublin Conservatoire for Music and Drama. She gained her masters in performance at TU Dublin studying under Joanna Matkowska. She has performed with the National Symphony Orchestra of Ireland under conductors Alexander Anissimov\, George Hurst and Gerhardt Markson. She also worked with Lyric Opera and The Irish Film Orchestra. She has regularly performed with the RTE Concert Orchestra. \n\n\n\nPerformances with the RTECO include a chamber music recital for the commemoration of the 1916 rising at The Irish Museum of Modern Art in the presence of An t-Uachtarán and with a group of members of the RTECO playing a new composition by Simon O’ Connor narrated by actress Olwen Fouéré. Other concerts included ‘Back to the Future’\, ‘The Godfather’ with film music by Nino Rota\, ‘The Music of John Williams’ film music and RTECO’s recording of the music of Steve Mc Keon for the film ‘Norm of the North’. \n\n\n\nLisa has performed at the Dublin Metropolis Festival\, RDS and at The Button Factory\, Temple Bar with DJ Kormac. Lisa has also toured France\, South Africa and the US as solo violinist with Michael Flatley’s ‘Lord of the Dance’. Solo and chamber music recitals include DIT\, Trinity College Dublin\, The Goethe institute\, UCD and The John Field Room\, N.C.H. and The Galway Arts Festival. \n\n\n\nLisa recently performed at Dublin Castle for a production of ‘Constance and her Friends’ a play about Constance Markievicz and activists during the 1916 rising written by Mary Moynihan and performed by Smashing Times. Passionate about teaching as well as performing\, Lisa gives masterclasses\, prepares students for exams\, recitals and Feis Ceoil competitions. Lisa is married to oboist with the National Symphony Orchestra\, Sylvain Gnemmi. They have four children and live in Dublin. \n\n\n\n\n\n\n\n\n\n\n\n\n\nFile agus scríbhneoir do dhaoine óga í Áine Ní Ghlinn\, agus Laureate na nÓg 2020 – 2023.  \n\n\n\nTá 36 leabhar foilsithe aici\, idir fhilíocht\, dhrámaí\, úrscéalta agus scéalta do dhaoine óga. I measc na nduaiseanna atá buaite aici\, tá Gradam Reics Carló Leabhar na Bliana (2014\, 2016\, 2019 do na húrscéalta Daideo\, Hata Zú Mhamó & Boscadán)\, Gradam Ficsin\, Leabhair Pháistí Éireann & Gradam Leabhar na Bliana\, Cumann Litearthachta na hÉireann (Daideo\, 2015). Bronnadh Comhaltacht Patrick Kavanagh uirthi i 2019 agus tá go leor duaiseanna filíochta buaite aici ag Seachtain na Scríbhneoirí Lios Tuathail\, Féile Filíochta Bhéal na mBuillí agus Oireachtas na Gaeilge. \n\n\n\nÁine Ní Ghlinn is a poet and children’s writer and is Laureate na nÓg\, 2020-2023. She has 36 books published. Awards include Gradam Reics Carló Children’s Book of the Year on three occasions\, LAI Book of the Year\, CBI Fiction Honour award\, Patrick Kavanagh Fellowship (2019) and a range of poetry awards (Oireachtas/ Listowel Writers’ Week/Strokestown Poetry Festival + others). \n\n\n\nÁine Ní Ghlinn is a lecturer\, journalist and writer. She has a BA (Irish and English) and a HDip in Education from University College\, Dublin\, a Diploma in Journalism from the London School of Journalism\, and an MA in Creative Writing from Lancaster University. She has written over thirty books – including four collections of poetry and an array of books for teenagers and young people. \n\n\n\nShe spent some years as a secondary-school teacher but resigned her position to become a journalist at RTÉ and Raidió na Gaeltachta. She worked on both current affairs and magazine programmes and the two she enjoyed most of all were the arts programmes\, Leabhragán and Ar an Ardán\, on Raidió na Gaeltachta. She also spent some time as a freelance journalist in London and in Ireland and she was frequently heard on It Says in the Papers on RTÉ Radio and on Raidió na Gaeltachta. \n\n\n\nShe left RTÉ to spent a few years lecturing at FIONTAR in Dublin City University. However\, she wanted to spend more time writing and later became a full-time writer; writing children’s books and scripts for Ros na Rún\, TG4. At present\, she shares her time between writing and lecturing at the Church of Ireland College of Education in Dublin and writing workshops in Irish-language secondary schools. \n\n\n\nShe has won many awards for her work. Céard tá sa bhosca? (An Gúm\, 2002) won the Gradam Chlann Lir in 2003. She won the Irish-language prize at the Strokestown poetry festival in 2003\, the Irish-language prize at the Dun Laoghaire / Rathdown poetry competition in 2003\, as well as the Foras na Gaeilge Award at Seachtain na Scríbhneoirí in Listowel in 2002. She was awarded an Oireachtas prizes for her books Fuadach (Cois Life\, 2005) Tromluí (Cois Life\, 2009) and Úbalonga (An Gúm\, 2009). Brionglóidí & aistir eile (Cló Mhaigh Eo\, 2008) was shortlisted for the Bisto prize and she won an IBBY award in 2010. In 2012\, she won an Oireachtas prize for her plays for children and her novel for teenagers\, Daideo (Cois Life\, 2014) was also awarded an Oireachtas prize in 2013. The same book was named Book of the Year for young people\, 2014\, Gradam Réics Carló. She was awarded Gradam Réics Carló again a couple of years later for her novel Hata zú Mhamó (Cois Life\, 2016). \n\n\n\nHer story ‘Boscadán’ was awarded top prize for children’s stories at Comórtais Liteartha an Oireachtais 2017\, and Cois Life published the subsequent book in 2019: Boscadán. LeabhairCOMHAR published in 2018 a collection (Fadó Riamh… Ag an Tús) which brings together stories from diverse cultures representing the rich tradition of mythology surrounding the creation of the world. \n\n\n\nNi Ghlinn was appointed Laureate na nÓg/Children’s Literature Laureate in May 2020. Laureate na nÓg is an honour which was established in 2010 to engage young people with high quality literature and to underline the importance of children’s literature in our cultural and imaginative lives. Her ambition as Laureate is to lift the cloak of invisibility from Irish language authors and books\, and to encourage children and young people to read for pleasure as Gaeilge. \n\n\n\n\n\nStates of Independence\n\n\n\nThis show is part of States of Independence\, a project that celebrates the stories of ten change-makers from the Decade of Centenaries 1912-1922 linked to the stories of ten change-makers today working to make society a better place. The twenty stories gathered act as inspiration for the creation of new artworks by ten artists\, working in visual art\, film\, dance\, theatre\, creative writing and digital arts. The artists come together to create a range of artworks and performances for public display in eight sites – both ancient and modern – across Ireland and for display via a creative billboards campaign and online on the Smashing Times Virtual Art Gallery. The stories\, artworks and performances are shared with public audiences to reflect on modern day revolutionary visions for the future inspired by the past\, launched for the annual Dublin International Arts and Human Rights festival 13 to 22 October 2023. The internationally acclaimed team of ten artists is led by Mary Moynihan\, an award-winning writer\, poet\, director\, theatre and filmmaker and Artistic Director\, Smashing Times International Centre for the Arts and Equality\, working with John Scott\, Artistic Director and Choreographer\, Irish Modern Dance Theatre\, and a range of artists working in literature\, visual arts\, theatre\, film and new digital technologies. \n\n\n\nThe team collaboratively create a series of interconnected artworks including a live multi-disciplinary performance\, visual art projections and a creative billboards campaign to be launched for the 2023 annual International Dublin Arts and Human Rights festival taking place from the 13 to 22 October 2023. Events are accompanied by panel discussions and public talks on new visions for a peaceful and equal society for all. \n\n\n\nEvents take place in Dublin\, Kerry\, Clare and Donegal with online work accessible across Ireland and internationally celebrating changemakers and heroes from the past and today\,  bringing people together to promote active citizenship\,  equality\, human rights and diversity and celebrating new visions for a peaceful and equal future for all. Events take place in a range of venues both ancient and modern including Office of Public Work spaces throughout Ireland. \n\n\n\nFor further information please contact Freda Manweiler\, producer\, telephone 087 2214245 or email freda@smashingtimes.ie \n\n\n\nSupported by The Arts Council Open Call as part of ART: 2023 a Decade of Centenaries Collaboration between The Arts Council and the Department of Tourism\, Culture\, Arts\, Gaeltacht\, Sport and Media. Supported by Creative Europe as part of the Theatre in Palm project. \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/tales-of-love-and-loss-3/
LOCATION:Pearse Museum\, Rathfarnham\, Co Dublin\, St Endas Park\, Grange Road\, Rathfarnham\, Dublin 16\, D16 Y7Y5\, Ireland
CATEGORIES:Dublin,Music,Performance,Poetry,Theatre
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2023/07/talesofloveandlost-3.jpg
ORGANIZER;CN="Smashing Times":MAILTO:info@smashingtimes.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20230812T140000
DTEND;TZID=Europe/Dublin:20230812T150000
DTSTAMP:20230802T090128Z
CREATED:20230711T100446Z
LAST-MODIFIED:20230802T090128Z
UID:10000238-1691848800-1691852400@smashingtimes.ie
SUMMARY:Tales of Love and Loss
DESCRIPTION:Belonging: Three-Day Creative Arts Workshop\n\n\n\n\n\n\n\n\n\nWorkshop: Tuesday 26 May\, 9.30am-12.30pm; Wednesday 27 May\, 11am-2pm; Thursday 28 May\, 11am-2pm. Open to all female-identifying\, registration required.  \n\n\nBook Your Place\n\n\n\nSmashing Times never want ticket price to be a barrier to attendance. Please contact admin@smashingtimes.ie to avail of free tickets. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\nArtists\n\n\n\nMaeve Bradley\, actor \n\n\n\nLorna Fox\, actor \n\n\n\nRob Harrington\, actor \n\n\n\nMichael McCabe\, actor \n\n\n\nCiara Hayes\, actor \n\n\n\nLisa McLoughlin-Gnemmi\, musician \n\n\n\nGeraldine McAlinden\, director \n\n\n\nMary Moynihan\, writer\, director\, theatre and film maker and Artistic Director of Smashing Times International Centre for the Arts and Equality \n\n\n\nFéilim James\, writer \n\n\n\nSinead McCoole\, writer \n\n\n\nÁine Ní Ghlinn\, poet\, children’s writer and is Laureate na nÓg\, 2020-2023 \n\n\n\nFull Event Details\n\n\n\nSmashing Times are delighted to present Tales of Love and Loss\, a guided\, walkabout\, outdoor performance taking place at Pearse Museum and St Enda’s Park\, Rathfarnham\, on the 12\, 13\, 19 and 20 August 2023\, two shows daily at 1pm and 2pm. The show features change-maker stories from history as we engage with the unique\, historical setting of Pearse Museum and St Enda’s Park\, where Patrick Pearse and the Pearse family lived and ran their innovative Irish-speaking school\, Scoil Éanna.Enjoy a magical walk-in-the-park performance as we regale you with storytelling\, poetry and music reflecting on the lives of Sarah Curran\, Robert Emmet\, William Butler Yeats and the Pearse Women\, Mrs Margaret (Brady) Pearse\, Margaret Mary Pearse and Mary Brigid Pearse. \n\n\n\nA Beauty That Will Pass written and directed by Mary Moynihan performed by Lorna Fox\, is a poetical response to the love story of Sarah Curran (1782-1808) and Robert Emmet (1778-1803) interwoven with reference to John Philpott Curran (1750-1817) and Padraig Pearse (1879-1916). \n\n\n\nTales from an Afterworld by Féilim James\, directed by Geraldine McAlinden\, performed by Rob Harrington\, a reflection on the life and work of writer William Butler Yeats (1865-1939). Born in Dublin in 1865\, William Butler Yeats was the son of a well-known Irish painter\, John Butler Yeats. He spent his childhood in County Sligo\, where his parents were raised\, and in London. He returned to Dublin at fifteen to continue his education and study painting\, but quickly discovered he preferred poetry. Born into the Anglo-Irish landowning class\, Yeats became involved with the Celtic Revival\, a movement against the cultural influences of English rule in Ireland during the Victorian period\, which sought to promote the spirit of Ireland’s native heritage. Yeats was deeply involved in politics in Ireland. He also had a life-long interest in mysticism and the occult\, and his work drew extensively from sources in Irish mythology and folklore. Lady Gregory and Yeats founded the Abbey Theatre in 1904. Yeats was awarded the Nobel Prize in 1923 and died in 1939 age seventy-three. \n\n\n\nThe Pearse Family \n\n\n\nThe Wayfarer\, a poem by Pádraig Pearse. This was the last poem written by Pearse on the eve of his execution at Kilmainham Gaol\, Dublin (May 2\, 1916). The Wayfarer reflects on the fleeting beauty of life’s journey at a moment of decisive personal and political change\, performed by Michael McCabe. \n\n\n\nThe Pearse Women\, an historical insight by Dr Sinead McCoole\, historian and curator\, inspired by the life-stories of Mrs Margaret (Brady) Pearse (1857-1932)\, Politician and Dail Deputy; Margaret Mary Pearse (1878-1968)\, teacher\, TD and Senator and Mary Brigid Pearse (1884-1947)\, musician\, teacher and author; linked to objects in the Pearse Museum and exploring the role these women played in shaping Irish society. Recited by Michael McCabe \n\n\n\nMrs Pearse monologue performed by Ciara Hayes. \n\n\n\nAn Ród Seo Romhainn\, an Irish poem written by Áine Ní Ghlinn\, a bilingual Irish journalist\, poet\, playwright and children’s writer and a former Arts Council Laureate na nÓg\, 2020—2023\, the first to write exclusively in Irish. The poem is inspired by the two teacups on display in the Pearse Museum\, left out by the mother of Padraig and Willie Pearse\, before her two sons went to join the Rising in 1916. The poem will be performed by Rob Harrington. \n\n\n\nArtist Biographies:\n\n\n\n\n\n\n\n\n\n\n\nLorna is an actor and dancer from Co. Wicklow. Graduating from The Lir Academy last year she has since been in shows for the Scene + Heard Festival and Dublin Theatre Festival. She most recently finished on a new play ‘Yesteryear’ which ran for a week in Garter Lane Theatre\, Waterford. \n\n\n\nTheatre Credits include: To Let (Dublin Theatre Festival)\, Moving On (Scene + Heard)\, Yesteryear (Garter Lane Theatre\, Waterford). \n\n\n\nFilm/TV Credits include: Five Letters to the stranger who will Dissect my brain (Short)\, Love in the Time of Corona (Short)\, The Hunted (Series\, Channel 5).  \n\n\n\n\n\n\n\n\n\n\n\n\n\nRob has enjoyed both national and international tours over the past 19 years of his acting career. He has most recently performed Tales from an Afterworld (WB Yeats)\, written by Féilim James and directed by Geraldine McAlinden in Áras an Uachtaráin for President Michael D Higgins. Some of his favourite theatre productions include The Shadow of a Gunman (The New Theatre\, directed by Ronan Wilmot)\, Pinter x 4 (Pearse Centre\, directed by Peter Reid)\, Scabs (Theatre Upstairs directed by Liam Halligan) In Arabia We’d all be Kings (Beckett Theatre\, directed by Liam Hallihan)\, Mary Stuart (The Grand Lodge\, Liam Halligan) and La Locandiera (Edinburgh Fringe festival\, directed Alice Coghlan). His screen work includes ‘A date for Mad Mary’\, ‘Vaudevillians’\, ‘The Comeback’\, ‘Twitchy’\, ‘The saviour of Dublin City’\, ‘Ctrl’\, ‘The Guarantee’\, ‘The Enchanted Island’\, ‘Two Margaritas and one Daiquiri’ amongst other independent films. Rob is also a seasoned theatre and screen workshop facilitator. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMichael McCabe is a performer\, theatre director\, movement choreographer\, facilitator and arts therapist. He is a graduate of the prestigious Ecole Internationale de Theatre Jacques Lecoq\, Paris\, France\, and The Gaiety School of Acting\, Dublin\, Ireland. \n\n\n\nHis theatre appearances include The Drowning Room (Project Arts Centre)\, Borstal Boy\, The Risen People (The Gaiety Theatre)\, A Christmas Carol\, The Ginger Ale Boy (Corcadorca Theatre Company)\, Lives Worth Living (Graffiti Theatre Company)\, Good Evening Mr Joyce (Samuel Beckett Centre)\, Diarmuid agus Grainne\, An Bradan Feasa\, The Libertine\, New World Order (Iomha Illdanach Theatre Company)\, Promises\, Promises  (Project Arts Centre)\, A Day With Daghdha (Daghdha Dance Company)\, Macbeth\, Six Characters in Search for an Author\, St. Joan\, Ariel (all at the Abbey Theatre)\, Wheel\, Jeckyll and Hyde (Dublin and Prague Fringe Festivals)\, Resist /Surrender (Dublin Dance Festival)\, and Where The Shoe Pinches (The Pavilion Theatre). He was clown co-ordinator for 35 clowns and appeared in Barabbas Theatre Company’s production\, City of Clowns\, at the Dunamaise\, Junction and Eargail Arts Festivals\, and The Complex\, Smithfield and appeared in Pagliacci at The Everyman Place Theatre\, as part of Cork Midsummer Festival. \n\n\n\nHis television and film appearances include Aristocrats (BBC)\, Ireland:1848\, (RTE)\, Window (IFI)\, All God’s Children (RTE/IFI)\, Nationwide (RTE). In 2021\, Michael will appear in Bean Sidhe\, Sweetcake\, and Sodium Party\, a new feature film directed by Michael McCudden. \n\n\n\nDirecting credits include: The Dead Woman’s Son (Smock Alley Theatre)\, A Wonderful Life\, Peter Pan’s Cirque D’Imaginaire (TU Dublin Theatre)\, Showcases 2017-2019 (The New Theatre) and in 2020\, The Grimm Tales (Smock Alley Theatre). Recent appearances include Footfalls\, The Journey Home\, and in Mermaid Arts Centre for Culture night on a work-in-progress\, His Left\, Her Right\, supported by Mermaid and Wicklow Arts Office. \n\n\n\nMichael has an M.A. (Honours) in Dramatherapy from the National University of Ireland\, Maynooth\, an M.A. in Modern Drama Studies from University College Dublin\, and a B.A. (Honours) in Communication Studies from Dublin City University. He has directed theatre work in the HSE\, the Dyspraxia Association of Ireland\, Trinity College Dublin\, St. Michael’s house\, and with other special needs organisations and schools with a focus on developing the potential of theatre for working with diverse groups. \n\n\n\nMichael has been working as a Movement Director\, teaching extensive movement classes for actors at the Conservatory of Music and Drama\, TU Dublin\, the National Association of Youth Drama\, Ringsend Institute\, the Department of Performing Arts\, Bray Institute of Further Education\, and The Gaiety School of Acting (full time course). \n\n\n\nMichael is a resident artist with Smashing Times International Centre for the Arts and Equality and works with Smashing Times as a performer\, director and arts facilitator on a range of projects from Acting for the Future to Legends of the Great Birth to State of the Art.  His theatre company\, Ruaille Buaille\, is building a physical theatre ensemble style based on the techniques of Jacques Lecoq\, Anne Bogart\, and Arianne Mouchkine. Michael was movement director on The Merchant of Venice\, at Mermaid Arts Centre\, and on the world premiere of Guerilla Days in Ireland in The Olympia Theatre\, Dublin. Michael is a graduate of National University of Ireland\, Maynooth\, (M.A. Dramatherapy\, 2.1 Honours)\, and was awarded a scholarship to train with internationally renowned theatre director Anne Bogart in New York. Bursary awards include South Dublin County Council\, Irish Actors Equity\, and The Arts Council. Michael recently completed training in Suzuki and Viewpoints Techniques under Tadashi Suzuki of SCOT Theatre Company\, in Toga Mura\, Japan. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMary Moynihan\, (she/her)\, MA\, is an award-winning writer\, director\, theatre and film-maker\, an interdisciplinary artist and one of Ireland’s most innovative arts and human rights artists creating work to promote the arts\, human rights\, climate justice\, gender equality\, diversity and peace.  \n\n\n\nMary is Artistic Director of Smashing Times International Centre for the Arts and Equality and works  collaboratively with artists and over 50 organisations across Ireland\, Northern Ireland\, Europe and internationally\, using the arts to promote rights and values for all.   Company patrons of Smashing Times are Sabina Coyne Higgins\, Senator Joan Freeman\, founder of Pieta House\, Ger Ryan\, actor and Tim Pat Coogan\, writer and historian. Founding patrons were writers Maeve Binchy and Brian Friel. \n\n\n\nMary’s work has won a number of awards including the Allianz Business to Arts Awards\, a GSK Ireland Impact Award\, a Dublin Bus Community Spirit Award\, a National Lottery Good Cause Award\, the international #ArtsAgainstCovid award\, an Arts Council Project Award and an Arts Council Agility Award. \n\n\n\nMary is Artistic Curator for the annual Dublin Arts and Human Rights festival implemented by Smashing Times and Front Line Defenders in partnership with Amnesty International\, Fighting Words\, ICCL\,  NWCI\, Irish Modern Dance Theatre\, Trócaire and Poetry Ireland\, funded by The Arts Council. The aim of the festival is to showcase and highlight the extraordinary work of human rights defenders in Ireland and around the world\, past and present\, and the role of the arts and artists in promoting human rights today. \n\n\n\nMary’s artistic practice encompasses theatre\, film\, literature\, poetry\, and curatorship. Mary’s work focuses on primal\, visceral and intuitive responses to vulnerability and conflict and an exploration of self and the other. Her work explores an interconnectedness of the body\, voice and imagination\, revealing the inner life through physical and spiritual energies and intuitive engagements. Mary has a focus on using historical memory in her artistic practice as inspiration for the creation of original artworks across a range of mediums\, remembering stories of ordinary yet powerful women and men from history and today who stood up for the rights of others. \n\n\n\nAs a playwright\, Mary’s work includes the highly acclaimed The Woman is Present: Women’s Stories of WWII co-written with Paul Kennedy\, Fiona Thompson and Féilim James;  A Beauty that will Pass; Constance and Her Friends – selected by President Michael D. Higgins for performance at Áras an Uachtaráin for Culture Night 2016;  In One Breath from the award-winning Testimonies(co-written with Paul Kennedy); and Shadow of My Soul\, May Our Faces Haunt You and Silent Screams.  \n\n\n\nMary’s film work includes the hour-long documentary Stories from the Shadows\, the short film Tell Them Our Names\, inspired by women’s stories of WWII and selected for the London Eye International Film Festival and Kerry Film Festival\, the creative documentary Women in an Equal Europe and the short film Courageous Women inspired by powerful women’s stories from the 1916 to 1923 decade of commemorations period in Irish history.   \n\n\n\n\n\n\n\n\n\n\n\n\n\nFéilim James is an award-winning writer from Dublin\, Ireland. In 2020\, the Arts of Council of Ireland awarded Féilim a Literature Bursary Award to finish his debut novel\, Flower of Ash\, as well as a Professional Development Award. He received an Arts Bursary from Dublin City Arts Office in 2021 to finish his first poetry collection\, I was a river\, lost. His short fiction and poetry have appeared in numerous journals\, including The Fiction Pool\, The Galway Review\, and Icarus. His work through Irish\, under Féilim Ó Brádaigh\, has won seven Oireachtas na Gaeilge literary awards. His short fiction and poetry\, through English and Irish\, have appeared in a number of journals\, including The Fiction Pool\, The Galway Review\, Icarus\, and Comhar. A short film Féilim wrote\, titled The Big No\, produced by Smashing Times\, was shortlisted by the IndieX Film Festival\, and his play At Summer’s End has toured Ireland. \n\n\n\nIn The Big No\, a young man tells the story of his psychological unravelling and subsequent mental health crisis. Told in the form of a voiceover monologue accompanied by compelling imagery\, this poetic short film takes us on a journey of despair\, introspection\, and hope. As he battles against panic attacks and suicidal thoughts\, he is forced to face the ‘why’ of his problems head on\, learning some essential truths about himself and the world. \n\n\n\nFéilim’s play At Summer’s End has been on tour with Smashing Times as part of The Woman is Present: Women’s Stories of WWII.  At Summer’s End is based on the life-story of Ettie Steinberg\, an Irish woman who was murdered\, along with her family\, at Auschwitz. \n\n\n\nFéilim’s themes are wide-ranging\, and include identity\, mental illness\, guilt\, human animalism\, death\, and humankind’s relationship with nature. He is committed to maintaining an ever evolving and progressive approach to his work\, with each book both building on the last and differing in a vital way. In other words\, the aforementioned themes will change as time passes\, as will their stylistic rendering. ‘My inspirations are many and wide-ranging. To the fore are James Joyce\, Sylvia Plath\, John Banville\, Marilynne Robinson\, Ted Hughes\, TS Eliot\, Seán Ó Ríordáin\, and Radiohead’. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\nSinéad McCoole is the author of many books including Hazel\, A Life of Lady Lavery (1996) and No Ordinary Women (1997) and Easter Widows\, the untold story of the wives of the executed leaders (2014) and Women 1916-Mná 2016 (2017). She is a member of the Government’s Expert Advisory Group on the Decade of Centenaries (2012-to date). She was Historical Advisor to the 2016 National Commemoration Programme\, Curator of Mná 1916. She has curated exhibitions on Irish history & art in both Ireland and the U.S. A Broadcaster and script writer her work includes Guns and Chiffon (2003) and A Father’s Letter part of the After ’16 Irish Film Board shorts commissioned for the centenary was based on her interviews with Fr. Joe Mallin (1913-2018). Her areas of expertise are Modern Irish History from the 1880 to the present\, Material culture\, museums\, the history of Irish women\, child prisoners\, Sir John and Lady Lavery. She is an expert in the area of women’s imprisonment 1916-1923. Her current area of interest is women in politics and public life 1918-2018. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\nGeraldine is an actor\, director\, producer and writer originally from Armagh in Northern Ireland. She started training in acting in the Gaiety School of Acting in 2000 and later in Stanislavski at the Focus Theatre in Dublin. In 2012/13 Geraldine completed the full time Screen Acting Programme at The Factory (now Bow Street Academy) in Dublin where she trained with Lance Daly\, Kirsten Sheridan\, Shimmy Marcus\, Jim Sheridan\, Aisling Walsh\, Derbhla Walsh\, Frank Berry and Ian Power\, among others. \n\n\n\nHer film acting credits include Ordinary Love\, Black 47\, The Secret Scripture\, Dark Lies the Island\, Procession\, and Portrait of a Zombie. Geraldine’s performance in Portrait of a Zombie led to her being long listed for an IFTA for Best Actress in a leading role in a feature film in 2013. Geraldine’s TV Credits include Miss Scarlet and the Duke\, Blood\, Striking Out and Red Rock. Her stage performances include The 24 Hour Plays Dublin 2020 (Abbey Theatre)\, One Day by Dick Walsh as well as Dublin Fringe theatre shows A Remember to Breathe and Spoonfed (a long play improvisation)\, Philadelphia\, Here I come! and Beyond Therapy! \n\n\n\nGeraldine trained in directing with Kristian Marken and she subsequently became an associate director with The Focus theatre. Her stage directing credits include Play/Record – The Granby Transcripts\, (Players Theatre\, Trinity)\, My Name is Mary (Project Theatre)\, The Cripple of Inishmaan\, (Smock Alley) The New York Monologues (The International Bar\, Smock Alley\, The Electric Picnic\, the Bulmer’s Comedy Festival and The Focus Theatre)\, One flew over the Cuckoo’s Nest (The Factory)\, Orphans (The New Theatre).  Film directing credits include the short films Helmets and Thorny Ireland. \n\n\n\nGeraldine has trained in writing with Stephen Walsh (Filmbase) and Pat McCabe (The Factory) among others. Her tiny play Knowing was published and produced by Fishamble’s Tiny Plays for Ireland. She has also written several short films. \n\n\n\nGeraldine is one of two founding members of Alchemy 8 Productions which produces theatre and film with a particular focus on stories of the human heart in conflict with itself. Its theatre production Orphans by Lyle Kessler which Geraldine also directed was included in a round-up of best theatre performances in Ireland in 2015. \n\n\n\nGeraldine is fascinated by investigating themes of the human need for connection and community\, the importance of sense of place and roots and the presumptions and prejudices these can bring. This is reflected in much of her work involving large ensemble casts\, with a focus on developing well rounded\, interesting characters and their physical and emotional juxtaposition in relation to each other. \n\n\n\nShe is passionate about the arts’ ability to positively impact audiences in many far-reaching ways from providing much needed entertainment and escapism\, to being a salve for the soul\, a cathartic release and a means of encouraging and developing empathy. Geraldine believes in the power of humour to provoke an emotional shift. As a solicitor in her previous life\, Geraldine is passionate about justice and promoting Human Rights on an individual and collective basis. \n\n\n\n\n\n\n\n\n\n\n\n\n\nCiara Hayes is a graduate of UCC with an MA in Arts Management and Creative Producing. She also holds a teaching diploma from the London College of Music in Drama and Communication\, and a BA Joint Hons in Drama and Theatre Studies with German. She has a background in theatre and worked for several years as a drama teacher\, later becoming a teacher of social skills for children on the autism spectrum.  \n\n\n\nSince completing her Masters in 2020\, Ciara has worked as a producer and festival administrator for Half Moon Festival (Cork\, 2020) and festival coordinator for Dublin Arts and Human Rights Festival (Dublin\, 2020 – present). She works at Smashing Times International Centre for the Arts and Equality. \n\n\n\nProducing credits include: Half Moon Festival – multidisciplinary\, online arts festival (July 2020). Earthangel – online production of aural recording\, Gaitkrash Theatre Company (November 2020). playing ‘The Maids’ – online sharing of recorded theatre performance\, Gaitkrash Theatre Company (December 2020). Love and Information – online showing of filmed theatre performance\, MTU BA Theatre and Drama Studies (February 2021). Prometheus Now – online theatre performance\, Gaitkrash Theatre Company as part of Cork Midsummer Festival (June 2021). \n\n\n\nActing credits include: Liverpool\, Mint Productions (2019); Little Gem\, Dramat (2016)\, awarded Best Actress; The Circle Game\, BA Drama and Theatre Studies (2016); The Importance of Being Ernest\, Dramat (2015); Trojan Woman: A Love Story¸ BA Drama and Theatre Studies (2014); The Pearse Women\, Smashing Times (2022); The Plough and the Stars for Bloomsday\, Áras an Uachtaráin\, Smashing Times (2023). \n\n\n\n\n\n\n\n\n\n\n\n\n\nLisa Mc Loughlin-Gnemmi is a graduate of the Royal College of Music\, London where she received her B.Mus Hons degree. She is a lecturer in violin at the TU Dublin Conservatoire for Music and Drama. She gained her masters in performance at TU Dublin studying under Joanna Matkowska. She has performed with the National Symphony Orchestra of Ireland under conductors Alexander Anissimov\, George Hurst and Gerhardt Markson. She also worked with Lyric Opera and The Irish Film Orchestra. She has regularly performed with the RTE Concert Orchestra. \n\n\n\nPerformances with the RTECO include a chamber music recital for the commemoration of the 1916 rising at The Irish Museum of Modern Art in the presence of An t-Uachtarán and with a group of members of the RTECO playing a new composition by Simon O’ Connor narrated by actress Olwen Fouéré. Other concerts included ‘Back to the Future’\, ‘The Godfather’ with film music by Nino Rota\, ‘The Music of John Williams’ film music and RTECO’s recording of the music of Steve Mc Keon for the film ‘Norm of the North’. \n\n\n\nLisa has performed at the Dublin Metropolis Festival\, RDS and at The Button Factory\, Temple Bar with DJ Kormac. Lisa has also toured France\, South Africa and the US as solo violinist with Michael Flatley’s ‘Lord of the Dance’. Solo and chamber music recitals include DIT\, Trinity College Dublin\, The Goethe institute\, UCD and The John Field Room\, N.C.H. and The Galway Arts Festival. \n\n\n\nLisa recently performed at Dublin Castle for a production of ‘Constance and her Friends’ a play about Constance Markievicz and activists during the 1916 rising written by Mary Moynihan and performed by Smashing Times. Passionate about teaching as well as performing\, Lisa gives masterclasses\, prepares students for exams\, recitals and Feis Ceoil competitions. Lisa is married to oboist with the National Symphony Orchestra\, Sylvain Gnemmi. They have four children and live in Dublin. \n\n\n\n \n\n\n\n\n\n\n\nedf\n\n\n\n\n\nFile agus scríbhneoir do dhaoine óga í Áine Ní Ghlinn\, agus Laureate na nÓg 2020 – 2023.  \n\n\n\nTá 36 leabhar foilsithe aici\, idir fhilíocht\, dhrámaí\, úrscéalta agus scéalta do dhaoine óga. I measc na nduaiseanna atá buaite aici\, tá Gradam Reics Carló Leabhar na Bliana (2014\, 2016\, 2019 do na húrscéalta Daideo\, Hata Zú Mhamó & Boscadán)\, Gradam Ficsin\, Leabhair Pháistí Éireann & Gradam Leabhar na Bliana\, Cumann Litearthachta na hÉireann (Daideo\, 2015). Bronnadh Comhaltacht Patrick Kavanagh uirthi i 2019 agus tá go leor duaiseanna filíochta buaite aici ag Seachtain na Scríbhneoirí Lios Tuathail\, Féile Filíochta Bhéal na mBuillí agus Oireachtas na Gaeilge. \n\n\n\nÁine Ní Ghlinn is a poet and children’s writer and is Laureate na nÓg\, 2020-2023. She has 36 books published. Awards include Gradam Reics Carló Children’s Book of the Year on three occasions\, LAI Book of the Year\, CBI Fiction Honour award\, Patrick Kavanagh Fellowship (2019) and a range of poetry awards (Oireachtas/ Listowel Writers’ Week/Strokestown Poetry Festival + others). \n\n\n\nÁine Ní Ghlinn is a lecturer\, journalist and writer. She has a BA (Irish and English) and a HDip in Education from University College\, Dublin\, a Diploma in Journalism from the London School of Journalism\, and an MA in Creative Writing from Lancaster University. She has written over thirty books – including four collections of poetry and an array of books for teenagers and young people. \n\n\n\nShe spent some years as a secondary-school teacher but resigned her position to become a journalist at RTÉ and Raidió na Gaeltachta. She worked on both current affairs and magazine programmes and the two she enjoyed most of all were the arts programmes\, Leabhragán and Ar an Ardán\, on Raidió na Gaeltachta. She also spent some time as a freelance journalist in London and in Ireland and she was frequently heard on It Says in the Papers on RTÉ Radio and on Raidió na Gaeltachta. \n\n\n\nShe left RTÉ to spent a few years lecturing at FIONTAR in Dublin City University. However\, she wanted to spend more time writing and later became a full-time writer; writing children’s books and scripts for Ros na Rún\, TG4. At present\, she shares her time between writing and lecturing at the Church of Ireland College of Education in Dublin and writing workshops in Irish-language secondary schools. \n\n\n\nShe has won many awards for her work. Céard tá sa bhosca? (An Gúm\, 2002) won the Gradam Chlann Lir in 2003. She won the Irish-language prize at the Strokestown poetry festival in 2003\, the Irish-language prize at the Dun Laoghaire / Rathdown poetry competition in 2003\, as well as the Foras na Gaeilge Award at Seachtain na Scríbhneoirí in Listowel in 2002. She was awarded an Oireachtas prizes for her books Fuadach (Cois Life\, 2005) Tromluí (Cois Life\, 2009) and Úbalonga (An Gúm\, 2009). Brionglóidí & aistir eile (Cló Mhaigh Eo\, 2008) was shortlisted for the Bisto prize and she won an IBBY award in 2010. In 2012\, she won an Oireachtas prize for her plays for children and her novel for teenagers\, Daideo (Cois Life\, 2014) was also awarded an Oireachtas prize in 2013. The same book was named Book of the Year for young people\, 2014\, Gradam Réics Carló. She was awarded Gradam Réics Carló again a couple of years later for her novel Hata zú Mhamó (Cois Life\, 2016). \n\n\n\nHer story ‘Boscadán’ was awarded top prize for children’s stories at Comórtais Liteartha an Oireachtais 2017\, and Cois Life published the subsequent book in 2019: Boscadán. LeabhairCOMHAR published in 2018 a collection (Fadó Riamh… Ag an Tús) which brings together stories from diverse cultures representing the rich tradition of mythology surrounding the creation of the world. \n\n\n\nNi Ghlinn was appointed Laureate na nÓg/Children’s Literature Laureate in May 2020. Laureate na nÓg is an honour which was established in 2010 to engage young people with high quality literature and to underline the importance of children’s literature in our cultural and imaginative lives. Her ambition as Laureate is to lift the cloak of invisibility from Irish language authors and books\, and to encourage children and young people to read for pleasure as Gaeilge. \n\n\n\n \n\n\n\n\n\nStates of Independence\n\n\n\nThis show is part of States of Independence\, a project that celebrates the stories of ten change-makers from the Decade of Centenaries 1912-1922 linked to the stories of ten change-makers today working to make society a better place. The twenty stories gathered act as inspiration for the creation of new artworks by ten artists\, working in visual art\, film\, dance\, theatre\, creative writing and digital arts. The artists come together to create a range of artworks and performances for public display in eight sites – both ancient and modern – across Ireland and for display via a creative billboards campaign and online on the Smashing Times Virtual Art Gallery. The stories\, artworks and performances are shared with public audiences to reflect on modern day revolutionary visions for the future inspired by the past\, launched for the annual Dublin International Arts and Human Rights festival 13 to 22 October 2023. The internationally acclaimed team of ten artists is led by Mary Moynihan\, an award-winning writer\, poet\, director\, theatre and filmmaker and Artistic Director\, Smashing Times International Centre for the Arts and Equality\, working with John Scott\, Artistic Director and Choreographer\, Irish Modern Dance Theatre\, and a range of artists working in literature\, visual arts\, theatre\, film and new digital technologies. \n\n\n\nThe team collaboratively create a series of interconnected artworks including a live multi-disciplinary performance\, visual art projections and a creative billboards campaign to be launched for the 2023 annual International Dublin Arts and Human Rights festival taking place from the 13 to 22 October 2023. Events are accompanied by panel discussions and public talks on new visions for a peaceful and equal society for all. \n\n\n\nEvents take place in Dublin\, Kerry\, Clare and Donegal with online work accessible across Ireland and internationally celebrating changemakers and heroes from the past and today\,  bringing people together to promote active citizenship\,  equality\, human rights and diversity and celebrating new visions for a peaceful and equal future for all. Events take place in a range of venues both ancient and modern including Office of Public Work spaces throughout Ireland. \n\n\n\nFor further information please contact Freda Manweiler\, producer\, telephone 087 2214245 or email freda@smashingtimes.ie \n\n\n\nSupported by The Arts Council Open Call as part of ART: 2023 a Decade of Centenaries Collaboration between The Arts Council and the Department of Tourism\, Culture\, Arts\, Gaeltacht\, Sport and Media. Supported by Creative Europe as part of the Theatre in Palm project. \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/tales-of-love-and-loss-2/
LOCATION:Pearse Museum\, Rathfarnham\, Co Dublin\, St Endas Park\, Grange Road\, Rathfarnham\, Dublin 16\, D16 Y7Y5\, Ireland
CATEGORIES:Dublin,Music,Performance,Poetry,Theatre
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2023/07/talesofloveandlost-2.jpg
ORGANIZER;CN="Smashing Times":MAILTO:info@smashingtimes.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20230812T130000
DTEND;TZID=Europe/Dublin:20230812T140000
DTSTAMP:20230802T090118Z
CREATED:20230711T105345Z
LAST-MODIFIED:20230802T090118Z
UID:10000244-1691845200-1691848800@smashingtimes.ie
SUMMARY:Tales of Love and Loss
DESCRIPTION:Belonging: Three-Day Creative Arts Workshop\n\n\n\n\n\n\n\n\n\nWorkshop: Tuesday 26 May\, 9.30am-12.30pm; Wednesday 27 May\, 11am-2pm; Thursday 28 May\, 11am-2pm. Open to all female-identifying\, registration required.  \n\n\nBook Your Place\n\n\n\nSmashing Times never want ticket price to be a barrier to attendance. Please contact admin@smashingtimes.ie to avail of free tickets. \n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\nArtists\n\n\n\nMaeve Bradley\, actor \n\n\n\nLorna Fox\, actor \n\n\n\nRob Harrington\, actor \n\n\n\nMichael McCabe\, actor \n\n\n\nCiara Hayes\, actor \n\n\n\nLisa McLoughlin-Gnemmi\, musician \n\n\n\nGeraldine McAlinden\, director \n\n\n\nMary Moynihan\, writer\, director\, theatre and film maker and Artistic Director of Smashing Times International Centre for the Arts and Equality \n\n\n\nFéilim James\, writer \n\n\n\nSinead McCoole\, writer \n\n\n\nÁine Ní Ghlinn\, poet\, children’s writer and is Laureate na nÓg\, 2020-2023 \n\n\n\nFull Event Details\n\n\n\nSmashing Times are delighted to present Tales of Love and Loss\, a guided\, walkabout\, outdoor performance taking place at Pearse Museum and St Enda’s Park\, Rathfarnham\, on the 12\, 13\, 19 and 20 August 2023\, two shows daily at 1pm and 2pm. The show features change-maker stories from history as we engage with the unique\, historical setting of Pearse Museum and St Enda’s Park\, where Patrick Pearse and the Pearse family lived and ran their innovative Irish-speaking school\, Scoil Éanna.Enjoy a magical walk-in-the-park performance as we regale you with storytelling\, poetry and music reflecting on the lives of Sarah Curran\, Robert Emmet\, William Butler Yeats and the Pearse Women\, Mrs Margaret (Brady) Pearse\, Margaret Mary Pearse and Mary Brigid Pearse. \n\n\n\nA Beauty That Will Pass written and directed by Mary Moynihan performed by Lorna Fox\, is a poetical response to the love story of Sarah Curran (1782-1808) and Robert Emmet (1778-1803) interwoven with reference to John Philpott Curran (1750-1817) and Padraig Pearse (1879-1916). \n\n\n\nTales from an Afterworld by Féilim James\, directed by Geraldine McAlinden\, performed by Rob Harrington\, a reflection on the life and work of writer William Butler Yeats (1865-1939). Born in Dublin in 1865\, William Butler Yeats was the son of a well-known Irish painter\, John Butler Yeats. He spent his childhood in County Sligo\, where his parents were raised\, and in London. He returned to Dublin at fifteen to continue his education and study painting\, but quickly discovered he preferred poetry. Born into the Anglo-Irish landowning class\, Yeats became involved with the Celtic Revival\, a movement against the cultural influences of English rule in Ireland during the Victorian period\, which sought to promote the spirit of Ireland’s native heritage. Yeats was deeply involved in politics in Ireland. He also had a life-long interest in mysticism and the occult\, and his work drew extensively from sources in Irish mythology and folklore. Lady Gregory and Yeats founded the Abbey Theatre in 1904. Yeats was awarded the Nobel Prize in 1923 and died in 1939 age seventy-three. \n\n\n\nThe Pearse Family \n\n\n\nThe Wayfarer\, a poem by Pádraig Pearse. This was the last poem written by Pearse on the eve of his execution at Kilmainham Gaol\, Dublin (May 2\, 1916). The Wayfarer reflects on the fleeting beauty of life’s journey at a moment of decisive personal and political change\, performed by Michael McCabe. \n\n\n\nThe Pearse Women\, an historical insight by Dr Sinead McCoole\, historian and curator\, inspired by the life-stories of Mrs Margaret (Brady) Pearse (1857-1932)\, Politician and Dail Deputy; Margaret Mary Pearse (1878-1968)\, teacher\, TD and Senator and Mary Brigid Pearse (1884-1947)\, musician\, teacher and author; linked to objects in the Pearse Museum and exploring the role these women played in shaping Irish society. Recited by Michael McCabe \n\n\n\nMrs Pearse monologue performed by Ciara Hayes. \n\n\n\nAn Ród Seo Romhainn\, an Irish poem written by Áine Ní Ghlinn\, a bilingual Irish journalist\, poet\, playwright and children’s writer and a former Arts Council Laureate na nÓg\, 2020—2023\, the first to write exclusively in Irish. The poem is inspired by the two teacups on display in the Pearse Museum\, left out by the mother of Padraig and Willie Pearse\, before her two sons went to join the Rising in 1916. The poem will be performed by Rob Harrington. \n\n\n\nArtist Biographies:\n\n\n\n\n\n\n\n\n\n\n\nLorna is an actor and dancer from Co. Wicklow. Graduating from The Lir Academy last year she has since been in shows for the Scene + Heard Festival and Dublin Theatre Festival. She most recently finished on a new play ‘Yesteryear’ which ran for a week in Garter Lane Theatre\, Waterford. \n\n\n\nTheatre Credits include: To Let (Dublin Theatre Festival)\, Moving On (Scene + Heard)\, Yesteryear (Garter Lane Theatre\, Waterford). \n\n\n\nFilm/TV Credits include: Five Letters to the stranger who will Dissect my brain (Short)\, Love in the Time of Corona (Short)\, The Hunted (Series\, Channel 5).  \n\n\n\n\n\n\n\n\n\n\n\n\n\nRob has enjoyed both national and international tours over the past 19 years of his acting career. He has most recently performed Tales from an Afterworld (WB Yeats)\, written by Féilim James and directed by Geraldine McAlinden in Áras an Uachtaráin for President Michael D Higgins. Some of his favourite theatre productions include The Shadow of a Gunman (The New Theatre\, directed by Ronan Wilmot)\, Pinter x 4 (Pearse Centre\, directed by Peter Reid)\, Scabs (Theatre Upstairs directed by Liam Halligan) In Arabia We’d all be Kings (Beckett Theatre\, directed by Liam Hallihan)\, Mary Stuart (The Grand Lodge\, Liam Halligan) and La Locandiera (Edinburgh Fringe festival\, directed Alice Coghlan). His screen work includes ‘A date for Mad Mary’\, ‘Vaudevillians’\, ‘The Comeback’\, ‘Twitchy’\, ‘The saviour of Dublin City’\, ‘Ctrl’\, ‘The Guarantee’\, ‘The Enchanted Island’\, ‘Two Margaritas and one Daiquiri’ amongst other independent films. Rob is also a seasoned theatre and screen workshop facilitator. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMichael McCabe is a performer\, theatre director\, movement choreographer\, facilitator and arts therapist. He is a graduate of the prestigious Ecole Internationale de Theatre Jacques Lecoq\, Paris\, France\, and The Gaiety School of Acting\, Dublin\, Ireland. \n\n\n\nHis theatre appearances include The Drowning Room (Project Arts Centre)\, Borstal Boy\, The Risen People (The Gaiety Theatre)\, A Christmas Carol\, The Ginger Ale Boy (Corcadorca Theatre Company)\, Lives Worth Living (Graffiti Theatre Company)\, Good Evening Mr Joyce (Samuel Beckett Centre)\, Diarmuid agus Grainne\, An Bradan Feasa\, The Libertine\, New World Order (Iomha Illdanach Theatre Company)\, Promises\, Promises  (Project Arts Centre)\, A Day With Daghdha (Daghdha Dance Company)\, Macbeth\, Six Characters in Search for an Author\, St. Joan\, Ariel (all at the Abbey Theatre)\, Wheel\, Jeckyll and Hyde (Dublin and Prague Fringe Festivals)\, Resist /Surrender (Dublin Dance Festival)\, and Where The Shoe Pinches (The Pavilion Theatre). He was clown co-ordinator for 35 clowns and appeared in Barabbas Theatre Company’s production\, City of Clowns\, at the Dunamaise\, Junction and Eargail Arts Festivals\, and The Complex\, Smithfield and appeared in Pagliacci at The Everyman Place Theatre\, as part of Cork Midsummer Festival. \n\n\n\nHis television and film appearances include Aristocrats (BBC)\, Ireland:1848\, (RTE)\, Window (IFI)\, All God’s Children (RTE/IFI)\, Nationwide (RTE). In 2021\, Michael will appear in Bean Sidhe\, Sweetcake\, and Sodium Party\, a new feature film directed by Michael McCudden. \n\n\n\nDirecting credits include: The Dead Woman’s Son (Smock Alley Theatre)\, A Wonderful Life\, Peter Pan’s Cirque D’Imaginaire (TU Dublin Theatre)\, Showcases 2017-2019 (The New Theatre) and in 2020\, The Grimm Tales (Smock Alley Theatre). Recent appearances include Footfalls\, The Journey Home\, and in Mermaid Arts Centre for Culture night on a work-in-progress\, His Left\, Her Right\, supported by Mermaid and Wicklow Arts Office. \n\n\n\nMichael has an M.A. (Honours) in Dramatherapy from the National University of Ireland\, Maynooth\, an M.A. in Modern Drama Studies from University College Dublin\, and a B.A. (Honours) in Communication Studies from Dublin City University. He has directed theatre work in the HSE\, the Dyspraxia Association of Ireland\, Trinity College Dublin\, St. Michael’s house\, and with other special needs organisations and schools with a focus on developing the potential of theatre for working with diverse groups. \n\n\n\nMichael has been working as a Movement Director\, teaching extensive movement classes for actors at the Conservatory of Music and Drama\, TU Dublin\, the National Association of Youth Drama\, Ringsend Institute\, the Department of Performing Arts\, Bray Institute of Further Education\, and The Gaiety School of Acting (full time course). \n\n\n\nMichael is a resident artist with Smashing Times International Centre for the Arts and Equality and works with Smashing Times as a performer\, director and arts facilitator on a range of projects from Acting for the Future to Legends of the Great Birth to State of the Art.  His theatre company\, Ruaille Buaille\, is building a physical theatre ensemble style based on the techniques of Jacques Lecoq\, Anne Bogart\, and Arianne Mouchkine. Michael was movement director on The Merchant of Venice\, at Mermaid Arts Centre\, and on the world premiere of Guerilla Days in Ireland in The Olympia Theatre\, Dublin. Michael is a graduate of National University of Ireland\, Maynooth\, (M.A. Dramatherapy\, 2.1 Honours)\, and was awarded a scholarship to train with internationally renowned theatre director Anne Bogart in New York. Bursary awards include South Dublin County Council\, Irish Actors Equity\, and The Arts Council. Michael recently completed training in Suzuki and Viewpoints Techniques under Tadashi Suzuki of SCOT Theatre Company\, in Toga Mura\, Japan. \n\n\n\n\n\n\n\n\n\n\n\n\n\nMary Moynihan\, (she/her)\, MA\, is an award-winning writer\, director\, theatre and film-maker\, an interdisciplinary artist and one of Ireland’s most innovative arts and human rights artists creating work to promote the arts\, human rights\, climate justice\, gender equality\, diversity and peace.  \n\n\n\nMary is Artistic Director of Smashing Times International Centre for the Arts and Equality and works  collaboratively with artists and over 50 organisations across Ireland\, Northern Ireland\, Europe and internationally\, using the arts to promote rights and values for all.   Company patrons of Smashing Times are Sabina Coyne Higgins\, Senator Joan Freeman\, founder of Pieta House\, Ger Ryan\, actor and Tim Pat Coogan\, writer and historian. Founding patrons were writers Maeve Binchy and Brian Friel. \n\n\n\nMary’s work has won a number of awards including the Allianz Business to Arts Awards\, a GSK Ireland Impact Award\, a Dublin Bus Community Spirit Award\, a National Lottery Good Cause Award\, the international #ArtsAgainstCovid award\, an Arts Council Project Award and an Arts Council Agility Award. \n\n\n\nMary is Artistic Curator for the annual Dublin Arts and Human Rights festival implemented by Smashing Times and Front Line Defenders in partnership with Amnesty International\, Fighting Words\, ICCL\,  NWCI\, Irish Modern Dance Theatre\, Trócaire and Poetry Ireland\, funded by The Arts Council. The aim of the festival is to showcase and highlight the extraordinary work of human rights defenders in Ireland and around the world\, past and present\, and the role of the arts and artists in promoting human rights today. \n\n\n\nMary’s artistic practice encompasses theatre\, film\, literature\, poetry\, and curatorship. Mary’s work focuses on primal\, visceral and intuitive responses to vulnerability and conflict and an exploration of self and the other. Her work explores an interconnectedness of the body\, voice and imagination\, revealing the inner life through physical and spiritual energies and intuitive engagements. Mary has a focus on using historical memory in her artistic practice as inspiration for the creation of original artworks across a range of mediums\, remembering stories of ordinary yet powerful women and men from history and today who stood up for the rights of others. \n\n\n\nAs a playwright\, Mary’s work includes the highly acclaimed The Woman is Present: Women’s Stories of WWII co-written with Paul Kennedy\, Fiona Thompson and Féilim James;  A Beauty that will Pass; Constance and Her Friends – selected by President Michael D. Higgins for performance at Áras an Uachtaráin for Culture Night 2016;  In One Breath from the award-winning Testimonies(co-written with Paul Kennedy); and Shadow of My Soul\, May Our Faces Haunt You and Silent Screams.  \n\n\n\nMary’s film work includes the hour-long documentary Stories from the Shadows\, the short film Tell Them Our Names\, inspired by women’s stories of WWII and selected for the London Eye International Film Festival and Kerry Film Festival\, the creative documentary Women in an Equal Europe and the short film Courageous Women inspired by powerful women’s stories from the 1916 to 1923 decade of commemorations period in Irish history.   \n\n\n\n\n\n\n\n\n\n\n\n\n\nFéilim James is an award-winning writer from Dublin\, Ireland. In 2020\, the Arts of Council of Ireland awarded Féilim a Literature Bursary Award to finish his debut novel\, Flower of Ash\, as well as a Professional Development Award. He received an Arts Bursary from Dublin City Arts Office in 2021 to finish his first poetry collection\, I was a river\, lost. His short fiction and poetry have appeared in numerous journals\, including The Fiction Pool\, The Galway Review\, and Icarus. His work through Irish\, under Féilim Ó Brádaigh\, has won seven Oireachtas na Gaeilge literary awards. His short fiction and poetry\, through English and Irish\, have appeared in a number of journals\, including The Fiction Pool\, The Galway Review\, Icarus\, and Comhar. A short film Féilim wrote\, titled The Big No\, produced by Smashing Times\, was shortlisted by the IndieX Film Festival\, and his play At Summer’s End has toured Ireland. \n\n\n\nIn The Big No\, a young man tells the story of his psychological unravelling and subsequent mental health crisis. Told in the form of a voiceover monologue accompanied by compelling imagery\, this poetic short film takes us on a journey of despair\, introspection\, and hope. As he battles against panic attacks and suicidal thoughts\, he is forced to face the ‘why’ of his problems head on\, learning some essential truths about himself and the world. \n\n\n\nFéilim’s play At Summer’s End has been on tour with Smashing Times as part of The Woman is Present: Women’s Stories of WWII.  At Summer’s End is based on the life-story of Ettie Steinberg\, an Irish woman who was murdered\, along with her family\, at Auschwitz. \n\n\n\nFéilim’s themes are wide-ranging\, and include identity\, mental illness\, guilt\, human animalism\, death\, and humankind’s relationship with nature. He is committed to maintaining an ever evolving and progressive approach to his work\, with each book both building on the last and differing in a vital way. In other words\, the aforementioned themes will change as time passes\, as will their stylistic rendering. ‘My inspirations are many and wide-ranging. To the fore are James Joyce\, Sylvia Plath\, John Banville\, Marilynne Robinson\, Ted Hughes\, TS Eliot\, Seán Ó Ríordáin\, and Radiohead’. \n\n\n\n\n\n\n\n\n\n\n\n\n\nSinéad McCoole is the author of many books including Hazel\, A Life of Lady Lavery (1996) and No Ordinary Women (1997) and Easter Widows\, the untold story of the wives of the executed leaders (2014) and Women 1916-Mná 2016 (2017). She is a member of the Government’s Expert Advisory Group on the Decade of Centenaries (2012-to date). She was Historical Advisor to the 2016 National Commemoration Programme\, Curator of Mná 1916. She has curated exhibitions on Irish history & art in both Ireland and the U.S. A Broadcaster and script writer her work includes Guns and Chiffon (2003) and A Father’s Letter part of the After ’16 Irish Film Board shorts commissioned for the centenary was based on her interviews with Fr. Joe Mallin (1913-2018). Her areas of expertise are Modern Irish History from the 1880 to the present\, Material culture\, museums\, the history of Irish women\, child prisoners\, Sir John and Lady Lavery. She is an expert in the area of women’s imprisonment 1916-1923. Her current area of interest is women in politics and public life 1918-2018. \n\n\n\n\n\n\n\n\n\n\n\n\n\nGeraldine is an actor\, director\, producer and writer originally from Armagh in Northern Ireland. She started training in acting in the Gaiety School of Acting in 2000 and later in Stanislavski at the Focus Theatre in Dublin. In 2012/13 Geraldine completed the full time Screen Acting Programme at The Factory (now Bow Street Academy) in Dublin where she trained with Lance Daly\, Kirsten Sheridan\, Shimmy Marcus\, Jim Sheridan\, Aisling Walsh\, Derbhla Walsh\, Frank Berry and Ian Power\, among others. \n\n\n\nHer film acting credits include Ordinary Love\, Black 47\, The Secret Scripture\, Dark Lies the Island\, Procession\, and Portrait of a Zombie. Geraldine’s performance in Portrait of a Zombie led to her being long listed for an IFTA for Best Actress in a leading role in a feature film in 2013. Geraldine’s TV Credits include Miss Scarlet and the Duke\, Blood\, Striking Out and Red Rock. Her stage performances include The 24 Hour Plays Dublin 2020 (Abbey Theatre)\, One Day by Dick Walsh as well as Dublin Fringe theatre shows A Remember to Breathe and Spoonfed (a long play improvisation)\, Philadelphia\, Here I come! and Beyond Therapy! \n\n\n\nGeraldine trained in directing with Kristian Marken and she subsequently became an associate director with The Focus theatre. Her stage directing credits include Play/Record – The Granby Transcripts\, (Players Theatre\, Trinity)\, My Name is Mary (Project Theatre)\, The Cripple of Inishmaan\, (Smock Alley) The New York Monologues (The International Bar\, Smock Alley\, The Electric Picnic\, the Bulmer’s Comedy Festival and The Focus Theatre)\, One flew over the Cuckoo’s Nest (The Factory)\, Orphans (The New Theatre).  Film directing credits include the short films Helmets and Thorny Ireland. \n\n\n\nGeraldine has trained in writing with Stephen Walsh (Filmbase) and Pat McCabe (The Factory) among others. Her tiny play Knowing was published and produced by Fishamble’s Tiny Plays for Ireland. She has also written several short films. \n\n\n\nGeraldine is one of two founding members of Alchemy 8 Productions which produces theatre and film with a particular focus on stories of the human heart in conflict with itself. Its theatre production Orphans by Lyle Kessler which Geraldine also directed was included in a round-up of best theatre performances in Ireland in 2015. \n\n\n\nGeraldine is fascinated by investigating themes of the human need for connection and community\, the importance of sense of place and roots and the presumptions and prejudices these can bring. This is reflected in much of her work involving large ensemble casts\, with a focus on developing well rounded\, interesting characters and their physical and emotional juxtaposition in relation to each other. \n\n\n\nShe is passionate about the arts’ ability to positively impact audiences in many far-reaching ways from providing much needed entertainment and escapism\, to being a salve for the soul\, a cathartic release and a means of encouraging and developing empathy. Geraldine believes in the power of humour to provoke an emotional shift. As a solicitor in her previous life\, Geraldine is passionate about justice and promoting Human Rights on an individual and collective basis. \n\n\n\n\n\n\n\n\n\n\n\n\n\nCiara Hayes is a graduate of UCC with an MA in Arts Management and Creative Producing. She also holds a teaching diploma from the London College of Music in Drama and Communication\, and a BA Joint Hons in Drama and Theatre Studies with German. She has a background in theatre and worked for several years as a drama teacher\, later becoming a teacher of social skills for children on the autism spectrum.  \n\n\n\nSince completing her Masters in 2020\, Ciara has worked as a producer and festival administrator for Half Moon Festival (Cork\, 2020) and Dublin Arts and Human Rights Festival (Dublin\, 2020). She works as Communications Officer at Smashing Times International Centre for the Arts and Equality and as producer for Gaitkrash Theatre Company. \n\n\n\nProducing credits include: Half Moon Festival – multidisciplinary\, online arts festival (July 2020). Earthangel – online production of aural recording\, Gaitkrash Theatre Company (November 2020). playing ‘The Maids’ – online sharing of recorded theatre performance\, Gaitkrash Theatre Company (December 2020). Love and Information – online showing of filmed theatre performance\, MTU BA Theatre and Drama Studies (February 2021). Prometheus Now – online theatre performance\, Gaitkrash Theatre Company as part of Cork Midsummer Festival (June 2021). \n\n\n\nActing credits include: Liverpool\, Mint Productions (2019); Little Gem\, Dramat (2016)\, awarded Best Actress; The Circle Game\, BA Drama and Theatre Studies (2016); The Importance of Being Ernest\, Dramat (2015); Trojan Woman: A Love Story¸ BA Drama and Theatre Studies (2014); The Pearse Women\, Smashing Times (2022); The Plough and the Stars for Bloomsday\, Áras an Uachtaráin\, Smashing Times (2023). \n\n\n\n\n\n\n\n\n\n\n\n\n\nLisa Mc Loughlin-Gnemmi is a graduate of the Royal College of Music\, London where she received her B.Mus Hons degree. She is a lecturer in violin at the TU Dublin Conservatoire for Music and Drama. She gained her masters in performance at TU Dublin studying under Joanna Matkowska. She has performed with the National Symphony Orchestra of Ireland under conductors Alexander Anissimov\, George Hurst and Gerhardt Markson. She also worked with Lyric Opera and The Irish Film Orchestra. She has regularly performed with the RTE Concert Orchestra. \n\n\n\nPerformances with the RTECO include a chamber music recital for the commemoration of the 1916 rising at The Irish Museum of Modern Art in the presence of An t-Uachtarán and with a group of members of the RTECO playing a new composition by Simon O’ Connor narrated by actress Olwen Fouéré. Other concerts included ‘Back to the Future’\, ‘The Godfather’ with film music by Nino Rota\, ‘The Music of John Williams’ film music and RTECO’s recording of the music of Steve Mc Keon for the film ‘Norm of the North’. \n\n\n\nLisa has performed at the Dublin Metropolis Festival\, RDS and at The Button Factory\, Temple Bar with DJ Kormac. Lisa has also toured France\, South Africa and the US as solo violinist with Michael Flatley’s ‘Lord of the Dance’. Solo and chamber music recitals include DIT\, Trinity College Dublin\, The Goethe institute\, UCD and The John Field Room\, N.C.H. and The Galway Arts Festival. \n\n\n\nLisa recently performed at Dublin Castle for a production of ‘Constance and her Friends’ a play about Constance Markievicz and activists during the 1916 rising written by Mary Moynihan and performed by Smashing Times. Passionate about teaching as well as performing\, Lisa gives masterclasses\, prepares students for exams\, recitals and Feis Ceoil competitions. Lisa is married to oboist with the National Symphony Orchestra\, Sylvain Gnemmi. They have four children and live in Dublin. \n\n\n\n\n\n\n\n\n\n\n\n\n\nFile agus scríbhneoir do dhaoine óga í Áine Ní Ghlinn\, agus Laureate na nÓg 2020 – 2023.  \n\n\n\nTá 36 leabhar foilsithe aici\, idir fhilíocht\, dhrámaí\, úrscéalta agus scéalta do dhaoine óga. I measc na nduaiseanna atá buaite aici\, tá Gradam Reics Carló Leabhar na Bliana (2014\, 2016\, 2019 do na húrscéalta Daideo\, Hata Zú Mhamó & Boscadán)\, Gradam Ficsin\, Leabhair Pháistí Éireann & Gradam Leabhar na Bliana\, Cumann Litearthachta na hÉireann (Daideo\, 2015). Bronnadh Comhaltacht Patrick Kavanagh uirthi i 2019 agus tá go leor duaiseanna filíochta buaite aici ag Seachtain na Scríbhneoirí Lios Tuathail\, Féile Filíochta Bhéal na mBuillí agus Oireachtas na Gaeilge. \n\n\n\nÁine Ní Ghlinn is a poet and children’s writer and is Laureate na nÓg\, 2020-2023. She has 36 books published. Awards include Gradam Reics Carló Children’s Book of the Year on three occasions\, LAI Book of the Year\, CBI Fiction Honour award\, Patrick Kavanagh Fellowship (2019) and a range of poetry awards (Oireachtas/ Listowel Writers’ Week/Strokestown Poetry Festival + others). \n\n\n\nÁine Ní Ghlinn is a lecturer\, journalist and writer. She has a BA (Irish and English) and a HDip in Education from University College\, Dublin\, a Diploma in Journalism from the London School of Journalism\, and an MA in Creative Writing from Lancaster University. She has written over thirty books – including four collections of poetry and an array of books for teenagers and young people. \n\n\n\nShe spent some years as a secondary-school teacher but resigned her position to become a journalist at RTÉ and Raidió na Gaeltachta. She worked on both current affairs and magazine programmes and the two she enjoyed most of all were the arts programmes\, Leabhragán and Ar an Ardán\, on Raidió na Gaeltachta. She also spent some time as a freelance journalist in London and in Ireland and she was frequently heard on It Says in the Papers on RTÉ Radio and on Raidió na Gaeltachta. \n\n\n\nShe left RTÉ to spent a few years lecturing at FIONTAR in Dublin City University. However\, she wanted to spend more time writing and later became a full-time writer; writing children’s books and scripts for Ros na Rún\, TG4. At present\, she shares her time between writing and lecturing at the Church of Ireland College of Education in Dublin and writing workshops in Irish-language secondary schools. \n\n\n\nShe has won many awards for her work. Céard tá sa bhosca? (An Gúm\, 2002) won the Gradam Chlann Lir in 2003. She won the Irish-language prize at the Strokestown poetry festival in 2003\, the Irish-language prize at the Dun Laoghaire / Rathdown poetry competition in 2003\, as well as the Foras na Gaeilge Award at Seachtain na Scríbhneoirí in Listowel in 2002. She was awarded an Oireachtas prizes for her books Fuadach (Cois Life\, 2005) Tromluí (Cois Life\, 2009) and Úbalonga (An Gúm\, 2009). Brionglóidí & aistir eile (Cló Mhaigh Eo\, 2008) was shortlisted for the Bisto prize and she won an IBBY award in 2010. In 2012\, she won an Oireachtas prize for her plays for children and her novel for teenagers\, Daideo (Cois Life\, 2014) was also awarded an Oireachtas prize in 2013. The same book was named Book of the Year for young people\, 2014\, Gradam Réics Carló. She was awarded Gradam Réics Carló again a couple of years later for her novel Hata zú Mhamó (Cois Life\, 2016). \n\n\n\nHer story ‘Boscadán’ was awarded top prize for children’s stories at Comórtais Liteartha an Oireachtais 2017\, and Cois Life published the subsequent book in 2019: Boscadán. LeabhairCOMHAR published in 2018 a collection (Fadó Riamh… Ag an Tús) which brings together stories from diverse cultures representing the rich tradition of mythology surrounding the creation of the world. \n\n\n\nNi Ghlinn was appointed Laureate na nÓg/Children’s Literature Laureate in May 2020. Laureate na nÓg is an honour which was established in 2010 to engage young people with high quality literature and to underline the importance of children’s literature in our cultural and imaginative lives. Her ambition as Laureate is to lift the cloak of invisibility from Irish language authors and books\, and to encourage children and young people to read for pleasure as Gaeilge. \n\n\n\n\n\nStates of Independence\n\n\n\nThis show is part of States of Independence\, a project that celebrates the stories of ten change-makers from the Decade of Centenaries 1912-1922 linked to the stories of ten change-makers today working to make society a better place. The twenty stories gathered act as inspiration for the creation of new artworks by ten artists\, working in visual art\, film\, dance\, theatre\, creative writing and digital arts. The artists come together to create a range of artworks and performances for public display in eight sites – both ancient and modern – across Ireland and for display via a creative billboards campaign and online on the Smashing Times Virtual Art Gallery. The stories\, artworks and performances are shared with public audiences to reflect on modern day revolutionary visions for the future inspired by the past\, launched for the annual Dublin International Arts and Human Rights festival 13 to 22 October 2023. The internationally acclaimed team of ten artists is led by Mary Moynihan\, an award-winning writer\, poet\, director\, theatre and filmmaker and Artistic Director\, Smashing Times International Centre for the Arts and Equality\, working with John Scott\, Artistic Director and Choreographer\, Irish Modern Dance Theatre\, and a range of artists working in literature\, visual arts\, theatre\, film and new digital technologies. \n\n\n\nThe team collaboratively create a series of interconnected artworks including a live multi-disciplinary performance\, visual art projections and a creative billboards campaign to be launched for the 2023 annual International Dublin Arts and Human Rights festival taking place from the 13 to 22 October 2023. Events are accompanied by panel discussions and public talks on new visions for a peaceful and equal society for all. \n\n\n\nEvents take place in Dublin\, Kerry\, Clare and Donegal with online work accessible across Ireland and internationally celebrating changemakers and heroes from the past and today\,  bringing people together to promote active citizenship\,  equality\, human rights and diversity and celebrating new visions for a peaceful and equal future for all. Events take place in a range of venues both ancient and modern including Office of Public Work spaces throughout Ireland. \n\n\n\nFor further information please contact Freda Manweiler\, producer\, telephone 087 2214245 or email freda@smashingtimes.ie \n\n\n\nSupported by The Arts Council Open Call as part of ART: 2023 a Decade of Centenaries Collaboration between The Arts Council and the Department of Tourism\, Culture\, Arts\, Gaeltacht\, Sport and Media. Supported by Creative Europe as part of the Theatre in Palm project. \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/tales-of-love-and-loss/
LOCATION:Pearse Museum\, Rathfarnham\, Co Dublin\, St Endas Park\, Grange Road\, Rathfarnham\, Dublin 16\, D16 Y7Y5\, Ireland
CATEGORIES:Dublin,Music,Performance,Poetry,Theatre
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2023/07/talesofloveandlost-1.jpg
ORGANIZER;CN="Smashing Times":MAILTO:info@smashingtimes.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20230805T193000
DTEND;TZID=Europe/Dublin:20230805T210000
DTSTAMP:20230801T111958Z
CREATED:20230725T112336Z
LAST-MODIFIED:20230801T111958Z
UID:10000359-1691263800-1691269200@smashingtimes.ie
SUMMARY:Tales of Love and Loss
DESCRIPTION:Belonging: Three-Day Creative Arts Workshop\n\n\n\n\n\n\n\n\n\nWorkshop: Tuesday 26 May\, 9.30am-12.30pm; Wednesday 27 May\, 11am-2pm; Thursday 28 May\, 11am-2pm. Open to all female-identifying\, registration required.  \n\n\nBook Your Place\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\nArtists\n\n\n\nMary Moynihan\, writer\, director\, theatre and filmmaker\, Artistic Director of Smashing Times International Centre for the Arts and Equality \n\n\n\nLorna Fox\, actor \n\n\n\nMaeve Bradley\, actor \n\n\n\nRob Harrington\, actor \n\n\n\nEmma Byrne\, musician \n\n\n\nFull Event Details\n\n\n\nTales of Love and Loss is a unique performance featuring A Beauty that will Pass and Grace and Joe by Mary Moynihan\, with poetry by Eva Gore-Booth and music by composer and violinist Emma Byrne.  \n\n\n\nA Beauty That Will Pass is a poetical\, storytelling reflection inspired by the life stories and clandestine engagement of Sarah Curran (1782-1808) and Robert Emmet (1778-1803)\, leader of the 1803 Irish rebellion.  \n\n\n\nGrace and Joe sees Grace Evelyn Gifford (1888-1955) tell the story of her time with Joseph Mary Plunkett\, one of the leaders executed after the 1916 Easter Rising and the youngest signatory to the Irish proclamation. It relates how they were married in Kilmainham Gaol chapel seven hours before his execution.   \n\n\n\nThe event culminates in a panel discussion on States of Independence – Women Change-Maker Stories from the Decade of Centenaries  and New Visions for the Future with artist Mary Moynihan and invited guest speakers\, all welcome.  Enjoy a reflection on change-maker stories and intersections between art\, equality\, human rights\, diversity and peace with reference to the stories of women including Eva Gore-Booth and Mary Elmes. \n\n\n\nSpeaker Biographies:\n\n\n\n\n\n\n\n\n\n\n\nMary Moynihan\, (she/her)\, MA\, is an award-winning writer\, director\, theatre and film-maker\, an interdisciplinary artist and one of Ireland’s most innovative arts and human rights artists creating work to promote the arts\, human rights\, climate justice\, gender equality\, diversity and peace.  \n\n\n\nMary is Artistic Director of Smashing Times International Centre for the Arts and Equality and works  collaboratively with artists and over 50 organisations across Ireland\, Northern Ireland\, Europe and internationally\, using the arts to promote rights and values for all.   Company patrons of Smashing Times are Sabina Coyne Higgins\, Senator Joan Freeman\, founder of Pieta House\, Ger Ryan\, actor and Tim Pat Coogan\, writer and historian. Founding patrons were writers Maeve Binchy and Brian Friel. \n\n\n\nMary’s work has won a number of awards including the Allianz Business to Arts Awards\, a GSK Ireland Impact Award\, a Dublin Bus Community Spirit Award\, a National Lottery Good Cause Award\, the international #ArtsAgainstCovid award\, an Arts Council Project Award and an Arts Council Agility Award. \n\n\n\nMary is Artistic Curator for the annual Dublin Arts and Human Rights festival implemented by Smashing Times and Front Line Defenders in partnership with Amnesty International\, Fighting Words\, ICCL\,  NWCI\, Irish Modern Dance Theatre\, Trócaire and Poetry Ireland\, funded by The Arts Council. The aim of the festival is to showcase and highlight the extraordinary work of human rights defenders in Ireland and around the world\, past and present\, and the role of the arts and artists in promoting human rights today. \n\n\n\nMary’s artistic practice encompasses theatre\, film\, literature\, poetry\, and curatorship. Mary’s work focuses on primal\, visceral and intuitive responses to vulnerability and conflict and an exploration of self and the other. Her work explores an interconnectedness of the body\, voice and imagination\, revealing the inner life through physical and spiritual energies and intuitive engagements. Mary has a focus on using historical memory in her artistic practice as inspiration for the creation of original artworks across a range of mediums\, remembering stories of ordinary yet powerful women and men from history and today who stood up for the rights of others. \n\n\n\nAs a playwright\, Mary’s work includes the highly acclaimed The Woman is Present: Women’s Stories of WWII co-written with Paul Kennedy\, Fiona Thompson and Féilim James;  A Beauty that will Pass; Constance and Her Friends – selected by President Michael D. Higgins for performance at Áras an Uachtaráin for Culture Night 2016;  In One Breath from the award-winning Testimonies(co-written with Paul Kennedy); and Shadow of My Soul\, May Our Faces Haunt You and Silent Screams.  \n\n\n\nMary’s film work includes the hour-long documentary Stories from the Shadows\, the short film Tell Them Our Names\, inspired by women’s stories of WWII and selected for the London Eye International Film Festival and Kerry Film Festival\, the creative documentary Women in an Equal Europe and the short film Courageous Women inspired by powerful women’s stories from the 1916 to 1923 decade of commemorations period in Irish history.   \n\n\n\n\n\n\n\n\n\n\n\n\n\nMaeve Bradley is an actress from Co. Tyrone and a 2021 graduate of The Lir Academy Dublin. \n\n\n\nHer recent credits include This\, That and The Other – Cork Arts Theatre\, BBC Northern Ireland Radio Drama – The Heiress and The General\, Krabat- Common Crow Theatre\, Gulliver’s Travels- The Lyric Theatre Belfast and Les Miserables- The Grand Opera House Belfast. \n\n\n\nDuring her time at The Lir some of Maeve’s most memorable roles include Olga in Summerfolk -directed by Tom Creed\,  Flaminia in Everybody loves Sylvia- directed by Wayne Jordan\, Mother Victoria in Eclipsed- directed by Caroline Byrne\, Antigone in Burial at Thebes- directed by  Caitríona Mclaughlin and The mother in Machinal- directed by Holly Griffith. \n\n\n\n\n\n\n\n\n\n\n\n\n\nRob has enjoyed both national and international tours over the past 19 years of his acting career. He has most recently performed Tales from an Afterworld (WB Yeats)\, written by Féilim James and directed by Geraldine McAlinden in Áras an Uachtaráin for President Michael D Higgins. Some of his favourite theatre productions include The Shadow of a Gunman (The New Theatre\, directed by Ronan Wilmot)\, Pinter x 4 (Pearse Centre\, directed by Peter Reid)\, Scabs (Theatre Upstairs directed by Liam Halligan) In Arabia We’d all be Kings (Beckett Theatre\, directed by Liam Hallihan)\, Mary Stuart (The Grand Lodge\, Liam Halligan) and La Locandiera (Edinburgh Fringe festival\, directed Alice Coghlan). His screen work includes ‘A date for Mad Mary’\, ‘Vaudevillians’\, ‘The Comeback’\, ‘Twitchy’\, ‘The saviour of Dublin City’\, ‘Ctrl’\, ‘The Guarantee’\, ‘The Enchanted Island’\, ‘Two Margaritas and one Daiquiri’ amongst other independent films. Rob is also a seasoned theatre and screen workshop facilitator. \n\n\n\n\n\n\n\n\n\n\n\n\n\nLorna is an actor and dancer from Co. Wicklow. Graduating from The Lir Academy last year she has since been in shows for the Scene + Heard Festival and Dublin Theatre Festival. She most recently finished on a new play ‘Yesteryear’ which ran for a week in Garter Lane Theatre\, Waterford. \n\n\n\nTheatre Credits include: To Let (Dublin Theatre Festival)\, Moving On (Scene + Heard)\, Yesteryear (Garter Lane Theatre\, Waterford). \n\n\n\nFilm/TV Credits include: Five Letters to the stranger who will Dissect my brain (Short)\, Love in the Time of Corona (Short)\, The Hunted (Series\, Channel 5).  \n\n\n\n\n\n\n\n\n\n\n\n\n\nClassical musician Emma Byrne is an active performer across Ireland and abroad. She is an enthusiastic young violinist with a passion for the arts. She has performed at venues such the National Concert Hall\, the RDS\, the Helix Theatre and the Whale Theatre. Having studied at the Young European Strings School of Music and the Royal Irish Academy of Music\, she now divides her time between teaching\, orchestral playing\, chamber music and solo performances. \n\n\n\n\n\nStates of Independence\n\n\n\nThis show is part of States of Independence\, a project that celebrates the stories of ten change-makers from the Decade of Centenaries 1912-1922 linked to the stories of ten change-makers today working to make society a better place. The twenty stories gathered act as inspiration for the creation of new artworks by ten artists\, working in visual art\, film\, dance\, theatre\, creative writing and digital arts. The artists come together to create a range of artworks and performances for public display in eight sites – both ancient and modern – across Ireland and for display via a creative billboards campaign and online on the Smashing Times Virtual Art Gallery. The stories\, artworks and performances are shared with public audiences to reflect on modern day revolutionary visions for the future inspired by the past\, launched for the annual Dublin International Arts and Human Rights festival 13 to 22 October 2023. The internationally acclaimed team of ten artists is led by Mary Moynihan\, an award-winning writer\, poet\, director\, theatre and filmmaker and Artistic Director\, Smashing Times International Centre for the Arts and Equality\, working with John Scott\, Artistic Director and Choreographer\, Irish Modern Dance Theatre\, and a range of artists working in literature\, visual arts\, theatre\, film and new digital technologies. \n\n\n\nThe team collaboratively create a series of interconnected artworks including a live multi-disciplinary performance\, visual art projections and a creative billboards campaign to be launched for the 2023 annual International Dublin Arts and Human Rights festival taking place from the 13 to 22 October 2023. Events are accompanied by panel discussions and public talks on new visions for a peaceful and equal society for all. \n\n\n\nEvents take place in Dublin\, Kerry\, Clare and Donegal with online work accessible across Ireland and internationally celebrating changemakers and heroes from the past and today\,  bringing people together to promote active citizenship\,  equality\, human rights and diversity and celebrating new visions for a peaceful and equal future for all. Events take place in a range of venues both ancient and modern including Office of Public Work spaces throughout Ireland. \n\n\n\nFor further information please contact Freda Manweiler\, producer\, telephone 087 2214245 or email freda@smashingtimes.ie \n\n\n\nSupported by The Arts Council Open Call as part of ART: 2023 a Decade of Centenaries Collaboration between The Arts Council and the Department of Tourism\, Culture\, Arts\, Gaeltacht\, Sport and Media. Supported by Creative Europe as part of the Theatre in Palm project. \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/tales-of-love-and-loss-9/
LOCATION:St John the Baptist Church\, Valentia Island\, Co Kerry\, Knightstown\, Valentia Island\, Kerry\, Ireland
CATEGORIES:Kerry,Performance,Poetry,Theatre
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2023/07/talesofloveandlost.jpg
ORGANIZER;CN="Smashing Times":MAILTO:info@smashingtimes.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20221020T193000
DTEND;TZID=Europe/Dublin:20221022T213000
DTSTAMP:20221209T153612Z
CREATED:20221011T151336Z
LAST-MODIFIED:20221209T153612Z
UID:10000356-1666294200-1666474200@smashingtimes.ie
SUMMARY:Aisling na Saoirse - Dreams of Freedom
DESCRIPTION:Belonging: Three-Day Creative Arts Workshop\n\n\n\n\n\n\n\n\n\n\nWorkshop: Tuesday 26 May\, 9.30am-12.30pm; Wednesday 27 May\, 11am-2pm; Thursday 28 May\, 11am-2pm. Open to all female-identifying\, registration required.  \n\n\n\nBook Your Place\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nArtists\n\n\n\nRob Harrington\, performer \n\n\n\nCarla Ryan\, performer \n\n\n\nFull Event Details\n\n\n\nSmashing Times International Centre for the Arts and Equality work to promote equality\, human rights and diversity through the arts.  The company are delighted to present a programme of artistic performances\, workshops\, training and talks taking place in a range of venues using the arts to promote equality and rights with a focus on promoting the Irish language and Irish culture and heritage. \n\n\n\nThe Aisling Programme in South Kerry – 2022 Arts and Human Rights festival. \n\n\n\nThree public performances and post-show discussions take place in South Kerry – in The Barracks Heritage Centre\, Cahersiveen\, on Thursday\, 20 October 2022\, 7.30pm; in St John the Baptist Church\, Knightstown\, Valentia Island\, on  Friday 21 October 2022\, 7.30pm and in  10 Bridge Street\, Killorglin\, on  Saturday 22 October 2022\, 7.30pm.  The show Aisling na Saoirse consists of: \n\n\n\nGrace and Joe by Mary Moynihan performed by Carla Ryan \n\n\n\nTales from an Afterworld by Féilim James performed by Rob Harrington \n\n\n\nAt Summer’s End by Féilim James performed by Carla Ryan \n\n\n\nNá déanaimis dearmad/Let Us Not Forget by Áine Ní Ghlinn performed by Rob Harrington \n\n\n\nThe performance venues\, dates and times are: \n\n\n\n\nThe Monsignor Flaherty Room\, Barracks Heritage Centre\, Cahersiveen\, County Kerry. Thursday\, 20 October 2022\, 7.30pm.\n\n\n\nSt John the Baptist Church\, Knightstown\, Valentia Island\, County Kerry. Friday 21 October 2022\, 7.30pm.\n\n\n\n10 Bridge Street\, Killorglin\, County Kerry\, Saturday 22 October 2022\, 7.30pm.\n\n\n\n\nThe show is a bespoke combination of three monologue performances and a poem. Our first performance is Grace and Joe written and directed by Mary Moynihan inspired by Grace Evelyn Gifford (1888-1955) and the story of her time with Joseph Mary Plunkett\, one of the leaders executed after the 1916 Easter Rising. Next is Tales From an Afterworld by Féilim James based on the life and work of William Butler Yeats (1865-1939). \n\n\n\nThe final performance is At Summer’s End by Feilim James\, a dramatic monologue told from the perspective of a Jewish-Irish citizen murdered in the Holocaust. Her name was Ettie Steinberg (1914-42). We learn how at a young age her family left Eastern Europe for Dublin\, before love led her away to the European mainland. This by turns tender and harrowing portrait of love\, loss\, and the brutality of war tells one ordinary woman’s extraordinary\, and often forgotten\, story. The show culminates with a poem Ná déanaimis dearmad/Let Us Not Forget by Áine Ní Ghlinn. \n\n\n\nThe award-winning work of Smashing Times has been acclaimed for its extraordinary story-telling inspired by historical memory and stories of citizens and artists from across the ages. In this\, our 30th anniversary year\, enjoy a gathering of performance and song presenting re-imagined moments from the lives of citizens and artists caught up in extraordinary times\, showcasing stories of Irish people from the 20th century. \n\n\n\nGrace and Joe \n\n\n\nWritten and directed by Mary Moynihan \n\n\n\nBased on on writings and witness statements from Joseph Mary Plunkett and Grace Gifford \n\n\n\nPerformed by Carla Ryan \n\n\n\nGrace and Joe sees Grace Evelyn Gifford (1888-1955) tell the story of her time with Joseph Mary Plunkett\, one of the leaders executed after the 1916 Easter Rising and the youngest signatory to the Irish proclamation. It relates how they were married in Kilmainham Gaol chapel seven hours before his execution. Grace was a cartoonist and Republican and studied at the Metropolitan School Art. \n\n\n\nTales From an Afterworld \n\n\n\nWritten by Féilim James \n\n\n\nDirected by Geraldine McAlinden \n\n\n\nPerformed by Rob Harrington \n\n\n\nTales From an Afterworld is a reflection on the life and work of writer William Butler Yeats (1865-1939). Born in Dublin in 1865\, William Butler Yeats was the son of a well-known Irish painter\, John Butler Yeats. He spent his childhood in County Sligo\, where his parents were raised\, and in London. He returned to Dublin at fifteen to continue his education and study painting\, but quickly discovered he preferred poetry. Born into the Anglo-Irish landowning class\, Yeats became involved with the Celtic Revival\, a movement against the cultural influences of English rule in Ireland during the Victorian period\, which sought to promote the spirit of Ireland’s native heritage. Yeats was deeply involved in politics in Ireland. He also had a life-long interest in mysticism and the occult\, and his work drew extensively from sources in Irish mythology and folklore. Lady Gregory and Yeats founded the Abbey Theatre in 1904. Yeats was awarded the Nobel Prize in 1923 and died in 1939 age seventy-three. \n\n\n\nAt Summer’s End \n\n\n\nWritten by Féilim James \n\n\n\nDirected by Eric Weitz \n\n\n\nPerformed by Carla Ryan \n\n\n\nThis dramatic monologue is told from the perspective of a Jewish-Irish citizen murdered in the Holocaust. Her name was Ettie Steinberg (1914-42). We learn how at a young age her family left Eastern Europe for Dublin\, before love led her away to the European mainland. This by turns tender and harrowing portrait of love\, loss\, and the brutality of war tells one ordinary woman’s extraordinary\, and often forgotten\, story. \n\n\n\nPoem: Ná déanaimis dearmad/Let Us Not Forget by Áine Ní Ghlinn performed by Rob Harrington \n\n\n\nArtist Biographies:\n\n\n\n\n\nCarla Ryan\n\n\n\n\n\nCarla Ryan is an actor\, singer and songwriter from Meath. She trained in TU Dublin’s Conservatory of Music and Drama and Columbia College Chicago studying Drama (Performance). She has been working with Smashing Times as an actor since 2016. Professional acting credits include Ettie in At Summers End\, Nadine in Shadow of My Soul and Grace Gifford in Grace and Joe. Her performance of Grace and Joe for Constance and Her Friends by Mary Moynihan was hand selected by President Michael D. Higgins to be shown at Áras an Uachtarain for Culture Night 2016. \n\n\n\nCarla is one half of the alt-pop duo ELKIN. Carla and best friend\, Ellen were writing and singing together from the age of 15 before taking their music to a new level as ELKIN. Drawing inspiration from the likes of Joni Mitchell the duo began writing and performing folk-pop\, but it wasn’t until they began working with producer lullahush that ELKIN blended their love of thought-provoking folk lyrics with fierce alt-pop production. ELKIN have played at venues and festivals across Ireland including Longitude and Electric Picnic.  Following the release of debut single Paro\, ELKIN were named as one of State.ie’s Faces of 2018.  Their debut EP\, Bad Habits\, was released in May 2018. In February 2019\, ELKIN released a new single Green Eyes\, a collaboration with Æ MAK producer lullahush. In 2020 the duo were awarded funding from The First Music Contact Recording Stimulus Grant to record their debut EP Instant Hit\, set for release early 2022. \n\n\n\nELKIN draw influence from the R’n’B\, pop\, indie and folk worlds. With bassist Peter and guitarist Conor of Hatchlings\, plus drummer Rob\, “the band display an eclectic mix of R&B\, pop and hip-hop beats\, bolstered by alternating female vocals and smooth guitars.” Stephen Porzio\, Hot Press. \n\n\n\n\n\n\n\nRob Harrington\n\n\n\n\n\nRob has enjoyed both national and international tours over the past 19 years of his acting career. He has most recently performed Tales from an Afterworld (WB Yeats)\, written by Féilim James and directed by Geraldine McAlinden in Áras an Uachtaráin for President Michael D Higgins. Some of his favourite theatre productions include The Shadow of a Gunman (The New Theatre\, directed by Ronan Wilmot)\, Pinter x 4 (Pearse Centre\, directed by Peter Reid)\, Scabs (Theatre Upstairs directed by Liam Halligan) In Arabia We’d all be Kings (Beckett Theatre\, directed by Liam Hallihan)\, Mary Stuart (The Grand Lodge\, Liam Halligan) and La Locandiera (Edinburgh Fringe festival\, directed Alice Coghlan). His screen work includes ‘A date for Mad Mary’\, ‘Vaudevillians’\, ‘The Comeback’\, ‘Twitchy’\, ‘The saviour of Dublin City’\, ‘Ctrl’\, ‘The Guarantee’\, ‘The Enchanted Island’\, ‘Two Margaritas and one Daiquiri’ amongst other independent films. Rob is also a seasoned theatre and screen workshop facilitator. \n\n\n\n\n\n\n\nFreda Manweiler\n\n\n\n\n\nFreda Manweiler is Company Manager and a Producer with Smashing Times International Centre for the Arts and Equality. Freda has worked with Smashing Times since 1999. She is highly skilled in project management\, coordination and implementation. She has extensive experience working at a European level developing and delivering a range of European Initiatives\, collaborating with over 50 cultural\, educational and civil society organisations from over 22 European Countries. Promoting European Values through working on activities and projects that promote human rights\, gender equality\, positive mental health\, remembrance and civic engagement. \n\n\n\nShe has worked developing and coordinating accredited training programmes\,  professional productions\, and community exchanges using creative methods to  promote peace building and reconciliation on the island of Ireland.  Working particularly with hard to reach communities in Northern Ireland and the Border Counties building strong community relations. Freda has been instrumental in bringing the learning gained from the Northern Ireland Peace Process to communities experiencing conflict in other European states. She has produced and toured a number of professional performances in Ireland and Northern Ireland. She is coordinator of the award winning\, Acting For The Future programme that uses drama and theatre to promote positive mental health and suicide prevention\, which was developed and run in association with the Samaritans and the Irish Association of Suicidology throughout the island of Ireland. As part of her work for Smashing Times she is responsible for all aspects of management and project development and is also involved in teaching practice. \n\n\n\nShe has extensive experience in team management through her work with Smashing Times as a manager and as a manager and Employment Assessment Coordinator for a Working Skills Centre in Toronto\, Canada. Her experience in Canada focused mainly on refugee resettlement\, managing initiatives funded through the federal government of Canada. Her education includes a Bachelor in Social Work (2007) from the Open University and in 2012 she completed an MEd from the National University of Ireland/UCD. \n\n\n\n\n\n\n\nMary Moynihan\n\n\n\n\n\nMary Moynihan\, (she/her)\, MA\, is an award-winning writer\, director\, theatre and film-maker\, an interdisciplinary artist and one of Ireland’s most innovative arts and human rights artists creating work to promote the arts\, human rights\, climate justice\, gender equality\, diversity and peace.  \n\n\n\nMary is Artistic Director of Smashing Times International Centre for the Arts and Equality and works  collaboratively with artists and over 50 organisations across Ireland\, Northern Ireland\, Europe and internationally\, using the arts to promote rights and values for all.   Company patrons of Smashing Times are Sabina Coyne Higgins\, Senator Joan Freeman\, founder of Pieta House\, Ger Ryan\, actor and Tim Pat Coogan\, writer and historian. Founding patrons were writers Maeve Binchy and Brian Friel. \n\n\n\nMary’s work has won a number of awards including the Allianz Business to Arts Awards\, a GSK Ireland Impact Award\, a Dublin Bus Community Spirit Award\, a National Lottery Good Cause Award\, the international #ArtsAgainstCovid award\, an Arts Council Project Award and an Arts Council Agility Award. \n\n\n\nMary is Artistic Curator for the annual Dublin Arts and Human Rights festival implemented by Smashing Times and Front Line Defenders in partnership with Amnesty International\, Fighting Words\, ICCL\,  NWCI\, Irish Modern Dance Theatre\, Trócaire and Poetry Ireland\, funded by The Arts Council. The aim of the festival is to showcase and highlight the extraordinary work of human rights defenders in Ireland and around the world\, past and present\, and the role of the arts and artists in promoting human rights today. \n\n\n\nMary’s artistic practice encompasses theatre\, film\, literature\, poetry\, and curatorship. Mary’s work focuses on primal\, visceral and intuitive responses to vulnerability and conflict and an exploration of self and the other. Her work explores an interconnectedness of the body\, voice and imagination\, revealing the inner life through physical and spiritual energies and intuitive engagements. Mary has a focus on using historical memory in her artistic practice as inspiration for the creation of original artworks across a range of mediums\, remembering stories of ordinary yet powerful women and men from history and today who stood up for the rights of others. \n\n\n\nAs a playwright\, Mary’s work includes the highly acclaimed The Woman is Present: Women’s Stories of WWII co-written with Paul Kennedy\, Fiona Thompson and Féilim James;  A Beauty that will Pass; Constance and Her Friends – selected by President Michael D. Higgins for performance at Áras an Uachtaráin for Culture Night 2016;  In One Breath from the award-winning Testimonies(co-written with Paul Kennedy); and Shadow of My Soul\, May Our Faces Haunt You and Silent Screams.  \n\n\n\nMary’s film work includes the hour-long documentary Stories from the Shadows\, the short film Tell Them Our Names\, inspired by women’s stories of WWII and selected for the London Eye International Film Festival and Kerry Film Festival\, the creative documentary Women in an Equal Europe and the short film Courageous Women inspired by powerful women’s stories from the 1916 to 1923 decade of commemorations period in Irish history.   \n\n\n\n\n\n\n\nCiara Hayes\n\n\n\n\n\nCiara Hayes a producer with Smashing Times International Centre for the Arts and Equality and the coordinator for the annual Dublin Arts and Human Rights festival. Ciara Hayes is a graduate of UCC with an MA in Arts Management and Creative Producing. She also holds a teaching diploma from the London College of Music in Drama and Communication\, and a BA Joint Hons in Drama and Theatre Studies with German. She has a background in theatre and worked for several years as a drama teacher\, later becoming a teacher of social skills for children on the autism spectrum.  \n\n\n\nIn 2016 Ciara branched into arts administration while working with Cyclone Rep; a Cork-based Shakespearean Theatre-in-Education company. In 2017 she took on the role of stage school coordinator at Konfident Kidz\, where she was responsible for the day to day running of the stage school reporting directly to the company’s director. During this time\, she assisted in the organisation of Ireland’s first ever all-autistic conference; AUsome Conference. \n\n\n\nSince completing her Masters in 2020\, Ciara has worked as a producer and festival administrator for Half Moon Festival (Cork\, 2020) and Dublin Arts and Human Rights Festival (Dublin\, 2020). She works as Communications Officer at Smashing Times International Centre for the Arts and Equality and as producer for Gaitkrash Theatre Company. \n\n\n\nArts Administration experience includes: Konfident Kidz\, teacher and Stage School Manager (2014-2017); Cyclone Rep Theatre-in-Education Company\, administrator (2016)\, Smashing Times\, Communications Officer (2020-present). \n\n\n\nProducing credits include: Half Moon Festival – multidisciplinary\, online arts festival (July 2020). Earthangel – online production of aural recording\, Gaitkrash Theatre Company (November 2020). playing ‘The Maids’ – online sharing of recorded theatre performance\, Gaitkrash Theatre Company (December 2020). Love and Information\, online showing of filmed theatre performance\, MTU BA Theatre and Drama Studies (February 2021). Prometheus Now\, online theatre performance\, Gaitkrash Theatre Company as part of Cork Midsummer Festival (June 2021). \n\n\n\nActing credits include: Liverpool\, Mint Productions (2019); Little Gem\, Dramat (2016)\, awarded Best Actress; The Circle Game\, BA Drama and Theatre Studies (2016); The Importance of Being Ernest\, Dramat (2015); Trojan Woman: A Love Story¸ BA Drama and Theatre Studies (2014). \n\n\n\n\n\n\n\nFeilim James\n\n\n\n\n\nFéilim James is an award-winning writer from Dublin\, Ireland. In 2020\, the Arts of Council of Ireland awarded Féilim a Literature Bursary Award to finish his debut novel\, Flower of Ash\, as well as a Professional Development Award. He received an Arts Bursary from Dublin City Arts Office in 2021 to finish his first poetry collection\, I was a river\, lost. His short fiction and poetry have appeared in numerous journals\, including The Fiction Pool\, The Galway Review\, and Icarus. His work through Irish\, under Féilim Ó Brádaigh\, has won seven Oireachtas na Gaeilge literary awards. His short fiction and poetry\, through English and Irish\, have appeared in a number of journals\, including The Fiction Pool\, The Galway Review\, Icarus\, and Comhar. A short film Féilim wrote\, titled The Big No\, produced by Smashing Times\, was shortlisted by the IndieX Film Festival\, and his play At Summer’s End has toured Ireland. \n\n\n\nIn The Big No\, a young man tells the story of his psychological unravelling and subsequent mental health crisis. Told in the form of a voiceover monologue accompanied by compelling imagery\, this poetic short film takes us on a journey of despair\, introspection\, and hope. As he battles against panic attacks and suicidal thoughts\, he is forced to face the ‘why’ of his problems head on\, learning some essential truths about himself and the world. \n\n\n\nFéilim’s play At Summer’s End has been on tour with Smashing Times as part of The Woman is Present: Women’s Stories of WWII.  At Summer’s End is based on the life-story of Ettie Steinberg\, an Irish woman who was murdered\, along with her family\, at Auschwitz. \n\n\n\nFéilim’s themes are wide-ranging\, and include identity\, mental illness\, guilt\, human animalism\, death\, and humankind’s relationship with nature. He is committed to maintaining an ever evolving and progressive approach to his work\, with each book both building on the last and differing in a vital way. In other words\, the aforementioned themes will change as time passes\, as will their stylistic rendering. ‘My inspirations are many and wide-ranging. To the fore are James Joyce\, Sylvia Plath\, John Banville\, Marilynne Robinson\, Ted Hughes\, TS Eliot\, Seán Ó Ríordáin\, and Radiohead’. \n\n\n\n\n\n\n\nEric Weitz\n\n\n\n\n\nEric Weitz is Associate Director of the Gaiety School of Acting: The National Theatre School of Ireland and Adjunct Associate Professor of Drama and Theatre Studies at Trinity College Dublin\, having previously served in the TCD Drama Department as Convenor for the Bachelor in Acting Studies and Head of Drama. \n\n\n\nEric is currently Book Review Editor for Humor\, the scholarly journal for the International Society for Humor Studies; he sits on the International Advisory Board for the European Journal of Humour Research and the Hungarian Journal for English and American Studies. He is series co-editor of the recently published Bloomsbury Cultural History of Comedy (Methuen\, 2020) and contributor of the Vol. 6 chapter\, ‘Laughter in the Modern Age’; he is co-editor and contributor for the Palgrave Handbook of Contemporary Irish Theatre & Performance (2018). His single-author works include Theatre & Laughter (2016) and the Cambridge Introduction to Comedy (2009)\, plus widely cited articles in books and journals. \n\n\n\n\n\n\n\nÁine Ní Ghlinn\n\n\n\n\n\nÁine Ní Ghlinn is a lecturer\, journalist and writer. She has a BA (Irish and English) and a HDip in Education from University College\, Dublin\, a Diploma in Journalism from the London School of Journalism\, and an MA in Creative Writing from Lancaster University. She has written over thirty books – including four collections of poetry and an array of books for teenagers and young people. \n\n\n\nShe spent some years as a secondary-school teacher but resigned her position to become a journalist at RTÉ and Raidió na Gaeltachta. She worked on both current affairs and magazine programmes and the two she enjoyed most of all were the arts programmes\, Leabhragán and Ar an Ardán\, on Raidió na Gaeltachta. She also spent some time as a freelance journalist in London and in Ireland and she was frequently heard on It Says in the Papers on RTÉ Radio and on Raidió na Gaeltachta. \n\n\n\nShe left RTÉ to spent a few years lecturing at FIONTAR in Dublin City University. However\, she wanted to spend more time writing and later became a full-time writer; writing children’s books and scripts for Ros na Rún\, TG4. At present\, she shares her time between writing and lecturing at the Church of Ireland College of Education in Dublin and writing workshops in Irish-language secondary schools. \n\n\n\nShe has won many awards for her work. Céard tá sa bhosca? (An Gúm\, 2002) won the Gradam Chlann Lir in 2003. She won the Irish-language prize at the Strokestown poetry festival in 2003\, the Irish-language prize at the Dun Laoghaire / Rathdown poetry competition in 2003\, as well as the Foras na Gaeilge Award at Seachtain na Scríbhneoirí in Listowel in 2002. She was awarded an Oireachtas prizes for her books Fuadach (Cois Life\, 2005) Tromluí (Cois Life\, 2009) and Úbalonga (An Gúm\, 2009). Brionglóidí & aistir eile (Cló Mhaigh Eo\, 2008) was shortlisted for the Bisto prize and she won an IBBY award in 2010. In 2012\, she won an Oireachtas prize for her plays for children and her novel for teenagers\, Daideo (Cois Life\, 2014) was also awarded an Oireachtas prize in 2013. The same book was named Book of the Year for young people\, 2014\, Gradam Réics Carló. She was awarded Gradam Réics Carló again a couple of years later for her novel Hata zú Mhamó (Cois Life\, 2016). \n\n\n\nHer story ‘Boscadán’ was awarded top prize for children’s stories at Comórtais Liteartha an Oireachtais 2017\, and Cois Life published the subsequent book in 2019: Boscadán. LeabhairCOMHAR published in 2018 a collection (Fadó Riamh… Ag an Tús) which brings together stories from diverse cultures representing the rich tradition of mythology surrounding the creation of the world. \n\n\n\n\n\n\n\nEadaoin Barrett\n\n\n\n\n\nEadaoin Barrett is a graduate from TU Dublin in Creative Industries and Visual Culture and The Gaiety School of Acting’s full time professional actor training. She has worked in theatre in Ireland as an actor\, director\, and producer. Eadaoin joined Smashing Times in July as their administration and communication officer. \n\n\n\n\n\n\n\n\n\n \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/aisling-na-saoirse-dreams-of-freedom/
LOCATION:County Kerry
CATEGORIES:Music,Performance,Theatre
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2022/10/dsggd-800x450-1.jpg
ORGANIZER;CN="Smashing Times":MAILTO:info@smashingtimes.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20220418T130000
DTEND;TZID=Europe/Dublin:20220418T150000
DTSTAMP:20220429T134349Z
CREATED:20220302T122525Z
LAST-MODIFIED:20220429T134349Z
UID:10000222-1650286800-1650294000@smashingtimes.ie
SUMMARY:The Art of W/Rights
DESCRIPTION:Belonging: Three-Day Creative Arts Workshop\n\n\n\n\n\n\n\n\n\nWorkshop: Tuesday 26 May\, 9.30am-12.30pm; Wednesday 27 May\, 11am-2pm; Thursday 28 May\, 11am-2pm. Open to all female-identifying\, registration required.  \n\n\nBook Your Place\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nArtists\n\n\n\nMary Moynihan \n\n\n\nMichael McCabe \n\n\n\nRob Harrington \n\n\n\nMary Duffin \n\n\n\nLisa McLoughlin-Gnemmi \n\n\n\nSinead McCoole \n\n\n\nFéilim James \n\n\n\nDeirdre Molloy \n\n\n\nÁine Ní Ghlinn \n\n\n\nFull Event Details\n\n\n\nSmashing Times are delighted to present The Art of W/Rights in the grounds of Pearse Museum and St Enda’s Park on the 9\, 10 April and the 15\, 16\, 17 and 18 April (Easter Week) 2022. Engaging with the unique historical setting of Pearse Museum and St Enda’s Park\, Smashing Times present stories of people from Irish history\, with links to the area of Rathfarnham\, who spoke out for the rights of others. \n\n\n\nEnjoy a magical walk-in-the-park performance as we regale you with storytelling\, poetry and song. The play reflects on the lives of Robert Emmet and Sarah Curran; William Butler Yeats and the Pearse Women. Visit a book display and engage in creative conversations inspired by figures of the past associated with Pearse Museum\, St Enda’s Park and Rathfarnham who influenced the shaping of Irish society. Join with us as we create a ‘gathering space’ to celebrate stories and creative conversations on visions of a better world\, reflecting on of equality\, compassion and rights in changing times and asking what kind of Ireland we want to live in today. \n\n\n\nA Walk on the Wild Side – Walks in the Park at Pearse Museum and St Enda’s Park – 9\, 10\, 15\, 16\, 17\, 18 April 2022\, daily 1pm and 2pm \n\n\n\nEnjoy a guided promenade performance as you meet and greet with characters associated with Pearse Museum\, St Enda’s Park and Rathfarnham down the years. A Walk on the Wild Side is a walkabout performance featuring monologues\, poetry and song inspired by the life stories of Robert Emmet\, Sarah Curran\, John Philpot Curran\, William Butler Yeats\, and three women from the Pearse family\, Margaret (Brady) Pearse\, mother to sisters Margaret Pearse and Mary Brigid Pearse. Listen to our stories while taking time to reflect on nature and the varied wildlife and river itself to be found in St Enda’s Park. \n\n\n\nA Walk on the Wild Side features: \n\n\n\nA Beauty That Will Pass written and directed by Mary Moynihan performed by Michael McCabe\, is a poetical response to the love story of Sarah Curran (1782-1808) and Robert Emmet (1778-1803) interwoven with reference to John Philpott Curran (1750-1817) and Padraig Pearse (1879-1916) \n\n\n\nTales from an Afterworld by Féilim James\, directed by Geraldine McAlinden\, performed by Rob Harrington\, a reflection on the life and work of writer William Butler Yeats (1865-1939). Born in Dublin in 1865\, William Butler Yeats was the son of a well-known Irish painter\, John Butler Yeats. He spent his childhood in County Sligo\, where his parents were raised\, and in London. He returned to Dublin at fifteen to continue his education and study painting\, but quickly discovered he preferred poetry. Born into the Anglo-Irish landowning class\, Yeats became involved with the Celtic Revival\, a movement against the cultural influences of English rule in Ireland during the Victorian period\, which sought to promote the spirit of Ireland’s native heritage. Yeats was deeply involved in politics in Ireland. He also had a life-long interest in mysticism and the occult\, and his work drew extensively from sources in Irish mythology and folklore. Lady Gregory and Yeats founded the Abbey Theatre in 1904. Yeats was awarded the Nobel Prize in 1923 and died in 1939 age seventy-three. \n\n\n\nThe Pearse Women\, a talk by Dr Sinead McCoole\, historian\, inspired by the life-stories of Mrs Margaret (Brady) Pearse (1857-1932)\, Politician and Dail Deputy; Margaret Mary Pearse (1878-1968)\, teacher\, TD and Senator and Mary Brigid Pearse (1884-1947)\, musician\, teacher and author; linked to objects in the Pearse Museum collection\, exploring role these women played in shaping Irish society and their relevance to a diverse Ireland today. \n\n\n\nAn Ród Seo Romhainn\, an Irish poem written by Áine Ní Ghlinn\, a bilingual Irish journalist\, poet\, playwright and children’s writer and current Arts Council Laureate na nÓg\, 2020—2023\, the first to write exclusively in Irish. The poem is inspired by the two teacups on display in the Pearse Museum\, left out by the mother of Padraig and Willie Pearse\, before her two sons went to join the Rising in 1916. The poem will be performed by Mary Duffin\, directed by Deirdre Molloy. \n\n\n\nPerformances and talks linked by music performed by Lisa McLoughlin-Gnemmi. \n\n\n\nThe Art of W/Rights Story Book \n\n\n\nAs part of The Art of W/Rights Smashing Times have created a book featuring stories of historical figures associated with the Rathfarnham area of Dublin and stories of people who inspire us submitted by the public through an open call. The book can be viewed virtually on the Smashing Times website from April 10 2022 and a ‘book installation’ will be located on site in St Enda’s Park featuring a selection of stories and quotes from the book submitted by artists and members of the public. \n\n\n\nDates and Times for Walks in the Park \n\n\n\nSaturday 9 April 2022\, Walks in the Park\, Performances at 1pm\, 2pm \n\n\n\nSunday 10 April 2022\, Walks in the Park\, 1pm\, 2pm \n\n\n\nFriday 15 April 2022\, Walks in the Park\, 1pm\, 2pm. \n\n\n\nSaturday 16 April 2022\, Walks in the Park\, 1pm\, 2pm. \n\n\n\nSunday 17 April 2022\, Walks in the Park\, 1pm\, 2pm. \n\n\n\nMonday 18 April 2022\, Walks in the Park\, 1pm\, 2pm.  \n\n\n\nPerformance live at St Enda’s Park. Hosted by Smashing Times \n\n\n\nBooking Required. Tickets: €12/10 \n\n\n\nWalks in the Park Meeting Point: Outside the entrance to Pearse Museum Reception. \n\n\n\nSt Enda’s Park\, Grange Road\, Rathfarnham\, Dublin 16.  D16 Y7Y5 \n\n\n\nBooking Required. Tickets: €12/10 \n\n\n\nInformation:  communications@smashingtimes.ie \n\n\n\nThe Art of W/Rights is an outdoor performing arts spectacle by Smashing Times International Centre for the Arts and Equality featuring site-specific outdoor shows and Walks in the Park combining theatre\, film\, literary pop-up installations and creative conversations\, promoting equality\, compassion\, and human rights in changing times.   The Art of W/Rights partners are Smashing Times International Centre for the Arts and Equality\, Irish Modern Dance Theatre\, South Dublin County Council Arts Office\, Rathfarnham Castle\, Pearse Museum and the Office of Public Works – Rathfarnham Castle Park and St Enda’s Park.  The Art of W/Rights is supported by the Arts Council In the Open | Faoin Speir\, South Dublin County Council Arts Office\, the Creative Ireland programme of South Dublin\, Erasmus+ and the Citizens\, Equality\, Rights and Values programme (CERV).  The programme generates a celebration of literature\, visual and performing arts and discussion on key themes of equality\, compassion and rights in changing times. \n\n\n\nArtist Biographies:\n\n\n\n\n\nMary Moynihan\n\n\n\n\n\nMary Moynihan\, MA\, is a writer\, theatre and film-maker\, and Artistic Director of Smashing Times International Centre for the Arts and Equality incorporating Smashing Times Theatre and Film Company and Smashing Times Youth Arts Ensemble. Mary is a Theatre Lecturer at TU Dublin Conservatoire.  As Artistic Director of Smashing Times\, Mary specialises in professional theatre and film practice and in using the arts to promote human rights\, peace\, gender equality and positive mental health\, developing cutting edge\, arts-based programmes with a range of organisations at local\, national and international levels.  The work of Smashing Times is underpinned by a rights-based approach and a commitment to artistic excellence and social engagement. Company patrons are First Lady Sabina Coyne Higgins\, Senator Joan Freeman\, founder of Pieta House\, Ger Ryan\, actor and Tim Pat Coogan\, writer and historian.  \n\n\n\nMary has worked as lead artist on a range of award winning projects including Acting for the Future which uses theatre to promote positive mental health and well-being\, run in partnership with the Samaritans and supported by the HSE National Office for Social Inclusion\, and the highly successful European projects  Women War and Peace\, Women in an Equal Europe and the Comet Lines: Freedom Trails of Europe run in partnership with organisations from Spain\, Germany\, Poland\, Croatia\, Belgium and Serbia\, with repeat funding from Europe for Citizens. Mary has worked on a range of projects in Northern Ireland using the arts to promote peace building and reconciliation. Key work includes The Memory Project which uses theatre and film to promote peace and non-violence\, run in partnership with CAIN (Conflict Archive on the Internet) and the University of Ulster INCORE International Conflict Research Institute. Mary has designed a series of drama workshop models to promote anti-racism\, anti-sectarianism\, human rights\, gender equality\, positive mental health and suicide prevention.  Mary has been invited to present in Ireland and across Europe in relation to the numerous award-winning projects she has created and worked on. \n\n\n\nAs a playwright\, Mary’s work includes the highly acclaimed The Woman is Present: Women’s Stories of WWII by Mary Moynihan\, Deirdre Kinahan\, Paul Kennedy and Fiona Bawn Thompson; In One Breath from the award-winning Testimonies (co-written with Paul Kennedy); Constance and Her Friends and Grace and Joe – selected by President Michael D. Higgins for performance at Áras an Uachtaráin for Culture Night – and May Our Faces Haunt You and Silent Screams.  Mary is the author of ‘Loving the art in yourself’ and ‘Interview with Margaret Toomey’ in Stanislavski in Ireland – Focus at 50 edited by Steve Burch and Brian McAvera\, published by Carysfort Press\, 2013. She wrote a chapter titled ‘Death of a Mother’ for Motherhood in Ireland\, edited by Dr Patricia Kennedy\, Department of Social Policy\, UCD\, Mercier Press\, 2003. She co-authored a chapter titled ‘Laughing Together: Community-based theatre’s vital sense of humour’ for Comedy in Contemporary Irish Theatre\, edited by Dr Eric Weitz\, University of Dublin\, Trinity College\, Carysfort Press\, 2004. \n\n\n\nAs a theatre director\, professional directing credits include the The Woman is Present: Women’s Stories of WWII on Irish and international tour (co-director Bairbre Ni Chaoimh); scenes from A Midsummer Night’s Dream by William Shakespeare for the Abbey Theatre\, Dublin; Uprising scripted by Tara McKevitt and devised by Smashing Times at Project Arts Centre Dublin and on national tour; Thou Shalt Not Kill by Paul Kennedy at Project Arts Centre Dublin and Lyric Theatre Belfast;  Romeo and Juliet by William Shakespeare\, Samuel Beckett Theatre; Macbeth by William Shakespeare\, Conservatory of Music and Drama Theatre; Orphans by Dennis Kelly\, Focus Theatre; The Crucible by Arthur Miller\, St. Dymphna’s Oratory\, Grangegorman; Shattering Glass and In One Breath (Testimonies) for Smashing Times at Project Arts Centre and Helix Theatre\, Dublin; Olga from Picasso’s Women by Brian McAvera for Focus Theatre; Orpheus Descending by Tennessee Williams\, Mill Theatre Dundrum; Two Rooms by Lee Blessing for Focus Theatre; Talk To Me Like The Rain and Let Me Listen by Tennessee Williams\, Focus Theatre; May Our Faces Haunt You (nationwide tour); A Chain of Hands (Royal Hibernian Academy\, National Museum of Ireland and the Mansion House\, Dublin); Medea  (Smashing Times on nationwide tour); Yerma by Federico Garcia Lorca and Riders to the Sea by JM Synge\,  Samuel Beckett Theatre\, Dublin.  As an actor Mary has worked in theatre\, television and film including RTE’s Fair City\, Federico Garcia Lorca’s The House of Bernarda Alba at Focus Theatre and End of Term by Maeve Binchy on nationwide tour. \n\n\n\nFilm work includes the television documentary Stories from the Shadows\, the short film Tell Them Our Names\, selected for the London Eye International Film Festival and Kerry Film Festival\, the creative documentary Women in an Equal Europe and the short film Courageous Women based on powerful women’s stories from the decade of commemorations period 1916 to 1923 in Irish history. \n\n\n\n\n\n\n\nMichael McCabe\n\n\n\n\n\nMichael McCabe is a performer\, theatre director\, movement choreographer\, facilitator and arts therapist. He is a graduate of the prestigious Ecole Internationale de Theatre Jacques Lecoq\, Paris\, France\, and The Gaiety School of Acting\, Dublin\, Ireland. \n\n\n\nHis theatre appearances include The Drowning Room (Project Arts Centre)\, Borstal Boy\, The Risen People (The Gaiety Theatre)\, A Christmas Carol\, The Ginger Ale Boy (Corcadorca Theatre Company)\, Lives Worth Living (Graffiti Theatre Company)\, Good Evening Mr Joyce (Samuel Beckett Centre)\, Diarmuid agus Grainne\, An Bradan Feasa\, The Libertine\, New World Order (Iomha Illdanach Theatre Company)\, Promises\, Promises  (Project Arts Centre)\, A Day With Daghdha (Daghdha Dance Company)\, Macbeth\, Six Characters in Search for an Author\, St. Joan\, Ariel (all at the Abbey Theatre)\, Wheel\, Jeckyll and Hyde (Dublin and Prague Fringe Festivals)\, Resist /Surrender (Dublin Dance Festival)\, and Where The Shoe Pinches (The Pavilion Theatre). He was clown co-ordinator for 35 clowns and appeared in Barabbas Theatre Company’s production\, City of Clowns\, at the Dunamaise\, Junction and Eargail Arts Festivals\, and The Complex\, Smithfield and appeared in Pagliacci at The Everyman Place Theatre\, as part of Cork Midsummer Festival. \n\n\n\nHis television and film appearances include Aristocrats (BBC)\, Ireland:1848\, (RTE)\, Window (IFI)\, All God’s Children (RTE/IFI)\, Nationwide (RTE). In 2021\, Michael will appear in Bean Sidhe\, Sweetcake\, and Sodium Party\, a new feature film directed by Michael McCudden. \n\n\n\nDirecting credits include: The Dead Woman’s Son (Smock Alley Theatre)\, A Wonderful Life\, Peter Pan’s Cirque D’Imaginaire (TU Dublin Theatre)\, Showcases 2017-2019 (The New Theatre) and in 2020\, The Grimm Tales (Smock Alley Theatre). Recent appearances include Footfalls\, The Journey Home\, and in Mermaid Arts Centre for Culture night on a work-in-progress\, His Left\, Her Right\, supported by Mermaid and Wicklow Arts Office. \n\n\n\nMichael has an M.A. (Honours) in Dramatherapy from the National University of Ireland\, Maynooth\, an M.A. in Modern Drama Studies from University College Dublin\, and a B.A. (Honours) in Communication Studies from Dublin City University. He has directed theatre work in the HSE\, the Dyspraxia Association of Ireland\, Trinity College Dublin\, St. Michael’s house\, and with other special needs organisations and schools with a focus on developing the potential of theatre for working with diverse groups. \n\n\n\nMichael has been working as a Movement Director\, teaching extensive movement classes for actors at the Conservatory of Music and Drama\, TU Dublin\, the National Association of Youth Drama\, Ringsend Institute\, the Department of Performing Arts\, Bray Institute of Further Education\, and The Gaiety School of Acting (full time course). \n\n\n\nMichael is a resident artist with Smashing Times International Centre for the Arts and Equality and works with Smashing Times as a performer\, director and arts facilitator on a range of projects from Acting for the Future to Legends of the Great Birth to State of the Art.  His theatre company\, Ruaille Buaille\, is building a physical theatre ensemble style based on the techniques of Jacques Lecoq\, Anne Bogart\, and Arianne Mouchkine. Michael was movement director on The Merchant of Venice\, at Mermaid Arts Centre\, and on the world premiere of Guerilla Days in Ireland World premier in Cork last year\, due to open in The Olympia Theatre\, Dublin on September 3rd. Michael is a graduate of National University of Ireland\, Maynooth\, (M.A. Dramatherapy\, 2.1 Honours)\, and was awarded a scholarship to train with internationally renowned theatre director Anne Bogart in New York. Bursary awards include South Dublin County Council\, Irish Actors Equity\, and The Arts Council.  \n\n\n\n\n\n\n\nRob Harrington\n\n\n\n\n\nRob Harrington is an actor and editor\, known for The Rattle Shakes: Strange Longings (2015)\, A Date for Mad Mary (2016) and Vaudevillains (2019). \n\n\n\nHis film and TV credits include CRLT\, Black Sheep Productions; The Guarantee\, TV3; Love’s Labour\, That’s The Shot Productions; Ros na Rún\, TG4; The Enchanted Island\, Noel Kearns Productions; The Martyr’s Crown; Park Films. \n\n\n\nTheatre credits include Forgiveness\, Shiva Productions; Juno and the Paycock\, The New Theatre; Jesus Christ it’s Jesus\, Maylin Productions; and The Girls of Dublin\, Sean O’Casey Theatre. \n\n\n\n\n\n\n\nLisa McLoughlin-Gnemmi\n\n\n\n\n\nLisa Mc Loughlin-Gnemmi is a graduate of the Royal College of Music\, London where she received her B.Mus Hons degree. She is a lecturer in violin at the TU Dublin Conservatoire for Music and Drama. She gained her masters in performance at TU Dublin studying under Joanna Matkowska. She has performed with the National Symphony Orchestra of Ireland under conductors Alexander Anissimov\, George Hurst and Gerhardt Markson. She also worked with Lyric Opera and The Irish Film Orchestra. She has regularly performed with the RTE Concert Orchestra. \n\n\n\nPerformances with the RTECO include a chamber music recital for the commemoration of the 1916 rising at The Irish Museum of Modern Art in the presence of An t-Uachtarán and with a group of members of the RTECO playing a new composition by Simon O’ Connor narrated by actress Olwen Fouéré. Other concerts included ‘Back to the Future’\, ‘The Godfather’ with film music by Nino Rota\, ‘The Music of John Williams’ film music and RTECO’s recording of the music of Steve Mc Keon for the film ‘Norm of the North’. \n\n\n\nLisa has performed at the Dublin Metropolis Festival\, RDS and at The Button Factory\, Temple Bar with DJ Kormac. Lisa has also toured France\, South Africa and the US as solo violinist with Michael Flatley’s ‘Lord of the Dance’. Solo and chamber music recitals include DIT\, Trinity College Dublin\, The Goethe institute\, UCD and The John Field Room\, N.C.H. and The Galway Arts Festival. \n\n\n\nLisa recently performed at Dublin Castle for a production of ‘Constance and her Friends’ a play about Constance Markievicz and activists during the 1916 rising written by Mary Moynihan and performed by Smashing Times. Passionate about teaching as well as performing\, Lisa gives masterclasses\, prepares students for exams\, recitals and Feis Ceoil competitions. Lisa is married to oboist with the National Symphony Orchestra\, Sylvain Gnemmi. They have four children and live in Dublin. \n\n\n\n\n\n\n\n\n\n\n\n\n\nSinéad McCoole is the author of many books including Hazel\, A Life of Lady Lavery (1996) and No Ordinary Women (1997) and Easter Widows\, the untold story of the wives of the executed leaders (2014) and Women 1916-Mná 2016 (2017). She is a member of the Government’s Expert Advisory Group on the Decade of Centenaries (2012-to date). She was Historical Advisor to the 2016 National Commemoration Programme\, Curator of Mná 1916. She has curated exhibitions on Irish history & art in both Ireland and the U.S. A Broadcaster and script writer her work includes Guns and Chiffon (2003) and A Father’s Letter part of the After ’16 Irish Film Board shorts commissioned for the centenary was based on her interviews with Fr. Joe Mallin (1913-2018). Her areas of expertise are Modern Irish History from the 1880 to the present\, Material culture\, museums\, the history of Irish women\, child prisoners\, Sir John and Lady Lavery. She is an expert in the area of women’s imprisonment 1916-1923. Her current area of interest is women in politics and public life 1918-2018. \n\n\n\n\n\nAdditional Information\n\n\n\nIn the Open – Faoin Spéir \n\n\n\nFunded by The Arts Council \n\n\n\nWhy Walks in the Park – A Walk on the Wild Side! \n\n\n\nDublin is a city of incredible energy and excitement\, with heritage and history around every corner.  The Smashing Times Walk in the Park series are an artistic celebration of Ireland’s rich cultural heritage\, sharing stories of artists\, human rights defenders\, citizens and forgotten heroes\, men and women from history and today who stood up for the rights of others. \n\n\n\nParks are freely used by members of the public for walking\, running\, chatting\, meeting friends\, enjoying nature\, playing sport\, walking with the family\, walking the dog\,  spending some ‘alone’ time\, doing yoga and so on. Our aim is to utilise the park space as a centre for arts and creativity intersecting with sustainability  linked to equality\, rights and diversity.  Smashing Times are committed to working in local settings and our aims for parks are: \n\n\n\nTo build a co-creative space in the parks of DublinTo utilise the park space for positive exchanges and community-building linking the arts to community development\, sustainability and equality\, human rights and diversityTo create an inspirational model for community parks and gardens combining the arts with creativity for sustainability\n\n\n\nIt is important to celebrate Dublin as a cultural and creative hub for the arts and human rights.  Storytelling is a key way to  share Dublin and Ireland’s rich heritage\, while showcasing the talent of our local artists and performers\, and also sharing knowledge about why promoting human rights is an important aspect of contemporary society.  Smashing Times are committed to presenting art-based programmes generating small\, intimate events in public places\, to ensure that there is  a thriving ecosystem supporting all variations of artistic practice including generating art in local spaces. A key aim is to link artists\, arts organisations and communities. \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/the-art-of-w-rights-6/
LOCATION:St Enda’s Park\, Grange Road\, Rathfarnham\, Dublin 16\, D16 Y7Y5\, Ireland
CATEGORIES:Onsite,Performance,Storytelling,Theatre
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2022/02/Rob-Harrington-The-Art-of-WRights-cropped.jpg
ORGANIZER;CN="Smashing Times":MAILTO:info@smashingtimes.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20220417T130000
DTEND;TZID=Europe/Dublin:20220417T200000
DTSTAMP:20220429T134322Z
CREATED:20220302T113352Z
LAST-MODIFIED:20220429T134322Z
UID:10000221-1650200400-1650225600@smashingtimes.ie
SUMMARY:The Art of W/Rights
DESCRIPTION:Belonging: Three-Day Creative Arts Workshop\n\n\n\n\n\n\n\n\n\nWorkshop: Tuesday 26 May\, 9.30am-12.30pm; Wednesday 27 May\, 11am-2pm; Thursday 28 May\, 11am-2pm. Open to all female-identifying\, registration required.  \n\n\nBook Your Place\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nArtists & Speakers\n\n\n\nMary Moynihan \n\n\n\nMichael McCabe \n\n\n\nRob Harrington \n\n\n\nMary Duffin \n\n\n\nLisa McLoughlin-Gnemmi \n\n\n\nSinead McCoole \n\n\n\nFéilim James \n\n\n\nDeirdre Molloy \n\n\n\nÁine Ní Ghlinn \n\n\n\nFull Event Details\n\n\n\nSmashing Times are delighted to present The Art of W/Rights in the grounds of Pearse Museum and St Enda’s Park on the 9\, 10 April and the 15\, 16\, 17 and 18 April (Easter Week) 2022. Engaging with the unique historical setting of Pearse Museum and St Enda’s Park\, Smashing Times present stories of people from Irish history\, with links to the area of Rathfarnham\, who spoke out for the rights of others. \n\n\n\nEnjoy a magical walk-in-the-park performance as we regale you with storytelling\, poetry and song. The play reflects on the lives of Robert Emmet and Sarah Curran; William Butler Yeats and the Pearse Women. Visit a book display and engage in creative conversations inspired by figures of the past associated with Pearse Museum\, St Enda’s Park and Rathfarnham who influenced the shaping of Irish society. Join with us as we create a ‘gathering space’ to celebrate stories and creative conversations on visions of a better world\, reflecting on of equality\, compassion and rights in changing times and asking what kind of Ireland we want to live in today. \n\n\n\nA Walk on the Wild Side – Walks in the Park at Pearse Museum and St Enda’s Park – 9\, 10\, 15\, 16\, 17\, 18 April 2022\, daily 1pm and 2pm \n\n\n\nEnjoy a guided promenade performance as you meet and greet with characters associated with Pearse Museum\, St Enda’s Park and Rathfarnham down the years. A Walk on the Wild Side is a walkabout performance featuring monologues\, poetry and song inspired by the life stories of Robert Emmet\, Sarah Curran\, John Philpot Curran\, William Butler Yeats\, and three women from the Pearse family\, Margaret (Brady) Pearse\, mother to sisters Margaret Pearse and Mary Brigid Pearse. Listen to our stories while taking time to reflect on nature and the varied wildlife and river itself to be found in St Enda’s Park. \n\n\n\nA Walk on the Wild Side features: \n\n\n\nA Beauty That Will Pass written and directed by Mary Moynihan performed by Michael McCabe\, is a poetical response to the love story of Sarah Curran (1782-1808) and Robert Emmet (1778-1803) interwoven with reference to John Philpott Curran (1750-1817) and Padraig Pearse (1879-1916) \n\n\n\nTales from an Afterworld by Féilim James\, directed by Geraldine McAlinden\, performed by Rob Harrington\, a reflection on the life and work of writer William Butler Yeats (1865-1939). Born in Dublin in 1865\, William Butler Yeats was the son of a well-known Irish painter\, John Butler Yeats. He spent his childhood in County Sligo\, where his parents were raised\, and in London. He returned to Dublin at fifteen to continue his education and study painting\, but quickly discovered he preferred poetry. Born into the Anglo-Irish landowning class\, Yeats became involved with the Celtic Revival\, a movement against the cultural influences of English rule in Ireland during the Victorian period\, which sought to promote the spirit of Ireland’s native heritage. Yeats was deeply involved in politics in Ireland. He also had a life-long interest in mysticism and the occult\, and his work drew extensively from sources in Irish mythology and folklore. Lady Gregory and Yeats founded the Abbey Theatre in 1904. Yeats was awarded the Nobel Prize in 1923 and died in 1939 age seventy-three. \n\n\n\nThe Pearse Women\, a talk by Dr Sinead McCoole\, historian\, inspired by the life-stories of Mrs Margaret (Brady) Pearse (1857-1932)\, Politician and Dail Deputy; Margaret Mary Pearse (1878-1968)\, teacher\, TD and Senator and Mary Brigid Pearse (1884-1947)\, musician\, teacher and author; linked to objects in the Pearse Museum collection\, exploring role these women played in shaping Irish society and their relevance to a diverse Ireland today. \n\n\n\nAn Ród Seo Romhainn\, an Irish poem written by Áine Ní Ghlinn\, a bilingual Irish journalist\, poet\, playwright and children’s writer and current Arts Council Laureate na nÓg\, 2020—2023\, the first to write exclusively in Irish. The poem is inspired by the two teacups on display in the Pearse Museum\, left out by the mother of Padraig and Willie Pearse\, before her two sons went to join the Rising in 1916. The poem will be performed by Mary Duffin\, directed by Deirdre Molloy. \n\n\n\nPerformances and talks linked by music performed by Lisa McLoughlin-Gnemmi. \n\n\n\nThe Art of W/Rights Story Book \n\n\n\nAs part of The Art of W/Rights Smashing Times have created a book featuring stories of historical figures associated with the Rathfarnham area of Dublin and stories of people who inspire us submitted by the public through an open call. The book can be viewed virtually on the Smashing Times website from April 10 2022 and a ‘book installation’ will be located on site in St Enda’s Park featuring a selection of stories and quotes from the book submitted by artists and members of the public. \n\n\n\nDates and Times for Walks in the Park \n\n\n\nSaturday 9 April 2022\, Walks in the Park\, Performances at 1pm\, 2pm \n\n\n\nSunday 10 April 2022\, Walks in the Park\, 1pm\, 2pm \n\n\n\nFriday 15 April 2022\, Walks in the Park\, 1pm\, 2pm. \n\n\n\nSaturday 16 April 2022\, Walks in the Park\, 1pm\, 2pm. \n\n\n\nSunday 17 April 2022\, Walks in the Park\, 1pm\, 2pm. \n\n\n\nMonday 18 April 2022\, Walks in the Park\, 1pm\, 2pm.  \n\n\n\nPerformance live at St Enda’s Park. Hosted by Smashing Times \n\n\n\nBooking Required. Tickets: €12/10 \n\n\n\nWalks in the Park Meeting Point: Outside the entrance to Pearse Museum Reception. \n\n\n\nSt Enda’s Park\, Grange Road\, Rathfarnham\, Dublin 16.  D16 Y7Y5 \n\n\n\nBooking Required. Tickets: €12/10 \n\n\n\nInformation:  communications@smashingtimes.ie \n\n\n\nThe Art of W/Rights is an outdoor performing arts spectacle by Smashing Times International Centre for the Arts and Equality featuring site-specific outdoor shows and Walks in the Park combining theatre\, film\, literary pop-up installations and creative conversations\, promoting equality\, compassion\, and human rights in changing times.   The Art of W/Rights partners are Smashing Times International Centre for the Arts and Equality\, Irish Modern Dance Theatre\, South Dublin County Council Arts Office\, Rathfarnham Castle\, Pearse Museum and the Office of Public Works – Rathfarnham Castle Park and St Enda’s Park.  The Art of W/Rights is supported by the Arts Council In the Open | Faoin Speir\, South Dublin County Council Arts Office\, the Creative Ireland programme of South Dublin\, Erasmus+ and the Citizens\, Equality\, Rights and Values programme (CERV).  The programme generates a celebration of literature\, visual and performing arts and discussion on key themes of equality\, compassion and rights in changing times. \n\n\n\nArtist & Speaker Biographies:\n\n\n\n\n\nMary Moynihan\n\n\n\n\n\nMary Moynihan\, MA\, is a writer\, theatre and film-maker\, and Artistic Director of Smashing Times International Centre for the Arts and Equality incorporating Smashing Times Theatre and Film Company and Smashing Times Youth Arts Ensemble. Mary is a Theatre Lecturer at TU Dublin Conservatoire.  As Artistic Director of Smashing Times\, Mary specialises in professional theatre and film practice and in using the arts to promote human rights\, peace\, gender equality and positive mental health\, developing cutting edge\, arts-based programmes with a range of organisations at local\, national and international levels.  The work of Smashing Times is underpinned by a rights-based approach and a commitment to artistic excellence and social engagement. Company patrons are First Lady Sabina Coyne Higgins\, Senator Joan Freeman\, founder of Pieta House\, Ger Ryan\, actor and Tim Pat Coogan\, writer and historian.  \n\n\n\nMary has worked as lead artist on a range of award winning projects including Acting for the Future which uses theatre to promote positive mental health and well-being\, run in partnership with the Samaritans and supported by the HSE National Office for Social Inclusion\, and the highly successful European projects  Women War and Peace\, Women in an Equal Europe and the Comet Lines: Freedom Trails of Europe run in partnership with organisations from Spain\, Germany\, Poland\, Croatia\, Belgium and Serbia\, with repeat funding from Europe for Citizens. Mary has worked on a range of projects in Northern Ireland using the arts to promote peace building and reconciliation. Key work includes The Memory Project which uses theatre and film to promote peace and non-violence\, run in partnership with CAIN (Conflict Archive on the Internet) and the University of Ulster INCORE International Conflict Research Institute. Mary has designed a series of drama workshop models to promote anti-racism\, anti-sectarianism\, human rights\, gender equality\, positive mental health and suicide prevention.  Mary has been invited to present in Ireland and across Europe in relation to the numerous award-winning projects she has created and worked on. \n\n\n\nAs a playwright\, Mary’s work includes the highly acclaimed The Woman is Present: Women’s Stories of WWII by Mary Moynihan\, Deirdre Kinahan\, Paul Kennedy and Fiona Bawn Thompson; In One Breath from the award-winning Testimonies (co-written with Paul Kennedy); Constance and Her Friends and Grace and Joe – selected by President Michael D. Higgins for performance at Áras an Uachtaráin for Culture Night – and May Our Faces Haunt You and Silent Screams.  Mary is the author of ‘Loving the art in yourself’ and ‘Interview with Margaret Toomey’ in Stanislavski in Ireland – Focus at 50 edited by Steve Burch and Brian McAvera\, published by Carysfort Press\, 2013. She wrote a chapter titled ‘Death of a Mother’ for Motherhood in Ireland\, edited by Dr Patricia Kennedy\, Department of Social Policy\, UCD\, Mercier Press\, 2003. She co-authored a chapter titled ‘Laughing Together: Community-based theatre’s vital sense of humour’ for Comedy in Contemporary Irish Theatre\, edited by Dr Eric Weitz\, University of Dublin\, Trinity College\, Carysfort Press\, 2004. \n\n\n\nAs a theatre director\, professional directing credits include the The Woman is Present: Women’s Stories of WWII on Irish and international tour (co-director Bairbre Ni Chaoimh); scenes from A Midsummer Night’s Dream by William Shakespeare for the Abbey Theatre\, Dublin; Uprising scripted by Tara McKevitt and devised by Smashing Times at Project Arts Centre Dublin and on national tour; Thou Shalt Not Kill by Paul Kennedy at Project Arts Centre Dublin and Lyric Theatre Belfast;  Romeo and Juliet by William Shakespeare\, Samuel Beckett Theatre; Macbeth by William Shakespeare\, Conservatory of Music and Drama Theatre; Orphans by Dennis Kelly\, Focus Theatre; The Crucible by Arthur Miller\, St. Dymphna’s Oratory\, Grangegorman; Shattering Glass and In One Breath (Testimonies) for Smashing Times at Project Arts Centre and Helix Theatre\, Dublin; Olga from Picasso’s Women by Brian McAvera for Focus Theatre; Orpheus Descending by Tennessee Williams\, Mill Theatre Dundrum; Two Rooms by Lee Blessing for Focus Theatre; Talk To Me Like The Rain and Let Me Listen by Tennessee Williams\, Focus Theatre; May Our Faces Haunt You (nationwide tour); A Chain of Hands (Royal Hibernian Academy\, National Museum of Ireland and the Mansion House\, Dublin); Medea  (Smashing Times on nationwide tour); Yerma by Federico Garcia Lorca and Riders to the Sea by JM Synge\,  Samuel Beckett Theatre\, Dublin.  As an actor Mary has worked in theatre\, television and film including RTE’s Fair City\, Federico Garcia Lorca’s The House of Bernarda Alba at Focus Theatre and End of Term by Maeve Binchy on nationwide tour. \n\n\n\nFilm work includes the television documentary Stories from the Shadows\, the short film Tell Them Our Names\, selected for the London Eye International Film Festival and Kerry Film Festival\, the creative documentary Women in an Equal Europe and the short film Courageous Women based on powerful women’s stories from the decade of commemorations period 1916 to 1923 in Irish history. \n\n\n\n\n\n\n\nMichael McCabe\n\n\n\n\n\nMichael McCabe is a performer\, theatre director\, movement choreographer\, facilitator and arts therapist. He is a graduate of the prestigious Ecole Internationale de Theatre Jacques Lecoq\, Paris\, France\, and The Gaiety School of Acting\, Dublin\, Ireland. \n\n\n\nHis theatre appearances include The Drowning Room (Project Arts Centre)\, Borstal Boy\, The Risen People (The Gaiety Theatre)\, A Christmas Carol\, The Ginger Ale Boy (Corcadorca Theatre Company)\, Lives Worth Living (Graffiti Theatre Company)\, Good Evening Mr Joyce (Samuel Beckett Centre)\, Diarmuid agus Grainne\, An Bradan Feasa\, The Libertine\, New World Order (Iomha Illdanach Theatre Company)\, Promises\, Promises  (Project Arts Centre)\, A Day With Daghdha (Daghdha Dance Company)\, Macbeth\, Six Characters in Search for an Author\, St. Joan\, Ariel (all at the Abbey Theatre)\, Wheel\, Jeckyll and Hyde (Dublin and Prague Fringe Festivals)\, Resist /Surrender (Dublin Dance Festival)\, and Where The Shoe Pinches (The Pavilion Theatre). He was clown co-ordinator for 35 clowns and appeared in Barabbas Theatre Company’s production\, City of Clowns\, at the Dunamaise\, Junction and Eargail Arts Festivals\, and The Complex\, Smithfield and appeared in Pagliacci at The Everyman Place Theatre\, as part of Cork Midsummer Festival. \n\n\n\nHis television and film appearances include Aristocrats (BBC)\, Ireland:1848\, (RTE)\, Window (IFI)\, All God’s Children (RTE/IFI)\, Nationwide (RTE). In 2021\, Michael will appear in Bean Sidhe\, Sweetcake\, and Sodium Party\, a new feature film directed by Michael McCudden. \n\n\n\nDirecting credits include: The Dead Woman’s Son (Smock Alley Theatre)\, A Wonderful Life\, Peter Pan’s Cirque D’Imaginaire (TU Dublin Theatre)\, Showcases 2017-2019 (The New Theatre) and in 2020\, The Grimm Tales (Smock Alley Theatre). Recent appearances include Footfalls\, The Journey Home\, and in Mermaid Arts Centre for Culture night on a work-in-progress\, His Left\, Her Right\, supported by Mermaid and Wicklow Arts Office. \n\n\n\nMichael has an M.A. (Honours) in Dramatherapy from the National University of Ireland\, Maynooth\, an M.A. in Modern Drama Studies from University College Dublin\, and a B.A. (Honours) in Communication Studies from Dublin City University. He has directed theatre work in the HSE\, the Dyspraxia Association of Ireland\, Trinity College Dublin\, St. Michael’s house\, and with other special needs organisations and schools with a focus on developing the potential of theatre for working with diverse groups. \n\n\n\nMichael has been working as a Movement Director\, teaching extensive movement classes for actors at the Conservatory of Music and Drama\, TU Dublin\, the National Association of Youth Drama\, Ringsend Institute\, the Department of Performing Arts\, Bray Institute of Further Education\, and The Gaiety School of Acting (full time course). \n\n\n\nMichael is a resident artist with Smashing Times International Centre for the Arts and Equality and works with Smashing Times as a performer\, director and arts facilitator on a range of projects from Acting for the Future to Legends of the Great Birth to State of the Art.  His theatre company\, Ruaille Buaille\, is building a physical theatre ensemble style based on the techniques of Jacques Lecoq\, Anne Bogart\, and Arianne Mouchkine. Michael was movement director on The Merchant of Venice\, at Mermaid Arts Centre\, and on the world premiere of Guerilla Days in Ireland World premier in Cork last year\, due to open in The Olympia Theatre\, Dublin on September 3rd. Michael is a graduate of National University of Ireland\, Maynooth\, (M.A. Dramatherapy\, 2.1 Honours)\, and was awarded a scholarship to train with internationally renowned theatre director Anne Bogart in New York. Bursary awards include South Dublin County Council\, Irish Actors Equity\, and The Arts Council.  \n\n\n\n\n\n\n\nRob Harrington\n\n\n\n\n\nRob Harrington is an actor and editor\, known for The Rattle Shakes: Strange Longings (2015)\, A Date for Mad Mary (2016) and Vaudevillains (2019). \n\n\n\nHis film and TV credits include CRLT\, Black Sheep Productions; The Guarantee\, TV3; Love’s Labour\, That’s The Shot Productions; Ros na Rún\, TG4; The Enchanted Island\, Noel Kearns Productions; The Martyr’s Crown; Park Films. \n\n\n\nTheatre credits include Forgiveness\, Shiva Productions; Juno and the Paycock\, The New Theatre; Jesus Christ it’s Jesus\, Maylin Productions; and The Girls of Dublin\, Sean O’Casey Theatre. \n\n\n\n\n\n\n\nLisa McLoughlin-Gnemmi\n\n\n\n\n\nLisa Mc Loughlin-Gnemmi is a graduate of the Royal College of Music\, London where she received her B.Mus Hons degree. She is a lecturer in violin at the TU Dublin Conservatoire for Music and Drama. She gained her masters in performance at TU Dublin studying under Joanna Matkowska. She has performed with the National Symphony Orchestra of Ireland under conductors Alexander Anissimov\, George Hurst and Gerhardt Markson. She also worked with Lyric Opera and The Irish Film Orchestra. She has regularly performed with the RTE Concert Orchestra. \n\n\n\nPerformances with the RTECO include a chamber music recital for the commemoration of the 1916 rising at The Irish Museum of Modern Art in the presence of An t-Uachtarán and with a group of members of the RTECO playing a new composition by Simon O’ Connor narrated by actress Olwen Fouéré. Other concerts included ‘Back to the Future’\, ‘The Godfather’ with film music by Nino Rota\, ‘The Music of John Williams’ film music and RTECO’s recording of the music of Steve Mc Keon for the film ‘Norm of the North’. \n\n\n\nLisa has performed at the Dublin Metropolis Festival\, RDS and at The Button Factory\, Temple Bar with DJ Kormac. Lisa has also toured France\, South Africa and the US as solo violinist with Michael Flatley’s ‘Lord of the Dance’. Solo and chamber music recitals include DIT\, Trinity College Dublin\, The Goethe institute\, UCD and The John Field Room\, N.C.H. and The Galway Arts Festival. \n\n\n\nLisa recently performed at Dublin Castle for a production of ‘Constance and her Friends’ a play about Constance Markievicz and activists during the 1916 rising written by Mary Moynihan and performed by Smashing Times. Passionate about teaching as well as performing\, Lisa gives masterclasses\, prepares students for exams\, recitals and Feis Ceoil competitions. Lisa is married to oboist with the National Symphony Orchestra\, Sylvain Gnemmi. They have four children and live in Dublin. \n\n\n\n\n\n\n\nSinead McCoole\n\n\n\n\n\nSinéad McCoole is the author of many books including Hazel\, A Life of Lady Lavery (1996) and No Ordinary Women (1997) and Easter Widows\, the untold story of the wives of the executed leaders (2014) and Women 1916-Mná 2016 (2017). She is a member of the Government’s Expert Advisory Group on the Decade of Centenaries (2012-to date). She was Historical Advisor to the 2016 National Commemoration Programme\, Curator of Mná 1916. She has curated exhibitions on Irish history & art in both Ireland and the U.S. A Broadcaster and script writer her work includes Guns and Chiffon (2003) and A Father’s Letter part of the After ’16 Irish Film Board shorts commissioned for the centenary was based on her interviews with Fr. Joe Mallin (1913-2018). Her areas of expertise are Modern Irish History from the 1880 to the present\, Material culture\, museums\, the history of Irish women\, child prisoners\, Sir John and Lady Lavery. She is an expert in the area of women’s imprisonment 1916-1923. Her current area of interest is women in politics and public life 1918-2018. \n\n\n\n\n\nAdditional Information\n\n\n\nIn the Open – Faoin Spéir \n\n\n\nFunded by The Arts Council \n\n\n\nWhy Walks in the Park – A Walk on the Wild Side! \n\n\n\nDublin is a city of incredible energy and excitement\, with heritage and history around every corner.  The Smashing Times Walk in the Park series are an artistic celebration of Ireland’s rich cultural heritage\, sharing stories of artists\, human rights defenders\, citizens and forgotten heroes\, men and women from history and today who stood up for the rights of others. \n\n\n\nParks are freely used by members of the public for walking\, running\, chatting\, meeting friends\, enjoying nature\, playing sport\, walking with the family\, walking the dog\,  spending some ‘alone’ time\, doing yoga and so on. Our aim is to utilise the park space as a centre for arts and creativity intersecting with sustainability  linked to equality\, rights and diversity.  Smashing Times are committed to working in local settings and our aims for parks are: \n\n\n\nTo build a co-creative space in the parks of DublinTo utilise the park space for positive exchanges and community-building linking the arts to community development\, sustainability and equality\, human rights and diversityTo create an inspirational model for community parks and gardens combining the arts with creativity for sustainability\n\n\n\nIt is important to celebrate Dublin as a cultural and creative hub for the arts and human rights.  Storytelling is a key way to  share Dublin and Ireland’s rich heritage\, while showcasing the talent of our local artists and performers\, and also sharing knowledge about why promoting human rights is an important aspect of contemporary society.  Smashing Times are committed to presenting art-based programmes generating small\, intimate events in public places\, to ensure that there is  a thriving ecosystem supporting all variations of artistic practice including generating art in local spaces. A key aim is to link artists\, arts organisations and communities. \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/the-art-of-w-rights-5/
LOCATION:St Enda’s Park\, Grange Road\, Rathfarnham\, Dublin 16\, D16 Y7Y5\, Ireland
CATEGORIES:Film Screening,Onsite,Performance,Storytelling,Theatre
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2022/02/Rob-Harrington-The-Art-of-WRights-cropped.jpg
ORGANIZER;CN="Smashing Times":MAILTO:info@smashingtimes.ie
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Dublin:20220416T130000
DTEND;TZID=Europe/Dublin:20220416T200000
DTSTAMP:20220429T134239Z
CREATED:20220302T111824Z
LAST-MODIFIED:20220429T134239Z
UID:10000220-1650114000-1650139200@smashingtimes.ie
SUMMARY:The Art of W/Rights
DESCRIPTION:Belonging: Three-Day Creative Arts Workshop\n\n\n\n\n\n\n\n\n\nWorkshop: Tuesday 26 May\, 9.30am-12.30pm; Wednesday 27 May\, 11am-2pm; Thursday 28 May\, 11am-2pm. Open to all female-identifying\, registration required.  \n\n\nBook Your Place\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nArtists & Speakers\n\n\n\nMary Moynihan \n\n\n\nMichael McCabe \n\n\n\nRob Harrington \n\n\n\nMary Duffin \n\n\n\nLisa McLoughlin-Gnemmi \n\n\n\nSinead McCoole \n\n\n\nFéilim James \n\n\n\nDeirdre Molloy \n\n\n\nÁine Ní Ghlinn \n\n\n\nFull Event Details\n\n\n\nSmashing Times are delighted to present The Art of W/Rights in the grounds of Pearse Museum and St Enda’s Park on the 9\, 10 April and the 15\, 16\, 17 and 18 April (Easter Week) 2022. Engaging with the unique historical setting of Pearse Museum and St Enda’s Park\, Smashing Times present stories of people from Irish history\, with links to the area of Rathfarnham\, who spoke out for the rights of others. \n\n\n\nEnjoy a magical walk-in-the-park performance as we regale you with storytelling\, poetry and song. The play reflects on the lives of Robert Emmet and Sarah Curran; William Butler Yeats and the Pearse Women. Visit a book display and engage in creative conversations inspired by figures of the past associated with Pearse Museum\, St Enda’s Park and Rathfarnham who influenced the shaping of Irish society. Join with us as we create a ‘gathering space’ to celebrate stories and creative conversations on visions of a better world\, reflecting on of equality\, compassion and rights in changing times and asking what kind of Ireland we want to live in today. \n\n\n\nA Walk on the Wild Side – Walks in the Park at Pearse Museum and St Enda’s Park – 9\, 10\, 15\, 16\, 17\, 18 April 2022\, daily 1pm and 2pm \n\n\n\nEnjoy a guided promenade performance as you meet and greet with characters associated with Pearse Museum\, St Enda’s Park and Rathfarnham down the years. A Walk on the Wild Side is a walkabout performance featuring monologues\, poetry and song inspired by the life stories of Robert Emmet\, Sarah Curran\, John Philpot Curran\, William Butler Yeats\, and three women from the Pearse family\, Margaret (Brady) Pearse\, mother to sisters Margaret Pearse and Mary Brigid Pearse. Listen to our stories while taking time to reflect on nature and the varied wildlife and river itself to be found in St Enda’s Park. \n\n\n\nA Walk on the Wild Side features: \n\n\n\nA Beauty That Will Pass written and directed by Mary Moynihan performed by Michael McCabe\, is a poetical response to the love story of Sarah Curran (1782-1808) and Robert Emmet (1778-1803) interwoven with reference to John Philpott Curran (1750-1817) and Padraig Pearse (1879-1916) \n\n\n\nTales from an Afterworld by Féilim James\, directed by Geraldine McAlinden\, performed by Rob Harrington\, a reflection on the life and work of writer William Butler Yeats (1865-1939). Born in Dublin in 1865\, William Butler Yeats was the son of a well-known Irish painter\, John Butler Yeats. He spent his childhood in County Sligo\, where his parents were raised\, and in London. He returned to Dublin at fifteen to continue his education and study painting\, but quickly discovered he preferred poetry. Born into the Anglo-Irish landowning class\, Yeats became involved with the Celtic Revival\, a movement against the cultural influences of English rule in Ireland during the Victorian period\, which sought to promote the spirit of Ireland’s native heritage. Yeats was deeply involved in politics in Ireland. He also had a life-long interest in mysticism and the occult\, and his work drew extensively from sources in Irish mythology and folklore. Lady Gregory and Yeats founded the Abbey Theatre in 1904. Yeats was awarded the Nobel Prize in 1923 and died in 1939 age seventy-three. \n\n\n\nThe Wayfarer\, a poem by Pádraig Pearse. This was the last poem written by Pearse on the eve of his execution at Kilmainham Gaol\, Dublin (May 2\, 1916). The Wayfarer reflects on the fleeting beauty of life’s journey at a moment of decisive personal and political change. Performed by Mary Duffin\, directed by Deirdre Molloy. \n\n\n\nThe Pearse Women\, a talk by Dr Sinead McCoole\, historian\, inspired by the life-stories of Mrs Margaret (Brady) Pearse (1857-1932)\, Politician and Dail Deputy; Margaret Mary Pearse (1878-1968)\, teacher\, TD and Senator and Mary Brigid Pearse (1884-1947)\, musician\, teacher and author; linked to objects in the Pearse Museum collection\, exploring role these women played in shaping Irish society and their relevance to a diverse Ireland today. \n\n\n\nAn Ród Seo Romhainn\, an Irish poem written by Áine Ní Ghlinn\, a bilingual Irish journalist\, poet\, playwright and children’s writer and current Arts Council Laureate na nÓg\, 2020—2023\, the first to write exclusively in Irish. The poem is inspired by the two teacups on display in the Pearse Museum\, left out by the mother of Padraig and Willie Pearse\, before her two sons went to join the Rising in 1916. The poem will be performed by Mary Duffin\, directed by Deirdre Molloy. \n\n\n\nPerformances and talks linked by music performed by Lisa McLoughlin-Gnemmi. \n\n\n\nThe Art of W/Rights Story Book \n\n\n\nAs part of The Art of W/Rights Smashing Times have created a book featuring stories of historical figures associated with the Rathfarnham area of Dublin and stories of people who inspire us submitted by the public through an open call. The book can be viewed virtually on the Smashing Times website from April 10 2022 and a ‘book installation’ will be located on site in St Enda’s Park featuring a selection of stories and quotes from the book submitted by artists and members of the public. \n\n\n\nDates and Times for Walks in the Park \n\n\n\nSaturday 9 April 2022\, Walks in the Park\, Performances at 1pm\, 2pm \n\n\n\nSunday 10 April 2022\, Walks in the Park\, 1pm\, 2pm \n\n\n\nFriday 15 April 2022\, Walks in the Park\, 1pm\, 2pm. \n\n\n\nSaturday 16 April 2022\, Walks in the Park\, 1pm\, 2pm. \n\n\n\nSunday 17 April 2022\, Walks in the Park\, 1pm\, 2pm. \n\n\n\nMonday 18 April 2022\, Walks in the Park\, 1pm\, 2pm.  \n\n\n\nPerformance live at St Enda’s Park. Hosted by Smashing Times \n\n\n\nBooking Required. Tickets: €12/10 \n\n\n\nWalks in the Park Meeting Point: Outside the entrance to Pearse Museum Reception. \n\n\n\nSt Enda’s Park\, Grange Road\, Rathfarnham\, Dublin 16.  D16 Y7Y5 \n\n\n\nBooking Required. Tickets: €12/10 \n\n\n\nInformation:  communications@smashingtimes.ie \n\n\n\nThe Art of W/Rights is an outdoor performing arts spectacle by Smashing Times International Centre for the Arts and Equality featuring site-specific outdoor shows and Walks in the Park combining theatre\, film\, literary pop-up installations and creative conversations\, promoting equality\, compassion\, and human rights in changing times.   The Art of W/Rights partners are Smashing Times International Centre for the Arts and Equality\, Irish Modern Dance Theatre\, South Dublin County Council Arts Office\, Rathfarnham Castle\, Pearse Museum and the Office of Public Works – Rathfarnham Castle Park and St Enda’s Park.  The Art of W/Rights is supported by the Arts Council In the Open | Faoin Speir\, South Dublin County Council Arts Office\, the Creative Ireland programme of South Dublin\, Erasmus+ and the Citizens\, Equality\, Rights and Values programme (CERV).  The programme generates a celebration of literature\, visual and performing arts and discussion on key themes of equality\, compassion and rights in changing times. \n\n\n\nArtist & Speaker Biographies:\n\n\n\n\n\nMary Moynihan\n\n\n\n\n\nMary Moynihan\, MA\, is a writer\, theatre and film-maker\, and Artistic Director of Smashing Times International Centre for the Arts and Equality incorporating Smashing Times Theatre and Film Company and Smashing Times Youth Arts Ensemble. Mary is a Theatre Lecturer at TU Dublin Conservatoire.  As Artistic Director of Smashing Times\, Mary specialises in professional theatre and film practice and in using the arts to promote human rights\, peace\, gender equality and positive mental health\, developing cutting edge\, arts-based programmes with a range of organisations at local\, national and international levels.  The work of Smashing Times is underpinned by a rights-based approach and a commitment to artistic excellence and social engagement. Company patrons are First Lady Sabina Coyne Higgins\, Senator Joan Freeman\, founder of Pieta House\, Ger Ryan\, actor and Tim Pat Coogan\, writer and historian.  \n\n\n\nMary has worked as lead artist on a range of award winning projects including Acting for the Future which uses theatre to promote positive mental health and well-being\, run in partnership with the Samaritans and supported by the HSE National Office for Social Inclusion\, and the highly successful European projects  Women War and Peace\, Women in an Equal Europe and the Comet Lines: Freedom Trails of Europe run in partnership with organisations from Spain\, Germany\, Poland\, Croatia\, Belgium and Serbia\, with repeat funding from Europe for Citizens. Mary has worked on a range of projects in Northern Ireland using the arts to promote peace building and reconciliation. Key work includes The Memory Project which uses theatre and film to promote peace and non-violence\, run in partnership with CAIN (Conflict Archive on the Internet) and the University of Ulster INCORE International Conflict Research Institute. Mary has designed a series of drama workshop models to promote anti-racism\, anti-sectarianism\, human rights\, gender equality\, positive mental health and suicide prevention.  Mary has been invited to present in Ireland and across Europe in relation to the numerous award-winning projects she has created and worked on. \n\n\n\nAs a playwright\, Mary’s work includes the highly acclaimed The Woman is Present: Women’s Stories of WWII by Mary Moynihan\, Deirdre Kinahan\, Paul Kennedy and Fiona Bawn Thompson; In One Breath from the award-winning Testimonies (co-written with Paul Kennedy); Constance and Her Friends and Grace and Joe – selected by President Michael D. Higgins for performance at Áras an Uachtaráin for Culture Night – and May Our Faces Haunt You and Silent Screams.  Mary is the author of ‘Loving the art in yourself’ and ‘Interview with Margaret Toomey’ in Stanislavski in Ireland – Focus at 50 edited by Steve Burch and Brian McAvera\, published by Carysfort Press\, 2013. She wrote a chapter titled ‘Death of a Mother’ for Motherhood in Ireland\, edited by Dr Patricia Kennedy\, Department of Social Policy\, UCD\, Mercier Press\, 2003. She co-authored a chapter titled ‘Laughing Together: Community-based theatre’s vital sense of humour’ for Comedy in Contemporary Irish Theatre\, edited by Dr Eric Weitz\, University of Dublin\, Trinity College\, Carysfort Press\, 2004. \n\n\n\nAs a theatre director\, professional directing credits include the The Woman is Present: Women’s Stories of WWII on Irish and international tour (co-director Bairbre Ni Chaoimh); scenes from A Midsummer Night’s Dream by William Shakespeare for the Abbey Theatre\, Dublin; Uprising scripted by Tara McKevitt and devised by Smashing Times at Project Arts Centre Dublin and on national tour; Thou Shalt Not Kill by Paul Kennedy at Project Arts Centre Dublin and Lyric Theatre Belfast;  Romeo and Juliet by William Shakespeare\, Samuel Beckett Theatre; Macbeth by William Shakespeare\, Conservatory of Music and Drama Theatre; Orphans by Dennis Kelly\, Focus Theatre; The Crucible by Arthur Miller\, St. Dymphna’s Oratory\, Grangegorman; Shattering Glass and In One Breath (Testimonies) for Smashing Times at Project Arts Centre and Helix Theatre\, Dublin; Olga from Picasso’s Women by Brian McAvera for Focus Theatre; Orpheus Descending by Tennessee Williams\, Mill Theatre Dundrum; Two Rooms by Lee Blessing for Focus Theatre; Talk To Me Like The Rain and Let Me Listen by Tennessee Williams\, Focus Theatre; May Our Faces Haunt You (nationwide tour); A Chain of Hands (Royal Hibernian Academy\, National Museum of Ireland and the Mansion House\, Dublin); Medea  (Smashing Times on nationwide tour); Yerma by Federico Garcia Lorca and Riders to the Sea by JM Synge\,  Samuel Beckett Theatre\, Dublin.  As an actor Mary has worked in theatre\, television and film including RTE’s Fair City\, Federico Garcia Lorca’s The House of Bernarda Alba at Focus Theatre and End of Term by Maeve Binchy on nationwide tour. \n\n\n\nFilm work includes the television documentary Stories from the Shadows\, the short film Tell Them Our Names\, selected for the London Eye International Film Festival and Kerry Film Festival\, the creative documentary Women in an Equal Europe and the short film Courageous Women based on powerful women’s stories from the decade of commemorations period 1916 to 1923 in Irish history. \n\n\n\n\n\n\n\nMichael McCabe\n\n\n\n\n\nMichael McCabe is a performer\, theatre director\, movement choreographer\, facilitator and arts therapist. He is a graduate of the prestigious Ecole Internationale de Theatre Jacques Lecoq\, Paris\, France\, and The Gaiety School of Acting\, Dublin\, Ireland. \n\n\n\nHis theatre appearances include The Drowning Room (Project Arts Centre)\, Borstal Boy\, The Risen People (The Gaiety Theatre)\, A Christmas Carol\, The Ginger Ale Boy (Corcadorca Theatre Company)\, Lives Worth Living (Graffiti Theatre Company)\, Good Evening Mr Joyce (Samuel Beckett Centre)\, Diarmuid agus Grainne\, An Bradan Feasa\, The Libertine\, New World Order (Iomha Illdanach Theatre Company)\, Promises\, Promises  (Project Arts Centre)\, A Day With Daghdha (Daghdha Dance Company)\, Macbeth\, Six Characters in Search for an Author\, St. Joan\, Ariel (all at the Abbey Theatre)\, Wheel\, Jeckyll and Hyde (Dublin and Prague Fringe Festivals)\, Resist /Surrender (Dublin Dance Festival)\, and Where The Shoe Pinches (The Pavilion Theatre). He was clown co-ordinator for 35 clowns and appeared in Barabbas Theatre Company’s production\, City of Clowns\, at the Dunamaise\, Junction and Eargail Arts Festivals\, and The Complex\, Smithfield and appeared in Pagliacci at The Everyman Place Theatre\, as part of Cork Midsummer Festival. \n\n\n\nHis television and film appearances include Aristocrats (BBC)\, Ireland:1848\, (RTE)\, Window (IFI)\, All God’s Children (RTE/IFI)\, Nationwide (RTE). In 2021\, Michael will appear in Bean Sidhe\, Sweetcake\, and Sodium Party\, a new feature film directed by Michael McCudden. \n\n\n\nDirecting credits include: The Dead Woman’s Son (Smock Alley Theatre)\, A Wonderful Life\, Peter Pan’s Cirque D’Imaginaire (TU Dublin Theatre)\, Showcases 2017-2019 (The New Theatre) and in 2020\, The Grimm Tales (Smock Alley Theatre). Recent appearances include Footfalls\, The Journey Home\, and in Mermaid Arts Centre for Culture night on a work-in-progress\, His Left\, Her Right\, supported by Mermaid and Wicklow Arts Office. \n\n\n\nMichael has an M.A. (Honours) in Dramatherapy from the National University of Ireland\, Maynooth\, an M.A. in Modern Drama Studies from University College Dublin\, and a B.A. (Honours) in Communication Studies from Dublin City University. He has directed theatre work in the HSE\, the Dyspraxia Association of Ireland\, Trinity College Dublin\, St. Michael’s house\, and with other special needs organisations and schools with a focus on developing the potential of theatre for working with diverse groups. \n\n\n\nMichael has been working as a Movement Director\, teaching extensive movement classes for actors at the Conservatory of Music and Drama\, TU Dublin\, the National Association of Youth Drama\, Ringsend Institute\, the Department of Performing Arts\, Bray Institute of Further Education\, and The Gaiety School of Acting (full time course). \n\n\n\nMichael is a resident artist with Smashing Times International Centre for the Arts and Equality and works with Smashing Times as a performer\, director and arts facilitator on a range of projects from Acting for the Future to Legends of the Great Birth to State of the Art.  His theatre company\, Ruaille Buaille\, is building a physical theatre ensemble style based on the techniques of Jacques Lecoq\, Anne Bogart\, and Arianne Mouchkine. Michael was movement director on The Merchant of Venice\, at Mermaid Arts Centre\, and on the world premiere of Guerilla Days in Ireland World premier in Cork last year\, due to open in The Olympia Theatre\, Dublin on September 3rd. Michael is a graduate of National University of Ireland\, Maynooth\, (M.A. Dramatherapy\, 2.1 Honours)\, and was awarded a scholarship to train with internationally renowned theatre director Anne Bogart in New York. Bursary awards include South Dublin County Council\, Irish Actors Equity\, and The Arts Council.  \n\n\n\n\n\n\n\nRob Harrington\n\n\n\n\n\nRob Harrington is an actor and editor\, known for The Rattle Shakes: Strange Longings (2015)\, A Date for Mad Mary (2016) and Vaudevillains (2019). \n\n\n\nHis film and TV credits include CRLT\, Black Sheep Productions; The Guarantee\, TV3; Love’s Labour\, That’s The Shot Productions; Ros na Rún\, TG4; The Enchanted Island\, Noel Kearns Productions; The Martyr’s Crown; Park Films. \n\n\n\nTheatre credits include Forgiveness\, Shiva Productions; Juno and the Paycock\, The New Theatre; Jesus Christ it’s Jesus\, Maylin Productions; and The Girls of Dublin\, Sean O’Casey Theatre. \n\n\n\n\n\n\n\nLisa McLoughlin-Gnemmi\n\n\n\n\n\nLisa Mc Loughlin-Gnemmi is a graduate of the Royal College of Music\, London where she received her B.Mus Hons degree. She is a lecturer in violin at the TU Dublin Conservatoire for Music and Drama. She gained her masters in performance at TU Dublin studying under Joanna Matkowska. She has performed with the National Symphony Orchestra of Ireland under conductors Alexander Anissimov\, George Hurst and Gerhardt Markson. She also worked with Lyric Opera and The Irish Film Orchestra. She has regularly performed with the RTE Concert Orchestra. \n\n\n\nPerformances with the RTECO include a chamber music recital for the commemoration of the 1916 rising at The Irish Museum of Modern Art in the presence of An t-Uachtarán and with a group of members of the RTECO playing a new composition by Simon O’ Connor narrated by actress Olwen Fouéré. Other concerts included ‘Back to the Future’\, ‘The Godfather’ with film music by Nino Rota\, ‘The Music of John Williams’ film music and RTECO’s recording of the music of Steve Mc Keon for the film ‘Norm of the North’. \n\n\n\nLisa has performed at the Dublin Metropolis Festival\, RDS and at The Button Factory\, Temple Bar with DJ Kormac. Lisa has also toured France\, South Africa and the US as solo violinist with Michael Flatley’s ‘Lord of the Dance’. Solo and chamber music recitals include DIT\, Trinity College Dublin\, The Goethe institute\, UCD and The John Field Room\, N.C.H. and The Galway Arts Festival. \n\n\n\nLisa recently performed at Dublin Castle for a production of ‘Constance and her Friends’ a play about Constance Markievicz and activists during the 1916 rising written by Mary Moynihan and performed by Smashing Times. Passionate about teaching as well as performing\, Lisa gives masterclasses\, prepares students for exams\, recitals and Feis Ceoil competitions. Lisa is married to oboist with the National Symphony Orchestra\, Sylvain Gnemmi. They have four children and live in Dublin. \n\n\n\n\n\n\n\nSinead McCoole\n\n\n\n\n\nSinéad McCoole is the author of many books including Hazel\, A Life of Lady Lavery (1996) and No Ordinary Women (1997) and Easter Widows\, the untold story of the wives of the executed leaders (2014) and Women 1916-Mná 2016 (2017). She is a member of the Government’s Expert Advisory Group on the Decade of Centenaries (2012-to date). She was Historical Advisor to the 2016 National Commemoration Programme\, Curator of Mná 1916. She has curated exhibitions on Irish history & art in both Ireland and the U.S. A Broadcaster and script writer her work includes Guns and Chiffon (2003) and A Father’s Letter part of the After ’16 Irish Film Board shorts commissioned for the centenary was based on her interviews with Fr. Joe Mallin (1913-2018). Her areas of expertise are Modern Irish History from the 1880 to the present\, Material culture\, museums\, the history of Irish women\, child prisoners\, Sir John and Lady Lavery. She is an expert in the area of women’s imprisonment 1916-1923. Her current area of interest is women in politics and public life 1918-2018. \n\n\n\n\n\nAdditional Information\n\n\n\nIn the Open – Faoin Spéir \n\n\n\nFunded by The Arts Council \n\n\n\nWhy Walks in the Park – A Walk on the Wild Side! \n\n\n\nDublin is a city of incredible energy and excitement\, with heritage and history around every corner.  The Smashing Times Walk in the Park series are an artistic celebration of Ireland’s rich cultural heritage\, sharing stories of artists\, human rights defenders\, citizens and forgotten heroes\, men and women from history and today who stood up for the rights of others. \n\n\n\nParks are freely used by members of the public for walking\, running\, chatting\, meeting friends\, enjoying nature\, playing sport\, walking with the family\, walking the dog\,  spending some ‘alone’ time\, doing yoga and so on. Our aim is to utilise the park space as a centre for arts and creativity intersecting with sustainability  linked to equality\, rights and diversity.  Smashing Times are committed to working in local settings and our aims for parks are: \n\n\n\nTo build a co-creative space in the parks of DublinTo utilise the park space for positive exchanges and community-building linking the arts to community development\, sustainability and equality\, human rights and diversityTo create an inspirational model for community parks and gardens combining the arts with creativity for sustainability\n\n\n\nIt is important to celebrate Dublin as a cultural and creative hub for the arts and human rights.  Storytelling is a key way to  share Dublin and Ireland’s rich heritage\, while showcasing the talent of our local artists and performers\, and also sharing knowledge about why promoting human rights is an important aspect of contemporary society.  Smashing Times are committed to presenting art-based programmes generating small\, intimate events in public places\, to ensure that there is  a thriving ecosystem supporting all variations of artistic practice including generating art in local spaces. A key aim is to link artists\, arts organisations and communities. \n\n\n\nOrganisations Involved / Partner Organisation(s):\n\n\n\n \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue Information:
URL:https://smashingtimes.ie/event/the-art-of-w-rights-4/
LOCATION:St Enda’s Park\, Grange Road\, Rathfarnham\, Dublin 16\, D16 Y7Y5\, Ireland
CATEGORIES:Film Screening,Onsite,Performance,Storytelling,Theatre
ATTACH;FMTTYPE=image/jpeg:https://smashingtimes.ie/wp-content/uploads/2022/02/Rob-Harrington-The-Art-of-WRights-cropped.jpg
ORGANIZER;CN="Smashing Times":MAILTO:info@smashingtimes.ie
END:VEVENT
END:VCALENDAR